Old Master Paintings Master Old
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Print Format
Adraen Frans Boudewijns (Brussels 1664 - Brussels 1711) and Pieter Bout[Brussels 1658- Brussels 1719) An Extensive River Landscape with Figures around a Village with a Town in the Distance & An Extensive Mountainous Landscape with Figures before a Building the first signed ‘F. Bauduin’ (lower left); the second signed ‘F. Bauduin’ (lower centre) oil on canvas, a pair each 51.4 x 63.2 cm (20¼ x 25 in) (2) Set against a dramatic backdrop of undulating mountain scenery and peopled with brightly lit figures, this pair of paintings presents an exquisite example of the Flemish landscape genre. In An Extensive River Landscape with Figures around a Village with a Town in the Distance, a group of figures in the foreground stop to converse on a well-travelled road. Beyond them, two people make their way along the path leading towards a lake, where more figures and two horses are faintly identifiable. Near the lake, the edge of a town can be seen and in the centre of the painting, a building is nestled within the landscape in front of which stand a herd of cows and a farmer. To their right, a river meanders its way through the craggy landscape where further buildings are situated. In An Extensive Mountainous Landscape with Figures before a Building, a horseman passes a man talking to two women, one of whom sits down to rest; nearby a child clad in blue and a loyal dog wait patiently. Beyond them, two figures follow the path as it curves round to a bridge over which a herdsman guides his cattle. -
Supplementary Information For
1 2 Supplementary Information for 3 Dissecting landscape art history with information theory 4 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 5 Hawoong Jeong 6 E-mail:[email protected] 7 Seung Kee Han 8 E-mail:[email protected] 9 This PDF file includes: 10 Supplementary text 11 Figs. S1 to S20 12 Tables S1 to S2 13 References for SI reference citations www.pnas.org/cgi/doi/10.1073/pnas.2011927117 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 1 of 28 14 Supporting Information Text 15 I. Datasets 16 A. Data curation. Digital scans of landscape paintings were collected from the two major online sources: Wiki Art (WA) (1) 17 and the Web Gallery of Art (WGA) (2). For our purpose, we collected 12,431 landscape paintings by 1,071 artists assigned to 18 61 nationalities from WA, and 3,610 landscape paintings by 816 artists assigned with 20 nationalities from WGA. While the 19 overall number of paintings from WGA is relatively smaller than from WA, the WGA dataset has a larger volume of paintings 20 produced before 1800 CE. Therefore, we utilize both datasets in a complementary way. 21 As same paintings can be included in both datasets, we carefully constructed a unified dataset by filtering out the duplicate 22 paintings from both datasets by using meta-information of paintings (title, painter, completion date, etc.) to construct a unified 23 set of painting images. The filtering process is as follows. -
Government Gazette Staatskoerant REPUBLIC of SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA March Vol. 657 Pretoria, 27 2020 Maart No. 43149 PART 1 OF 2 LEGAL NOTICES A WETLIKE KENNISGEWINGS ISSN 1682-5843 N.B. The Government Printing Works will 43149 not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes 9 771682 584003 AIDS HELPLINE: 0800-0123-22 Prevention is the cure 2 No. 43149 GOVERNMENT GAZETTE, 27 MARCH 2020 IMPORTANT NOTICE OF OFFICE RELOCATION Private Bag X85, PRETORIA, 0001 149 Bosman Street, PRETORIA Tel: 012 748 6197, Website: www.gpwonline.co.za URGENT NOTICE TO OUR VALUED CUSTOMERS: PUBLICATIONS OFFICE’S RELOCATION HAS BEEN TEMPORARILY SUSPENDED. Please be advised that the GPW Publications office will no longer move to 88 Visagie Street as indicated in the previous notices. The move has been suspended due to the fact that the new building in 88 Visagie Street is not ready for occupation yet. We will later on issue another notice informing you of the new date of relocation. We are doing everything possible to ensure that our service to you is not disrupted. As things stand, we will continue providing you with our normal service from the current location at 196 Paul Kruger Street, Masada building. Customers who seek further information and or have any questions or concerns are free to contact us through telephone 012 748 6066 or email Ms Maureen Toka at [email protected] or cell phone at 082 859 4910. Please note that you will still be able to download gazettes free of charge from our website www.gpwonline.co.za. -
Creativity Over Time and Space
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Serafinelli, Michel; Tabellini, Guido Working Paper Creativity over Time and Space IZA Discussion Papers, No. 12644 Provided in Cooperation with: IZA – Institute of Labor Economics Suggested Citation: Serafinelli, Michel; Tabellini, Guido (2019) : Creativity over Time and Space, IZA Discussion Papers, No. 12644, Institute of Labor Economics (IZA), Bonn This Version is available at: http://hdl.handle.net/10419/207469 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu DISCUSSION PAPER SERIES IZA DP No. 12644 Creativity over Time and Space Michel Serafinelli Guido Tabellini SEPTEMBER 2019 DISCUSSION PAPER SERIES IZA DP No. 12644 Creativity over Time and Space Michel Serafinelli University of Essex, IZA and CReAM Guido Tabellini IGIER, Università Bocconi, CEPR, CESifo and CIFAR SEPTEMBER 2019 Any opinions expressed in this paper are those of the author(s) and not those of IZA. -
Boel, Etude De Lions
Fiche oeuvre Auteur Pieter Boel (Anvers, 1625 – Paris, septembre 1674) œuvre Etude de lions Date Entre 1668 et 1674 Technique Huile sur toile Dimensions 71,2 x 92 cm Provenance Décors de la ménagerie de Versailles, répartis à la fin du XIXe siècle dans les Musées de France. Mots-clés Lion, Versailles, Dessin scientifique. CONTEXTE Le règne de Louis XIV (1661-1715) marque l'apogée du premier empire colonial français. Placées sous l'autorité du secrétariat d'Etat à la marine puis sous celle d'un bureau des colonies, les possessions françaises sont au cœur d'un commerce florissant régi par le système de l'Exclusif, aucune colonie n'étant autorisée à faire commerce avec l'étranger. Selon le mercantilisme de Colbert et comme le mentionne l'Encyclopédie : Les colonies n'ont été fondées que pour l'utilité de la métropole. Cette nouvelle prospérité permet le développement considérable de ports comme Nantes, Bordeaux ou Lorient. Au cœur de cette économie coloniale, l'esclavage, régi par le Code noir de 1685, est alimenté par le commerce triangulaire. Les esclaves, tous originaires d'Afrique, sont alors considérés comme une marchandise. Ils permettent également l’importation d’animaux rares comme le lion. ARTISTE Initié par son père graveur, Pieter Boel entre en apprentissage probablement chez les peintres de natures mortes et d’animaux d’Anvers Frans Snyders puis Ian Fyt. Entre 1647 et 1649, il se perfectionne en Italie où il rencontre un vif succès notamment à Rome et Gênes, où il s’inspire des compositions animalières de Giovanni Benedetto Castiglione. De retour à Anvers vers 1650, il est reçut franc maître de la guilde et il s’y marie. -
Review of the Year 2012–2013
review of the year TH E April 2012 – March 2013 NATIONAL GALLEY TH E NATIONAL GALLEY review of the year April 2012 – March 2013 published by order of the trustees of the national gallery london 2013 Contents Introduction 5 Director’s Foreword 6 Acquisitions 10 Loans 30 Conservation 36 Framing 40 Exhibitions 56 Education 57 Scientific Research 62 Research and Publications 66 Private Support of the Gallery 70 Trustees and Committees of the National Gallery Board 74 Financial Information 74 National Gallery Company Ltd 76 Fur in Renaissance Paintings 78 For a full list of loans, staff publications and external commitments between April 2012 and March 2013, see www.nationalgallery.org.uk/about-us/organisation/ annual-review the national gallery review of the year 2012– 2013 introduction The acquisitions made by the National Gallery Lucian Freud in the last years of his life expressed during this year have been outstanding in quality the hope that his great painting by Corot would and so numerous that this Review, which provides hang here, as a way of thanking Britain for the a record of each one, is of unusual length. Most refuge it provided for his family when it fled from come from the collection of Sir Denis Mahon to Vienna in the 1930s. We are grateful to the Secretary whom tribute was paid in last year’s Review, and of State for ensuring that it is indeed now on display have been on loan for many years and thus have in the National Gallery and also for her support for very long been thought of as part of the National the introduction in 2012 of a new Cultural Gifts Gallery Collection – Sir Denis himself always Scheme, which will encourage lifetime gifts of thought of them in this way. -
November 2012 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 29, No. 2 November 2012 Jan and/or Hubert van Eyck, The Three Marys at the Tomb, c. 1425-1435. Oil on panel. Museum Boijmans Van Beuningen, Rotterdam. In the exhibition “De weg naar Van Eyck,” Museum Boijmans Van Beuningen, October 13, 2012 – February 10, 2013. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Paul Crenshaw (2012-2016) HNA News ............................................................................1 Wayne Franits (2009-2013) Personalia ............................................................................... 2 Martha Hollander (2012-2016) Exhibitions ............................................................................ 3 Henry Luttikhuizen (2009 and 2010-2014) -
1900 to 1956 Compiled by Janet Guida Denver, Colorado 2000
William P. Horan Burial Records - Index 1900 to 1956 Compiled by Janet Guida Denver, Colorado 2000 TABLE OF CONTENTS PREFERENCE ................................................................. iii A ....................................................................................................................... 1 B ..................................................................................................................... 13 C ..................................................................................................................... 55 D ..................................................................................................................... 98 E ................................................................................................................... 128 F ................................................................................................................... 136 G .................................................................................................................. 156 H .................................................................................................................. 182 I .................................................................................................................... 214 J ................................................................................................................... 216 K .................................................................................................................. 224 L .................................................................................................................. -
Comune Di Bieno B.48
Comune di Bieno b.48 COGNOME NOME FIGLIO DI DATA DI LUOGO DI RESIDENZA POSIZIONE NASCITA NASCITA Zoni Virgilio Giocondo Paolo e Rosa Zoni 20/07/1899 Bieno Riformato (1917) Dannini Giovanni Antonio e Lodari Serafina 11/09/1884 Bieno Riformato (1917) Tedeschi Giovanni Giacomo e Nicola Rosa 21/08/1882 Bieno Riformato (1917) Delmatti Alfredo Umberto Giovanni e Sorini Caterina 01/02/1882 Bieno Bieno Riformato (1917) Tedeschi Giuseppe Camillo Francesco e Martinetti Maria 26/08/1880 Bieno Riformato (1917) Tedeschi Giuseppe Giovanni e Dalioli Giuseppina 26/07/1879 Bieno Riformato (1917) Boldi Antonio Leonardo e Righetti Elisabetta 11/11/1878 Bieno Riformato (1917) Magistris Giovanni Quirico e Cardis Domenica 30/10/1877 Bieno Riformato (1917) Passerini Carlo Stefano e Zoni Margherita 05/01/1875 Bieno Riformato (1917) Tedeschi Carlo Pietro e Cardis Angela 02/11/1891 Bieno Rimandato (1916) Riformato (1917) Antonioli Carlo Giovanni e Passerini Caterina 08/11/1889 Bieno Riformato (1917) Rimandato Renitente Magistris Giovanni Rodolfo Antonio e Cusano Maddalena 14/09/1883 Bieno Estero Rimandato Alfredo Bieno Renitente (1903) Riformato (1903) Delmatti Federico Giuseppe Baldassare e Cardis Margherita 21/11/1892 Bieno Bieno Riformato Seconda categoria Tedeschi Ferdinando Pietro e Martinetti Virginia 28/07/1888 Bieno Riformato Cardis Giovanni Giacomo e Vicarini Domenica 26/17/1888 Bieno Riformato Giuseppina Zoni Giacomo Luigi Alfredo Luigi e Cardis Domenica 27/11/1882 Bieno Riformato Renitente Prima categoria Passerini Alfonso Bernardo 1899 Bieno [cancellato] -
App Gross Check Name 20 98 Cheryl
APP GROSS CHECK NAME 20 98 CHERYL NAVALINSKAS NOTE: DO NOT ERASE IN THIS SPREADSHEET ONCE ENTERED 21 106 LUCY MUCKLE START WITH AM AND WORK ALL THE WAY THROUGH PM 22 83 CAROLE SUDAR 23 92 GLORIA NORDI 11 80 JOYCE FAZIO 382 88 ROCHELLE FARMERIE 383 102 SANDRA TIMMONS 381 95 PUNK KETTERER 35 93 BEV OTTAVIANI 36 91 LOIS AVERY 99 97 DARLYN CONNOR 213 97 JUDY KOTULA 81 107 NARDIS HARDIE 82 94 DOREEN LASSAN 83 91 PAT URBANIC 84 102 PAT MENEILLY 4 82 DONNA McCLYMONDS 3 82 GARY McCLYMONDS 434 97 KEN McGUCKIN 442 99 RANCE WALDRON 439 88 DENISE BARNHOLDT 410 102 SUZANNE MODRAK 411 94 GAYE ANN ICE 440 99 CAROL HLEBINSKY 10 92 ROBERT FAZIO 105 87 ROBERT STEINBOCK 106 87 MARY ANN STEINBOCK 378 85 ELLEN BOLTON 412 108 PAT SMITH 413 102 DEB MANGELLI 414 96 TERRI BUSHYEAGER 415 113 DAWN BOSWELL 248 91 JOE TURCONI 304 82 JAMES YANSSENS 305 86 PAT PIERI 306 91 BILL YANSSENS 31 94 DEAN CONKLIN 32 101 TONY GLOTT 33 101 STEVE HAWREY 34 102 BOB FRANTZ 176 83 GEORGE SMITH 240 dnf BILL HERSPERGER 203 85 ELI PEICH 179 93 RICHARD BROOKS 59 88 JIM PEGHER 60 91 BOB SHAFFREY 61 94 JOE MORICI 62 93 MIKE FRANCHAK 234 93 LEW SNIZIK 245 97 MARV TRUZZI 246 97 JOSEPH RAY 436 93 WESLEY WOODWART 55 91 BOB BIORDI 56 87 DUANE MEANOR 57 98 WALT WAURO 58 102 CARL GODLEWSKI 134 81 LARRY LAWSON 135 97 KEN JANKE 136 91 JERRY FERGUSON 137 91 BILL STROYNE 150 126 BOB WITT 171 99 ERNIE BILOTTO 172 91 ANTHONY DIMINO 173 93 WARREN STRICKLAND 5 92 CONRAD HOHENBERGER 8 105 ERIC KLAUS 6 83 BARRY FOWLER 7 105 DAN BARKEY 107 90 LARRY MINNITTI 109 90 FRED ROGERS 146 85 BRAD DAVIDSON 422 98 -
The Year of the Animal in France
1668 The Year of the Animal in France Peter Sahlins ZONE BOOKS • NEW YORK 2017 © 2017 Peter Sahlins zone books 633 Vanderbilt Street Brooklyn, NY 11218 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, microfilming, recording, or otherwise (except for that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the Publisher. Printed in Canada. Distributed by The MIT Press, Cambridge, Massachusetts, and London, England Permissions from the publishers to incorporate from the following previously published works is greatly appreciated: “The Royal Menageries of Louis XIV and the Civilizing Process Revisited,” was originally published in French Historical Studies 35.2, pp. 226–46. © 2012 Society of French Historical Studies. All rights reserved. Republished by permission of the copyright holder, and the present publisher, Duke University Press. www.dukeupress.edu; “A Tale of Three Chameleons: The Animal between Literature and Science in the Age of Louis XIV,” was originally published in French Thinking About Animals, eds. Louisa MacKenzie and Stephanie Posthumus, pp. 15–30. © 2014 Michigan State University Press; “Where the Sun Don’t Shine: The Royal Labyrinth at Versailles, 1668– 1674,” was originally published in Animals and Early Modern Identity, ed. Pia Cuneo, pp. 67–88. © 2014 Ashgate: Surrey, England and Burlington, VT, 2014. Reprinted by permission from Taylor & Francis; “The Beast Within: Animals and the First Xenotransfusion Experiments in France, 1667–68,” was originally published in Representations 129, pp. -
Press Kit (PDF, 1.66MB)
Content Rembrandt’s Orient: West Meets East in Dutch Art of the Seventeenth Century Press Conference March 11, 2021, 11 a.m. Online press conference on Zoom With: Ortrud Westheider, director, Museum Barberini Michael Philipp, head curator, Museum Barberini Dorothee Entrup and Andrea Schmidt, education, Museum Barberini Contents of the Press Kit: • Press Release • Sections of the Exhibition • Interview with Guest Curator Gary Schwartz • Facts and Figures • Publication • Press Images • Exhibition Preview 2021/22 To download images, please visit: www.museum-barberini.de/presse Press contact: Achim Klapp, Marte Kräher Museum Barberini Humboldtstr. 5–6, 14467 Potsdam, Germany T +49 331 236014 305/308 [email protected] www.museum-barberini.de Rembrandt’s Orient Content Press release Press Rembrandt’s Orient: West Meets East in Dutch Art of the Seventeenth Century March 13 to June 27, 2021 Potsdam, March 11, 2021––Rembrandt and his contemporaries were fascinated by the distant lands from which a great number of novel goods were imported to the Netherlands beginning in the seventeenth century. The enthusiasm for things foreign became fashionable and resulted in a new type of art that combined painted realism with idealized images and fantastical projections. Paintings illustrating biblical stories were also enriched with exotic elements. From today’s perspective, the drawbacks of this way of appropriating the world are apparent: the imbalance of power between cultures, which was manifest in slavery, violence, exploitation, and trade wars, was not represented. Rembrandt’s paintings with “Oriental” touches reflect the Dutch fascination with the exotic. Both true to life and alienated, they represent an alternative realm that contrasted with everyday life in the Calvinist Netherlands.