AGUILAR AGUILAR, Grace, 1816-47 1. Home

Total Page:16

File Type:pdf, Size:1020Kb

AGUILAR AGUILAR, Grace, 1816-47 1. Home AGUILAR _________________________________________________________________________________________________________________ AGUILAR, Grace, 1816-47 lettered in gilt; cloth a little darkened. Owner’s Born of Jewish-Spanish parents in Hackney, stamp on leading f.e.p. Aguilar began writing for a living before she was ¶Not in Wolff. Prolific novelist, born in twenty, following the death of her father. Her early Australia. published work was on Jewish subjects; she later turned to fiction. Home Influence was her most 1899 £40 successful novel described by the author as 'a story illustrative of a mother's solemn responsibilities, 7. ALBANESI, Effie Maria. Drusilla’s Point of intense anxiety to fulfil them and deep sense of the View: a story of love. Copyright edn. Leipzig: Influence of Home'. Bernhard Tauchnitz. Half title. Contemp. half black calf, black cloth boards, maroon leather 1. Home Influence. A tale for mothers and label; spine & leading hinges rubbed. daughters. Copyright edn. 2 vols. Leipzig: ¶Todd 4054. Bernhard Tauchnitz. Half titles. Neat contemp. 1908 £20 brown cloth. v.g. ¶Todd 464b & 465. Both vols signed Amy ALCOTT, Louisa May, 1832-88 Jones of Abberley Hall. American novelist best remembered for Little 1859 £30 Women (1868-9), her semi-autobiographical story of family life in Massachusetts. The main character Jo 2. Home Influence. ... W. Nicholson & Sons. Half is most identifiable with the author, but unlike her title, front., vignette title, 7pp ads. Orig. maroon protagonist Alcott never married. She received some cloth, bevelled boards, blocked in black, lettered literary instruction from Ralph Waldo Emerson and Nathaniel Hawthorne, both family friends. in gilt. v.g. [c.1890] £20 8. Jo's Boys, and how they turned out: a sequel to “Little Men”. 4th edn. Sampson Low, Marston, 3. The Mother’s Recompense. A sequel to Home Searle, & Rivington. Front. port., 3pp ads + Influence. George Routledge & Sons. Front., 32pp cata. (Oct. 1889). Orig. blue/green cloth, added engr. title & plates, 8pp ads. Orig. olive bevelled boards, pictorially blocked in maroon & green cloth, bevelled boards with multi-coloured olive green, lettered in gilt; sl. rubbing. a.e.g. A blocking; sl. rubbing, lacking leading f.e.p. good-plus copy. a.e.g. ¶First published in 1886. ¶Topp indicates that Routledge purchased 1890 £35 the rights from Groombridge in August 1888. LITTLE WOMEN [c.1890] £25 9. Little Women. Illustrated by M.V. Wheelhouse. Collins’ Clear-Type Press. (Collins’ Home 4. The Mother's Recompense. A sequel to “Home Library.) Half title, front. + 2 plates in colour, Influence”. W. Nicholson & Sons. Half title, illus. on e.ps. Orig. olive green cloth, blocked in 6pp ads. Orig. green cloth, blocked in black, black & pale green, lettered in black & gilt. v.g. lettered in gilt; dulled and sl. marked. Prize ¶This edition not in BL. label, 1914. [c.1910] £20 ¶This edition, published by W. Nicholson, not in BL or on COPAC. 10. Little Women. Illustrated by M.V. Wheelhouse. [c.1895?] £20 G. Bell & Sons. (Queen’s Treasures series.) Half __________ title, front. + 7 plates in colour, 6pp ads, illus. on e.ps. Orig. pale orange cloth, pictorially blocked 5. AIKIN, Lucy. Memoir of John Aikin, M.D. & lettered in white; spine v. sl. faded. v.g. With a selection of his miscellaneous pieces, 1921 £20 biographical, moral, and critical. 2 vols. FIRST EDITION. Baldwin, Cradock, & Joy. Engr. 11. Nice Wives: a sequel to “Little Women”. front. port. vol. I. Uncut in orig. blue boards, Goubaud & Son. (The Daisy Library.) 10pp beige cloth spines, paper labels; spines worn & cata. Orig. brown cloth, lettered & blocked in chipped, boards sl. marked, cloth missing from black & gilt, front board with small floral onlay corners. A good, internally clean copy in an in pink, white, green & gilt; v. sl. rubbing. Gift unusual binding. inscription, Christmas 1889. A v.g. copy. 1823 £180 ¶This edition not in BL or on COPAC. COPAC lists three titles in The Daisy 6. ALBANESI, Effie Maria. The Blunder of an Library, none dated, but all c.1880. ‘Good Innocent. FIRST EDITION. Hutchinson & Co. Wives’, as it is more commonly known, was Half title, 5pp ads; e.ps a little browned. Orig. first published in 1869. olive green cloth, front board blocked in blind, [1880?] £40 ALCOTT _________________________________________________________________________________________________________________ 12. Rose in Bloom: a sequel to “Eight Cousins”. 17. The Heritage of Langdale. Cheap edn. Illustrated by Harriet Roosevelt Richards. Hutchinson & Co. Half titles, 4pp ads. Orig. Sampson Low, Marston & Co. Half title, front., dark green cloth, blocked & lettered in gilt; sl. vignette title, plates. Orig. olive green cloth, rubbed. A good-plus copy. pictorially blocked in white, black & pale green, ¶Not in Wolff. lettered in white & gilt.; a little dulled & sl. 1894 £30 rubbed. Hazel A. Benham’s booklabel & signature. A good-plus copy. 18. Stronger than Love. Copyright edn. 2 vols. ¶The first edition was published in 1876. Leipzig: Bernhard Tauchnitz. Contemp. half 1906 £20 black calf, black cloth boards, maroon leather labels; a bit worn. 13. Louisa May Alcott, her Life, Letters, and ¶Todd 3607 & 3608. Title not in Wolff. Journals; ed. by Ednah D. Cheney. FIRST 1902 £20 ENGLISH EDITION. Sampson Low. Half title, front. Uncut in orig. maroon cloth; faded & sl. rubbed, sl. wear at head of spine. Inscription on 19. What Gold Cannot Buy. FIRST EDITION. F.V. verso of leading f.e.p., Christmas 1889. White & Co. Half titles, 16pp cata. Orig. red ¶Louisa Alcott died in 1888. cloth, blocked in blind, spine lettered in gilt, front board lettered in black; spine faded and a 1889 £30 little worn. __________ ¶Not in Wolff. 14. ALEXANDER, Cecil Frances. Poems. Edited, 1895 £35 with a preface, by William Alexander. FIRST EDITION. Macmillan and Co. Half title, front. 20. The Wooing o’t: a novel. 8th edn. Richard port., 4pp ads; partially unopened. Orig. blue Bentley & Son. (Favourite novels.) Half title, cloth, blocked & lettered in gilt; spine sl. faded. 8pp cata. Orig. black cloth; sl. rubbing. v.g. v.g. ¶See Sadleir 41 for the 1873 3-volume first ¶The Norfolk-born author moved to Ireland, edition; Wolff 3129 had only this edition. marrying the rector of Termonamongan, 1890 £35 Derry - a wild parish, 'with a church __________ population of some 1,500 people, scattered over bogs and mountains for many miles'. 1896 £35 21. (ALSOP, C.M.) BRAITHWAITE, Martha. Memorials of Christine Majolier Alsop. ALEXANDER, Mrs, pseud. Compiled by Martha Braithwaite. All rights (Annie Hector, née French), 1825-1902 reserved. Samuel Harris & Co. Half title, front. Dublin-born, Alexander came to England when port; light foxing in prelims. Orig. brown cloth, her lawyer father lost his money. She was bevelled boards, blocked in black, lettered in gilt. encouraged to write by Mrs. S.C. Hall, Eliza Linton Presentation inscription dated 1881, Renier and W.H. Wills, Dickens's sub-editor on booklabel. v.g. Household Words where her first works were ¶The autobiography of a Quaker with letters published. 'Alexander's fiction typically revolves and journals. The editor writes from around a young girl torn between money, family & Camden Road, London. love, often complicated by a legacy'. (Sutherland.) 1881 £30 15. By Woman’s Wit. A novel. 2 vols F.V. White INSCRIBED & Co. Half titles. Orig. scarlet cloth, spines lettered in gilt, front boards lettered in black; a 22. ANDERSEN, Lucy A Holiday in Italy. New bit darkened & rubbed, boards with partially edn, carefully revised. Walter Scott. Half title, removed library labels. final ad. leaf. Orig. scarlet cloth, bevelled ¶Not in Wolff. boards, blocked in black, lettered in gilt; spine faded, front board sl. marked along upper 1886 £125 margin. A good-plus copy. 16. For His Sake. Copyright edn. 2 vols. Leipzig: ¶2nd edition, with considerable additions Bernhard Tauchnitz. (Collection of British and alterations. With inscription on leading authors. vol. 2853-54.) Half title vol. I; prelims f.e.p.: ‘Nellie French, from her friend the vol. II removed. Dark green Biarritz Library authoress Lucy Andersen, May 1893’. This title not in BL. National Library of Scotland binding; spine faded to brown. and Trinity College Dublin date this as ¶Todd 2853a; Wolff 3118 is an undated [1890]. By the author of Copenhagen and yellowback. its Environs. 1892 £20 [1890] £35 ANETHAN _________________________________________________________________________________________________________________ 23. ANETHAN, Eleanora Mary d’, Baroness. very nicely rebacked in morocco; spines sl. His Chief’s Wife. FIRST EDITION. Chapman faded. v.g. & Hall. Half title; leading f.e.p. removed. ¶This appears to be by a female writer. Uncut in orig. dark blue cloth, lettered & First issued by Edward Bull as The Female pictorially blocked in silver; spine faded. A Freemasons in 1840. See Wolff 7461. This good-plus copy. reissue as ‘Cecil Merryville’ is not in the BL or listed on COPAC. ¶Not in Wolff. Expatriate life in Brazil. 1844 £380 1897 £40 24. ANLEY, Charlotte. Earlswood; or, Lights and 29. Chilcote Park; or, The Sisters. By the author of Shadows of the Anglican Church. A tale for ‘Likes and Dislikes’. John W. Parker & Sons. the times, and all time. FIRST EDITION. Leading inner hinge repaired. Contemp. half T. Hatchard. Half title; sl. browned. Orig. maroon calf, spine with raised bands, black brown cloth, blocked in blind, small gilt leather label sl. chipped; a little faded. monogram at centre of front board, spine lettered 1860 £40 in gilt; inner hinges cracking, a little rubbed. Owner’s inscription on initial blank, 1877. 30. Days of Old. Three stories from old English ¶Not in Wolff. Tractarian novel. History. For the young. By the author of “Ruth and her Friends”. Cambridge: Macmillan & Co. 1852 £85 Front., title in red & black. Contemp. half blue calf, spine with raised gilt bands and maroon 25. (ANLEY, Charlotte) Miriam; or, The Power leather label; a little faded.
Recommended publications
  • Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
    1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’.
    [Show full text]
  • Copyrighted Material
    1 “The Times are Unexampled”: Literature in the Age of Machinery, 1830–1850 Constructing the Man of Letters “The whole world here is doing a Tarantula Dance of Political Reform, and has no ear left for literature.” So Carlyle complained to Goethe in August of 1831 (Carlyle 1970–2006: v.327). He was not alone: the great stir surrounding prospects for electoral reform seemed for the moment to crowd aside all other literary interests. The agitation, how- ever, helped to shape a model of critical reflection that gave new weight to literature. The sense of historical rupture announced on all sides was on this view fundamentally a crisis of belief – what a later generation would call an ideological crisis. Traditional forms of faith that under- girded both the English state and personal selfhood were giving way; the times required not merely new political arrangements, but new grounds of identity and belief. Of course, that very designation reflected a skeptical castCOPYRIGHTED of mind. New myths, it seemed, MATERIAL could no longer be found in sacred texts and revelations. They would be derived from sec- ular writings and experience – something that came to be called “litera- ture” in our modern sense of the term. And the best guide to that trove of possibility would be a figure known as “the man of letters.” The most resonant versions of this story were honed through an unlikely literary exchange. In 1831 Carlyle (1795–1881), struggling to eke out a living as an author in the remote Scottish hamlet of Craigenputtoch, came upon “The Spirit of the Age,” a series of articles 99780631220824_4_001.indd780631220824_4_001.indd 2277 112/29/20082/29/2008 33:15:55:15:55 PPMM 28 Literature in the Age of Machinery, 1830–1850 in the London Examiner by John Stuart Mill (1806–73).
    [Show full text]
  • This Most Humane Commerce': Lace-Making During the Famine
    'This most humane commerce': Lace-making during the Famine Item Type Book chapter Authors Fegan, Melissa Citation Melissa Fegan, '"This most humane commerce": Lace-making during the Famine', in Marguerite Corporaal, Oona Frawley, and Emily Mark-Fitzgerald (eds) The Great Irish Famine: Visual and Material Culture (Liverpool: Liverpool University Press, 2018), 110-127. Publisher Liverpool University Press Download date 28/09/2021 16:37:44 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/620794 7. ‘This most humane commerce’: Lace-making during the Famine Melissa Fegan No. 86 in Fintan O’Toole’s History of Ireland in 100 Objects is a lace collar from Youghal, which ‘epitomises one of the more remarkable achievements of Irish women in the second half of the nineteenth century – the creation from scratch of a world-class craft industry’ (Figure 7.1).1 The collar’s aesthetic appeal is secondary to its significance as an artefact linked imaginatively, if not literally, to the Famine. It was exhibited at the Royal Dublin Society in 1906, but is a legacy of the foundation of lace-schools in Ireland during the 1840s and 1850s by nuns and middle-class women for the purpose of providing an income for girls whose families were directly affected by the Famine. The Presentation Convent in Youghal is frequently cited as the origin of the Famine lace industry. Mother Mary Ann Smith took a piece of old Italian lace, unravelled its threads one by one, and taught herself to make it, before teaching the girls at the convent school to do the same, and then opening a lace school in 1852.2 In his 1886 history of Irish lace, Ben Lindsey hints at a reason why Youghal was an apposite location for the revival of lace-making as a relief measure during the Famine: as the former home of Sir Walter Raleigh, it was ‘the place where the first potato took root in Irish soil’.3 Lace-making in Ireland had a longer history, however.
    [Show full text]
  • The History of British Women's Writing, 1830–1880, Volume
    The History of British Women’s Writing, 1830–1880 The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume edi- tors and contributors are leading scholars whose work collectively reflects the global excellence in this expanding field of study. It is envisaged that this series will be a key resource for specialist and non-specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700–1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500–1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610–1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690–1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750–1830 Volume Five Holly Laird (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Seven Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920–1945 Volume Eight Claire Hanson and Susan Watkins (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1945–1975 Volume Nine Mary Eagleton and Emma Parker (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1880–1920 Volume Ten History of British Women’s Writing Series Standing Order ISBN 978-0-230-20079-1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order.
    [Show full text]
  • The Class of 1838: a Social History of the First Victorian Novelists
    Document généré le 1 oct. 2021 04:33 Mémoires du livre Studies in Book Culture The Class of 1838 A Social History of the First Victorian Novelists Allen Riddell et Troy J. Bassett Commerce du livre, carnaval du livre Résumé de l'article Book Commerce Book Carnival S’inspirant des travaux de Raymond Williams, le présent article porte sur les Volume 11, numéro 2, printemps 2020 81 écrivains publiés en 1838. Nous examinons d’abord l’origine sociale de ceux-ci, établie en fonction de l’activité du père. Alors que la majorité des URI : https://id.erudit.org/iderudit/1070272ar adultes des îles Britanniques appartenaient à l’époque à la classe ouvrière, la DOI : https://doi.org/10.7202/1070272ar plupart des écrivains de la cohorte de 1838 émanaient des classes supérieures. Nous dressons ensuite un portrait de leur carrière à partir des données suivantes : âge auquel ils ont publié leur premier roman, nombre de romans Aller au sommaire du numéro publiés et nombre d’années sur lequel leur carrière s’est échelonnée. Aucune différence significative ne se dégage entre la carrière des hommes et celle des femmes. Cependant, on remarque l’absence d’un second roman chez nombre Éditeur(s) des membres de la cohorte. Enfin, nous nous attardons à la manière dont les écrivains se présentent au lectorat sur la page titre des 87 oeuvres de fiction Groupe de recherches et d’études sur le livre au Québec publiées en 1838. Contrairement à ce à quoi on pourrait s’attendre, les hommes dissimulent leur identité dans une plus large proportion que les femmes.
    [Show full text]
  • ZACKS-DISSERTATION.Pdf (2.094Mb)
    Copyright by Aaron Shanohn Zacks 2012 The Dissertation Committee for Aaron Shanohn Zacks Certifies that this is the approved version of the following dissertation: Publishing Short Stories: British Modernist Fiction and the Literary Marketplace Committee: Michael Winship, Supervisor Mia Carter Alan Friedman Wayne Lesser Ira Nadel Publishing Short Stories: British Modernist Fiction and the Literary Marketplace by Aaron Shanohn Zacks, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2012 Acknowledgements I would not have completed this project without the professional and personal support of many people. Michael Winship proved a challenging and supportive Director who knew when to push, when to lay off, and, in my weaker moments, when all I needed was a little encouragement. A compliment from Michael means a great deal, and I will always remember mine. I have truly enjoyed sharing this experience with him and hope we will stay in touch. I am thankful to Alan Friedman and Mia Carter, who offered valuable comments on drafts of the dissertation as well as work I produced throughout my time in graduate school. I owe special thanks to Wayne Lesser, who supported me in a variety of ways in his role as Graduate Adviser and stepped in as a member of my committee to ensure that I could defend in Summer 2012. My debt to Ira Nadel goes back farther than to the rest of my committee, as he advised me when I was applying to graduate schools in 2002.
    [Show full text]
  • The Cambridge Companion to Victorian Women's Writing
    Cambridge University Press 978-1-107-06484-3 - The Cambridge Companion to: Victorian Women’s Writing Edited by Linda H. Peterson Frontmatter More information the cambridge companion to victorian women’s writing The Cambridge Companion to Victorian Women’s Writing brings together chapters by leading scholars to provide innovative and comprehensive coverage of Victorian women writers’ careers and literary achievements. While incorpor- ating the scholarly insights of modern feminist criticism, it also reflects new approaches to women authors that have emerged with the rise of book history; periodical studies; performance studies; postcolonial studies; and scholarship on authorship, readership, and publishing. It traces the Victorian woman writer’s career – from making her debut to working with publishers and editors to achieving literary fame – and challenges previous thinking about genres in which women contributed with success. Chapters on poetry, including a discus- sion of poetry in colonial and imperial contexts, reveal women’s engagements with each other and with male writers. Discussions on drama, life-writing, reviewing, history, travel writing, and children’s literature uncover the remark- able achievement of women in fields relatively unknown. linda h. peterson is Niel Gray, Jr. Professor of English at Yale University. She is the author of Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing (1999) and Becoming a Woman of Letters: Myths of Authorship, Facts of the Victorian Market (2009). A complete list of books in the series is at the back of the book. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-06484-3 - The Cambridge Companion to: Victorian Women’s Writing Edited by Linda H.
    [Show full text]
  • Miscellaneous Manuscripts Collection, Ca
    http://oac.cdlib.org/findaid/ark:/13030/tf829008pt No online items Miscellaneous manuscripts collection, ca. 1750- LSC.0100 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library Special Collections Finding aid last modified on 13 November 2019. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Miscellaneous manuscripts LSC.0100 1 collection, ca. 1750- LSC.0100 Contributing Institution: UCLA Library Special Collections Title: Miscellaneous manuscripts collection Identifier/Call Number: LSC.0100 Physical Description: 136.5 Linear Feet(261 boxes, 6 cartons, and 20 oversize boxes) Date: circa 1750- Stored off-site at SRLF. All requests to access special collections materials must be made in advance through our electronic paging system using the request button located on this page. Language of Material: English . Conditions Governing Access Portions of collection unprocessed. Boxes 204-280 are unavailable for access. Please contact Special Collections reference ([email protected]) for more information. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Miscellaneous manuscripts collection (Collection 100). UCLA Library Special Collections, Charles E.
    [Show full text]
  • Oxford Research in English Issue 12, Summer 2021 Trash
    OXFORD RESEARCH IN ENGLISH ISSUE 12, SUMMER 2021 TRASH Oxford Research in English Graduate Research Journal Faculty of English Language and Literature The University of Oxford oxford research in english Graduate Research Journal Faculty of English Language and Literature, University of Oxford https://oxfordresearchenglish.wordpress.com issn: 2397-2947 Editors-in-Chief llewelyn hopwood & zachary garber Editorial Committee 2020–21 jenyth evans, secretary flynn allott, submissions editor anna saroldi, communications officer gavin herbertson, peer review facilitator lucy fleming & charlotte hand, production editors jessie goetzinger-hall, assistant production editor natasha arora & nicholas duddy, features editors camille stallings caleb bartholomew harriet s. hughes Peer Reviewers natasha a.j. bradley, emma felin, kristine guillaume, iris pearson, wenshu qiao, oliver evans, katie noble, jessie goetzinger-hall, harriet s. hughes, joseph hankinson, elisa cozzi, esther ruth kentish, milo nesbitt, zachary fine, vinayak dewan, camille stallings Founding Members camille pidoux callum seddon jennie cole Contents i Foreword Trash LLEWELYN HOPWOOD 1 ‘On the Fly-Leaf’: Basil Bunting and the (Peri)Textual Condition REBECCA BRADBURN 23 Yann Martel’s Life of Pi: Trash Affect and Neoliberal Recycling in Post-Postmodern Fiction FRAZER MARTIN 45 ‘True feminine pertinacity’: Feminine Evidence and Expertise in the Popular Fiction of Catherine Crowe EMILY CLINE 70 Recycled Sentiment: Raiding the Wastepaper Basket with Letitia Elizabeth Landon RUTH HOBLEY 92
    [Show full text]
  • “Taken from the Life” Mimetic Truth and Ekphrastic Eloquence in the Writings of Anna Maria Fielding Hall (1800-1881)
    “Taken from the Life” Mimetic Truth and Ekphrastic Eloquence in the Writings of Anna Maria Fielding Hall (1800-1881). Marian Thérèse Keyes B.A., M.A., DipLis A thesis submitted towards a PhD in Humanities (English) St. Patrick’s College, Drumcondra, Dublin 9. Supervisor : Dr Mary Shine Thompson Auxiliary Supervisor : Celia Keenan Department : English August 2010 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed : 'tU .c ^ J s g g 1<L Marian Thérèse Keyes ID No 57263736 Date 2 Ccl a o I o 3 August 2010 Contents Contents Page Contents 1 Abstract 4 Acknowledgements 5 List of Illustrations 6 1. Introduction 13 Preamble 13 Contexts: Personal 14 Contexts: Biographical 15 Contexts: Cultural 18 Contexts: Critical 20 Conceptual Framework and Overview of Chapters 24 Conceptual: Nationality, Childhood and Gender 25 Conceptual: Ekphrasis 29 Conceptual: Mimesis 32 Conceptual: Chapter Outline and Rationale 35 Formal Elements 41 Formal: Narrator's Voice 41 Formal: Settings 43 Formal: Characters 44 Formal: Plots and Themes 46 Formal: Language and Dialect 47 Formal: Genre 49 Formal: The Editorial Question 50 Methodology 51 Methodology: Technical Matters 53 Conclusion 55 2. Ekphrasis and Mimesis: Hall and the Search for “Truth” through Art 69 Introduction 69 The Halls as Art Collectors and Their Association with Artists 72 The Aesthetics of the 1830s and the Early Victorian Period 78 Hall’s Publications and the Relationship of Illustration to Text 84 The Use of Ekphrasis in Hall’s Non-lllustrated Texts 85 The Primacy of Art Works with Hall's Texts as Accompaniment 92 Publications Illustrated in Later Editions of Hall’s Work 101 Publications Illustrated Simultaneously with Hall’s Texts 110 Conclusion 120 3.
    [Show full text]
  • A History of Victorian Literature
    A History of Victorian Literature A History of Victorian Literature James Eli Adams © 2009 James Eli Adams ISBN: 978-0-631-22082-4 9780631220824_1_pretoc.indd i 12/26/2008 6:10:33 PM BLACKWELL HISTORIES OF LITERATURE General editor: Peter Brown, University of Kent, Canterbury The books in this series renew and redefine a familiar form by recog- nizing that to write literary history involves more than placing texts in chronological sequence. Thus the emphasis within each volume falls both on plotting the significant literary developments of a given period, and on the wider cultural contexts within which they occurred. ‘Cultural history’ is construed in broad terms and authors address such issues as politics, society, the arts, ideologies, varieties of literary pro- duction and consumption, and dominant genres and modes. The effect of each volume is to give the reader a sense of possessing a crucial sector of literary terrain, of understanding the forces that give a period its distinctive cast, and of seeing how writing of a given period impacts on, and is shaped by, its cultural circumstances. Published to date Old English Literature Robert Fulk Seventeenth-Century English Literature Thomas N. Corns Victorian Literature James Eli Adams 9780631220824_1_pretoc.indd ii 12/26/2008 6:10:34 PM A History of Victorian Literature James Eli Adams A John Wiley & Sons, Ltd., Publication 9780631220824_1_pretoc.indd iii 12/26/2008 6:10:34 PM This edition first published 2009 © 2009 James Eli Adams Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell.
    [Show full text]
  • The Victorian Governess Novel Wadsö-Lecaros, Cecilia
    The Victorian Governess Novel Wadsö-Lecaros, Cecilia 2001 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Wadsö-Lecaros, C. (2001). The Victorian Governess Novel. (Lund Studies in English; Vol. 100). Lund University Press. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 The Victorian Governess Novel Cecilia Wadsö Lecaros LUND STUDIES IN ENGLISH 100 Editors: Marianne Thormählen and Beatrice Warren Lund University Press LUND STUDIES IN ENGLISH 100 Editors: Marianne Thormählen and Beatrice Warren LUND STUDIES IN ENGLISH 100 Editors: Marianne Thormählen and Beatrice Warren The Victorian Govemess N ovel Cecilia W adsö Lecaros Lund University Press LUND UNIVERSITY Lund University Press Box 141 S-221 00 Lund Sweden Art nr 20583 ISBN 91-7966-577-2 ISSN 0076-1451 © 2001 Cecilia Wadsö Lecaros Graphic design: Cecilia Wadsö Lecaros & Marcus Lecaros Printed by Kfs AB, Lund 1.
    [Show full text]