Potenze Sovrane E Altre Voci
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Moma's Folk Art Museum and DS+R Scandal 14
017 Index MoMA's Folk Art Museum and DS+R 01 Editor´s Note Scandal 14 A Brief History of 02 Gabriela Salazar’s!In Advance Artwork Commission 22 of a Storm!Art Book Top Commissioned Promotion 26 Art Pieces by Top Commissioners of All Time 08 27 Contact Editor´s note Who were the first patrons in the history of art to commissioning artwork and what was their purpose? How has commissioning changed for the artist and for the entity requesting the art piece? What can be predicted as the future of the commissioning world? Our May issue explores the many and different ramifications of art commission in the past and in the present. Historical facts and recent scandals can make a quirky encapsulation of what is like to be commissioned to do art; to be commissioned an art piece for an individual, business, or government can sometimes be compared to making an agreement with the devil. “Commissioned artwork can be anything: a portrait, a wedding gift, artwork for a hotel, etc. Unfortunately, there are no universal rules for art commissions. Consequently, many clients take advantage of artists,” says Clara Lieu, an art critic for the Division of Experimental and Foundation studies and a professor at the Rhode Island School of Design. This issues aims to track down the history of ancient civilizations and the Renaissance in its relation to commissioned work, and its present manifestations in within political quarrels of 01 respectable art institutions. A Brief History of Artwork Commission: Ancient Rome and the Italian Renaissance An artwork commission is the act of soliciting the creation of an original piece, often on behalf of another. -
The Emergence of the Duchy of Milan: Language and the Territorial State
Jane Black The emergence of the duchy of Milan: language and the territorial state Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ??????????????????????????????????????????????. ?????????????????????????? a cura di ??????????????????????????????? Firenze University Press 1 Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2012 Firenze University Press DOI 10.6092/1593-2214/388 The emergence of the duchy of Milan: language and the territorial state di Jane Black The map that appears opposite page one of Bueno de Mesquita’s biography of Giangaleazzo Visconti is labelled Northern and Central Italy, showing the ter- ritories of Giangaleazzo Visconti in 1402; no area on the map is identified as 1 the Duchy of Milan . The titles bestowed on Giangaleazzo by Wenceslas, king of the Romans, in 1395 and 1396 had raised Milan initially, and then the other Vis- 2 conti territories in Lombardy, to the status of duchy . Giangaleazzo himself al- luded to his cities collectively as such: in the testament of 1397, produced in the first flush of his acquisition of the second diploma, he appointed his son Giovanni Maria heir to two areas – «the duchy, or rather the city and diocese of Milan», and «the duchy of the cities of Brescia, Cremona, Bergamo, Como, Lodi, Piacenza, 3 Parma, Reggio and Bobbio» . The duke would surely have been disappointed that his greatest achievement was not recognized on Bueno de Mesquita’s map. And yet the author’s terminology was more realistic than Giangaleazzo’s: it would take more than a dazzling diploma to create a new territory with a name and a rec- ognized identity. -
Il Ducato Di Filippo Maria Visconti, 1412-1447. Economia, Politica, Cultura
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Reti Medievali Open Archive Il ducato di Filippo Maria Visconti, 1412-1447. Economia, politica, cultura a cura di Federica Cengarle e Maria Nadia Covini Firenze University Press 2015 Il ducato di Filippo Maria Visconti, 1412-1447. Economia, politica, cultura / a cura di Federica Cengarle e Maria Nadia Covini. – Firenze : Firenze University Press, 2015. (Reti Medievali E-Book ; 24) Accesso alla versione elettronica: http://www.ebook.retimedievali.it http://digital.casalini.it/9788866558958 ISBN 978-88-6655-894-1 (print) ISBN 978-88-6655-895-8 (online PDF) ISBN 978-88-6655-896-5 (online EPUB) In copertina: Pisanello, Medaglia raffigurante Filippo Maria Viscontirecto ( ), Milano, Musei Civici Le immagini di questo volume sono fornite a colori nelle versioni on line (www.ebook. retimedievali.it). Questo volume è pubblicato grazie a un finanziamento del Dipartimento di Studi Sto- rici dell’Università degli Studi di Milano. Certificazione scientifica delle Opere Tutti i volumi pubblicati sono soggetti ad un processo di referaggio esterno di cui sono responsabili il Consiglio editoriale della FUP e i Consigli scientifici delle singole collane. Le opere pubblicate nel catalogo della FUP sono valutate e approvate dal Consiglio editoriale della casa editrice. Per una descrizione più analitica del processo di referaggio si rimanda ai documenti ufficiali pubblicati sul catalogo on-line della casa editrice (www.fupress.com). Consiglio editoriale Firenze University Press G. Nigro (Coordinatore), M.T. Bartoli, M. Boddi, R. Casalbuoni, C. Ciappei, R. Del Punta, A. Dolfi, V. Fargion, S. Ferrone, M. -
Handbook to Life in Renaissance Europe
HANDBOOK TO LIFE IN RENAISSANCE EUROPE HANDBOOK TO LIFE IN RENAISSANCE EUROPE SANDRA SIDER Handbook to Life in Renaissance Europe Copyright © 2005 by Sandra Sider All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Sider, Sandra. Handbook to life in Renaissance Europe / Sandra Sider. p. cm. Includes bibliographical references and index. ISBN 0-8160-5618-8 1. Renaissance—Handbooks, manuals, etc. I. Title. CB361.S498 2005 940.2´1—dc222004020088 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Cathy Rincon Cover design by Semadar Megged Maps by Jeremy Eagle Printed in the United States of America VB Hermitage 10 987654321 This book is printed on acid-free paper. This book is dedicated to my husband CONTENTS LIST OF ILLUSTRATIONS ix Major Figures 58 Reading 63 LIST OF MAPS x 3 ART AND VISUAL CULTURE 65 Painting 67 ACKNOWLEDGMENTS xi Tapestries 78 Sculpture 80 INTRODUCTION: Prints 85 ORIGINS OF THE RENAISSANCE xiii Decorative -
Duchess and Hostage in Renaissance Naples: Letters and Orations
IPPOLITA MARIA SFORZA Duchess and Hostage in Renaissance Naples: Letters and Orations • Edited and translated by DIANA ROBIN and LYNN LARA WESTWATER Iter Press Toronto, Ontario Arizona Center for Medieval and Renaissance Studies Tempe, Arizona 2017 Sforza_book.indb 9 5/25/2017 10:47:22 AM Iter Press Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Arizona Center for Medieval and Renaissance Studies Tel: 480/965–5900 Email: [email protected] Fax: 480/965–1681 Web: acmrs.org © 2017 Iter, Inc. and the Arizona Board of Regents for Arizona State University. All rights reserved. Printed in Canada. Library of Congress Cataloging-in-Publication Data Names: Sforza, Ippolita, 1445-1488, author. | Robin, Diana Maury, editor, translator. | Westwater, Lynn Lara, editor, translator. Title: Duchess and hostage in Renaissance Naples : letters and orations / Ippolita Maria Sforza ; edited and translated by Diana Robin, Lynn Lara Westwater. Description: Tempe, Arizona : Arizona Center for Medieval and Renaissance Studies ; Toronto, Ontario : Iter Press : Arizona Center for Medieval and Renaissance Studies, 2017. | Series: Medieval and Renaissance Texts and Studies ; 518 | Series: The Other Voice in Early Modern Europe. The Toronto Series, 55 | Includes bibliographical references and index. Identifiers: LCCN 2016059386 | ISBN 9780866985741 (pbk. : alk. paper) Subjects: LCSH: Sforza, Ippolita, 1445-1488—Correspondence. | Naples (Kingdom)—Court and courtiers—Correspondence. | Naples (Kingdom)—History—Spanish rule, 1442-1707--Sources. Classification: LCC DG848.112.S48 A4 2017 | DDC 945/.706092 [B]—dc23 LC record available at https://lccn.loc.gov/2016059386 Cover illustration: Pollaiuolo, Antonio del (1433-1498), Portrait of a Young Woman, ca. -
EUI Working Papers
DEPARTMENT OF HISTORY AND CIVILIZATION EUI Working Papers HEC 2010/02 DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Giulia Calvi and Isabelle Chabot (eds) EUROPEAN UNIVERSITY INSTITUTE , FLORENCE DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Edited by Giulia Calvi and Isabelle Chabot EUI W orking Paper HEC 2010/02 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1725-6720 © 2010 Giulia Calvi and Isabelle Chabot (eds) Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract The overall evaluation of the formation of political decision-making processes in the early modern period is being transformed by enriching our understanding of political language. This broader picture of court politics and diplomatic networks – which also relied on familial and kin ties – provides a way of studying the political role of women in early modern Europe. This role has to be studied taking into account the overlapping of familial and political concerns, where the intersection of women as mediators and coordinators of extended networks is a central feature of European societies. -
9. Chapter 2 Negotiation the Wedding in Naples 96–137 DB2622012
Chapter 2 Negotiation: The Wedding in Naples On 1 November 1472, at the Castelnuovo in Naples, the contract for the marriage per verba de presenti of Eleonora d’Aragona and Ercole d’Este was signed on their behalf by Ferrante and Ugolotto Facino.1 The bride and groom’s agreement to the marriage had already been received by the bishop of Aversa, Ferrante’s chaplain, Pietro Brusca, and discussions had also begun to determine the size of the bride’s dowry and the provisions for her new household in Ferrara, although these arrangements would only be finalised when Ercole’s brother, Sigismondo, arrived in Naples for the proxy marriage on 16 May 1473. In this chapter I will use a collection of diplomatic documents in the Estense archive in Modena to follow the progress of the marriage negotiations in Naples, from the arrival of Facino in August 1472 with a mandate from Ercole to arrange a marriage with Eleonora, until the moment when Sigismondo d’Este slipped his brother’s ring onto the bride’s finger. Among these documents are Facino’s reports of his tortuous dealings with Ferrante’s team of negotiators and the acrimonious letters in which Diomede Carafa, acting on Ferrante’s behalf, demanded certain minimum standards for Eleonora’s household in Ferrara. It is an added bonus that these letters, together with a small collection of what may only loosely be referred to as love letters from Ercole to his bride, give occasional glimpses of Eleonora as a real person, by no means a 1 A marriage per verba de presenti implied that the couple were actually man and wife from that time on. -
The Story of the Borgias (1913)
The Story of The Borgias John Fyvie L1BRARV OF UN ,VERSITV CALIFORNIA AN DIEGO THE STORY OF THE BORGIAS <Jt^- i//sn6Ut*4Ccn4<s flom fte&co-^-u, THE STORY OF THE BOEGIAS AUTHOR OF "TRAGEDY QUEENS OF THE GEORGIAN ERA" ETC NEW YORK G. P. PUTNAM'S SONS 1913 PRINTED AT THE BALLANTYNE PRESS TAVI STOCK STREET CoVENT GARDEN LONDON THE story of the Borgia family has always been of interest one strangely fascinating ; but a lurid legend grew up about their lives, which culminated in the creation of the fantastic monstrosities of Victor Hugo's play and Donizetti's opera. For three centuries their name was a byword for the vilest but in our there has been infamy ; own day an extraordinary swing of the pendulum, which is hard to account for. Quite a number of para- doxical writers have proclaimed to an astonished and mystified world that Pope Alexander VI was both a wise prince and a gentle priest whose motives and actions have been maliciously mis- noble- represented ; that Cesare Borgia was a minded and enlightened statesman, who, three centuries in advance of his time, endeavoured to form a united Italy by the only means then in Lucrezia anybody's power ; and that Borgia was a paragon of all the virtues. " " It seems to have been impossible to whitewash the Borgia without a good deal of juggling with the evidence, as well as a determined attack on the veracity and trustworthiness of the contemporary b v PREFACE historians and chroniclers to whom we are indebted for our knowledge of the time. -
The Body Politic Metaphor in Communal and Post-Communal Italy – Some Remarks on the Case of Lombardy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AIR Universita degli studi di Milano The Body Politic Metaphor in Communal and Post-Communal Italy – Some Remarks on the Case of Lombardy Andrea Gamberini University of Milan [email protected] Abstract This paper uses the body politic metaphor to explore the dialectic of power between different political players in communal and post-communal Lombardy. On the one hand, notions of corporeal links, drawing upon an ancient and venerable tradition, were key strands of public debate on state formation in the Late Middle Ages. On the other hand, there were distinctively communal and post- communal discourses based upon the body politic metaphor. My purpose is to investigate all of these aspects through analysis of the so-called “pragmatic writings” (such as letters, decrees, notarial deeds), sources usually overlooked by historians of political thought. As is shown in this paper, the novelty of this approach makes it possible to appreciate corporeal metaphors as performative tools and instruments of political action. Keywords City communes – Lombardy – Duchy of Milan – Body politic – political discourse 1. Introduction The purpose of this paper is to trace a brief history of the use of corporeal metaphors in political discourse in the Po Valley (i.e., Lombardy) in the communal and post-communal ages. As will be shown, there are many sources in political literature that establish an analogy between the political body and the human body. This is not particularly surprising; medieval Europe inherited corporeal metaphors from diverse cultural traditions, ranging from the theological tradition (think of the famous image of the body and limbs handed down from the first of Paul’s Letters to the Corinthians 1 – “But now are they many members, but yet one body”; 12:20) to the classical tradition (going from Plato and Aristotle to Livy).1 These terminological genealogies have been extensively investigated by historians of political thought. -
Benedetto Reguardati of Nursia (1398-1469)
BENEDETTO REGUARDATI OF NURSIA (1398-1469) by JULIANA HILL COTTON BENEDETrO REGUARDATI was a physician and a diplomat.' His medical skill, shared by his younger son, Dionisio, was an inherited calling, for he came from the stock of the Norcini, medicine men, renowned throughout the ages for traditional skill in magic and healing. In his own lifetime Reguardati is said to have 'greatly increased the glory of his family' acquired in the past by his ancestors in the city of Nursia' (ac domus sue splendorem quem in Nurisina civitate vetustis temporibus comparatum a suis maioribus, ipse plurimum auxit, Cicco Simonetta, 1 September 1464). He himself bore the proud name ofhis more famous compaesano, St. Benedict ofNursia (480-543), whose mother had been Abbondanza Reguardati. Reguardati's diplomatic career deserves consideration in any detailed study of Renaissance diplomacy, a neglected field to which the late Garrett Mattingly has drawn attention. To the Reguardati family this also was a traditional vocation. Benedetto's brother, Marino, his son Carlo, both lawyers, became Roman Senators. Carlo served the court of Milan at Urbino (M.A.P. IX, 276, 14 March 1462)2 and at Pesaro. He was at Florence when Benedetto died there in 1469. Another diplomat, Giovanni Reguardati, described by Professor Babinger as 'Venetian' ambassador to Ladislaus, King of Hungary in 1444,3 was probably a kinsman, one of the many Norcini in the pay of Venice. Francesco Filelfo (1398-1481) in a letter to Niccolo Ceba, dated 26 February 1450, recalls that Benedetto Reguardati -
The Visconti-Sforza Manuscripts Collected by Don Carlo Trivulzio
The Visconti-Sforza manuscripts collected by Don Carlo Trivulzio Castello Sforzesco Archivio Storico Civico e Biblioteca Trivulziana Sala del Tesoro 20 March ~ 3 May 2015 Guide to the exhibition I manoscritti visconteo sforzeschi di don Carlo Trivulzio Una pagina illustre di collezionismo librario nella Milano del Settecento Milano · Castello Sforzesco Archivio Storico Civico e Biblioteca Trivulziana · Sala del Tesoro 20 marzo ~ 3 maggio 2015 Sindaco Mostra a cura di Giuliano Pisapia Isabella Fiorentini, Marzia Pontone Assessore alla Cultura Testi di Filippo Del Corno Marzia Pontone Direttore Centrale Cultura Redazione e revisione Giuliana Amato Loredana Minenna Direttore Settore Soprintendenza Castello, Manutenzione conservativa Musei Archeologici e Musei Storici Stefano Dalla Via Claudio Salsi Segreteria amministrativa Ufficio Stampa Luca Devecchi Elena Conenna Coordinamento logistico e sicurezza Luigi Spinelli Allestimenti CSC Media Soprintendente Castello Sforzesco Claudio Salsi Traduzioni Promoest Srl – Ufficio Traduzioni Milano Responsabile Servizio Castello Giovanna Mori Fotografie Comunicazione Officina dell’immagine, Luca Postini Maria Grazia Basile Saporetti Immagini d’arte Colomba Agricola Servizio di custodia Corpo di Guardia del Castello Sforzesco Archivio Storico Civico Biblioteca Trivulziana Si ringraziano Rachele Autieri, Lucia Baratti, Piera Briani, Mariella Chiello, Civica Stamperia, Ilaria De Palma, Funzionario Responsabile Benedetta Gallizia di Vergano, Isabella Fiorentini Maria Leonarda Iacovelli, Arlex Mastrototaro, -
Artisti Civatesi Alla Corte Visconteo Sforzesca E L’Abate Commendatario Card
Artisti civatesi alla corte visconteo sforzesca e l’abate commendatario Card. Ascanio Sforza Visconti Relazione di Carlo Castagna Tre sono gli elementi chiave che ritengo indispensabili per capire la realtà del monastero civatese negli anni del passaggio dal ‘400 al ‘500, gli anni gli anni in cui Leonardo fu presente sul territorio lariano: a) La testimonianza documentata dello stretto rapporto avuto dal monastero di San Pietro e Calocero sin dalle origini col potere politico-religioso; b) La testimonianza della presenza degli artisti civatesi alla corte visconteo-sforzesca; c) La contemporanea presenza a Civate della importante figura del Card. Ascanio Maria Sforza Visconti, figlio di Francesco Sforza e fratello dei due duchi, Giangaleazzo Maria Sforza Visconti e Ludovico detto il Moro, come primo abate commendatario ufficiale del monastero. 1. Il rapporto politico-religioso in sintesi: La rifondazione benedettina del monastero regale di san Pietro al Monte, avvenuta a metà del IX secolo, con la costruzione a valle del monastero di San Calocero fu personalmente voluta dal terzo imperatore, Lotario, e affidata al magister Hildemarus ed all’abate Leodegarius. Forti furono da allora per secoli i legami con i monasteri affratellati della Reichenau, attraverso la fratenitatis Sancti Galli, Augensis et Fabariensis. Già nell’880, tuttavia, il monastero milanese di Sant’Ambrogio, il vescovo della città e la nobiltà milanese contestarono la legittimazione dei possessi della Reichenau, attraverso San Pietro al Monte, nella corte di Limonta, evento che si ripeté con l’abate Andrea nel 1018. Nel 1162, Federico di Svevia, detto il Barbarossa, riconfermò con un Diploma imperiale i possessi, i privilegi e l’indipendenza del monastero civatese (quod est nostrum) dal potere locale; indipendenza mantenuta integra sino alla sua sconfitta a Legnano nel 1176.