Venerable Bede
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transantiquity
TransAntiquity TransAntiquity explores transgender practices, in particular cross-dressing, and their literary and figurative representations in antiquity. It offers a ground-breaking study of cross-dressing, both the social practice and its conceptualization, and its interaction with normative prescriptions on gender and sexuality in the ancient Mediterranean world. Special attention is paid to the reactions of the societies of the time, the impact transgender practices had on individuals’ symbolic and social capital, as well as the reactions of institutionalized power and the juridical systems. The variety of subjects and approaches demonstrates just how complex and widespread “transgender dynamics” were in antiquity. Domitilla Campanile (PhD 1992) is Associate Professor of Roman History at the University of Pisa, Italy. Filippo Carlà-Uhink is Lecturer in Classics and Ancient History at the University of Exeter, UK. After studying in Turin and Udine, he worked as a lecturer at the University of Heidelberg, Germany, and as Assistant Professor for Cultural History of Antiquity at the University of Mainz, Germany. Margherita Facella is Associate Professor of Greek History at the University of Pisa, Italy. She was Visiting Associate Professor at Northwestern University, USA, and a Research Fellow of the Alexander von Humboldt Foundation at the University of Münster, Germany. Routledge monographs in classical studies Menander in Contexts Athens Transformed, 404–262 BC Edited by Alan H. Sommerstein From popular sovereignty to the dominion -
Ego Quidem Semper Cum Probatis Doctrina Et Uitae Integritate Uiris Ita
[p.647] Amplissimo patri ac illustrissimo linguam et consuetudinem conuertunt. PRINCIPI, EPISCOPO PORTVENSI, CAR. Quibus utrisque, si corporis mihi uires, uel SALVIATO, LILIUS GREGORIUS manus saltem suppeterent (ita enim mihi GYRALDUS, OBSEQVENTISSIMVS hac de re instructa et parata est supellex) SERVVLVS, S.P.D. sperarem me solidis et indissolubilibus argumentis, ualidisque sententiis [p.648] Ego quidem semper cum probatis respondere posse, eorumque ita diluere ac doctrina et uitae integritate uiris ita sensi, infirmare commenta, et plane cauillos, ut et credidi, Deum Optimum Maximum uel plerosque sententiam mutare publice coli debere, et expedire, publicis compellerem, uel saltem iuuentutem non patrum cerimoniis et institutis: priuatim deterrerent a linguae latinae et graece usu, uero pura tantum mente, ac incontaminata: quo minus earum perennibus, consuetisque nec plus sapere quenquam sibi arrogare, studiis operam nauarent. Sed non diffido quam decreta et maiorum instituta per tot alios, et me longe doctiores, et magis firma iam secula per manus subinde tradita corporis ualetudine futuros, qui peruersis permittunt. Quod cum plerique alias, tum ac praeposteris opinionibus sint responsuri, hac in primis nostrorum temporum fece et in bonam uiam reuocaturi: ut nonnihil seruare contempserunt, in uarias sectas, certe iam praestitit Bartholomaeus Riccius, falsaque et impia dogmata inciderunt, in suis de Imitatione libris. Quare nunc ego turbasque plurimas et dissidia in populis his missis, ad te de uariis et multiplicibus concitauerunt. qua ex re praeter sacrificiorum gentium cerimoniis (quae dissensiones passim et uulgo disseminatas, alias magis animi gratia, quam ingenii pacis quoque tranquillitatem et honorum uiribus a me collecta sunt) mittere ciuium ocium ac quietem interturbant, sic constitui, ea in primis ratione, ut nostri ut indies magis magisque seditiones et adolescentes his nugis potius oblectentur, schismata fieri uideamus: ut nunc bella et erudiantur, quam tanto cum periculo plusquam ciuilia, et cognatas acies mittam. -
Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Seth G. Bernard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bernard, Seth G., "Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C." (2012). Publicly Accessible Penn Dissertations. 492. https://repository.upenn.edu/edissertations/492 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/492 For more information, please contact [email protected]. Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Abstract MEN AT WORK: PUBLIC CONSTRUCTION, LABOR, AND SOCIETY AT MID-REPUBLICAN ROME, 390-168 B.C. Seth G. Bernard C. Brian Rose, Supervisor of Dissertation This dissertation investigates how Rome organized and paid for the considerable amount of labor that went into the physical transformation of the Middle Republican city. In particular, it considers the role played by the cost of public construction in the socioeconomic history of the period, here defined as 390 to 168 B.C. During the Middle Republic period, Rome expanded its dominion first over Italy and then over the Mediterranean. As it developed into the political and economic capital of its world, the city itself went through transformative change, recognizable in a great deal of new public infrastructure. -
Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars. -
Newsletter Nov 2011
imperi nuntivs The newsletter of Legion Ireland --- The Roman Military Society of Ireland In This Issue • New Group Logo • Festival of Saturnalia • Roman Festivals • The Emperors - AD69 - AD138 • Beautifying Your Hamata • Group Events and Projects • Roman Coins AD69 - AD81 • Roundup of 2011 Events November 2011 IMPERI NUNTIUS The newsletter of Legion Ireland - The Roman Military Society of Ireland November 2011 From the editor... Another month another newsletter! This month’s newsletter kind grew out of control so please bring a pillow as you’ll probably fall asleep while reading. Anyway I hope you enjoy this months eclectic mix of articles and info. Change Of Logo... We have changed our logo! Our previous logo was based on an eagle from the back of an Italian Mus- solini era coin. The new logo is based on the leaping boar image depicted on the antefix found at Chester. Two versions exist. The first is for a white back- ground and the second for black or a dark back- ground. For our logo we have framed the boar in a victory wreath with a purple ribbon. We tried various colour ribbons but purple worked out best - red made it look like a Christmas wreath! I have sent these logo’s to a garment manufacturer in the UK and should have prices back shortly for group jackets, sweat shirts and polo shirts. Roof antefix with leaping boar The newsletter of Legion Ireland - The Roman Military Society of Ireland. Page 2 Imperi Nuntius - Winter 2011 The newsletter of Legion Ireland - The Roman Military Society of Ireland. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-03790-8 - Pollution and Religion in Ancient Rome Jack J. Lennon Index More information Index abstinence, 1, 22, 61–4, 66, 76, 102 bell, used as a warning, 149, 150, 157 adultery, 50, 56, 68, 75, 173 Bendlin, Andreas, 13–14, 26, 91 Aeneas, 3, 37, 41, 50, 90, 128 birds Agamben, Giorgio ill omen, 37, 48, 160 homo sacer, 52 unclean, 137 Aghori birth, 58–61 rejection of pollution, 188–90 and deformity, 8, 37 Agrippina Minor, 74 and pollution, 6, 20, 55, 82, 136 murder by Nero, 100 purification after, 143 Ambarvalia, 37, 63 blood, 2, 6, 58, 90, 99, 101–2, 103, 104, 123, 130, Amphitryon, 90 135, 136, 193 animals, 47–9 and guilt, 33, 34, 93, 98–100, 129, 130 and sacrifice, 8, 48, 56, 113 animal sacrifice, 48, 100–9 impurity of, 8 as pollution, 3, 31, 46, 90, 94, 95, 96, 98, 100, Anthesteria (festival), 162 101, 104, 105, 106, 108, 121, 124, 127, 129, Antiphon, 12, 91 130, 133, 155, 156, 183 Antonius, Marcus, 32, 75, 106, 130 as prodigy, 106, 108–9, 130 Antonius, Marcus (Orator), 131 as symbol, 102, 134 Appius Claudius Crassus, decemvir, 98 avoidance in human sacrifice, 111–12, 117 Appius Claudius Pulcher, 175, 176 consumption of, 34, 120, 122, 130 Argei, 163–5 controlled shedding of, 124, 125 army devotio, 114–15 permitted to kill, 125, 127 human sacrifice, 24, 110, 117–20, 122 purification of, 125, 126 in civil war, 36, 128–33, 194 separate from society, 127 menstrual, 11, 81–8, 160 Arval Brethren, 46 murder, 12, 23, 91 augurs, 44, 47, 50, 115, 141 purification from, 125 Augustine, 60, 79, 143 taurobolium, 106–8 -
A Roman Cult in the Italian Countryside? the Compitalia and the Shrines of the Lares Compitales
0821-07_Babesch_83_08 23-09-2008 16:06 Pagina 111 BABESCH 83 (2008), 111-132. doi: 10.2143/BAB.83.0.2033102. A Roman cult in the Italian countryside? The Compitalia and the shrines of the Lares Compitales T.D. Stek Abstract The Roman religious festival of the Compitalia (‘cross-roads festival’) was celebrated in both city and coun- tryside. It is generally assumed that it originated as a rural cult which was later incorporated in the city, where it became the principal festival of the vici or urban quarters. In this paper it will be argued that the spread of the Compitalia might have been in the opposite direction; in this view the Compitalia, a Roman urban festi- val with administrative aspects, was spread outside Rome alongside Roman influence. It is not known where the Compitalia were celebrated in the countryside. It will be suggested that ancient ‘Italic’ sanctuaries have been re-used for celebrating the Roman rite of the Compitalia, apparently by now functioning within a Roman administrative and religious system.* the separation between city cult and family or farm cult should not be exaggerated (Beard/North/Price 1998, 50) INTRODUCTION. THE COMPITALIA: A PARADOXICAL both to what we would define the ‘private’ and PICTURE to the ‘public’ domain. Another paradoxical aspect regards the location At the end of a letter to Atticus (2.3), Cicero of the Compitalia. The festival is often associated writes, probably from his country house, after with the urban plebs, and therefore placed in an having referred to the political situation in Rome urban setting. -
The Argei: Sex, War, and Crucifixion in Rome
THE ARGEI: SEX, WAR, AND CRUCIFIXION IN ROME AND THE ANCIENT NEAR EAST Kristan Foust Ewin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Christopher J. Fuhrmann, Major Professor Ken Johnson, Committee Member Walt Roberts, Committee Member Richard B. McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Ewin, Kristan Foust. The Argei: Sex, War, and Crucifixion in Rome and the Ancient Near East. Master of Arts (History), May 2012, 119 pp., 2 tables, 18 illustrations, bibliography, 150 titles. The purpose of the Roman Argei ceremony, during which the Vestal Virgins harvested made and paraded rush puppets only to throw them into the Tiber, is widely debated. Modern historians supply three main reasons for the purpose of the Argei: an agrarian act, a scapegoat, and finally as an offering averting deceased spirits or Lares. I suggest that the ceremony also related to war and the spectacle of displaying war casualties. I compare the ancient Near East and Rome and connect the element of war and husbandry and claim that the Argei paralleled the sacred marriage. In addition to an agricultural and purification rite, these rituals may have served as sympathetic magic for pre- and inter-war periods. As of yet, no author has proposed the Argei as a ceremony related to war. By looking at the Argei holistically I open the door for a new direction of inquiry on the Argei ceremony, fertility cults in the Near East and in Rome, and on the execution of war criminals. -
SLC/LAT/HST 394 Roman Religion
Arizona State University Criteria Checklist for HUMANITIES, FINE ARTS AND DESIGN [HU] Rationale and Objectives The humanities disciplines are concerned with questions of human existence and meaning, the nature of thinking and knowing, with moral and aesthetic experience. The humanities develop values of all kinds by making the human mind more supple, critical, and expansive. They are concerned with the study of the textual and artistic traditions of diverse cultures, including traditions in literature, philosophy, religion, ethics, history, and aesthetics. In sum, these disciplines explore the range of human thought and its application to the past and present human environment. They deepen awareness of the diversity of the human heritage and its traditions and histories and they may also promote the application of this knowledge to contemporary societies. The study of the arts and design, like the humanities, deepens the student’s awareness of the diversity of human societies and cultures. The fine arts have as their primary purpose the creation and study of objects, installations, performances and other means of expressing or conveying aesthetic concepts and ideas. Design study concerns itself with material objects, images and spaces, their historical development, and their significance in society and culture. Disciplines in the fine arts and design employ modes of thought and communication that are often nonverbal, which means that courses in these areas tend to focus on objects, images, and structures and/or on the practical techniques and historical development of artistic and design traditions. The past and present accomplishments of artists and designers help form the student’s ability to perceive aesthetic qualities of art work and design. -
Mothers' Day 2013 UU Talk
Mother’s Day Initially, I would like to acknowledge a sermon, which I have drawn on in part, by Steve Edington of UU Church of Nashua, US. He maintains that in his experience ‘the sermon topic most avoided’ is the one about mothers on Mothers’ Day! Why? Praise mothers too much and too uncritically and you invite criticism from anyone who has some unpleasant issues they do not want to be reminded of; if you refer to any of these types of issues you then have criticism from those who do not have any of these issues and don’t need to hear of them. Then you may have women who aren’t mothers, by choice or circumstance and are not needing to hear about the virtues of motherhood or even those who aren’t greatly thrilled about motherhood – then there is the traditional family structure mothers, the single mothers, the same sex mothers etc etc who need to be acknowledged. He feels that the topic becomes a minefield and has decided the way to go is to talk about the history of Mothers’ Day. This is the path I had decided to follow when preparing for this talk on Mothers’ Day and before reading this particular sermon. Spiritual Origins of Mothers Day The traditional practice of honouring motherhood is rooted in antiquity when societies tended to celebrate Goddesses and symbols of motherhood rather than actual mothers. The personal family orientation of Mothers Day is a relatively new phenomenon; only in the past few centuries did these celebrations develop a human focus and only in the last century did it take on commercial overtones.