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Willa Cather Review
Copyright C 1997 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation (The Willa Cather Society) Willa Cather Pioneer Memorial New-sletter and 326 N. Webster Street VOLUME XLI, No. 2 Red Cloud, Nebraska 68970 Summer/Fall, 1997 Review Telephone (402) 746-2653 The Little House and the Big Rock: So - what happened to me when I began to try to plan my paper for today was that my two projects Wilder, Cather, and refused to remain separate in my mind, and I had to the Problem of Frontier Girls envision a picture with a place for Willa Cather and Laura Ingalls Wilder. That meant I had to think about Plenary Address, new ways to historicize both careers. And that's why Sixth International Willa Cather Seminar I was so delighted to recognize the bit of information Quebec City, June 1995 with which I began. It places Wilder and Cather - Ann Romines who almost but not quite shared a publisher in 1931 - George Washington University in the same literary and cultural landscape. Women of about the same age with Midwestern childhoods far In August 1931, Alfred A. Knopf published Willa behind them, they were writing and publishing novels Cather's tenth novel, Shadows on the Rock. The publisher numbered Cather among the ''family" of authors he was proud to publish.1 Then, in the following month, Knopf contracted to publish the first book by a contemporary of Cather's, the children's novel Little House in the Big Woods by Laura Ingalls Wilder. Be fore the year was out, however, Wilder learned that the exigencies of "depression economics" were closing down the children's department at Knopf. -
Information to Users
INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K. -
REVIEW Volume 60 Z No
REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A. -
Examensarbete Faith Valdner
Linköping University Department of Culture and Communication English, Teachers’ Program Paradise Lost vs Paradise Regained: A Study of Childhood in Three Short Stories by Willa Cather Faith Valdner C Course: Literary Specialization Spring Term 2013 Supervisor: Helena Granlund Contents Introduction…………………………………………..………………………………………..3 Chapter I: “The Way of the World” – Paradise Lost ………………………………………….6 Chapter II: “The Enchanted Bluff” – Paradise Lost?…………………………………………13 Chapter III: “The Treasure of Far Island” – Paradise Regained ……………..…...………….18 Chapter IV: Cather’s Stories in the Classroom ………………...…….…..………..…………25 Conclusion………….……………………………………………………...……….………...30 Works Cited…………………………………………….……………...…………….……….32 2 Introduction Willa Cather is a much beloved and critically acclaimed author, awarded the 1923 Pulitzer Prize for one of her novels One of Ours (1922), yet her name has not been as celebrated as some of her contemporaries. As Eric McMillan points out: “Willa Cather is one of those quietly achieving American writers, whose works are quietly appreciated in the shadow of the era’s Great Writers … but going on a century later, are still being quietly appreciated when many of the once great ones are no longer read” (§1, 2013-05-02). From the time of the westward pioneering, America’s rise to world power, the Depression to the Second World War, Cather lived through the most significant time of American history. However, her works are centered on Nebraska and the American Southwest. She herself grew up in Nebraska, thus the pioneers and their lives in the area became a main source of inspiration to her. Cather had a strong emotional tie to her childhood and she seemed to think that childhood is the best years of a person’s life. -
Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books. -
Money in the Fiction of Willa Cather Vincent A
Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 7-1974 Money in the Fiction of Willa Cather Vincent A. Clark Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Fiction Commons, and the Literature in English, North America Commons Recommended Citation Clark, Vincent A., "Money in the Fiction of Willa Cather" (1974). Loma Linda University Electronic Theses, Dissertations & Projects. 554. https://scholarsrepository.llu.edu/etd/554 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. I,OMA LINDA UNIVERSITY Graduate School MONEY IN THE FICTION O'F WILL..~ CATHER by Vincent A. Clark ------·--- A Thesis in Partial Fulfillment Master of Arts in the Field of English .July 1974 Each person whose signature appears below certifies that this thesis in his opinion thesis for the degree Master of Arts. ;). ~~Delmar I. Davis, i)~cU'""""""-)~t-J.--"------Professor of _LvlJr IT". U~ -·--· -- Robert Pg Dunn 1 Associate Professor of English CONTENTS ., .L. Introduction 1 2. Money in the Life of Willa Cather 8 3. The Early Books . 16 4. The Pioneer Triumphant • . 25 5. Mammon and the Modern World 40 6. The Days That Are No More . 71 7. Conclusion: Money in the Fiction of Willa Cather .• 80 Notes ... -
Newsletter & Review
NEWSLETTER & REVIEW Volume 59 z No. 2 Fall z Winter 2016 “Intrigued by the Cubist” Cather in translation Paul’s Pittsburgh: Inside “Denny & Carson’s” Willa Cather NEWSLETTER & REVIEW Volume 59 z No. 2 | Fall z Winter 2016 2 9 13 20 CONTENTS 1 Letters from the Executive Director and the President 13 Religiosa, Provinciale, Modernista: The Early Reception of Willa Cather in Italy 2 “Intrigued by the Cubist”: Cather, Sergeant, and Caterina Bernardini Auguste Chabaud Diane Prenatt 20 Willa Cather and Her Works in Romania Monica Manolachi 9 News from the Pittsburgh Seminar: Inside “Denny & Carson’s” 26 “Steel of Damascus”: Iron, Steel, and Marian Forrester Timothy Bintrim and James A. Jaap Emily J. Rau On the cover: Le Laboureur (The Plowman), Auguste Chabaud, 1912. Letter from collection of Cather materials. Plans took shape for a classroom, the Executive Director library, and study center to accommodate scholarly research and Ashley Olson educational programs. We made plans for an expanded bookstore, performer greenroom, and dressing rooms to enhance our Red Cloud Opera House. Our aspirations to create an interpretive Nine years ago this month, I came home to Red Cloud and museum exhibit were brought to life. And, in the midst of it all, interviewed for a position at the Willa Cather Foundation. I supporters near and far affirmed their belief in the project by listened attentively as executive director Betty Kort addressed making investments, both large and small. plans for the future. Among many things, she spoke of a Nine years later, the National Willa Cather Center is nearly historic downtown building known as the Moon Block. -
Preservation Ethics in the Case of Nebraska's Nationally Registered Historic Properties
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses and Dissertations in Geography Geography Program (SNR) Summer 7-29-2010 PRESERVATION ETHICS IN THE CASE OF NEBRASKA’S NATIONALLY REGISTERED HISTORIC PROPERTIES Darren Michael Adams University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/geographythesis Part of the Agency Commons, American Politics Commons, American Popular Culture Commons, Architectural History and Criticism Commons, Bilingual, Multilingual, and Multicultural Education Commons, Community-Based Research Commons, Construction Law Commons, Cultural History Commons, Cultural Resource Management and Policy Analysis Commons, Economic History Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Human Geography Commons, Indian and Aboriginal Law Commons, Legislation Commons, Other Legal Studies Commons, Other Political Science Commons, Other Public Affairs, Public Policy and Public Administration Commons, Place and Environment Commons, Political Economy Commons, Political History Commons, Politics and Social Change Commons, Public Administration Commons, Race and Ethnicity Commons, Regional Sociology Commons, Religion Law Commons, Rural Sociology Commons, Social and Cultural Anthropology Commons, Social History Commons, Social Policy Commons, Sociology of Culture Commons, Tourism Commons, Urban, Community and Regional Planning Commons, Urban Studies Commons, and the Urban Studies and Planning Commons Adams, Darren Michael, "PRESERVATION ETHICS IN THE CASE OF NEBRASKA’S NATIONALLY REGISTERED HISTORIC PROPERTIES" (2010). Theses and Dissertations in Geography. 6. https://digitalcommons.unl.edu/geographythesis/6 This Article is brought to you for free and open access by the Geography Program (SNR) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses and Dissertations in Geography by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -
A Willa Cather Collection
Colby Quarterly Volume 8 Issue 2 June Article 6 June 1968 A Willa Cather Collection Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 8, no.2, June 1968, p.82-95 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: A Willa Cather Collection 82 Colby Library Quarterly under his feet" (p. 283), he can realistically assess life as com pounded of two great forces-love and death-and "face with fortitude the Berengaria and the future" (p. 283). A WILLA CATHER COLLECTION By RICHARD CARY s the end of the past decade approached, the Division of A Rare Books and Manuscripts in the Colby College Library did not harbor any appreciable amount of Willa Cather memo rabilia among its more than fifty special author collections. Apart from her basal value as possibly the best of America's female novelists, there were at least two reasons why her works might have been included: 1) she is buried in nearby Jaffrey, New Hampshire, thus providing us a regional claim; 2) she was a protegee and avowed disciple of Sarah Orne Jewett, without peer Maine's most perceptive delineatrist. This consociation in spired Miss Cather to dedicate 0 Pioneers! "To the memory of Sarah Orne Jewett, in whose beautiful and delicate work there is the perfection that endures"; and to compile The Best Stories of Sarah Orne Jewett (Boston, 1925), in the preface of which she declared: "If I were asked to name three American books which have the possibility of a long, long life, I would say at once, The Scarlet Letter, Huckleberry Finn, and The Country of the Pointed Firs." Despite these compelling motivations, only a few fugitive items of secondary bearing and several letters, de sultorily donated, marked the extent of our Cather holdings until 1959. -
Willa Cather and the Usable Past Scroll Down for Complete Article
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Willa Cather and the Usable Past Full Citation: Robert L Gale, “Willa Cather and the Usable Past,” Nebraska History 42 (1961): 181-190 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1961WCather.pdf Date: 10/11/2016 Article Summary: Gale sees Cather’s exploration of the past as a key to her greatness. He identifies many examples of her use of flashbacks and real-life characters. Major themes related to the past in Cather’s work include immigrants, art, Europe, and the American Southwest. Scroll down for complete article. Cataloging Information: Cather Works Discussed: Alexander’s Bridge, “The Best Years,” “A Chance Meeting,” Death Comes for the Archbishop, A Lost Lady, Lucy Gayheart, My Antonia, “Neighbor Rosicky,” Not Under Forty, O Pioneers!, “The Old Beauty,” “Old Mrs. Harris,” One of Ours, The Professor’s House, Sapphira and the Slave Girl, Shadows on the Rock, The Song of the Lark, The Troll Garden Photographs / Images: Cather in 1893, Cather in mature years WILLA CATHER AND THE USABLE PAST BY ROBERT L. -
REVIEW Volume 61 Z No
REVIEW Volume 61 z No. 1 Summer 2018 New Scholarship on My Ántonia Willa Cather REVIEW Volume 61 z No. 1 | Summer 2018 2 5 16 26 33 CONTENTS 1 Letters from the Executive Director and the President 16 On the Nature of My Ántonia: Lucretius and Willa Cather z John Jacobs 2 Introduction: Jim Burden’s Enduring Story Robert Thacker 26 “Heroic in Size”: Reading My Ántonia as Willa Cather’s First World War I Novel z Max Frazier 5 Rekindled Fires and My Ántonia: The Bohemian Immigrant Novels of 1918 z Evelyn I. Funda 33 Affections Old and True: Inscribed Editions of My Ántonia On the cover: Destination the Same as Ours Family from across the water surrounded by utter darkness huddled together on the platform our new neighbors Letter from of them will create opportunities to make capital improvements the Executive Director and expand the interpretive experience offered through exhibits, Ashley Olson tours, and programming. The second bill, LB 807, calls for the return to Nebraska of statues depicting William Jennings Bryan and Julius Sterling As this centenary year of My Ántonia’s publication progresses, Morton that were installed in National Statuary Hall of the there’s a great deal more to celebrate than just the milestone U.S. Capitol in 1937. These statues are to be replaced by Ponca birthday of this much-loved novel. Earlier this spring, the Chief Standing Bear and Willa Cather. That’s right; a statue Nebraska Legislature passed two bills that were subsequently of a preeminent American writer will be created for addition signed into law by Governor Pete Ricketts. -
Jejich Antonie: Czechs, the Land, Cather, and the Pavelka Farmstead
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1994 Jejich Antonie: Czechs, The Land, Cather, and The Pavelka Farmstead David Murphy Nebraska State Historical Society Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Murphy, David, " Jejich Antonie: Czechs, The Land, Cather, and The Pavelka Farmstead" (1994). Great Plains Quarterly. 812. https://digitalcommons.unl.edu/greatplainsquarterly/812 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ]E]ICH ANTONIE CZECHS, THE LAND, CATHER, AND THE-PAVELKA FARMSTEAD DAVID MURPHY The literature of Willa Cather has long been Just as their farm was the setting, Jan praised for its rich and evocative description Pavelka and Antonie Sadflkova Pavelkova of place. Her raw material was drawn prima were prototypes for the Czech immigrants in rily from personal experiences in late nine the two works-Anton and Antonia Shimerda teenth-century Webster County, Nebraska, Cuzak in My Antonia, and Anton and Mary during the period of initial settlement, and Rosicky in the short story. Both works are re renewed by frequent visits home the first de plete with Czech culture-from fringed and cades of this century. The Pavelka farmstead embroidered shawls, lacework, and feather was one of the important places in her life; it beds, to mushrooms, poppy seeds, and koldce, was used as the setting for Book V of My and numerous references to Bohemia and its Antonia and for "Neighbour Rosicky," a later language.