Classicism & Caprice
702132/702835 European Architecture B classicism & caprice COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice CAPRICIOUS CLASSICISING BAROQUE flamboyant magnificent ROCOCO frivolous elegant THETHE COMPLETIONCOMPLETION OFOF VERSAILLESVERSAILLES Versailles: view towards Paris and the écuries, by Jean-Baptiste Martin, c 1690 Nancy Mitford, The Sun King (London 1966), facing p 96 Versailles, aerial view from the Paris side by J-B Martin Mitford, The Sun King, facing p 240 Versailles: plan of the whole complex Durand, Receuil et Parallèle, pl 60 Versailles: plan of development Jean-Marie Pérouse de Montclos, Versailles (New York 1991) p 418 Versailles, Galerie des Glaces, or Hall of Mirrors, by Hardouin- Mansart, with decoration by Lebrun, carving by Tubi, Coysevox &c, 1678-80 Rolf Toman, Baroque: Architecture, &c (no place 2007 p 136 Versailles, Galerie des Glaces during the wedding of Louis XVI and Marie Antoinette Dunlop, Versailles, pl 15 Versailles, Galerie des Glaces: French order by Charles Le Brun, 1678 J B Scott, 'Guarino Guarini's Invention of the Passion Capitals in the Chapel of the Holy Shroud, Turin', Journal of the Society of Architectural Historians, LIV, 4 (December 1995), p 426 Versailles, Salon de la Guerre, by Jules Hardouin-Mansart, decorated by Le Brun, sculpture by Coysevox, from 1678, opened 1682, but completed over a period Toman, Baroque, p 136 Versailles, Salon de la Paix, 1678-80, & Salon d'Abondance, 1682, ceiling 1683.
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