Chapter 1 – History of Lath & Plaster
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Materials & Process
Sculpture: Materials & Process Teaching Resource Developed by Molly Kysar 2001 Flora Street Dallas, TX 75201 Tel 214.242.5100 Fax 214.242.5155 NasherSculptureCenter.org INDEX INTRODUCTION 3 WORKS OF ART 4 BRONZE Material & Process 5-8 Auguste Rodin, Eve, 1881 9-10 George Segal, Rush Hour, 1983 11-13 PLASTER Material & Process 14-16 Henri Matisse, Madeleine I, 1901 17-18 Pablo Picasso, Head of a Woman (Fernande), 1909 19-20 STEEL Material & Process 21-22 Antony Gormley, Quantum Cloud XX (tornado), 2000 23-24 Mark di Suvero, Eviva Amore, 2001 24-25 GLOSSARY 26 RESOURCES 27 ALL IMAGES OF WORKS OF ART ARE PROTECTED UNDER COPYRIGHT. ANY USES OTHER THAN FOR EDUCATIONAL PURPOSES ARE STRICTLY FORBIDDEN. 2 Introduction This resource is designed to introduce students in 4th-12th grades to the materials and processes used in modern and traditional sculpture, specifically bronze, plaster, and steel. The featured sculptures, drawn from the collection of the Nasher Sculpture Center, range from 1881 to 2001 and represent only some of the many materials and processes used by artists whose works of art are in the collection. Images from this packet are also available in a PowerPoint presentation for use in the classroom, available at nashersculpturecenter.org. DISCUSS WITH YOUR STUDENTS Artists can use almost any material to create a work of art. When an artist is deciding which material to use, he or she may consider how that particular material will help express his or her ideas. Where have students seen bronze before? Olympic medals, statues… Plaster? Casts for broken bones, texture or decoration on walls.. -
100Th Anniversary Dematteis Organizaion – Construction Today
FOCUS PROUD HISTORY The DeMatteis Organization celebrates 100 years of developing and building. BY ALAN DORICH The DeMa eis Organization/ Leon D. DeMa eis He initially specialized in renovation projects as well as the Construction Corp. construction of factory lofts and warehouses at Bush Terminal, a www.dema eisorg.com waterfront shipping, warehousing and manufacturing complex • Headquarters: Elmont, N.Y. also located in Brooklyn and now known as Industry City. In the • Employees: 100 1930s, DeMatteis supported residential and business growth in “We are a family-like group of the borough by building and renovating shops, offices and apart- people here who love what ey ment buildings. do as ey dive into each and Growing Its Legacy every project.” The second generation of DeMatteis family involvement began in – Sco DeMa eis, principal and COO the company when Leon DeMatteis’ son, Fred, joined in the 1940s. ome companies choose to have THE DEMATTEIS ORGANIZATION/LDDCC THE DEMATTEIS only one specialty, but for the past century, The DeMatteis Organiza- tion has thrived by having several. SNot only does the Elmont, N.Y.-based company practice real estate development and property management, “but we’re also a builder at heart,” Principal and COO Scott DeMatteis declares. When The DeMatteis Organization de- COVER COVER STORY: velops a project, it is built through Leon D. DeMatteis Construction Corp. (LDDCC), its » Richard (clockwise from above), Alex, Michael and Scott DeMatteis continue their construction affi liate. This pleases its part- family’s legacy as a top New York builder and developer. ners, who “are comforted that we’re going to control the project through both of the entities,” he says. -
BEST PRACTICES for STUCCO APPLICATIONS GUIDE Revised April 1, 2019
LENEXA – BEST PRACTICES for STUCCO APPLICATIONS GUIDE Revised April 1, 2019 This document is provided through endorsement by the Johnson County Building Officials. General Exterior wall coverings, along with the roofing, flashings, windows and doors, are designed to provide a weather-resistive barrier that separates the interior of the structure from the elements. Low maintenance and attractive appearance are just two reasons why hard coat stucco has become so popular over the years. At the same time, the building industry has become aware of the need to protect the exterior wall sheathing from moisture damage. The walls shall be constructed so that water does not accumulate within the assembly. This means creating a water-resistive plane behind the exterior veneer that allows moisture that does get into the wall to drain down and out without coming in contact with the wood framing. Detailing around windows, doors and other penetrations in the envelope is equally important in protecting the wood frame structure behind the stucco from being damaged by water infiltration. Since the wall sheathing behind the stucco is the lateral load resisting system of the structure, in addition to the supporting surface for the exterior siding, it is important to see that continuous undetected penetrations of the siding by moisture do not create structural damage such as decay and corrosion or environmental damage which may cause health related problems such as the growth of mold and mildew. To this end, the removal of moisture that gets past the exterior envelope before it contacts the wood framing is the primary goal of the weather-resistive barrier and why it is critical that it be installed properly. -
Section 09220 Portland Cement Plaster
PROJECT NO. ####### PROJECT TITLE CONTRACT TITLE SECTION 09220 PORTLAND CEMENT PLASTER PART I - GENERAL 1.01 DESCRIPTION A. Scope: Work under this Section shall include all materials and installation for Portland Cement Plaster (Stucco) siding as shown and detailed on the drawings and specified herein. B. Related Work Specified Elsewhere: 1. Division 6, Section 06100 – ROUGH CARPENTRY 1.02 SUMMARY A. This Section includes the following: 1. Metal framing and furring 2. Metal lath and accessories 3. Plastic accessories 4. Portland cement plaster 5. Stucco finishes 1.03 SUBMITTALS A. General: See Division 1, Section 01330 – Shop Drawings, Product Data and Samples. B. Product Data for each product specified. C. Samples for initial selection in the form of manufacturer's color charts consisting of actual units or sections of units at least 12” square showing the full range of colors, textures, and patterns available for each type of finish indicated. 1. Where finish involves normal color and texture variations, include Sample sets composed of 2 or more units showing the full range of variations expected. 2. Include similar Samples of material for joints and accessories involving color selection. 1.04 DELIVERY, STORAGE, AND HANDLING A. Deliver cementitious materials to Project site in original packages, containers, or bundles, labeled with manufacturer's name, product brand name, and lot number. B. Store materials inside, under cover, and dry, protected from weather, direct sunlight, surface contamination, aging, corrosion, and damage from construction traffic and other causes. 09220 - 1 PORTLAND CEMENT PLASTER 07/2014 Edition PROJECT NO. ####### PROJECT TITLE CONTRACT TITLE 1.05 PROJECT CONDITIONS A. -
Section 092400
SPEC MIX, Inc. – Guide Specification Note to User: This section contains macros to aid the editing process. By default Microsoft Word disables macros for virus security reasons. When you open a file that has macros, the yellow message bar appears with a shield icon and the enable content button. To enable these macros, click the Enable Content button. SECTION 09 24 00 PORTLAND CEMENT STUCCO (To View Hidden Text, Type CTRL-H) PART 1 – GENERAL 1.1 SECTION INCLUDES A. Portland Cement, Pre-blended Scratch and Brown Coat Stucco. B. Portland Cement, Pre-blended Fiber Base Coat Stucco. C. Portland Cement, Pre-blended Colored Finish Coat Stucco. 1.2 RELATED SECTIONS A. Section 03 30 00 - Cast-in-Place Concrete. B. Section 04 20 00 - Unit Masonry. C. Section 05 40 00 - Cold-Formed Metal Framing: Light gauge load-bearing metal framing. D. Section 06 10 00 - Rough Carpentry: Wood framing. E. Section 07 21 13 - Board Insulation. F. Section 07 92 00 - Joint Sealants. G. Section 09 22 16 - Non-Structural Metal Framing: Non-load-bearing metal framing systems. H. Section 09 22 36 - Metal Lath. I. Section 09 29 00 - Gypsum Board: Exterior gypsum sheathing. 1.3 REFERENCES A. American National Standards Institute (ANSI) / American Hardboard Association (AHA): 1. ANSI/AHA A 194 - Cellulosic Fiber Board. B. ASTM International (ASTM): 1. ASTM A 641/A 641M - Standard Specification for Zinc-Coated (Galvanized) Carbon Steel Wire. 2. ASTM A 653/A 653M - Standard Specification for Steel Sheet, Zinc-Coated (Galvanized) or Zinc- Iron Alloy-Coated (Galvannealed) by the Hot-Dip Process. -
2017 Prevailing Wage Rates Lincoln County
2017 PREVAILING WAGE RATES LINCOLN COUNTY DATE OF DETERMINATION: October 1, 2015 APPLICABLE FOR PUBLIC WORKS PROJECTS BID/AWARDED OCTOBER 1, 2016 THROUGH SEPTEMBER 30, 2017* *Pursuant to NAC 338.040(3), "After a contract has been awarded, the prevailing rates of wages in effect at the time of the opening of bids remain in effect for the duration of the project." As Amendments/Addenda are made to the wage rates, such will be posted to sites of the respective counties. Please review regularly for any amendments posted or contact our offices directly for further assistance with any amendments to the rates. AIR BALANCE TECHNICIAN ALARM INSTALLER BOILERMAKER BRICKLAYER CARPENTER CEMENT MASON ELECTRICIAN-COMMUNICATION TECH. ELECTRICIAN-LINE ELECTRICIAN-NEON SIGN ELECTRICIAN-WIREMAN ELEVATOR CONSTRUCTOR FENCE ERECTOR FLAGPERSON FLOOR COVERER GLAZIER HIGHWAY STRIPER HOD CARRIER-BRICK MASON HOD CARRIER-PLASTERER TENDER IRON WORKER LABORER MECHANICAL INSULATOR MILLWRIGHT 2016-2017 Prevailing Wage Rates – Lincoln County 1 OPERATING ENGINEER OPERATING ENG. STEEL FABRICATOR/ERECTOR OPERATING ENGINEER-PILEDRIVER PAINTER PILEDRIVER (NON-EQUIPMENT) PLASTERER PLUMBER/PIPEFITTER REFRIGERATION ROOFER (Does not include sheet metal roofs) SHEET METAL WORKER SPRINKLER FITTER SURVEYOR (NON-LICENSED) TAPER TILE /TERRAZZO WORKER/MARBLE MASON TRAFFIC BARRIER ERECTOR TRUCK DRIVER WELL DRILLER LUBRICATION AND SERVICE ENGINEER (MOBILE AND GREASE RACK) SOIL TESTER (CERTIFIED) SOILS AND MATERIALS TESTER PREVAILING WAGE RATES INCLUDE THE BASE RATE AS WELL AS ALL APPLICABLE FRINGES NRS 338.010(21) “Wages” means: (a) The basic hourly rate of pay; and (b) The amount of pension, health and welfare, vacation and holiday pay, the cost of apprenticeship training or other similar programs or other bona fide fringe benefits which are a benefit to the workman. -
Wood Waste As a Raw Material Lionel K
Volume 18 Article 3 1-1-1930 Wood Waste as a Raw Material Lionel K. Arnold Iowa State College Follow this and additional works at: https://lib.dr.iastate.edu/amesforester Part of the Forest Sciences Commons Recommended Citation Arnold, Lionel K. (1930) "Wood Waste as a Raw Material," Ames Forester: Vol. 18 , Article 3. Available at: https://lib.dr.iastate.edu/amesforester/vol18/iss1/3 This Article is brought to you for free and open access by the Journals at Iowa State University Digital Repository. It has been accepted for inclusion in Ames Forester by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. THE AMES FORESTER 17 Wood Waste as a Raw Material Lionel K. Arnold, Engineering Experiment Station It is estimated that the annual sawdust pile of the world would be several times as large as the largest skyscraper of New 'York. The sawclust is only about one-fifth of the total waste from the lumber industry. It is estimated that 62 per cent of each tree cut for lumber is wasted. This includes the limbs, top, and stump as well as the waste at the mill. From the sawlogs alone the waste is approximately 49 per cent. Unbreakable dolls and dynamite are only two of the many products made fl-om wood flour which is made from sawdust and other wood wastes. In spite of the immense quantities of sawdust and other wood wastes produced in the United States, we are importing in the neighborhood of 12 million pounds of wood flour every year at a cost of about 90 thousand dollars. -
Traditional Architectural Renders on Earthen Surfaces
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1991 Traditional Architectural Renders on Earthen Surfaces Maria Isabel G. Beas University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Beas, Maria Isabel G., "Traditional Architectural Renders on Earthen Surfaces" (1991). Theses (Historic Preservation). 395. https://repository.upenn.edu/hp_theses/395 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Beas, Maria Isabel G. (1991). Traditional Architectural Renders on Earthen Surfaces. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/395 For more information, please contact [email protected]. Traditional Architectural Renders on Earthen Surfaces Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Beas, Maria Isabel G. (1991). Traditional Architectural Renders on Earthen Surfaces. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/395 'T,' i'&Sim mi> 'm m. i =ir,!t-i^-!vs i )'» \ •.'.i:'-ii-2\c-. fell ;;!•!' UNIVERSITVy PENNSYLVANIA. UBKARIES TRADITIONAL ARCHITECTURAL RENDERS ON EARTHEN SURFACES Maria Isabel G. Beas A THESIS in The Graduate Program in Historic Presen/ation Presented to the faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1991 Frank G.lMatero, Associate Professor 'reservation, Advisor X Samuel Y. -
Preserving Historic Ornamental Plaster David Flaharty
PRESERVATION BRIEFS Preserving Historic Ornamental Plaster David Flaharty U.S. Department of the Interior National Park Service Cultural Resources Heritage Preservation Services From the time America struggled for a new identity as the 1930s. During this two hundred year period, as the a constitutional republic-and well into the 20th Georgian and Federal styles yielded to the revivals century-its architecture and its decorative detailing Greek, Rococo, Gothic, Renaissance, and Spanish remained firmly rooted in the European classicism of decorative plaster reflected each style, resulting in the Palladio, Wren, and Mansart. wide variety of ornamentation that survives. The tradi tional methods of producing and installing interior Together with skilled masons and carpenters, orna decorative plaster were brought from Europe to this mental plasterers saw their inherited trade flourish country intact and its practice remains virtually un from the mid-18th century until the Depression years of changed to this day. Fig. 1. Ornamental plaster studios employed the following personnel: Draftsmen to interpret architectural details in shop drawings; sculptors who modelled in clay; model makers who assembled sculpted, plain-run and pre-cast elements into an ornamental unit; moldmakers who made rigid or flexible negative tooling; casters who made production units; finishers (often the caster's wives) who cleaned the casts; and laborers who assisted skilled personnel in operating efficiently. This studio was in Philadelphia, c. 1915. Photo: Courtesy, M. Earle Felber. Styles of Decorative Plaster in America, 18th-20th Centuries d e (a) Kenmore, Fredericksburg, Virginia. c. 1752. Georgian in style with orna mental ceilings based on Batty Langley's 1739 English style book, the plaster work was executed by a Frenchman in the mid-1770s. -
How Limestone, Rocks, and Volcanic Ash Built the Modern World
26/11/2017 The Rock Solid History of Concrete ALEXANDERVANLOON/WIKIMEDIA The Rock Solid History of Concrete By Jonathan Schifman Oct 12, 2017 1.5k HOW LIMESTONE, ROCKS, AND VOLCANIC ASH BUILT THE MODERN WORLD. The story of concrete is so ancient that we don't even know when and where it begins. It is a story of discovery, experimentation, and mystery. Emperors and kings became legends for erecting great concrete structures, some of which are still a mystery to engineers today. Many of history's most skilled architects found inspiration in slabs of the gray building material. Common bricklayers advanced the technology, and a con man played a crucial role in the development of concrete recipes. Today, the world is literally filled with concrete, from roads and sidewalks to bridges and dams. The word itself has become a synonym for something that is real and tangible. Press http://www.popularmechanics.com/technology/infrastructure/a28502/rock-solid-history-of-concrete/ 1/22 26/11/2017 The Rock Solid History of Concrete your handprints into the sidewalk and sign your name to history. This is the story of concrete. The First Cement—and Maybe Concrete? Let's get this out of the way right here: cement and concrete are not the same thing. Cement, a mixture of powdered limestone and clay, is an ingredient in concrete along with water, sand, and gravel. Concrete's invention was made possible by the development of cement, and to trace the history of cement, we must trace the use of its components. ADVERTISEMENT - CONTINUE READING BELOW The earliest known use of limestone in a structure has been dated back about 12,000 years. -
Gypsum Resources of Iowa by Robert M
Gypsum Resources of Iowa by Robert M. McKay In mining gypsum at Fort Dodge, overlying glacial deposits are removed and the deeply creviced surface of the gypsum is exposed. These crevices resulted from movement of water along intersecting fractures in the easily eroded gypsum. Photo by Tim Kemmis. One of the softest minerals known to exist is the basis for one of Iowa's most durable mineral resource industries. Gypsum is a gray to white-colored mineral that can be easily scratched with a fingernail, and is referred to chemically as a hydrous calcium sulfate. Some of its other, perhaps more familiar, names are based on its various forms of occurrence. For example, alabaster is a massive form; satin spar is a fibrous variety; and selenite is its crystalline form. Gypsum often occurs in varying proportions with anhydrite (calcium sulfate), a slightly harder and more dense mineral that lacks water in its chemical make-up. Both gypsum and anhydrite belong to an interesting group of minerals called evaporites, which are sedimentary deposits composed of salts precipitated from sea water. Evaporites form in shallow or near shore marine and lake environments where evaporation has - 1 - produced an unusually high concentration of dissolved salts, and where there is little or no circulation of fresh water. The precipitation of sediment from these hypersaline brines is associated with hot and relatively dry climatic conditions. Iowa's paleogeography at several times in the state's geologic past duplicated these environments of deposition and resulted in major accumulations of evaporite minerals. As a result, several geologic units in Iowa's underlying sedimentary rock sequence host economically significant deposits of gypsum. -
Portland Cement
International Conference on Transport, Civil, Architecture and Environment engineering (ICTCAEE'2012) December 26-27, 2012 Dubai (UAE) Portland Cement Alireza Baghchesaraei1 , Omid Reza Baghchesaraei2 kiln is fired by coal, the ash of the coal acts as a secondary raw Abstract— portland cement is the most common type of cement material. in general usage in many parts of the world, as it is a basic ingredient Portland cement was developed from cements (or correctly of concrete, mortar, stucco and most non-specialty grout. There are hydraulic limes) made in Britain in the early part of the different standards for classification of Portland cement. The two nineteenth century, and its name is derived from its similarity major standards are the ASTM C150 used primarily in the U.S. and to Portland stone, a type of building stone that was quarried on European EN-197. EN 197 cement types CEM I, II, III, IV, and V do the Isle of Portland in Dorset, England. Joseph Aspdin, a not correspond to the similarly-named cement types in ASTM C 150. Portland cement manufacture can cause environmental impacts at all British bricklayer, in 1824 was granted a patent for a process stages of the process. When cement is mixed with water a highly of making a cement which he called Portland cement. His alkaline solution (pH ~13) is produced by the dissolution of calcium, cement was an artificial hydraulic lime similar in properties to sodium and potassium hydroxides. the material known as "Roman Cement" (patented in 1796 by James Parker) and his process was similar to that patented in Keywords—New,Material,Portland Cement 1822 and used since 1811 by James Frost who called his cement "British Cement".