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1 Welcome to the Oregon Shakespeare Festival’s 2019 season! We hope you are as excited to join our OSF Company as we are to be a part of it ourselves. If you have not worked here before, we encourage you to learn as much as you can about the company before you begin by reading this welcome information. If you are returning to OSF, please take the time to review this information as the details can change from season to season. Please also visit our website, www.osfashland.org, which has a wealth of information about OSF and the work we do. The Oregon Shakespeare Festival is truly a unique organization in American theatre. In 2019, we will produce over 780 performances of 11 plays in three theatres and one community tour over an eight-month performance season to an audience of close to 400,000. We have one of the most demanding and complex production schedules in the country; our system of rotating repertory is ambitious and impacts everything we do. Add in the unpredictable elements of rain, smoke, heat and cold in our outdoor Allen Elizabethan Theatre, and it can seem pretty hectic around here sometimes. And yet the rewards are astonishing. In 2019, more than 600 theatre professionals, including one of the largest acting companies anywhere in the world, will come together to create the season here in Ashland. OSF is a large organization, and new company members are frequently overwhelmed with questions about it. Please check the Important Contacts appendix in this Welcome Book for information on who to contact when you need something—there are many people here to lend a hand anytime. Again, welcome to the company—we hope your time with us is fulfilling! We are proud of our 84 years of history and look forward to many more. Bill Rauch Artistic Director and the OSF Leadership Team 2 Destiny of Desire (2018): Armando Durán and Catherine Castellanos; with Eduardo Enrikez, Esperanza America, Ella Saldana North and Fidel Gomez (left to right). Photo: Jenny Graham. About This Welcome Book The 2019 Welcome Book is divided into six sections to provide Company Members and guests with key information and resources to optimize your stay with OSF. The information has been gathered, written and edited by many minds and hands at the Festival. All information is believed to be accurate at the time of printing. Please know that, as with any annual publication, changes do occur. You are encouraged to consider this potential as you utilize the information contained herein. Please contact Company Management with any questions, comments, or suggestions. 3 Table of Contents WELCOME ................................................................................................................................. 5 Mission & Values .................................................................................................................. 6 Equity, Diversity & Inclusion ............................................................................................... 7 Equity, Diversity & Inclusion Resources ............................................................................ 9 The Repertory...................................................................................................................... 14 History .................................................................................................................................. 16 WORKING AT OSF ................................................................................................................. 20 Orientation ........................................................................................................................... 21 Company Management ...................................................................................................... 23 Mail Information ................................................................................................................. 25 Company Wi-Fi ................................................................................................................... 26 Health & Wellness .............................................................................................................. 26 Script Access ....................................................................................................................... 29 INITIATIVES ............................................................................................................................ 32 American Revolutions ........................................................................................................ 33 Community Productions .................................................................................................... 34 Play on! ................................................................................................................................ 34 Education Department Opportunities .............................................................................. 35 Development Department Opportunities ........................................................................ 35 Audience Development Opportunities ............................................................................. 36 OSF Audience Development Manifesto ...................................................................... 39 ACTING COMPANY INFORMATION .................................................................................... 42 Key Information .................................................................................................................. 43 Daily Schedule for Actors .................................................................................................. 44 Acting Company Development Programs ....................................................................... 46 LIVING IN ASHLAND ............................................................................................................. 48 Local Resources ................................................................................................................. 50 Worship Services ............................................................................................................ 50 Resources for Women .................................................................................................... 51 4 Coffee Houses ................................................................................................................. 52 Restaurants ..................................................................................................................... 52 Grocery Stores & Farmers’ Markets ............................................................................ 53 Pharmacies ...................................................................................................................... 53 Fitness Centers/Gyms ................................................................................................... 53 Laundromats & Dry Cleaners ........................................................................................ 54 TV/Internet Services ...................................................................................................... 54 Banks ................................................................................................................................ 55 Hair Salons ...................................................................................................................... 55 Child Care & Parent Resources .................................................................................... 56 Bicycle Parking, Shops & Rentals ................................................................................ 57 Bus Information .............................................................................................................. 57 Airport Shuttles & Taxis ................................................................................................. 58 Car Rentals ...................................................................................................................... 58 Fun in the Rogue Valley and Beyond ............................................................................... 59 Wineries ........................................................................................................................... 59 Music & Theatre ............................................................................................................. 60 Wilderness Reference Guide......................................................................................... 60 Local Hiking & Biking ..................................................................................................... 62 Hot Springs & Baths ....................................................................................................... 63 Public Pools ..................................................................................................................... 63 River & Lake Recreation ................................................................................................ 64 Skiing & Snowboarding .................................................................................................. 64 OSF CAMPUS MAP ................................................................................................................ 65 5 Othello (2018): Alejandra Escalante and Chris Butler. Photo: Jenny Graham. WELCOME Mission & Values Equity, Diversity & Inclusion Equity, Diversity & Inclusion Resources The Repertory History 6 Mission & Values Inspired
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  • News Release

    News Release

    NEWS RELEASE FOR IMMEDIATE RELEASE: August 16, 2019 ARIZONA THEATRE COMPANY OPENS 2019/2020 SEASON WITH MARCO RAMIREZ’ “ORIGINAL AND GRACEFUL” THE ROYALE Arizona Theatre Company (Sean Daniels, Artistic Director; Billy Russo, Managing Director) kicks off the 2019/2020 season, its 53rd, with Marco Ramirez’ power-packed boxing drama, The Royale, a deeply theatrical and emotionally moving story loosely based on the life of the world’s first African-American heavyweight boxing champion, Jack Johnson, Sept. 7-28 at the Temple of Music & Art in Tucson and Oct. 3-20 at the Herberger Theater Center in Phoenix. Described as “original and graceful” by The New York Times, The Royale explores one man’s struggle while reflecting on a bigger one in the midst of Jim Crow’s south in 1910. It’s also the story of a brother and his sister who remains his greatest adversary and strongest motivation as he struggles for glory and respect. And it’s a boxing story without a single fist-driven punch being thrown. Even so, “The Royale packs a punch!” The New York Times wrote. Playwright Marco Ramirez, whose plays have been produced at Lincoln Center Theater, The Kennedy Center, The Humana Festival, The Old Globe (San Diego), The Bush Theatre (London) and American Theater Company, among others, also has built both a reputation and a following as a TV writer for hits including Marvel’s Daredevil (Netflix) The Defenders (Netflix), Sons of Anarchy (FX) and Orange is the New Black (Netflix). "Marco Ramirez and Michael John Garcés are two of the most exciting artists working in our country today.
  • FOR IMMEDIATE RELEASE: August 13, 2018 Media Contacts: the PR Team, ​Pr@Mixedblood.Com Dan Fernelius, 612-508-7499 Mixed Blood

    FOR IMMEDIATE RELEASE: August 13, 2018 Media Contacts: the PR Team, ​[email protected] Dan Fernelius, 612-508-7499 Mixed Blood

    FOR IMMEDIATE RELEASE: August 13, 2018 Media Contacts: The PR Team, [email protected] ​ Dan Fernelius, 612-508-7499 Mixed Blood announces Lisa Loomer’s Pre-Broadway Run of ROE rd as its TBA offering in its 43 ​ season, ​ TRANSFORMING THE IMPOSSIBLE TO THE PROBABLE (Minneapolis/St. Paul) – In the wake of Justice Kennedy’s retirement from the Supreme Court and ​ the fragile longevity of Roe v Wade, the Mixed Blood Theatre Company announces its pre-Broadway run of ROE by Lisa Loomer in its 2018-19 season. It is optioned for Broadway and ​ Mixed Blood is the only regional theatre in the country that has been given permission to produce it this season. ROE By Lisa Loomer, Directed by Mark Valdez March 15 – April 7, 2019 ROE, a theatrical survey of the complicated and fiery underpinnings of Roe v. Wade, the U.S. ​ ​ ​ Supreme Court ruling that established a woman’s right to an abortion. Roe precisely illustrates the ​ ​ ​ fractured and fracturing history of one of the most polarizing social issues of the modern era. Sarah Weddington was a 26-year-old lawyer when she argued Roe v. Wade and accidental heroine ​ ​ Norma McCorvey was a 22-year-old poor, hard-living lesbian bartender seeking to end her third ​ ​ ​ pregnancy when she first agreed to be the plaintiff under the pseudonym “Jane Roe,” decades ​ before she renounced her involvement in the case and became an anti-abortion advocate. ROE is an historically sweeping rare play that takes this inflammatory American issue head-on. Lawyer’s and plaintiff’s subsequent journeys mirrored the American divide.
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson

    South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson

    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
  • By Bill Cain Kent Nicholson

    By Bill Cain Kent Nicholson

    - 49th Season • 466th Production SEGERSTROM STAGE / OCTOBER 19 - NOVEMBER 18, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents by Bill Cain Scott Bradley Callie Floor Alexander V. Nichols SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Matt Starritt Joshua Marchesi Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by Kent Nicholson Pam and Jim Muzzy Honorary Producers Corporate Producer HOW TO WRITE A NEW BOOK FOR THE BIBLE was developed at the Ojai Playwrights Conference, Robert Egan, Artistic Director and at Theatre Works, Palo Alto, CA as part of their New Works Festival It was originally produced by Berkeley Repertory Theatre, Berkeley , CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director and Seattle Repertory Theatre, Seattle, WA, Jerry Manning, Artistic Director/Benjamin Moore, Managing Director How to Write a New Book for the Bible • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Bill ....................................................................................................... Tyler Pierce* Mary ............................................................................................ Linda Gehringer* Paul ............................................................................................... Aaron Blakeley* Pete ........................................................................................................... Jeff Biehl* LENGTH Approximately two hours and 20 minutes
  • Past TRC Productions

    Past TRC Productions

    TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, Competition Winner, Special Presentation, or Co-Production 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J.
  • A CHRISTMAS CAROL Adapted by JERRY PATCH

    A CHRISTMAS CAROL Adapted by JERRY PATCH

    SEGERSTROM STAGE / NOVEMBER 26 THROUGH DECEMBER 24, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents CHARLES DICKENS’ A CHRISTMAS CAROL adapted by JERRY PATCH SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Thomas Buderwitz Dwight Richard Odle Donna and Tom Ruzika MUSIC ARRANGEMENT/COMPOSER SOUND DESIGN VOCAL DIRECTOR CHOREOGRAPHER Dennis McCarthy Drew Dalzell Dennis Castellano Linda Kostalik ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Laurie Woolery David Leavenworth Erin Nelson* DIRECTED BY JOHN-DAVID KELLER Paul, Daranne and Courtney Folino Bank of America HONORARY PRODUCERS CORPORATE PRODUCER A Christmas Carol • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) LENA, a vendor of second-hand goods ....................................................... *Madison Dunaway JOE, a cider salesman and a receiver of stolen goods ............................................. *Art Koustik TOY LADY .......................................................................................................... *Hisa Takakuwa PUPPETEER ........................................................................................................ Joshua Campbell UNDERTAKER ......................................................................................................... *Travis Vaden CHIMNEY SWEEP ........................................................................................... *Timothy Landfield ELIZABETH SHELLEY ...............................................................................................
  • By Tony Taccone and Bennett S

    By Tony Taccone and Bennett S

    BY TONY TACCONE AND BENNETT S. COHEN, ADAPTED FROM THE NOVEL BY SINCLAIR LEWIS SOUND DESIGN AND MUSIC BY PAUL JAMES PRENDERGAST DIRECTED BY LISA PETERSON DEAR FRIENDS, Four years ago, in the lead-up to the 2016 election, Berkeley Rep produced Tony Taccone and Bennett Cohen’s adaptation of Sinclair Lewis’ frighteningly prescient novel. With a desire to see the story reach the widest possible audience, and celebrating the impulse that led the wpa in 1936 to share the original stage version of Lewis’ novel for free with 21 theatres across the country, Berkeley Rep offered the rights to Tony and Bennett’s adaptation to theatres, community centers, universities — anyone who wanted to put together their own production or reading. And now, in 2020, this story feels all the more vital, and the need to share it widely even more compelling. I am honored that more than 75 organizations from more than 20 states have partnered with us to share this production of It Can’t Happen Here for free with their audiences and communities. We are joined in this effort by long-time theatre colleagues, by universities from Howard in Wash- ington, DC to Saint Cloud State in Minnesota (near Lewis’ hometown), by libraries, community centers, and radio stations. I am deeply grateful to Tony and Bennett, director Lisa Peterson, sound designer Paul James Prendergast and his small but mighty team, and this extraordinary cast who have collaborated across miles and time zones, through wildfires and new technology, for their conviction that the- atre matters, that narrative helps us to see the world more clearly, and that together we have the capacity to effect change.
  • Curriculum Vitae

    Curriculum Vitae

    CURRICULUM VITAE Todd Andrew Rosenthal [email protected] Website: Toddar.com 7649 N Eastlake Ter 1609 Sherman Ave. #1F Suite 306 Chicago, IL 60626 Evanston, IL 60201 (312) 515-7758 (847) 869-6960 EDUCATION YALE UNIVERSITY, New Haven, CT. Master of Fine Arts, Set/Lighting Design, Donald Oenslager Scholarship Recipient, 1993. ART STUDENTS LEAGUE OF NEW YORK, Figure Drawing, Water Color, 1990. MOORE COLLEGE OF ART, Figure Drawing, 1989. COLGATE UNIVERSITY, Bachelor of Arts, English and Theater, Cum Laude, 1989. TEACHING EXPERIENCE NORTHWESTERN UNIVERSITY, Evanston, IL, Professor of Theater and Chair of MFA Design Department, Teaching-Fall 2003-present. Courses Taught Design Process: Scene Design (241-1)- Undergraduate Set Design, Spring 2004, Winter 2005, Winter 2006, Winter 2007. Scene Design II (343-0)- First MFA set design class.Winter 2008, Winter 2009, Fall 2010, Winter 2011, Winter 2012, Winter 2013, Winter 2014, Winter 2015, Winter 2017. Scene Design II (343-1)- Winter 2005. Scene Design II (343-2)- Graduate Set Design. Spring 2004. (343-1) Winter 2005. Scenographic Drafting (356-1, 365-4)- Fall 2003, Spring 2006, Spring 2007, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016 Scenographic Model Building (356-3, 356-1)- Fall 2004, Fall 2005, Fall 2007, Fall 2009, Fall 2010, Fall 2011, Fall 2012, Fall 2013, Fall 2014, Fall 2015, Fall 2016. 20th Century Stage Design (362-0)- Winter 2008, Winter 2010. Collaboration Techniques for Designers and Directors (420-0)- Fall 2004, Fall 2010. Theatre (373-0-20)-Computer Graphics- Winter, 2017, Winter 2018. Internship (380-0)- Winter 2012, Spring 2012, Spring 2013, Winter 2014.
  • HOMEFREE WRITTEN by Lisa Loomer DIRECTED by Michael Matthews*

    HOMEFREE WRITTEN by Lisa Loomer DIRECTED by Michael Matthews*

    HOMEFREE WRITTEN BY Lisa Loomer DIRECTED BY Michael Matthews* PRODUCERS Andre Barron, Donna Simone Johnson, Kevin Shipp ASSISTANT DIRECTOR Laura Steinroeder SET DESIGN/PROJECTIONS JR Bruce LIGHTING DESIGN Luke Moyer COSTUME DESIGN Michele Young PROPMASTER Michael Ohara SOUND DESIGN David B. Marling STAGE MANAGER Maurie Gonzalez ASSISTANT STAGE MANAGER Emma Pauly PUBLICIST David Elzer ONLINE MARKETING Corryn Cummins * Homefree was originally developed by the Denver Center Theatre Company, a division of theDenver Center for the Performing Arts; Kent Thompson, Producing Artistic Director. It was also an official selection of the Road Theatre Company’s Summer Playwrights Festival 5, July 2014. Scott Alan Smith, Festival Director. This project is supported in part by grants from The City of Los Angeles Department of Cultural Affairs and the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission. The Road Theatre Company is a subsidiary of The Other Side of the Hill Productions, Inc., a 501-C3 Non-Profit Corp. head_a1 A NOTE FROM THE ARTISTICHEAD_A2 DIRECTORS Deartext Road block. Friends Old and New: Tostyles our Road vary. audience family, we say a very loud and hearty WELCOME to the 25th season. It’s been a long and successful road from the com- pany’s origins in a Van Nuys warehouse to 2015, with a company of over 125 strong, two beautiful theatres to program, and both our city of North Hollywood and our audiences continually growing. We also offer the warmest welcome to playwright Lisa Loomer and thanks for her faith in the Road to present this world premiere of her beautiful Homefree and the wonderful collaborative work of Director Michael Matthews, our design- ers, cast and crew.
  • The Berkeley Rep Magazine 2016–17 · Issue 1

    The Berkeley Rep Magazine 2016–17 · Issue 1

    Teen Council goes to Washington 12 · The Relentless American: Author Sinclair Lewis 23 · The program for It Can’t Happen Here 25 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 IC_Program.indd 1 9/6/16 6:17 PM Live FABULOUSLY Larger. Smarter living starts with less, so you can do more. Consider the one-bedroom apartment at St. Paul’s Towers, the East Bay’s most appealing Life Plan Community. It comes complete with housekeeping, weekly linen service, dining, amenities, programs, and people who love to live like you do. See why 94% of our residents highly recommend living here. To learn more, or for your personal visit, please call 510.891.8542. 100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP754-01YD 090116 IC_Program.indd 2 9/6/16 6:17 PM IN THIS ISSUE BERKELEY REP PRESENTS IT CAN ’T HAPPEN HERE · 25 MEET THE CAST & CREW · 26 PROLOGUE CONTRIBUTORS A letter from the artistic director · 5 Foundation, corporate, and in-kind sponsors · 36 A letter from the managing director · 7 Individual donors to the Annual Fund · 37 Michael Leibert Society · 40 REPORTS “That’s the thing.” Tapping into America’s ABOUT BERKELEY REP 10 collective memory · 10 Staff, board of trustees, Teen Council goes to Washington · 12 and sustaining advisors · 41 Theatre as civic dialogue: A short history of American regional theatre · 14 FYI Everything you need to know about our FEATURES box office, seating policies, and more 42· The Origin Story · 16 Outstripped by reality: An interview 12 with Tony Taccone, Bennett Cohen, and Lisa Peterson · 16 “The only thing we have to fear is fear itself:” The political climate of It Can’t Happen Here · 19 The Relentless American: Author Sinclair Lewis · 23 23 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 The Berkeley Rep Magazine is published Editor Writers Contact Berkeley Rep at least seven times per season.
  • To Read the Program Online

    To Read the Program Online

    The Artistic Director’s Circle Season Sponsors Gail & Ralph Bryan Una K. Davis Brian & Silvija Devine Joan & Irwin Jacobs Sheri L. Jamieson Frank Marshall & Kathy Kennedy Becky Moores Jordan Ressler Charitable Fund of the The William Hall Tippett and Ruth Rathell Tippett Foundation, Jewish Community Foundation David C. Copley Foundation, Mandell Weiss Charitable Trust, Gary & Marlene Cohen, The Rich Family Foundation The Dow Divas, Foster Family Fund of the Jewish Community Foundation, The Fredman Family, Wendy Gillespie & Karen Tanz, Lynn Gorguze & The Honorable Dr. Seuss Fund at The San Diego Scott Peters, Kay & Bill Gurtin, Debby & Hal Jacobs, Lynelle & William Lynch, Foundation and Molli Wagner Steven Strauss & Lise Wilson SEPTEMBER 3 – OCTOBER 13 PRODUCTION SPONSOR Una K. Davis Dear Friends, LA JOLLA PLAYHOUSE PRESENTS Christopher Ashley Debby Buchholz There’s a moment in tonight’s musical The Rich Family Artistic Director of La Jolla Playhouse Managing Director of La Jolla Playhouse – don’t worry, no spoilers here – where IN ASSOCIATION WITH a power-mad viceroy, overseeing BERKELEY REPERTORY THEATRE Spain’s colonization of the Americas, MISSION STATEMENT: envisions a glorious future in which most of the towns along the western La Jolla Playhouse advances coast of North America will eventually theatre as an art form and as a vital be named after Catholic saints. San Diego, regardless of the social, moral and political platform thoughts or opinions of our area’s Native population at the by providing unfettered creative time, would indeed become one of those towns; the Spanish opportunities for the leading artists explorer Juan Rodríguez Cabrillo christened it San Miguel in BOOK BY of today and tomorrow.
  • Tetheridge@Berkeleyrep.Org FOR

    [email protected] FOR

    Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] FOR IMMEDIATE RELEASE BERKELEY REP’S THE GROUND FLOOR RETURNS THIS MONTH WITH INNOVATIVE THEATRE PROJECTS FROM 29 BAY AREA ARTISTS Research and development facility for theatre invites artists for ninth Summer Residency Lab August 9, 2021 – This morning, Berkeley Rep’s Artistic Director Johanna Pfaelzer announced the return of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. Thirteen projects from 29 talented artists across the Bay Area have been selected for its Summer Residency Lab. As part of an extraordinary laboratory for collaboration, some of the Bay Area’s most prominent and promising theatre makers will unite at the Theatre’s Harrison Street campus and virtually over an intense four-week period to exchange ideas, incubate new theatrical work, and build artistic community. Residencies have been awarded to Debórah Eliezer in collaboration with Vidhu Singh, Noor Adabachi, and Cynthia Ling Lee (Burning Wild); Bennett Fisher (Cry Havoc); Denmo Ibrahim and Kate Bergstrom (Beyond the Ocean’s Edge); Josh Kornbluth (The Bottomless Bowl); Jeffrey Lo (Delano Love Song); Leigh M. Marshall (The Rosaline Play); Ashley Smiley, Margo Hall, Sean San José, and Joan Osato (Dirty White Teslas Make Me Sad); Ari’el Stachel and Tony Taccone (Untitled); Madison Wetzell and Ciera Eis (Untitled: Faust on 4Chan); Dawn L. Troupe, Jeff Liu, and Adrienne Shamszad (Riding the Light); Erika Chong Shuch, Ryan Tacata, and Rowena Richie (The Welcoming); Chris Steele, Sean Owens, NJ Bice, and Nic Candito (Gaslit: A Trans Drag Parody); and Molly Van Der Molen (Never Sink River).