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Fall 2010 U.S
178451_Cover_B.qxd:178451_Cover_B 12/6/10 10:04 PM Page 1 Nonprofit Org. FALL 2010 U.S. Postage IN THIS ISSUE FALL 2010 FALL 421 Mondale Hall PAID New Environmental Courses • Q&A: Anderson & Rosenbaum • Super CLE Week • Don Marshall Tribute 229 19th Avenue South Minneapolis, MN Minneapolis, MN 55455 Permit No. 155 Perspectives E NVIRONMENTAL C APRIL 15—16, 2011 OURSES • Q&A: A PLEASE JOIN US AS WE CELEBRATE THE LAW SCHOOL AND ITS ALUMNI IN A WEEKEND OF ACTIVITIES FOR THE ENTIRE LAW SCHOOL COMMUNITY. NDERSON Friday, April 15: All-Alumni Cocktail Reception Saturday, April 16: Alumni Breakfast & CLE & R OSENBAUM SPECIAL REUNION EVENTS WILL BE HELD FOR THE CLASSES OF: 1961, 1971, 1976, 1981, 1986, 1991, 1996, 2001, and 2006 • CLE • D FOR ADDITIONAL INFORMATION, OR IF YOU ARE INTERESTED IN PARTICIPATING IN ON M THE PLANNING OF YOUR CLASS REUNION, PLEASE CONTACT EVAN P. JOHNSON, ARSHALL Alumni Relations & Annual Giving Program Manager T 612.625.6584 or [email protected] RIBUTE Spring Alumni Weekend is about returning to remember your years at the Law School and the friendships you built here. We encourage those of you with class reunions in 2011 to “participate in something great” by making an increased gift or pledge to the Law School this year. Where the Trials Are www.law.umn.edu WWW.COMMUNITY.LAW.UMN.EDU/SAW Criminal law is challenging but satisfying, say alumni from all sides of the courtroom. 178451_Cover_B.qxd:178451_Cover_B178451_Cover_B.qxd:178451_Cover_B 12/6/10 12/6/10 10:04 10:04 PM PagePM Page2 2 178451_Section A FrMatter.qxd:178451_Section A FrMatter 12/3/10 11:56 AM Page 1 Securing Our Future his fall we welcomed 260 first-year students, along with 36 LL.M. -
Clybourne Park Study Guide
Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry ....................................................................... -
Interview with Paul Findley # IS-A-L-2013-002 Interview # 1: January 15, 2013 Interviewer: Mark Depue
Interview with Paul Findley # IS-A-L-2013-002 Interview # 1: January 15, 2013 Interviewer: Mark DePue The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Tuesday, January 15, 2013. My name is Mark DePue. I’m the Director of Oral History with the Abraham Lincoln Presidential Library. Today I’m in Jacksonville, Illinois, specifically, at Illinois College, Whipple Hall. I’m with Congressman Paul Findley. Good morning, sir. Findley: Good morning. DePue: I’ve been looking forward to this interview. I’ve started to read your autobiography. You’ve lived a fascinating life. Today I want to ask you quite a bit to get your story about growing up here in Jacksonville and your military experiences during World War II, and maybe a little bit beyond that, as well. -
2015 Tba Awards Finalists
! 2015 TBA AWARDS FINALISTS OUTSTANDING PRODUCTION OF A MUSICAL Tier 1 The Addams Family at San Jose Stage Company Fire on the Mountain at TheatreWorks Party People at Berkeley Repertory Theatre Sweeney Todd at TheatreWorks Triangle at TheatreWorks Tier 2 Avenue Q at New Conservatory Theatre Center H.M.S. Pinafore at Lamplighters Music Theatre Les Misérables at Broadway by the Bay Violet at Tabard Theatre Company West Side Story at Broadway by the Bay Tier 3 Avenue Q at Novato Theater Company Dogfight at OMG! I Love That Show! Productions Grey Gardens: The Musical at Custom Made Theatre Co. Heathers: The Musical at Ray of Light Theatre Little Shop of Horrors at Altarena Playhouse Project Ahab; or, Eye of the Whale at Central Works OUTSTANDING PRODUCTION OF A PLAY Tier 1 Choir Boy at Marin Theatre Company Let There Be Love at American Conservatory Theater Old Hats at American Conservatory Theater One Man, Two Guvnors at Berkeley Repertory Theatre Molière’s Tartuffe at Berkeley Repertory Theatre Tier 2 Chinglish at Palo Alto Players Clybourne Park at 6th Street Playhouse Don Quixote at Marin Shakespeare Company Doubt: A Parable at Contra Costa Civic Theatre The Foreigner at Contra Costa Civic Theatre Tier 3 The Brothers Size at Ubuntu Theater Project Gruesome Playground Injuries at Made Up Theatre Ondine at Sutro at We Players The Pillowman at The Breadbox Tickets are now on sale for the 2015 TBA Awards Celebration to be held at A.C.T.’s Geary Theater on Monday, November 16. For more information and to purchase tickets visit theatrebayarea.org. -
View the Playbill
GEORGE STREET PLAYHOUSE The Second Mrs.Wilson Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Artistic Director It is a pleasure to welcome back playwright Joe DiPietro for his fifth premiere here at George Street Playhouse! I am truly astonished at the breadth of his talent! From the wild farce of The Toxic Photo by: Frank Wojciechowski Avenger to the drama of Creating Claire and the comic/drama of Clever Little Lies, David Saint Artistic Director now running at the West Side Theatre in Manhattan, he explores all genres. And now the sensational historical romance of The Second Mrs.Wilson. The extremely gifted Artistic Director of Long Wharf Theatre, Gordon Edelstein, brings a remarkable company of Tony Award-winning actors, the top rank of actors working in American theatre today, to breathe astonishing life into these characters from a little known chapter of American history. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
Community Letter in Support of Nonpartisanship
Community Letter in Support of Nonpartisanship Updated September 5, 2017 Community Letter in Support of Nonpartisanship UPDATED September 5, 2017 The Honorable Paul Ryan The Honorable Mitch McConnell Speaker Senate Majority Leader H-232 The Capitol S-230 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Nancy Pelosi The Honorable Chuck Schumer House Democratic Leader Senate Democratic Leader H-204 The Capitol S-221 The Capitol Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Kevin Brady The Honorable Orrin Hatch Chairman, House Ways and Means Committee Chairman, Senate Committee on Finance 1102 Longworth House Office Building 219 Dirksen Senate Office Building Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Richard Neal The Honorable Ron Wyden Ranking Member, House Ways and Means Committee Ranking Member, Senate Committee on 1139E Longworth House Office Building Finance Washington, D.C. 20515 219 Dirksen Senate Office Building Washington, D.C. 20510 Dear Speaker Ryan, Majority Leader McConnell, Leader Pelosi, Leader Schumer, Chairman Brady, Chairman Hatch, Ranking Member Neal, and Ranking Member Wyden: The undersigned organizations strongly oppose proposals that would politicize the charitable nonprofit and philanthropic community by repealing or weakening current federal tax law protections that prohibit 501(c)(3) organizations from endorsing, opposing, or contributing to political candidates. Nonpartisanship is a cornerstone principle that has strengthened the public’s trust of the charitable community. In exchange for enjoying tax-exempt status and the ability to receive tax-deductible contributions, 501(c)(3) organizations – charitable nonprofits, including religious congregations, and foundations – agree to not engage in “any political campaign on behalf of (or in opposition to) any candidate for public office.” That provision of law protects the integrity and independence of charitable nonprofits and foundations. -
Little Theatre Society of Indiana
LITTLE THEATRE SOCIETY OF INDIANA 1915-16 1919-20 1921-22 Polyxena Bernice Release A Killing Triangle Eugenically Speaking The Dragon The Glittering Gate Three Pills in a Bottle The Spring The Scheming Lieutenant Trespass A Nativity Play Dad The Angel Intrudes The Constant Lover A Christmas Miracle Play Trespass (2nd Production) Androcles & the Lion The Pretty Sabine Women The Shepherd in the Distance The Forest Ring Overtones The Star of Bethlehem Beyond the Horizon The Broken God Dierdre of the Sorrows Everyman Dad (2nd Production) The Jackdaw The Betrothal Cake At Steinberg’s Bushido Disarmament How He Lied to Her Husband A Woman’s Honor The Casino Gardens The Game of Chess Unspoken Children of the Moon The Kisses of Marjorie Moonshine Belinda Dawn Phoebe Louise Not According to Hoyle The Dark Lady of the Sonnets The Bank Robbery Mansions A Scrambled Romance Chicane The Dryad & the Deacon (silent film) The Groove Underneath A Shakespeare Revel Stingy 1922-23 Rococo The Trysting Place 1916-17 The Price of Coal A Civil War Pageant 1920-21 The Turtle Dove Night with Indiana Authors The Proposal Brothers Polly of Pogue’s Run In Hospital Two Dollars, Please! Laughing Gas Behind a Watteau Picture The Marriage Gown The Lost Silk Hat The Home of the Free Dad (3rd Production) The Farce of Pierre Patelin The Blind Sycamore Shadders Duty The Medicine Show Nocturne The Maker of Dreams Aria Da Capo Treason The Importance of Being Mary Broome Where Do We Go From Here? Earnest The Star of Bethlehem (2nd The Wish Fellow Lithuania Production) Father and the Boys Supressed Desires The Mollusc My Lady Make-Believe Cathleen Ni’Hoolihan Mary’s Lamb A Shakespeare Revel (2nd Spreading the News The Emperor Jones Production) The Rising of the Moon The Beauty Editor Sham 1923-24 1917-18 The Confession March Hares (No records survive) The Lotion of Love The Bountiful Lady The Wren 1918-19 The Doctor of Lonesome Folk A Pageant of Sunshine Why Marry? and Shadow Hidden Spirits The Murderer (a.k.a. -
Presents by Tarell Alvin Mccraney Director – Marc David Pinate Vocal
presents by Tarell Alvin McCraney Director – Marc David Pinate Vocal Coach – Phil Timberlake Scenic Designer – Ingrid Larson Costume Designer – Chloe Patten Lighting Designer – Peyton Smith Sound Designer – Rachel Regan Dramaturg – Laura Routh Stage Manager – Abbie Betts November 2 -November 11 , 2012 The 2012-2013 Theatre School Season is dedicated in loving memory to Director of Development Tessa Craib-Cox (1944-2012). Greenhouse Theatre Center 2257 N. Lincoln Ave. Chicago, IL 60614 [email protected] theatre.depaul.edu (312) 922-1999 In the Red and Brown Water 1 CAST (IN ORDER OF APPEARANCE ) PRODUCTION STAFF O Li Roon/The Man from State ..............................................................................Matthew Browning Faculty Advisor ............................................................................................................................ Lisa Portes Nia ........................................................................................................................................... Adrienne Jones Assistant Director ....................................................................................................................Lucas Baisch Oya .............................................................................................................................................Kiandra Layne Elegba ...........................................................................................................................................James Lewis Assistant Stage Manager .................................................................................................... -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
History of the Colony of New Haven
KJ5W H AVEN and its VICINITY Con. HISTORY COLONYF O NEW HAVEN, BEFOREND A AFTF.R THE U NION WITH CONNECTICUT. CONTAINING A P ARTICULAR DESCRIPTION OFHE T TOWNS WHICH COMPOSED THAT GOVERNMENT, VIZ., WEW H AVEN, / B RADFORD, ts iTIILFOKD, , STA n roiti», A CUILFORD, SOUTHOLD, I ,. I. WITH A N OTICE OF TIIE TOWNS WHICH HAVE BEEN SET OFF FROM "HE T ORIGINAL SIX." fillustrateb 6 n .fffttn NEW H AVEN: PRINTED AND PUBLISHED BY HITCHCOCK & STAFFORD. 1838. ENTERED, A ccording to Act of Congress, in the year 1838, BY E DWARD R. LAMBERT, In the Clerk's Office of the District Court of Connecticut. PREFACE. AUTHENTIC h istory is of high importance. It exhibits the juris prudence, science, morals, and religion of nations, and while it •warns to shun their errors, holds forth their virtues for imitation in bold relief. But where is the history more interesting and important than that of our own, "our much loved native land," that abounds in incidents more romantic, or narrative more thrilling? Buta little more than two centuries have elapsed since the first band of the " Puritan Fathers" left their native home, crossed the wild Atlantic, landed on the snow-clad rock of Plymouth, and laid the first foundation stone of New England. Within this period a change has here taken place, and in our common counfry unparalleled in the history of mankind. A great and powerful nation has arisen. The desert has been made " to bud and blossom as the rose." And •what but the sword of civil discord can arrest the giant march of improvement, (yet advancing with accelerating rapidity,) till " the noblest empire iu the reign of time" shall extend from the Atlantic to the Pacific wave. -
Alien Movie Franchise
Bellies that Go Bump in the Night The Gothic Curriculum of Essential Motherhood in the Alien Movie Franchise KELLY WALDROP The Publish House OR CENTURIES, authors and storytellers have used Gothic tales to educate readers about F all manner of subjects, but one of the most common of those subjects is the question of what it means to be human (Bronfen, 2014). The Gothic genre was born amidst the transition from the Victorian era to the Modern era with all of the attendant social and cultural changes, as well as the anxieties, that came along with those changes (Riquelme, 2014). It is a genre rooted in the exploration of anxieties regarding social and cultural change. Taking two of the earliest examples from the European Gothic tradition, Dracula (Stoker, 1897) teaches readers about the dangers of a rampant and virulent sexuality (Riquelme, 2000), while Frankenstein (Shelley, 1818) warns of both obsessiveness and pride, among many other readings of the various cultural anxieties that may be seen to be aired in these works. In these classic Gothic tales, a key focus is also the horrific results of an out-of-control and “unnatural” form of reproduction. In Dracula, part of the horror is rooted in a generative process that is outside of that of the male/female sex act that produces a child. The women in the story are either victims of the tale (Jonathan Harker’s fiancé) or are depicted as frighteningly sexual while incapable of producing what would be considered normal offspring (Dracula’s brides). In Frankenstein, likewise, the central source of horror is the product of a man usurping the “natural” order of creation.