2015 Tba Awards Finalists
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Clybourne Park Study Guide
Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry ....................................................................... -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
Lorraine Hansberry
STUDY GUIDE A NOISE WITHIN PRESENTS A Raisin in the Sun BY LORRAINE HANSBERRY “Hold Fast to Dreams” STUDY GUIDES FROM A NOISE WITHIN A rich resource for teachers of English, reading arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Alicia Green DIRECTOR OF EDUCATION Pictured: Donnla Hughes, Romeo and Juliet, 2016. PHOTO BY CRAIG SCHWARTZ. TABLE OF CONTENTS Characters ..........................................4 Special thanks to our 25th Anniversary Gala donors who kept the arts thriving this year by Synopsis ...........................................5 -
Clybourne Park
Otterbein University Digital Commons @ Otterbein 2015 Summer Theatre Productions 2011-2020 6-4-2015 Clybourne Park Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_2015 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Clybourne Park" (2015). 2015 Summer Theatre. 1. https://digitalcommons.otterbein.edu/summer_production_2015/1 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2015 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. 2i 0^ WcJlMJb-M omm MffiSBHES www.oaklandnursery.com Columbus; 1156 Oakland Park Ave. 614-268-3511 BfiOTTERBEIN SUMMER THEATRE CLYBOURNE PARK by BRUCE NORRIS CLYBOURNE PARK was produced on Broadway by Jujamcyn Theaters at The Walter Kerr Theatre, 2012. Playwrights Horizons, INC, New York City, produced the World Premiere of CLYBOURNE PARK Off-Broad way in 2010. Directed by LENNY LETBOWITZ Scenic Design by Costume Design by DAN GRAY REBECCA WHITE NT i Lighting Design by Sound Design by ANDY BAKER DOC DAVIS fit. ■' ' Stage Managed by t ARRI ALLEN 1..-, June 4-7 and June 9-11, 2015 ONSTAGE in the Fritsche Theatre at Cowan Hall 30 S. Grove St., Westerville CLYBOURNE PARK is presented by special arrangement with Dramatists Play Service, Inc., New York. CAST LIST Russ/Dan............ Jack Labrecque Botsy/Lindsey..... .... Aubree Tally Bev/Kathy........... Dana Cullinanc Karl/Steve........... ...Alex Armesto Francine/Lena..... ..Morgan Wood Jim/Tom/Kenneth .....Peter Moses Albert/Kevin...... -
BFA Program Only AMDA LA Textbook Information E Ng Lish
Page 1 of 4 AMDA LA Textbook Information [Fall 2015: 10/19/2015 - 2/13/2015] 8.27.2015 AMDA students purchase their textbooks directly from the AMDA Amazon website [http://astore.amazon.com/amte-20]. This direct access allows students to save on the cost of textbooks. Textbooks are delivered directly to the student’s mailing address and usually arrive within 3-5 days. Students should review the grid below and order textbooks that are associated with the program of enrollment and courses they are registered in for the semester. Students may plan their consecutive semester’s textbook purchases when they receive their next semester’s registration materials. Critical Studies Applicable Categories [Gen Ed] Course(s) Textbook Title (Required Text) Author Cost 10 or 13 digit- ISBN Programs/Semesters BFA Program Only They Say, I Say: The Moves That Matter in 393935841 Graff, Gerald & Birkenstein, $26.75 Academic Writing. 3rd Edition. New York, Cathy (2014) NY: W. W. Norton & Company EN101: English Composition BFA:First, FifthAlumni Raimes, Ann & Miller- $65.18 Keys for Writers. 7th Edition. 1111841756 Cochran, Susan (2013) Independence, KY: Cengage Learning Reading Like a Writer: A Guide for People BFA:First, Third, Fifth, Who Love Books and For Those Who Want EN201: Creative Writing Fifth Alumni, Sixth Francine Prose (2007) $13.02 0060777052 to Write Them. New York, NY: Harper Alumni, Seventh Alumni Perennial English English BFA:First, Third, Fifth, EN301: Playwriting/Screenwriting Fifth Alumni, Sixth n/a n/a n/a n/a Alumni, Seventh Alumni [9 credits total required] BFA:First, Third, Fifth, Fifth Alumni, Sixth n/a n/a n/a n/a EN302: TV Writing/Screenwriting Alumni, Seventh Alumni BFA: Fourth , BFA SCI214: Health & Wellness n/a n/a n/a n/a Alumni- Fifth Sci/Tech required] BFA: Fourth , BFA SCI217: Kinesiology n/a n/a n/a n/a Alumni- Fifth [3 credits total Studio: First, Second TR108: Theatre History: Inception BFA: Second, Fifth, Fifth TR109: Theatre History:Emergence Bedford Introduction to Drama - 7th ed. -
The Graduate - If You Are New Here, Welcome to the Laguna Playhouse Family!
From the Executive Director ELLEN RICHARD From the Executive Director ELLEN RICHARD Dear Friends, As part of our annual core-curriculum tour to schools this spring, we are pleased to be bringing Stuart Little and By The Great Horn Spoon to 56 schools across Orange County, most of which are Title One. Our award-winning program, TheatreReach – Bringing Books to Life is designed to deepen and strengthen scholastic engagement with literature and in-school workshops. Over 7,000 lives will be touched with this incredible gift that was underwritten by Jamie Walters El-Erian and Mohamed El-Erian. I also want to thank Bobbi Cox and Terry and Toni McDonald for supporting this program for many years. Last year, Jim and Suzanne Mellor created a program designed to develop future audiences. The Mellor Ticket program offers those 21 and under the opportunity to enjoy live theatre for free. So far, more than 2,300 young people have taken advantage of our Mellor Ticket program during this season. This year, we created a new program titled THEATRE HOPE. We thank the Gimbel Foundation, O.L. Hasell, and The Ueberroth Foundation for funding this new gift to support audiences that would not otherwise be able to attend the theatre. THEATRE HOPE provides tickets, buses, workshops and meals to children at risk, disabled adults and people in recovery. Our Conservatory youth program provides theatre training to dozens of young people. In addition to training, students participate either on-stage or in the wings for three mainstage youth productions. Upcoming is A Little Princess. -
027792 Clybourne Park Insert.Indd
Alex Logemann (Deck Manager) is celebrating OUR SPONSORS estate in 1993 and 1995. In 1997, an additional his 41st show backstage with Center REP. Alex has endowment from Dean Lesher’s estate followed been backstage for ten seasons and is beyond Chevron (Season Sponsor) has been the the death of Margaret Lesher. A significant pleased to be involved with such an amazing leading corporate sponsor of Center REP and and final bequest from Mr. Lesher’s estate CENTER REPERTORY COMPANY group. Alex has also worked backstage for Contra the Lesher Center for the Arts for the past nine was received in 2003. As a family foundation, Michael Butler, Artistic Director Scott Denison, Managing Director Costa Musical Theatre and with Diablo Theatre years. In fact, Chevron has been a partner of support for the Contra Costa community will the LCA since the beginning, providing funding be carried on by the next generation of family Company. Alex is a proud member of the Fantasy for capital improvements, event sponsorships members. Grant-making decisions are based presents Forum Actors Ensemble. He is very thankful for our and more. Chevron generously supports every on the vision of Dean and Margaret Lesher who community and the fun it provides. “Opportunity Center REP show throughout the season, and felt quality education, diverse art programs, and is missed by most people because it is dressed in is the primary sponsor for events including healthy children and families are the building overalls and looks like work.” -Thomas Edison the Chevron Family Theatre Festival in July. blocks of a strong and vibrant community. -
Plays to Read for Furman Theatre Arts Majors
1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Menander The Dyskolos Greek 317 BCE Plautus Miles Gloriosus Roman c 200 BCE Terence The Brothers Roman 160 BCE Seneca Thyestes Roman 62 Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Shakespeare, William The Tempest Jacobean 1610 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Shaw, George Bernard Pygmalion Modern Irish 1912 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt -
Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given 1965 the Subject Was Roses by Frank D
The Pulitzer Prizes Drama Winners The First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No award given 1965 The Subject Was Roses by Frank D. Gilroy 1964 No award given 1963 No award given 1962 How to Succeed in Business Without Really Trying by Loesser and Burrows 1961 All the Way Home by Tad Mosel 1960 Fiorello! by Weidman, Abbott, Bock, and Harnick 1959 J.B. by Archibald MacLeish 1958 Look Homeward, Angel by Ketti Frings 1957 Long Day’s Journey Into Night by Eugene O’Neill 1956 The Diary of Anne Frank by Albert Hackett and Frances Goodrich 1955 Cat on a Hot Tin Roof by Tennessee Williams 1954 The Teahouse of the August Moon by John Patrick 1953 Picnic by William Inge 1952 The Shrike by Joseph Kramm 1951 No award given 1950 South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan 1949 Death of a Salesman by Arthur Miller 1948 A Streetcar Named Desire by Tennessee Williams 1947 No award given 1946 State of the Union by Russel Crouse and Howard Lindsay 1945 Harvey by Mary Coyle Chase 1944 No award given 1943 The Skin of Our Teeth by Thornton Wilder 1942 No award given 1941 There Shall Be No Night by Robert E. Sherwood 1940 The Time of Your Life by William Saroyan 1939 Abe Lincoln in Illinois by Robert E. Sherwood 1938 Our Town by Thornton Wilder 1937 You Can’t Take It With You by Moss Hart and George S. Kaufman 1936 Idiot’s Delight by Robert E. Sherwood 1935 The Old Maid by Zoë Akins 1934 Men in White by Sidney Kingsley 1933 Both Your Houses by Maxwell Anderson 1932 Of Thee I Sing by George S. -
Race, Real Estate, and Realism: Clybourne Park and Social Change Hannah Barker Xavier University
Xavier Journal of Undergraduate Research Volume 2 Article 4 2014 Race, Real Estate, and Realism: Clybourne Park and Social Change Hannah Barker Xavier University Follow this and additional works at: https://www.exhibit.xavier.edu/xjur Recommended Citation Barker, Hannah (2014) "Race, Real Estate, and Realism: Clybourne Park and Social Change," Xavier Journal of Undergraduate Research: Vol. 2 , Article 4. Available at: https://www.exhibit.xavier.edu/xjur/vol2/iss1/4 This Article is brought to you for free and open access by Exhibit. It has been accepted for inclusion in Xavier Journal of Undergraduate Research by an authorized editor of Exhibit. For more information, please contact [email protected]. Race, Real Estate, and Realism: Clybourne Park and Social Change Hannah Barker There is no political value in having sensitive feelings about the world. I don’t think it generates political action. You go [to the theatre], you watch, you say, “That’s sad,” and then you go for a steak. The best you can hope for is to make people slightly uncomfortable. At least if you take the piss out of the audience, they feel they are being addressed. --Bruce Norris, author of Clybourne Park T hroughout my final semester as an undergraduate English major, I have been seeing more plays—both ones I have read in class and ones I have not—in order to gain a better understanding of the theatre world. One play that had a big impact on me was Clybourne Park, which I saw in January at Playhouse in the Park, in Cincinnati. Clybourne Park was written in 2011 by Bruce Norris. -
Clybourne-Play-Guide-FINAL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATORS 3 MEET THE CHARACTERS 4 A RAISIN IN THE SUN: INSPIRING CLYBOURNE PARK 5 HANSBERRY V. LEE: INSPIRING A RAISIN IN THE SUN 6 BRUCE NORRIS: REFLECTIONS ON CLYBOURNE PARK 7 IDEAS IN CLYBOURNE PARK 8 HISTORICAL CONTEXT: WORLD EVENTS OF THE 1950s AND 2000s 9 CRITICAL EVENTS TOWARD CIVIL RIGHTS IN THE U S 11 DISCUSSION QUESTIONS AND ACTIVITIES 13 Clybourne Park Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates. Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT -
Fences Study Guide.Pdf
1 Study Guide Prepared by: Meghan O’Hara Education & Outreach Coordinator, Grand Theatre Title Sponsor 2 Who’s Who? Cast Peter N. Bailey Gabriel Christopher Bautista Lyons Dylan Hough Raynell Ngabo Nabea Cory E.B. Smith Jim Bono Ordena Stephens-Thompson Rose Nigel Shawn Williams Troy Creative Djanet Sears Director Astrid Janson Set Designer Rachel Forbes Costume Designer Jason Hand Lighting Designer Verne Good Sound Designer Beatrice campbell stage Manager Suzanne McArthur Assistant Stage Manager Taryn dougall Apprentice Stage Manager 3 Playwright: August Wilson August Wilson (April 27, 1945 – October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by- decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Oliver Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr.