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Working at Osf
1 Welcome to the Oregon Shakespeare Festival’s 2019 season! We hope you are as excited to join our OSF Company as we are to be a part of it ourselves. If you have not worked here before, we encourage you to learn as much as you can about the company before you begin by reading this welcome information. If you are returning to OSF, please take the time to review this information as the details can change from season to season. Please also visit our website, www.osfashland.org, which has a wealth of information about OSF and the work we do. The Oregon Shakespeare Festival is truly a unique organization in American theatre. In 2019, we will produce over 780 performances of 11 plays in three theatres and one community tour over an eight-month performance season to an audience of close to 400,000. We have one of the most demanding and complex production schedules in the country; our system of rotating repertory is ambitious and impacts everything we do. Add in the unpredictable elements of rain, smoke, heat and cold in our outdoor Allen Elizabethan Theatre, and it can seem pretty hectic around here sometimes. And yet the rewards are astonishing. In 2019, more than 600 theatre professionals, including one of the largest acting companies anywhere in the world, will come together to create the season here in Ashland. OSF is a large organization, and new company members are frequently overwhelmed with questions about it. Please check the Important Contacts appendix in this Welcome Book for information on who to contact when you need something—there are many people here to lend a hand anytime. -
By Bill Cain Kent Nicholson
- 49th Season • 466th Production SEGERSTROM STAGE / OCTOBER 19 - NOVEMBER 18, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents by Bill Cain Scott Bradley Callie Floor Alexander V. Nichols SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Matt Starritt Joshua Marchesi Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by Kent Nicholson Pam and Jim Muzzy Honorary Producers Corporate Producer HOW TO WRITE A NEW BOOK FOR THE BIBLE was developed at the Ojai Playwrights Conference, Robert Egan, Artistic Director and at Theatre Works, Palo Alto, CA as part of their New Works Festival It was originally produced by Berkeley Repertory Theatre, Berkeley , CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director and Seattle Repertory Theatre, Seattle, WA, Jerry Manning, Artistic Director/Benjamin Moore, Managing Director How to Write a New Book for the Bible • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Bill ....................................................................................................... Tyler Pierce* Mary ............................................................................................ Linda Gehringer* Paul ............................................................................................... Aaron Blakeley* Pete ........................................................................................................... Jeff Biehl* LENGTH Approximately two hours and 20 minutes -
By Tony Taccone and Bennett S
BY TONY TACCONE AND BENNETT S. COHEN, ADAPTED FROM THE NOVEL BY SINCLAIR LEWIS SOUND DESIGN AND MUSIC BY PAUL JAMES PRENDERGAST DIRECTED BY LISA PETERSON DEAR FRIENDS, Four years ago, in the lead-up to the 2016 election, Berkeley Rep produced Tony Taccone and Bennett Cohen’s adaptation of Sinclair Lewis’ frighteningly prescient novel. With a desire to see the story reach the widest possible audience, and celebrating the impulse that led the wpa in 1936 to share the original stage version of Lewis’ novel for free with 21 theatres across the country, Berkeley Rep offered the rights to Tony and Bennett’s adaptation to theatres, community centers, universities — anyone who wanted to put together their own production or reading. And now, in 2020, this story feels all the more vital, and the need to share it widely even more compelling. I am honored that more than 75 organizations from more than 20 states have partnered with us to share this production of It Can’t Happen Here for free with their audiences and communities. We are joined in this effort by long-time theatre colleagues, by universities from Howard in Wash- ington, DC to Saint Cloud State in Minnesota (near Lewis’ hometown), by libraries, community centers, and radio stations. I am deeply grateful to Tony and Bennett, director Lisa Peterson, sound designer Paul James Prendergast and his small but mighty team, and this extraordinary cast who have collaborated across miles and time zones, through wildfires and new technology, for their conviction that the- atre matters, that narrative helps us to see the world more clearly, and that together we have the capacity to effect change. -
Curriculum Vitae
CURRICULUM VITAE Todd Andrew Rosenthal [email protected] Website: Toddar.com 7649 N Eastlake Ter 1609 Sherman Ave. #1F Suite 306 Chicago, IL 60626 Evanston, IL 60201 (312) 515-7758 (847) 869-6960 EDUCATION YALE UNIVERSITY, New Haven, CT. Master of Fine Arts, Set/Lighting Design, Donald Oenslager Scholarship Recipient, 1993. ART STUDENTS LEAGUE OF NEW YORK, Figure Drawing, Water Color, 1990. MOORE COLLEGE OF ART, Figure Drawing, 1989. COLGATE UNIVERSITY, Bachelor of Arts, English and Theater, Cum Laude, 1989. TEACHING EXPERIENCE NORTHWESTERN UNIVERSITY, Evanston, IL, Professor of Theater and Chair of MFA Design Department, Teaching-Fall 2003-present. Courses Taught Design Process: Scene Design (241-1)- Undergraduate Set Design, Spring 2004, Winter 2005, Winter 2006, Winter 2007. Scene Design II (343-0)- First MFA set design class.Winter 2008, Winter 2009, Fall 2010, Winter 2011, Winter 2012, Winter 2013, Winter 2014, Winter 2015, Winter 2017. Scene Design II (343-1)- Winter 2005. Scene Design II (343-2)- Graduate Set Design. Spring 2004. (343-1) Winter 2005. Scenographic Drafting (356-1, 365-4)- Fall 2003, Spring 2006, Spring 2007, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016 Scenographic Model Building (356-3, 356-1)- Fall 2004, Fall 2005, Fall 2007, Fall 2009, Fall 2010, Fall 2011, Fall 2012, Fall 2013, Fall 2014, Fall 2015, Fall 2016. 20th Century Stage Design (362-0)- Winter 2008, Winter 2010. Collaboration Techniques for Designers and Directors (420-0)- Fall 2004, Fall 2010. Theatre (373-0-20)-Computer Graphics- Winter, 2017, Winter 2018. Internship (380-0)- Winter 2012, Spring 2012, Spring 2013, Winter 2014. -
The Berkeley Rep Magazine 2016–17 · Issue 1
Teen Council goes to Washington 12 · The Relentless American: Author Sinclair Lewis 23 · The program for It Can’t Happen Here 25 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 IC_Program.indd 1 9/6/16 6:17 PM Live FABULOUSLY Larger. Smarter living starts with less, so you can do more. Consider the one-bedroom apartment at St. Paul’s Towers, the East Bay’s most appealing Life Plan Community. It comes complete with housekeeping, weekly linen service, dining, amenities, programs, and people who love to live like you do. See why 94% of our residents highly recommend living here. To learn more, or for your personal visit, please call 510.891.8542. 100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP754-01YD 090116 IC_Program.indd 2 9/6/16 6:17 PM IN THIS ISSUE BERKELEY REP PRESENTS IT CAN ’T HAPPEN HERE · 25 MEET THE CAST & CREW · 26 PROLOGUE CONTRIBUTORS A letter from the artistic director · 5 Foundation, corporate, and in-kind sponsors · 36 A letter from the managing director · 7 Individual donors to the Annual Fund · 37 Michael Leibert Society · 40 REPORTS “That’s the thing.” Tapping into America’s ABOUT BERKELEY REP 10 collective memory · 10 Staff, board of trustees, Teen Council goes to Washington · 12 and sustaining advisors · 41 Theatre as civic dialogue: A short history of American regional theatre · 14 FYI Everything you need to know about our FEATURES box office, seating policies, and more 42· The Origin Story · 16 Outstripped by reality: An interview 12 with Tony Taccone, Bennett Cohen, and Lisa Peterson · 16 “The only thing we have to fear is fear itself:” The political climate of It Can’t Happen Here · 19 The Relentless American: Author Sinclair Lewis · 23 23 THE BERKELEY REP MAGAZINE 2016–17 · ISSUE 1 The Berkeley Rep Magazine is published Editor Writers Contact Berkeley Rep at least seven times per season. -
To Read the Program Online
The Artistic Director’s Circle Season Sponsors Gail & Ralph Bryan Una K. Davis Brian & Silvija Devine Joan & Irwin Jacobs Sheri L. Jamieson Frank Marshall & Kathy Kennedy Becky Moores Jordan Ressler Charitable Fund of the The William Hall Tippett and Ruth Rathell Tippett Foundation, Jewish Community Foundation David C. Copley Foundation, Mandell Weiss Charitable Trust, Gary & Marlene Cohen, The Rich Family Foundation The Dow Divas, Foster Family Fund of the Jewish Community Foundation, The Fredman Family, Wendy Gillespie & Karen Tanz, Lynn Gorguze & The Honorable Dr. Seuss Fund at The San Diego Scott Peters, Kay & Bill Gurtin, Debby & Hal Jacobs, Lynelle & William Lynch, Foundation and Molli Wagner Steven Strauss & Lise Wilson SEPTEMBER 3 – OCTOBER 13 PRODUCTION SPONSOR Una K. Davis Dear Friends, LA JOLLA PLAYHOUSE PRESENTS Christopher Ashley Debby Buchholz There’s a moment in tonight’s musical The Rich Family Artistic Director of La Jolla Playhouse Managing Director of La Jolla Playhouse – don’t worry, no spoilers here – where IN ASSOCIATION WITH a power-mad viceroy, overseeing BERKELEY REPERTORY THEATRE Spain’s colonization of the Americas, MISSION STATEMENT: envisions a glorious future in which most of the towns along the western La Jolla Playhouse advances coast of North America will eventually theatre as an art form and as a vital be named after Catholic saints. San Diego, regardless of the social, moral and political platform thoughts or opinions of our area’s Native population at the by providing unfettered creative time, would indeed become one of those towns; the Spanish opportunities for the leading artists explorer Juan Rodríguez Cabrillo christened it San Miguel in BOOK BY of today and tomorrow. -
[email protected] FOR
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] FOR IMMEDIATE RELEASE BERKELEY REP’S THE GROUND FLOOR RETURNS THIS MONTH WITH INNOVATIVE THEATRE PROJECTS FROM 29 BAY AREA ARTISTS Research and development facility for theatre invites artists for ninth Summer Residency Lab August 9, 2021 – This morning, Berkeley Rep’s Artistic Director Johanna Pfaelzer announced the return of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work. Thirteen projects from 29 talented artists across the Bay Area have been selected for its Summer Residency Lab. As part of an extraordinary laboratory for collaboration, some of the Bay Area’s most prominent and promising theatre makers will unite at the Theatre’s Harrison Street campus and virtually over an intense four-week period to exchange ideas, incubate new theatrical work, and build artistic community. Residencies have been awarded to Debórah Eliezer in collaboration with Vidhu Singh, Noor Adabachi, and Cynthia Ling Lee (Burning Wild); Bennett Fisher (Cry Havoc); Denmo Ibrahim and Kate Bergstrom (Beyond the Ocean’s Edge); Josh Kornbluth (The Bottomless Bowl); Jeffrey Lo (Delano Love Song); Leigh M. Marshall (The Rosaline Play); Ashley Smiley, Margo Hall, Sean San José, and Joan Osato (Dirty White Teslas Make Me Sad); Ari’el Stachel and Tony Taccone (Untitled); Madison Wetzell and Ciera Eis (Untitled: Faust on 4Chan); Dawn L. Troupe, Jeff Liu, and Adrienne Shamszad (Riding the Light); Erika Chong Shuch, Ryan Tacata, and Rowena Richie (The Welcoming); Chris Steele, Sean Owens, NJ Bice, and Nic Candito (Gaslit: A Trans Drag Parody); and Molly Van Der Molen (Never Sink River). -
The Berkeley Rep Magazine 2018–19 · Issue 7
The Origin Story 20 · An interview with John Leguizamo and Tony Taccone 20 · The program for Kiss My Aztec! 28 THE BERKELEY REP MAGAZINE 2018–19 · ISSUE 7 AZ_program.emg2.indd 1 5/14/19 5:14 PM AZ_program.emg2.indd 2 5/14/19 5:14 PM IN THIS ISSUE PROLOGUE A letter from the artistic director · 5 A letter from the managing director · 6 REPORTS Celebrating our 50th: Collaborating with Tony Taccone · 10 Repisodes: The first year of the Berkeley Rep Podcast · 13 Introducing the 2019 Summer Residency Lab artists · 14 A youth leadership movement · 17 Roy Cockrum: A vision for the future of theatre · 18 10 20 FEATURES Kiss My Aztec!: The Origin Story · 20 Talking conquests and comedy with Welcome to Berkeley Rep! John Leguizamo and Tony Taccone · 20 Diasporic movement: A conversation with To ensure the best experience for everyone: choreographer Maija García · 23 You’re free to bring beverages in cans, Late seating is not guaranteed. If you Breaking the rules with David Kamp and cartons, or plastic cups with lids into are seated late, please follow the house Benjamin Velez · 24 the house. manager’s instructions about where to sit. Riffing on Aztec ritual 26· If you leave during the performance, you Food is prohibited in the house. will be reseated at an appropriate break. Because, eww! BERKELEY REP PRESENTS This is live theatre, and we’re all in KISS MY AZTEC! · 28 Please keep Berkeley Rep’s outdoor and this together. Join with your fellow indoor spaces free of cigarette smoke, theatregoers, and remember that people MEET THE CAST & CREW · 31 e-cigarettes, and vaping. -
Read Full Release
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] 10-episode series https://bit.ly/35lwoWq Teaser and Headshots http://bit.ly/2IR7vd1 FOR IMMEDIATE RELEASE ALL 10 EPISODES OF BERKELEY REP’S AUDIO SERIES PLACE/SETTINGS: BERKELEY ARE NOW AVAILABLE Ten Esteemed Writers Take Listeners on an Aural Adventure to Meaningful Places around Berkeley Eisa Davis, Philip Kan Gotanda, Daniel Handler, Aya de León, Adam Mansbach, Richard Montoya, Itamar Moses, Kamala Parks, Sarah Ruhl, Sean San José, and Cartoonist Tom Toro All Bring Their Exceptional Talents to the Project March 16, 2021 – Berkeley Repertory Theatre today announced that all 10 episodes of the audio series titled Place/Settings: Berkeley are now available. Place/Settings: Berkeley premiered on January 12 with each episode released once a week. Now listeners can enjoy the entire series all in one sitting. Each episode runs approximately 10-20 minutes. Ten revered writers, each with deep ties to Berkeley, have all crafted a story around a place or a setting within the city of Berkeley that is significant to them. Celebrated New Yorker illustrator Tom Toro has created a fold out (physical) map that will be mailed to each ticket buyer. Place/Settings: Berkeley is free to 2021 Berkeley Rep 7-Play subscribers and $10 for others. Place/Settings: Berkeley Descriptions The Fundamental Kiss, With Overtones by Eisa Davis: corner of Oxford and Center A young oboist kisses a pianist on a street corner. At long last! But the kiss unlocks pressures, expectations, dreams, and fears. Can we learn to live with uncertainty? To ask for what we need? night fishing by Philip Kan Gotanda, read by Steven Anthony Jones and BD Wong: an imaginary dried-up lake in Tilden Park On a chilly autumn night, an old fisherman makes his way to the lake in the dark. -
The Berkeley Rep Magazine 2014–15 · Issue 2
Community stories 11 · Create the story with us 12 · A revolution and its legacy 14 · The program for Party People 23 THE BERKELEY REP MAGAZINE 2014–15 · ISSUE 2 ILLUSTRATIONS © 2014 EMORY DOUGLAS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK PHOTOS COURTESY OF IT’S ABOUT TIME/BPP ALUMNI COMMITTEE ILLUSTRATIONS © 2014 EMORY DOUGLAS / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK PHOTOS COURTESY OF IT’S ABOUT TIME/BPP ALUMNI COMMITTEE Dr. Wade and Virginia Sherwood, joined in 2012 They Want To EXPLORE Now They Can. When a former physician serving St. Paul’s Towers decides to move here that is high praise. The Sherwoods enjoy our community of spacious, maintenance-free apartment homes, wonderfully prepared menu options in our lovely dining room, Wi-Fi, and an expanding host of amenities. All of which offer Wade and Virginia the freedom to do it all—hiking, volunteering, gardening, baking, traveling, photography, and discussing their favorite books with neighbors. We invite you to meet people like the Sherwoods and see why 94% of our residents recommend living here. To learn more, or for your personal visit, please call 510.891.8542. 100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP694-01OI 090114 2 · THE BERKELEY REP MAGAZINE · 2014–15 · ISSUE 2 IN THIS ISSUE BERKELEY REP PRESENTS PARTY PEOPLE · 23 MEET THE CAST & CREW · 24 PROLOGUE CONTRIBUTORS A letter from the artistic director · 5 Foundation, corporate, and in-kind sponsors · 33 -
Reading of STARBLASTERS
Saturday, May 15, 2021 | 7:30 PM MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE 2021 FRED EBB MUSICAL IN DEVELOPMENT WORKSHOP Reading of STARBLASTERS Benjamin Velez, Composer & Lyricist Katie Hathaway, Book Writer Jaki Bradley, Director Banji Aborisade, Choreographer David Gardos, Music Director Saturday, May 15, 2021 | 7:30 PM MANHATTAN SCHOOL OF MUSIC MUSICAL THEATRE Liza Gennaro, Associate Dean and Director THE 2021 FRED EBB MUSICAL IN DEVELOPMENT WORKSHOP Reading of STARBLASTERS Benjamin Velez, Composer & Lyricist Katie Hathaway, Book Writer Jaki Bradley, Director Banji Aborisade, Choreographer David Gardos, Music Director Olivia Mancini, Production Stage Manager WELCOME FROM LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR OF MSM MUSICAL THEATRE I’m excited to welcome you to STARBLASTERS, MSM Musical Theatre’s fourth virtual musical. Our writers, director, choreographer, musical director, stage manager, COVID compliance officers, production staff, film crew, and incredible student crews have made this virtual performance possible. Following the lead of the theatre industry we’ve adapted to a new medium and adjusted our creative impulses from stage to screen. With the virtual process MSM MT turned pandemic challenges into positive and valuable learning experiences for our students, introducing them to self-recording techniques and preparing them to engage in a transformed industry. All productions have been filmed following all MSM COVID-19 regulations, including physical distancing, room vacancy, and face-covering requirements. Some scenes include multiple students without face coverings who are made to appear together through video editing. Students appearing without face coverings recorded themselves alone in a room, in their homes, and/or in accordance with local safety protocols in their location. -
PRESS RELEASE Contact: Becky Biegelsen (858) 228-3092 | [email protected]
PRESS RELEASE Contact: Becky Biegelsen (858) 228-3092 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES CAST AND CREATIVE TEAM FOR HILARIOUS NEW MUSICAL KISS MY AZTEC! ACCLAIMED PIECE BY COMEDY LEGEND JOHN LEGUIZAMO OFFERS “SASSY, ROLLICKING, TAKE-NO-PRISONERS, EQUAL-OPPORTUNITY ENTERTAINMENT” La Jolla, CA – La Jolla Playhouse announces the cast and creative team for its upcoming production of Kiss My Aztec!, book by John Leguizamo (Playhouse’s Page To Stage productions of Latin History for Morons and Diary of a Madman) and Tony Taccone (Latin History for Morons, Zorro in Hell), music by Benjamin Velez, lyrics by David Kamp, Benjamin Velez and John Leguizamo; based on a screenplay written by John Leguizamo and Stephen Chbosky; directed by Tony Taccone. Produced in association with Berkeley Repertory Theatre, Kiss My Aztec! will run in the Mandell Weiss Theatre September 3 – October 13 (press opening: September 8). The cast features Angelica Beliard (Ensemble), Chad Carstarphen (El Jaguar Negro/ Reymundo), KC De La Cruz (Ensemble), Zachary Infante (Fernando/Sebastian), Yani Marin (Colombina), Jesús E. Martínez (Captain Soldier), Maria-Christina Oliveras (Tolima), Joél Pérez (Pepe), Al Rodrigo (Rodrigo), Desireé Rodriguez (Pilar) and Richard Henry Ruiz (Pierre Pierrot). The creative team includes Maija García, Choreographer; David Gardos, Music Supervisor; Simon Hale, Orchestrator; Clint Ramos (Tallest Tree in the Forest, Ruined, Most Wanted), Scenic and Costume Designer; Alexander V. Nichols (The Last Tiger in Haiti), Lighting Designer; Jessica Paz, Sound Designer; Rachel Geier, Wig Designer; Wilson Torres, Additional Percussion Arrangements; Madeleine Oldham, Dramaturg; Amy Potozkin, CSA and Tara Rubin Casting – Xavier Rubiano, CSA, Casting; Megan McClintock, Stage Manager.