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SEASON 40TH ANNIVERSARY “ I Chose City National for Its Proven Wealth Management Strategies.” 2014 SEASON 40TH ANNIVERSARY “ I chose City National for its proven wealth management strategies.” I wanted to free up more time to do the things I enjoy doing, and I needed somebody to take responsibility for my individual assets. I chose City National because I’ve been investing with them for 15 years and they’ve proven their ability to do well in these challenging times. City National is The way up® for me and my business. Sy Kaufman Founder of Crosslink Capital, Semi-Retired Hear Sy’s complete story at cnb.com/Proven. Experience the City National Difference.SM Call (866) 618-5242 or visit cnb.com to find a Wealth Management advisor near you. City National Wealth Management CNB MEMBER FDIC Non-deposit Investment Products: n are not FDIC insured n are not Bank guaranteed n may lose value Past performance is not an indication of future results. City National Rochdale, the investment management department of City National Bank. ©2014 City National Bank Untitled-4 1 7/24/14 11:08 AM CNB.82 Kaufman4_CalShakes_Ad PROJECT MANAGER: JOHNSON, M. ID#: 3158.87 DATE: JUNE 4, 2014 10:36 AM CAMPAIGN: TESTIMONIAL_Kaufman REVISION#: IMAGE_Coated APPROVED / OK TO PRINT REVISE / SUBMIT NEW PROOF SIZE: FP: 7.375 x 9.875 inches CATEGORY: AD COLORS: 4-color PUBLICATION: CALIFORNIA QUANTITY: PDF_ SHAKESPEARE THEATER (Encore) PROJECT MANAGER SIGNATURE CITY NATIONAL BANK CREATIVE SERVICES FROM THE MANAGING DIRECTOR FROM THE SHOW'S DIRECTOR By the time you read At nine years old I this we will have witnessed my fi rst (hopefully) just Shakespeare play: A announced our Midsummer Night’s 2015 season. But Dream in the outdoor at the moment I’m Elizabethan theater at writing this, we are the Oregon Shakespeare still in the midst of Festival. After that night, season planning. my world would never “How hard can it be be the same. I learned to pick four plays?” three essential things: I hear you asking. that Shakespeare is for If anything, it has become an increasingly complex everyone; that the younger you enter his world the process over the decade that I’ve worked here. better; and that the vast poetry of these plays is built for the great outdoors. So it may not surprise you to hear Artistic Director Jonathan Moscone is, of course, at that discovering Cal Shakes many years later felt like the heart of the process, and starts by talking with coming home. directors he’s excited by, asking them about the stories they are interested in telling and the artists I had the immense good fortune to serve as the Associ- they are interested in telling them with (actors, ate Artistic Director from 2000-2004, during Jonathan designers, etc.). There are many conversations Moscone’s fi rst years of leadership at Cal Shakes. The with key members of our staff representing multiple sense of audience inclusion—from the pre-show picnic departments and perspectives. We consider the experience, to the amphitheater where we sit on the balance of Shakespeare, other “classic” plays, and ground together to hear old narratives spun anew— new plays. We consider if we have a diversity of brought back, and exceeded, my childhood discovery voices represented in the season. We think about that Shakespeare was a haven where everyone could the audience—will these plays appeal to our loyal, hear their stories told. The mythic and mystic environ- existing subscriber base? Do these plays help us ment of the Bruns reinforced the truth that a partner- reach deeper into the community to attract audi- ship between the natural world and Shakespeare’s text ence members new to us? Do we have plays that possesses a power that cannot be denied. will resonate for students, since education is such And through the years, Dream has remained one of a signifi cant part of our mission? Are these plays my favorite plays, from that fi rst production at OSF to that we can put our distinct stamp on—plays that Jonathan’s magnifi cent interpretation in 2002 when a will fl ourish in a theater without walls, with a vast, giant moon lit up the Bruns stage, and, most recently, open stage? And, there are of course fi nancial my own experimental investigation of the play in Brook- considerations—is our artistic ambition in scope lyn, New York, with a group of my colleagues from Yale with our means? School of Drama. Each of these experiences drew me I don’t yet know what that season will be, but know more strongly into the unfathomable depths of this play. that it will be one that is distinctly Cal Shakes: au- With Dream, Shakespeare began his profound explo- thentic, inclusive, and joyful. Stop by the Welcome ration of the metaphysical: the human world of Dream Center tonight to learn more about subscribing. And appears to be but the surface of an unseen world that if you aren’t ready for our 40th Anniversary Season affects and often times overrules the lives of those on to be over—don’t worry, we’ve still got one more Earth. We might say that this unseen world, the world trick up our sleeve. Join us for master monologist of fairies and dreams, is what we usually call the un- Mike Daisey in The Great Tragedies: Mike Daisey conscious. It seems fi tting, after all, that the metaphor Takes on Shakespeare, October 2–12. for this place of the unconscious and the imagination is the woods, a wild, untamed landscape that is full of Sincerely, mystery, fantasy, and danger. What better place to fall into Shakespeare’s Dream than our own woods in the Orinda hills? It’s good to be home. Sincerely, Susie Falk Shana Cooper encoreartsprograms.com 3 September 2014 Volume 23, No. 4 Baker Avenue proudly supports the vision, value, and mission of Cal Shakes by Paul Heppner sponsoring this year’s production of Publisher Susan Peterson A Midsummer Night’s Dream. Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Mike Hathaway Advertising Sales Director Marty Griswold, Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, Tia Mignonne, Terri Reed CST_BA 050614Full-service CST044 1_6h.pdf San Francisco/Bay Area Account Executives business banking for Denise Wong independently-minded Executive Sales Coordinator professionals like you. Jonathan Shipley Ad Services Coordinator Exemplary service www.encoreartsseattle.com WORK HARD. BANK SMART. Local credit decisions DREAM BIG. Quick turn-around Paul Heppner Publisher Marty Griswold Associate Publisher Leah Baltus Editor-in-Chief Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Amanda Manitach Visual Arts Editor Amanda Townsend Events Coordinator www.cityartsonline.com Wim-Kees Doug Jim Colleen Tom Kevin van Hout Maggi Griffin Benatar Rodriguez Louie 590 Ygnacio Valley Rd., Ste. 101, Walnut Creek | 925.944.0180 | scottvalleybank.com Paul Heppner President Mike Hathaway 5th Avenue Theatre • ACT Theatre • Book-It Repertory Theatre • Broadway Vice President REACH A Center for the Performing Arts • Pacific Northwest Ballet Paramount & Moore Theatres • Seattle Children’s Theatre • Seattle Men’s Erin Johnston SOPHISTICATED Chorus • Seattle Opera • Seattle Repertory Theatre Communications Manager • Seattle Shakespeare Company • Seattle Symphony Genay Genereux AUDIENCE Seattle Women’s Chorus • Tacoma City Ballet • Tacoma Accounting Philharmonic • Taproot Theatre • UW World Series at Meany Hall • Village Theatre Issaquah & Everett • American Conservatory Theater • Berkeley Repertory Theatre • Broadway San Jose • California Shakespeare Corporate Office Theater • San Francisco Ballet • San Francisco Opera • SFJAZZ • Stanford Live • TheatreWorks • Weill Hall at 425 North 85th Street Seattle, WA 98103 Sonoma State University • 5th Avenue Theatre • ACT Theatre • Book-It Repertory Theatre • Broadway Center p 206.443.0445 f 206.443.1246 for the Performing Arts • Pacific Northwest Ballet • Paramount PUT YOUR BUSINESS HERE [email protected] & Moore Theatres • Seattle Children’s Theatre • Seattle 800.308.2898 x105 Men’s Chorus • Seattle Opera • Seattle Repertory Theatre www.encoremediagroup.com Seattle Shakespeare Company • Seattle Symphony • Seattle Women’s Chorus Tacoma City Ballet • Tacoma Philharmonic Encore Arts Programs is published monthly by Encore Media • Taproot Theatre • UW World Series at Meany Hall • Village Group to serve musical and theatrical events in Western Washington and the San Francisco Bay Area. All rights reserved. ©2014 Encore Media Group. Reproduction ad proofs.indd 1 www.encoremediagroup.com without written permission is prohibited. 5/6/14 1:14 PM 4 CALIFORNIA SHAKESPEARE THEATER WWW.CALSHAKES.ORG EAP House 1-6H REV.indd 1 3/26/13 11:22 AM Dr. Jasleen Kukreja is for Russell Colunga Russell Colunga was a fitness instructor who started experiencing a sudden shortness of breath. He deteriorated quickly and needed answers fast. Dr. Jasleen Kukreja is the Surgical Director of the UCSF Medical Center Lung Transplant Program, which, in terms of overall patient survival, is one of the most successful programs in the country. Once Russell heard about the innovative transplant techniques Dr. Kukreja had pioneered, he was immediately put at ease. “I knew I was in good hands,” said Russell. Today, he’s back in the saddle, teaching spin classes five days a week. Learn more at PioneeringCare.com UCSF-412 Encore 8.375x10.875 Kukreja-B4.indd 1 8/12/14 3:09 PM Untitled-9 1 8/13/14 12:27 PM Client: UCSF Medical Center Print Specifications Approvals OK W/C Job Number: 412 Live: 7.375 x 9.875” Creative Director: DeeAnn Budney Ad ID: Trim: 8.375 x 10.875” Director of Services: Anne Smith Rainey Job Title: Adult Campaign Bleed: 8.625 x 11.125” Art Director: Tanya Spanier Copywriter: File Name: UCSF-412 Encore 8.375x10.875 Kukreja-B4 Resolution: File Format: Adobe InDesign CS6 Account Manager: Emily Palmer Inks: 4 cp Assistant Account Exe: Mike Euphrat 724 Pine Street, Vendor: Encore Notes: Project Manager: Marcus Chairez San Francisco, CA 94108 Materials In: Studio: Jose F.
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