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1 WILLIAM BLOODGOOD CURRICULUM VITAE 2020 ________________________________________________________________________________ PERSONAL INFORMATION Email: [email protected] Web site: www.williambloodgood.com Telephone: 541-601-4213 EDUCATION M.F.A. Theatre Arts 1976 The Pennsylvania State University. 1974-75 Graduate Assistant. 1975-76 Awarded a Graduate School fellowship 1976 Work completed, June [Degree granted 1990] B.A. Drama 1973 Franklin and Marshall College Admitted to Phi Beta Kappa Society Philadelphia College of Art 1968 Summer program PROFESSIONAL UNIVERSITY APPOINTMENTS Associate Professor of Practice University of Texas at Austin 2018-present Senior Lecturer University of Texas at Austin 2015-2018 Lecturer University of Texas at Austin 2008-2015 Associate Graduate Faculty, Director of Scene Design Program Southern Oregon University, 2004-2015 Ashland Center for Theatre Studies: [Master of Theatre Studies in Production and Design program] Adjunct Faculty The Pennsylvania State University 1989 Guest Lecturer, Elderhostel and Senior Ventures Programs Southern Oregon University 1983-1999 Guest Lecturer, Department of Theatre Arts Southern Oregon University 1980-2007 2 UNIVERSITY COURSES University of Texas at Austin, Fall 2008-Present TD 354T Portfolio for Designers (Undergraduate) 2008 TD 388L Portfolio for Designers (Graduate) 2008 TD 354T Design Skills: Scenery (Undergraduate) 2008-Present TD 388L Design Skills: Scenery (Graduate) 2008-Present TD 354T Design Skills: Digital Rendering (Undergraduate) 2011-Present TD 388L Design Skills: Digital Rendering (Graduate) 2011-Present TD 388J Scene Design 2009-Present TD 388J Design Concepts for the Stage 2009-Present TD 354T Performance Design Beyond the Stage (Undergrad.) 2013 TD 388L Performance Design Beyond the Stage (Graduate) 2013 TD 314C Design for Performance 2014-Present TD 388J Studio 1 2014-Present UGS 302 The Experience of Imagination 2016-Present Independent Studies Courses TD 351 Topics in Scene Design 2011-Present TD 354P Adv. Projects in Design & Technology 2011-Present Southern Oregon University Director, Scene Design Program, Co-creator of the Master of Theatre Studies in Production & Design 2002-2015 HONORS AND AWARDS Syracuse Area Live Theatre Award for To Kill a Mockingbird 2015 Syracuse Stage Syracuse Area Live Theatre Award for Other Desert Cities 2015 Syracuse Stage The Oregonian Drammy Award for The Beard of Avon 2008 Portland Center Stage Denver Post Ovation Award for You Can’t Take It With You , Denver Center Theatre Company 2007 Oregon Arts Commission: The Governor’s Award for the Arts 2002 John Kitzhaber, Governor of Oregon The Pennsylvania State University Alumni Achievement Award 2001 Backstage West Magazine Garland Award for Othello, Chicago, and The Tongue of a Bird, Oregon Shakespeare Festival 1999 Dean Goodman Choice Award The Beauty Queen of Lenane, Berkeley Repertory Theatre 1999 3 Backstage West Magazine Garland Award for A Midsummer Night’s Dream, Henry IV, Part One and Vilna’s Got a Golem, Oregon Shakespeare Festival 1998 Individual Artist Grant: Theatre Communications Group 1994 Drama-Logue Magazine: Outstanding Achievement in Theatre for Enrico IV, Oregon Shakespeare Festival 1988 Drama-Logue Magazine: Outstanding Achievement in Theatre for The Hostage, Oregon Shakespeare Festival 1987 Bay Area Theatre Critics Circle Award: Outstanding 1985 Achievement in Set Design for The Art of Dining, Berkeley Repertory Theatre PROFESSIONAL EXPERIENCE IN SCENIC DESIGN The Children 2020 Seattle Repertory Theatre Director: Timothy Bond Alabama Story 2019 Repertory Theatre of St. Louis Director, Paul Mason Barnes Sweat 2019 Dallas Theater Center Director, Timothy Bond Man of La Mancha 2017 Arizona Theatre Company Director, David Bennett Fun Home 2017 Portland Center Stage Director, Chris Coleman Deathtrap 2017 Syracuse Stage Director: Paul Mason Barnes The Three Musketeers 2016 Indiana Repertory Theatre Director: Henry Woronicz Harvey 2016 Guthrie Theater Director: Libby Appel To Kill a Mockingbird 2016 Syracuse Stage Director: Timothy Bond The Underpants 2015 Syracuse Stage Director: Bill Fennelly Other Desert Cities 2015 Syracuse Stage Director: Timothy Bond 4 PROFESSIONAL EXPERIENCE IN SCENIC DESIGN (continued) Cyrano 2015 Portland Center Stage Director: Jane Jones Other Desert Cities 2015 Portland Center Stage Director: Timothy Bond The Piano Lesson 2015 Seattle Repertory Theatre Director: Timothy Bond How to Succeed in Business Without Really Trying 2015 Seven Ages Productions, Beijng, China Director: Joseph Graves The Piano Lesson 2014 Syracuse Stage Director: Timothy Bond The Whipping Man 2014 Syracuse Stage Director: Timothy Bond The Glass Menagerie 2014 Syracuse Stage Director: Timothy Bond Two Trains Running 2013 Syracuse Stage Director: Timothy Bond An Iliad 2013 Syracuse Stage Director: Penny Metropulos Caroline, or Change 2012 Syracuse Stage Director: Marcela Lorca Red 2012 Syracuse Stage Director: Penny Metropulos Sweeney Todd, the Demon Barber of Fleet Street 2012 Portland Center Stage Director: Chris Coleman Irving Berlin’s White Christmas 2012 Syracuse Stage Director: Paul Mason Barnes Radio Golf 2011 Geva Theatre Director: Timothy Bond The Imaginary Invalid 2011 Portland Center Stage Director: Chris Coleman Radio Golf 2011 Syracuse Stage Director: Timothy Bond 5 PROFESSIONAL EXPERIENCE IN SCENIC DESIGN (continued) Legacy of Light 2011 San Jose Repertory Theatre Director: Kirsten Brandt The Madness of George III 2011 Chicago Shakespeare Theater Director: Penny Metropulos Oklahoma! 2011 Portland Center Stage Director: Chris Coleman Snow Falling on Cedars 2010 Portland Center Stage Director: Chris Coleman Pride and Prejudice 2010 Oregon Shakespeare Festival Director: Libby Appel Fences 2010 Syracuse Stage Director: Timothy Bond An Iliad 2010 Portland Center Stage Director: Penny Metropulos Fences 2010 Syracuse Stage Director: Timothy Bond Exhibit Designer, United States National Exhibit 2010-11 2011 Prague Quadrennial of Performance Design and Space Artistic Director: Susan Tsu Dusty and the Big Bad World (world premiere) 2009 Denver Center Theatre Company Director: Kent Thompson The Importance of Being Earnest 2009 Portland Center Stage Director: Chris Coleman A Prayer for Owen Meany 2009 Denver Center Theatre Company Director: Bruce Sevy Quilters 2009 Denver Center Theatre Company Director: Penny Metropulos Picasso at the Lapin Agile 2009 Syracuse Stage Director: Penny Metropulos Twelfth Night 2008 Portland Center Stage Director: Jane Jones The Beard of Avon 2008 Portland Center Stage, Portland, Oregon Director: Chris Coleman 6 PROFESSIONAL EXPERIENCE IN SCENIC DESIGN (continued) Doubt 2008 Portland Center Stage Director: Rose Riordan A View From The Bridge 2008 Oregon Shakespeare Festival, Ashland, Oregon Director: Libby Appel Ma Rainey’s Black Bottom 2008 Syracuse Stage, Syracuse, New York Director: Timothy Bond Becky’s New Car (world premiere) 2008 ACT Theatre, Seattle, Washington Director: Kurt Beattie Misalliance 2007 Portland Center Stage Director: Chris Coleman As You Like It 2007 Oregon Shakespeare Festival Director: J.R. Sullivan Tracy’s Tiger (world premiere) 2007 Oregon Shakespeare Festival Director: Penny Metropulos Gem of the Ocean 2007 Oregon Shakespeare Festival Director: Timothy Bond The Tempest 2007 Oregon Shakespeare Festival Director: Libby Appel Bad Dates 2007 Kansas City Repertory Theatre [scenery purchased by company] Bad Dates 2007 Two Rivers Theatre Company Director: Aaron Posner You Can’t Take It With You 2007 Denver Center Theatre Company, Denver, Colorado Director: Penny Metropulos Dr. Jekyll and Mr. Hyde 2006 Oregon Shakespeare Festival Director: Penny Metropulos Bus Stop 2006 Oregon Shakespeare Festival Director: Libby Appel Cyrano de Bergerac 2006 Oregon Shakespeare Festival Director: Laird Williamson King John 2006 Oregon Shakespeare Festival Director: John Sipes The Importance of Being Earnest 2006 Oregon Shakespeare Festival Director: Peter Amster 7 PROFESSIONAL EXPERIENCE IN SCENIC DESIGN (continued) The Philanderer 2005 Oregon Shakespeare Festival Director: Penny Metropulos Ma Rainey’s Black Bottom 2005 Oregon Shakespeare Festival Director: Timothy Bond Twelfth Night 2005 Oregon Shakespeare Festival Director: Peter Amster The Belle’s Stratagem 2005 Oregon Shakespeare Festival Director: Davis McCallum The Haunting of Winchester (world premiere) 2005 San Jose Repertory Theatre, San Jose, California Director: Michael Butler Bad Dates 2005 Arizona Theatre Company, Tucson, Arizona Director: Aaron Posner Disney’s Aladdin, Jr. 2005 Children’s Theatre Company, Minneapolis, Minnesota Director: Matthew Howe The Comedy of Errors 2004 Oregon Shakespeare Festival Director: Bill Rauch Continental Divide: Daughters of the Revolution 2004 Continental Divide: Mothers Against Birmingham Repertory Theatre, Birmingham, UK Barbican Centre, London, UK Director: Tony Taccone Cat on a Hot Tin Roof 2004 Portland Center Stage Director: Chris Coleman Henry VI, Part One 2004 Oregon Shakespeare Festival Directors: Libby Appel and Scott Kaiser Continental Divide: Daughters of the Revolution 2004 Continental Divide: Mothers Against La Jolla Playhouse, La Jolla, CA Director: Tony Taccone Henry VI, Parts Two & Three 2004 Oregon Shakespeare Festival Directors: Libby Appel and Scott Kaiser Humble Boy 2004 Oregon Shakespeare Festival Director: Penny Metropulos King Lear 2004 Portland Center Stage Director: Chris Coleman Continental Divide: Daughters of the Revolution 2003 Continental Divide: Mothers Against Berkeley
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    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fiom the original or copy submitted. Thus, some thesis and dissertation copies are in ^pewiiter 6ce, whfle others be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or intfistinct print, colored or poor quality illustrations and photographs, print bleeddnou^ substandard margins, and improper alignment can adversdy afifect rqxroduction. In the unlikely event that Ae author did not send UMI a complete manuscript and there are m issing pages, diese will be noted. Also, if unauthorized copyright material had to be removed, a note wiH indicate the ddedon. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing firom left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscrit have been reproduced xeiographically in fins copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an adcfitional charge. Contact UMI directly to order. UMI A B d l & Hiowdl InfiinnatkBi Company 300 Nœth Zeeb Road, Ann AifxH' MI 48106-1346 USA 313/761-4700 800/521-0600 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE CASE STUDY EXAMINATIONS OF INDEPENDENT PIANO INSTRUCTION IN INDIA A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial lùlfïllment of the requirements for the degree o f DOCTOR OF PHILOSOPHY By FERHIZ BREWER Norman, Oklahoma 1999 UMI Number: 9925598 UMI Microform 9925598 Copyright 1999, by UMI Company.
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