Caribbean Verse
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Caribbean Voices Broadcasts
APPENDIX © The Author(s) 2016 171 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES BROADCASTS March 11th 1943 to September 7th 1958 © The Author(s) 2016 173 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES EDITORS Una Marson April 1940 to December 1945 Mary Treadgold December 1945 to July 1946 Henry Swanzy July 1946 to November 1954 Vidia Naipaul December 1954 to September 1956 Edgar Mittelholzer October 1956 to September 1958 © The Author(s) 2016 175 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE WEST INDIES FEDERATION AND THE TERRITORIES INCLUDED January 3 1958 to 31 May 31 1962 Antigua & Barbuda Barbados Dominica Grenada Jamaica Montserrat St. Kitts, Nevis, and Anguilla St. Lucia St. Vincent and the Grenadines Trinidad and Tobago © The Author(s) 2016 177 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 CARIBBEAN VOICES : INDEX OF AUTHORS AND SEQUENCE OF BROADCASTS Author Title Broadcast sequence Aarons, A.L.C. The Cow That Laughed 1369 The Dancer 43 Hurricane 14 Madam 67 Mrs. Arroway’s Joe 1 Policeman Tying His Laces 156 Rain 364 Santander Avenue 245 Ablack, Kenneth The Last Two Months 1029 Adams, Clem The Seeker 320 Adams, Robert Harold Arundel Moody 111 Albert, Nelly My World 496 Alleyne, Albert The Last Mule 1089 The Rock Blaster 1275 The Sign of God 1025 Alleyne, Cynthia Travelogue 1329 Allfrey, Phyllis Shand Andersen’s Mermaid 1134 Anderson, Vernon F. -
Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017
1 Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: Self-portrait with projection, October 2017, img_9723 by Rodell Warner Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2017 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Caribbean Theatre: a PostColonial Story
CARIBBEAN THEATRE: A POSTCOLONIAL STORY Edward Baugh I am going to speak about Caribbean theatre and drama in English, which are also called West Indian theatre and West Indian drama. The story is one of how theatre in the English‐speaking Caribbean developed out of a colonial situation, to cater more and more relevantly to native Caribbean society, and how that change of focus inevitably brought with it the writing of plays that address Caribbean concerns, and do that so well that they can command admiring attention from audiences outside the Caribbean. I shall begin by taking up Ms [Chihoko] Matsuda’s suggestion that I say something about my own involvement in theatre, which happened a long time ago. It occurs to me now that my story may help to illustrate how Caribbean theatre has changed over the years and, in the process, involved the emergence of Caribbean drama. Theatre was my hobby from early, and I was actively involved in it from the mid‐Nineteen Fifties until the early Nineteen Seventies. It was never likely to be more than a hobby. There has never been a professional theatre in the Caribbean, from which one could make a living, so the thought never entered my mind. And when I stopped being actively involved in theatre, forty years ago, it was because the demands of my job, coinciding with the demands of raising a family, severely curtailed the time I had for stage work, especially for rehearsals. When I was actively involved in theatre, it was mainly as an actor, although I also did some Baugh playing Polonius in Hamlet (1967) ― 3 ― directing. -
Vol 24 / No. 1 / April 2016 Volume 24 Number 1 April 2016
1 Vol 24 / No. 1 / April 2016 Volume 24 Number 1 April 2016 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: High tide at the cave, 2016 by Lee Ann Sanowar Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2016 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Swanzy, Henry Valentine Leonard (1915–2004) Gabriella Ramsden Published Online: 12 November 2020
Swanzy, Henry Valentine Leonard (1915–2004) Gabriella Ramsden https://doi.org/10.1093/odnb/9780198614128.013.57680 Published online: 12 November 2020 Swanzy, Henry Valentine Leonard (1915–2004), radio producer, was born on 14 June 1915 at Glanmire Rectory, Glanmire, co. Cork, Ireland, the eldest son of the Revd Samuel Leonard Swanzy (1875–1920), rector of Glanmire, and his wife, Joan Frances, née Glenny (1888–1975). His brothers John and Leonard were born in 1917 and 1920 respectively, the latter after the death of their father. The family subsequently moved to England. Henry attended Wellington College and won a scholarship to New College, Oxford, achieving first-class honours in modern history. In order to pursue a career in the civil service, he learned French and German, and he travelled around Europe. After four years in the Colonial Office, where he progressed to assistant principal, he joined the BBC in 1941. On 12 March 1946 Swanzy married Eileen Lucy (Tirzah) Ravilious, née Garwood (1908–1951), daughter of Frederick Scott Garwood, an officer in the Royal Engineers, and widow of the painter, designer, book engraver, and war artist Eric Ravilious. Following her death in March 1951, on 22 July 1952 Swanzy married Henrietta Theodora Van Eeghan (1924–2006), with whom he had two sons and a daughter. Swanzy began his career as a producer for the general overseas service, but it was his involvement in the radio programme Caribbean Voices between 1946 and 1954 that he was best known for. He encouraged writers from the Caribbean to contribute stories and poems. This fostered the careers of many notable West Indian writers, two of whom, Derek Walcott and V. -
December 1987
, • DECEMBER 1987 Poetry Mark Mc W aU, Ras Michael J eune, McDonald Dash, Sasenarine Persaud, Mahadai Das, Pamela Mordecai, A. J. Se..)'1l1our, Ian McDonald. The at r e Joel Benjamin, Jeremy Poynting, Frank Thomasson, Ron Robinson. Art i c I e s Alan Persico, Frank Birbalsingh, Nesha Haniff. • Review A Goodly Heritage (Elma Seymour). • Kyk 37 - Edited by A. J. Seymour and Ian MCDonald CONTENTS Friends of Kyk-Over-AI 2 Across the Editor's Desk This issue - a "Theatre" Issue• 3 Mahadai Das - Appeal 3 Poetry in Schools 4 BIM No. 70 5 The New Voices, Nos. 29/30 6 Journal Of West Indian Literature 6 The 3rd Walter Rodney Memorial Lecture 7 The Guyana Prize 8 The Printing of Kyk No. 37 8 • Poetry Remembering Anna Regina Mark McWatt 9 River Passage 10 Klickity Klack Ras Michael Jeune 14 Sun Suddenly McDonald Dash 17 Rain Storm Sasenarine Persaud 18 Bones Mahadai Das 19 Genesis Pamela Mordecai 20 Two Love Poems A. J. Seymour 21 That My Son Be Kept Safe Ian McDonald 22 Theatre The Early Theatre in Guyana Joel Benjamin 24 At Homes, Tagore and Jive Jeremy Poynting 45 Down Memor Lane Frank Thomasson 49 Guyanese Professional Theatre Ron Robinson 55 Articles Martin Carter's "B ent" Alan Persico 59 Interview with Jan Carew Frank B irbalsingh 66 Edna Manley Nesha Haniff 76 Review • A Goodly Heritage (Elma Seymour) N esha Haniff 78 Contributors 80 • • • - ... FRIENDS OF KYK-OVER-AL A great many individuals and organisations have con tributed to the successful re-Iaunching of Kyk-Over-Al. -
Tory of the Anglophone Caribbean
Book Reviews 365 Glyne A. Griffith, The BBC and the Development of Anglophone Caribbean Litera- ture, 1943–1958. Basingstoke, U.K.: Palgrave Macmillan, 2016. xi + 230 pp. (Cloth US$99.99) Postwar Sunday evenings have become an iconic moment in the literary his- tory of the Anglophone Caribbean. Glyne A. Griffith’s study returns us to the 1940s and 1950s to reassess Caribbean Voices, the weekly radio program broad- cast from London to the West Indies that has become synonymous with the rise of contemporary Caribbean writing. Although any study of Anglophone Caribbean letters will acknowledge the program’s importance, this is the first time it has received a book-length treatment. What Griffith finds is “a vir- tual community … produced by the intersection of radio broadcast and let- ter writing” (p. 118). In its approach, the study complements recent analyses of the intersection between broadcasting technologies and national/transna- tional cultural production, fromTodd Avery’s Radio Modernism (2006) to Emily C. Bloom’s The Wireless Past: Anglo-Irish Writers and the BBC, 1931–1968 (2016). This turn to the cultural practices of sound is part of a challenge to the primacy of textual cultural studies, but the irony for Griffith to negotiate is that only the scripts of Caribbean Voices remain. The focus on a “Critics’ Circle” and “A Sustaining Epistolary Community” (Chapters 2 and 4) enables Griffith to trace the central role of Irish editor Henry Swanzy in shaping Caribbean letters, and to attend to the transnationalism and migrant aesthetics that were central to the formation of Caribbean Voices. -
Ms. Chamberlin, J. Edward Papers Coll. 731 1 Gift of J. Edward
Ms. Chamberlin, J. Edward papers Coll. 731 Gift of J. Edward Chamberlin 2015 Includes Lorna Goodison material such as drafts, proofs and notes for From Harvey River; early drafts of ‘Supplying Salt and Light/Oracabessa’; Travelling Mercies; By Love Possessed; drafts for unpublished ‘The Book of Amber’; Controlling the Silver; personal and professional correspondence, including Rex Nettleford, Derek Walcott and others; ink doodles and drawings within texts; appearances; photographs; “Run of poetry by Canadian Poets (each illustrated) in Saturday Night, January 1989 – January 1995. Poetry editor J. Edward Chamberlin”; and various other material related to the lives and work of Lorna Goodison and J. Edward Chamberlin Extent: 17 boxes and items (3 metres) Box 1 Lorna Goodison 26 folders From Harvey River Drafts, proofs Folders 1-8 Lorna Goodison From Harvey River Clean word processed draft Folders 9-14 Lorna Goodison From Harvey River Edited draft with images, holograph notes and some correspondence Folders 15-22 Lorna Goodison From Harvey River Word processed draft with holograph revisions Folders 23-26 Lorna Goodison From Harvey River Clean word processed draft, variously paged Box 2 Lorna Goodison 23 folders From Harvey River Drafts, proofs Folders 1-7 Lorna Goodison From Harvey River Clean word processed draft, variously paged Folders 8-14 Lorna Goodison From Harvey River Word processed draft with revisions 1 Ms. Chamberlin, J. Edward papers Coll. 731 Folders 15-17 Lorna Goodison From Harvey River Word processed draft Folder 18 ‘early -
The Year That Was
Kunapipi Volume 2 Issue 1 Article 18 1980 The Year That Was Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, The Year That Was, Kunapipi, 2(1), 1980. Available at:https://ro.uow.edu.au/kunapipi/vol2/iss1/18 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Year That Was Abstract Australia It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pineapples to the ground; characters with words stamped on their foreheads and one with a coffin owinggr out of his side ... This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol2/iss1/18 The Year That Was AUSTRALIA It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pine apples to the ground; characters with words stamped on their foreheads and one with a coffin growing out of his side ... Little did Synge know when he said there should be material for drama with all those 'shepherds going mad in lonely huts'! The theme of the year's most remarkable book, Patrick White's The Twybom Affair Oonathan Cape) is caught early when one of its charac· ters remarks, 'The difference between the sexes is no worse than their appalling similarity'. -
Laurence A. Breiner October 2013
Laurence A. Breiner October 2013 Department of English Boston University 236 Bay State Road Boston, MA 02215 (617) 358-2544 [email protected] Boston College B.A. (English, summa cum laude) 1968 Yale University M.Phil. (Comparative Literature) 1971 Yale University Ph.D. ( " " ) 1973 Dissertation: The Development of a Language of Representation for Science: 1550-1650 Academic Positions 2004 -Visiting Professor, American Studies, University of Tokyo 2000- - Professor of English 1981-2000 - Associate Professor of English, with tenure 1980-81 - Fellow, National Endowment for the Humanities 1976-78 - Research Fellow, University of the West Indies, Mona (Jamaica) 1973-81 - Assistant Professor of English, Boston University 1972-73 - Instructor, Boston University Fall, 1971 - convener, "Introduction to Comparative Literature," Hall seminar in Yale's Branford College Spring, 1971 - teaching assistant, "Classical Comedy," Yale University Grants and Fellowships Henderson Senior Fellow, Humanities Foundation, Boston University, 2010-2011 Grant-in-Aid, Folger Institute, March, 2001 Senior Fellow, Society of Fellows, Boston University, 1998-99 Rockefeller Fellow, Center for the Study of Black Literature and Culture, University of Pennsylvania, 1991-1992 Senior Fellow, Society of Fellows, Boston University, 1989-90 Seed grant, Boston University Graduate School, June 1988 ACLS Grant-in-Aid for research in Venice, 1984 National Endowment for the Humanities Grant, 1980-81 Joint Committee on Latin American Studies, ACLS/SSRC, 1976-77 Woodrow Wilson Fellow, 1968 -
Henry Swanzy, the BBC, and the Development of Caribbean Literature
"This is London calling the West Indies:" Henry Swanzy, the BBC, and the development of Caribbean literature Glyne Griffith (Do note quote or paraphrase without requisite citation) Introduction Glyne Griffith (Do not quote or paraphrase without requisite citation) Let us begin near the end, that is to say the end of the BBC Caribbean Voices radio program. The end would eventually come in April, 1958, but there is much to be told and much to be written before we arrive at an ending. The year is 1953 and Henry Swanzy, the editor of the BBC Caribbean Voices literary radio program sends a letter dated November 271h from his Oxford Street office in London to his submissions agent, Gladys Lindo in Jamaica. The letter seeks Mrs. Lindo's advice on the appropriateness of editorial comments which Swanzy intends to make during the next scheduled summary of the previous six months of Caribbean Voices broadcasts to the Caribbean. The following extract indicates some of the concerns which Swanzy conveys to Mrs. Lindo: . ..On wider details, I am thinking of referring in the next summary to the death of Seepersad Naipaul, and to the illness of Sam Selvon, and the failure to send [Derek] Walcott to Europe. The last two would be critical remarks, and perhaps you think they would not be suitable in a thing like a summary. It does seem to me that the powers- that-be ought to be made aware of the value of literary work, from the prestige point of view, and the neglect of West Indian writers is really shocking. -
BIM: Arts for the 21St Century
CELEBRATING LAMMING... BIM: Arts for the 21st Century Patron and Consultant Editor George Lamming Editors Curwen Best Esther Phillips Managing Editor Gladstone Yearwood Editorial Board DeCarla Applewhaite Hilary Beckles Curwen Best Marcia Burrowes Mark McWatt Trevor Marshall Esther Phillips Andy Taitt Board of Management Hilary Beckles Janet Caroo Gale Hall Sheron Johnson Celia Toppin Maurice Webster Gladstone Yearwood International Advisory Board Heather Russell-Andrade / USA Kamau Brathwaite, Barbados / USA Stewart Brown, U.K. Austin Clarke, Barbados/Canada Carolyn Cooper, Jamaica Kwame Dawes, Guyana / USA Margaret Gill, Barbados Lorna Goodison, Jamaica Lennox Honeychurch, Dominica Anthony Kellman, USA/Barbados Sandra Pouchet-Paquet, USA Design Leaf Design Inc. Cover Concept Paul Gibbs, Educational Media Services, The University of the West Indies, Cave Hill Publishing Services Legin Holdings Inc. BIM: Arts for the 21st Century Errol Barrow Centre for Creative Imagination, he University of the West Indies, Cave Hill, P. O. Box 64, Bridgetown BB11000, Barbados Telephone: (246) 417-4776 Fax: (246) 417-8903 BIM: Arts for the 21st Century is edited collaboratively by persons drawn from the literary community, who represent the creative, academic and developmental interests critical for the sustainability of the best Caribbean literature. BIM: Arts for the 21st Century is published by the Errol Barrow Centre for Creative Imagination, The University of the West Indies, Cave Hill, in collaboration with the Office of the Prime Minister, Government of Barbados. All material copyright by the authors and/or the University of the West Indies. All rights reserved. Opinions expressed in BIM: Arts for the 21st Century are the responsibility of the individual authors and do not necessarily reflect the views of the editors, Errol Barrow Centre for Creative Imagination, The University of the West Indies or the Office of the Prime Minister, Government of Barbados.