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6 X 10.5 Long Title.P65 Cambridge University Press 0521556872 - The Cambridge Companion to Medieval Romance Edited by Roberta L. Krueger Index More information INDEX NOTE: Page numbers in italics refer to illustrations, in bold to main sections. The initial article is ignored in alphabetical sequence of titles, e.g. Le Bel Inconnu appears under B. Adela of Blois 36 Der arme Heinrich (Hartmann) 65, 118 Adenet le Roi 65–6, 135 Arthur and Merlin 221 see Cleomadés Arthurian cycle (Malory) 158–61 adultery 56, 83, 84, 89, 144, 145, 172, 192 Arthurian romances 2, 168–9, 176–7 Aeneid 17, 25, 31, 88, 137, 183 see also individual titles Alain of Lille 133 Arthurian subject-matter Albrecht IV of Bavaria, Duke 197 in Dutch romance 178 Albrecht (poet) 191–2 in French romance 25–8, 55–7, 135–7, Alexandre de Paris 30; see Roman d’Alexandre 167–78 Alfonso X, King of Spain 256, 257 in German romance 184, 187–92, 196–7 allegory 22, 92 in Italian romance 178, 204, 205, 206 Amadís de Gaula (Rodriguez de Montalvo) 8, in Middle English romance 178–80, 218–33, 259, 260–3 239–40, 246–8 Ambraser Heldenbuch, Vienna 65 in Portuguese romance, 257 Amis and Amiloun 237 in Spanish romance 178, 257–8 amor see courtly love The Arthurian Tradition in Italian Literature Angevin dynasty 2, 85 (Gardner) 206 Anne de France 135 Arthur's court as frame for story 19 anthologies from manuscripts 63 Athelston 237 anti-worlds in romance 115–29 Athis et Prophilias 64 antifeminism 145 Aucassin et Nicolete 91 Antiquity, romances of (romans antiques; Auchinleck Manuscript 236 romans d’antiquité) 29–44, 88 audience of romance 3–4, 14–16, 30, 47–9, 129, as origin of romance 2, 14–15, 132, 137, 254 180, 203–4, 205–6 and new society: translatio imperii 34–8, 254 as textual community 48 translatio studii in 31–4 of romans d’antiquité 30 private desire and public power in 38–42 of French romances 14–16 women’s role in 137–8 of German romances, 185–6, 198–9 Antoine de la Sale 180 of Italian romances, 203–6 Apollonius of Tyre, legend of 3, 254 of Middle English romances 222, 225, 226, Aquinas, Saint Thomas 121 236–7 Ariosto 205, 262, 263 of Spanish romances of chivalry 261 aristocratic society 63, 67–8, 106, 107–9, reception of popular culture and chivalry 118–22, 123–8 228–33, 236 aristocracy Austin Friars' church, Norwich 245 administration of households 85–6 authors portrayal of, in literature 115, 116, 119, anonymity 64, 186–7 127–9, 185–6, 199, 236 author compilations 64–7 gender roles 132–4, 243 construction of corpora 63 marriage among the 241–2 literary self-consciousness 3 transformation of class 237; see also nobility portraits of 69 280 © Cambridge University Press www.cambridge.org Cambridge University Press 0521556872 - The Cambridge Companion to Medieval Romance Edited by Roberta L. Krueger Index More information Index previous authors as guarantors 14–15 Buch der Liebe (Ulrich Füetrer) 197 scribes as editors and 62 Burns, E. Jane 144–5 and their public 14–16 The Avowyng of Arthur 222, 224 canso, twelfth-century 63 The Awntyrs of Arthur 222 cantari 4, 204, 206 The Canterbury Tales (Chaucer) 127, 151 Bakhtin, Mikhail 253–4 see also individual tales ballads, traditional 227–8 Capellanus, Andreas 88 Barbour, John 98, 101 The Carle of Carlisle 222, 224 Barton, Henry 236 Cassidorus 177 Bayerische Staatsbibliothek, Munich 65 Catalan romances 257–9 beast epics 49 Caxton, William 226, 236 Beatrice of Bourgogne (Empress of Rome) 15 La Celestina 260 Becket, Thomas 33 Cervantes, Miguel (de Cervantes Saavedra) 4, 8, Bédier, Joseph 63 256–7, 262–4 bedroom scenes in romances 153–4, 224–5, Chanson de Roland 108 241 chansons de geste (vernacular epics) 3, 32, Die Beichte einer Frau (anon.) 198 48–52, 65 Le Bel Inconnu (Renaut de Beaujeu) 18, 196 compilation with romances in manuscripts, Benoît de Sainte-Maure, 2, 15, 30, 34 49 Benson, Larry D. 98 influence of hagiography 50–1 Bernart de Ventadorn 52, 86 love plots in 50 Béroul 3, 16–17, 24, 90, 174; see Tristan Charles, Count of Flanders 110 (Béroul) La Chastelaine de Vergi 91, 145 Berthold IV, Duke of Zähringen 185 Chaucer, Geoffrey 42, 127, 150, 151, 155–8, Berthold V, Duke of Zähringen 185 222, 229, 230–3, 236, 241 Bertran de Born 102 Le Chevalier à l'épée 143 Bezzola, Reto 85 Le Chevalier au lion or Yvain (Chrétien de Bibliothèque de l'Arsenal, Paris 65 Troyes) 23, 24, 26, 72, 138, 143, 177, Bibliothèque Nationale, Paris 49, 51, 64, 66, 68, 188, 219, 220 72 Le Chevalier de la Charrete or Lancelot biography 101, 209 (Chrétien de Troyes) 15, 16, 26, 49, Black Death 5, 180, 236–7, 245 52–3, 67, 69, 73, 81–4, 135, 136, Black Prince 103 138 Blanche of Castile 135 courtly love in 81–4 Bloch, Marc 98, 255 sources 115–16 Bloch, R. Howard 84 transmission 73 Boccaccio, Giovanni 151, 205, 260 Le Chevalier qui fist parler les cons 54–5 Boiardo, Matteo Maria 205 Chevelere Assigne 237 bondsmen, noble (Germany) 186, 187 chivalry 84, 132, 185 Le Bone Florence of Rome 244 celestial 173, 176 The Book of Chivalry (Geoffroi de Charny) 97, Gawain and popular romance in Britain 100, 107 218–34 Book of the Ordre of Chyvalry (Ramon Llull) and governance of kings 107–10 97, 107 and heraldry 226 bourgeoisie 237 and masculinity 143–5, 152, 154 bourgeois housholds, as context for romance 5 meaning of term 97 “bourgeois-gentry” households 235–8 and medieval Italian romance 203–15 Branca, Daniela Delcorno 215 and piety 104–7 Britain societal role in romance 97–110 Middle English romance 7–9, 120–3, 128–9, and violence 99–103 150–63, 179–80, 235–52 see also knights popular chivalric romance in 218–34 Chrétien de Troyes 2, 13, 15–16, 24–5, 65, 69, see also individual names and titles of 73, 87, 167, 168, 169, 177, 178, 190, 219, works 220, 221, 239 British Library, London 151 art of description 20–1 Bruce, Edward (brother of Robert) 98, 101 compilation of works 66–7 Bruce, Robert, king of Scotland 98, 101 contrast with Hartmann von Aue 187–9 Brut (Layamon) 126, 221 and courtly love 81–4, 86–7 see also Roman de Brut (Wace) development of romance 52–3 281 © Cambridge University Press www.cambridge.org Cambridge University Press 0521556872 - The Cambridge Companion to Medieval Romance Edited by Roberta L. Krueger Index More information Index Chrétien de Troyes (cont.) Cox, Captain (actor) 227–8, 234n Guiot manuscript of works, 69 Crane, Susan 48 interlacing 26–8 Curial e Güelfa (1443–60) 258 representation of women 138 Curschmann, Michael 72 segmentation and interlacing 23–4 source for German romance 184, 194, 220 Dante Alighieri 204 source for French prose romance, 168–9 De Arte honeste amandi (Andres Capellanus) see also titles of works 88 Christ, imagery of 52, 55 De Caluwé, Jacques 125 Christine de Pizan 94, 107, 145, 225 De Planctu Naturae (Alain of Lille) 133 chronicle 101 La Deplourable fin de Flamete (Scève) 260 chronology 64, 191 description, art of 2, 20–2, 33, 34 Cité des dames (Christine de Pizan) 145 Desiré 127 class Diaz, Bernal 253 and popular romance in Britain 228–9 didactic texts 49, 107, 145 social changes 237 Didot-Perceval 168 see also society Diederic van Assende 196 classification of romances 16 disguise motif 54 Cleanness 151 disruption in romance Cleomadés (Adenet le Roi) 65, 135 of gender roles 137, 146 clerks of political order, 35–6 as authors 2, 14, 30–1, 32–4, 47 of stable social order 117–20 love, and the schools 87–90 Dit dou florin (Jean Froissart) 73 role of 85–6, 255 Diu Krône 221 Cleve, Countess of 183, 184 Dolopathos 64 Cligés (Chrétien de Troyes) 19, 26, 64, 88–90, domestic detail in romances 237–8 194 Don Quixote/Quijote (Cervantes) 229, 253, translation by Konrad Fleck, 194 262–4 adaptation by Ulrïch von Türheim, 194 du Bellay, Joachim 180 collaboration in writing 83–4 Dutch medieval romance, 8, 183 Colyns, John 246 comic vision of romance 49, 54–5, 195 Ecclesiastical History (Orderic Vitalis) 103 community, textual 48 ecphrasis 20 compilations/recombinations 63–8, 177, 198 editors of medieval texts 62–3 El conde Partinuples 256 education Confessio Amantis (Gower) 232 of clerks 87 conjointure 2, 13, 15 of nobility 133 Le Conte du Graal or Perceval (Chrétien de of women 133 Troyes) 2, 13, 15, 19–20, 26–7, 67–8, Edward IV, king of England 151 74–5, 82–3, 120–1, 126 Eilhart of Oberg 192, 193–4, 198 continuations of 26–7, 67 Eleanor of Aquitaine 2, 33, 36, 85, 135 and other worlds 120, 121, 126 Eleanor of Castile 135 source for Parzival (Wolfram von Elegia di madonna Fiammetta (Boccaccio) 259 Eschenbach) 190–1 Eliduc (Marie de France) 3, 24 contes (tales), designation for romance, 1, 13, Emaré 237, 244–5, 246 45 Empereurs de Rome 64 couplets, rhyming 1, 13, 198 Eneas, see Roman d’Eneas courts as fictional center of romance society Eneide (Heinrich von Veldeke) 64, 71, 183–4 47–9, 92, 197 episodic organization 24 historical courts as context for romance Epistle of Othea (Christine de Pizan) 225 production and transmission 2, 47, Erec et Enide (Chrétien de Troyes) 2, 15, 23, 24, 82–3, 183–4 25, 49, 88, 138 fictional portrayal of 29–30, 116 contrast with Hartmann von Aue 188 courtesy and heroic stature 223, 224–5 Erec/Erek (Hartmann von Aue) 65, 187–8, 220 Courtiers' Trifles (Walter Map) 32 Eros, translations of (private desire and public courtliness 84–7, 92–4 power) 38–42 courtly love 5, 81–94 eroticism and courtliness 84–7, 92–4 and history 30–1, 38, 39–42 definition of 84–5 and other worlds 125–7 see also love and religious register 52–3, 82, 91–2 282 © Cambridge University Press www.cambridge.org Cambridge University Press 0521556872 - The Cambridge Companion to Medieval Romance Edited by Roberta L.
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