Health Benefits & Risks in the Young Judo Athlete
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U.S. House of Representatives Committee on Energy and Commerce
U.S. HOUSE OF REPRESENTATIVES COMMITTEE ON ENERGY AND COMMERCE December 8, 2016 TO: Members, Subcommittee on Commerce, Manufacturing, and Trade FROM: Committee Majority Staff RE: Hearing entitled “Mixed Martial Arts: Issues and Perspectives.” I. INTRODUCTION On December 8, 2016, at 10:00 a.m. in 2322 Rayburn House Office Building, the Subcommittee on Commerce, Manufacturing, and Trade will hold a hearing entitled “Mixed Martial Arts: Issues and Perspectives.” II. WITNESSES The Subcommittee will hear from the following witnesses: Randy Couture, President, Xtreme Couture; Lydia Robertson, Treasurer, Association of Boxing Commissions and Combative Sports; Jeff Novitzky, Vice President, Athlete Health and Performance, Ultimate Fighting Championship; and Dr. Ann McKee, Professor of Neurology & Pathology, Neuropathology Core, Alzheimer’s Disease Center, Boston University III. BACKGROUND A. Introduction Modern mixed martial arts (MMA) can be traced back to Greek fighting events known as pankration (meaning “all powers”), first introduced as part of the Olympic Games in the Seventh Century, B.C.1 However, pankration usually involved few rules, while modern MMA is generally governed by significant rules and regulations.2 As its name denotes, MMA owes its 1 JOSH GROSS, ALI VS.INOKI: THE FORGOTTEN FIGHT THAT INSPIRED MIXED MARTIAL ARTS AND LAUNCHED SPORTS ENTERTAINMENT 18-19 (2016). 2 Jad Semaan, Ancient Greek Pankration: The Origins of MMA, Part One, BLEACHERREPORT (Jun. 9, 2009), available at http://bleacherreport.com/articles/28473-ancient-greek-pankration-the-origins-of-mma-part-one. -
The Evolution from Martial Arts to Self Defence
The Evolution from Martial Arts to Self Defence There is no doubt that Jujitsu has changed along with human evolution. Currently, this art has shifted to more functional practices to suit present needs. With this change in Jujitsu practices, it has taken it away from being a martial art and transformed to a self-defence style, combat sport or combat art. The etymology of martial art is of importance in determining whether Jujitsu can still be classified as such. In this context, martial means ‘of war, warlike’ and art a ‘nonscientific branch of knowledge’. Taking this description into account, can it be stated still that Jujitsu is a warlike art? Jujitsu was originally a martial art from Japan created to defeat an opponent without using weapons or only a short weapon. Jujitsu was developed among the samurai of feudal Japan and also, limited to this upper class group. The Samurais knew that striking against an armored opponent was ineffective, hence they learned to neutralize the enemies by using forms of pins, joint locks, and throws. These techniques were developed based on the principle mentioned above that seeks to use the attacker's energy against them. There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools (ryū) may utilize all forms of grappling techniques to some degree, for example, throwing, trapping, joint locks, holds, gouging, biting, disengagements, striking, and kicking. In addition to jujitsu, many schools teach the use of weapons. Then, to describe Jujitsu as a martial art would no longer be correct as it is no longer used to defeat opponents that wear armour or carry small weapons in battle fields. -
JUDO Under the Authority of the Bakersfield Judo Club
JUDO Under the Authority of the Bakersfield Judo Club Time: Tuesdays and Thursdays, 6:30 -8:00 PM Location: CSUB Wrestling Room Instructors: Michael Flachmann (4th Dan) Phone: 661-654-2121 Steve Walsh (1st Dan) Guest Instructors: Dale Kinoshita (5th Dan) Phone: (work) 834-7570 (home) 837-0152 Brett Sakamoto (4th Dan) Gustavo Sanchez (1st Dan) The Bakersfield Judo Club rd meets twice a week on 23 St / Hwy 178 Mondays and Thursdays from 7:00 to 9:00 PM. JUDO Club They practice under the 2207 ‘N’ Authority of Kinya th 22nd St Sakamoto, Rokudan (6 Degree Black Belt), at 2207 N St. ’ St Q ‘N’ St ‘ Chester Ave Truxtun Ave Etiquette: Salutations: Pronunciation: Ritsurei Standing Bow a = ah (baa) Zarei Sitting Bow e = eh (kettle) Seiza Sitting on Knees i = e (key) o = oh (hole) When to Bow: u = oo (cool) Upon entering or exiting the dojo. Upon entering or exiting the tatami. Definitions: Before class begins and after class ends. Judo “The Gentle Way” Before and after working with a partner. Judoka Judo Practitioner Sensei Instructor Where to sit: Dojo Practice Hall Kamiza (Upper Seat) for senseis. Kiotsuke ATTENTION! Shimoza (Lower Seat) for students. Rei Command to Bow Joseki – Right side of Shimoza Randori Free practice Shimoseki – Left side of Shimoza Uchi Komi “Fitting in” or “turning in” practice Judo Gi: Students must learn the proper Tatami Judo mat way to war the gi and obi. Students should Kiai Yell also wear zoris when not on the mat. Hajime Begin Matte STOP! Kata Fromal Exercises Tori Person practicing Students must have technique Uke Person being their own personal practiced on health and injury O Big or Major insurance. -
State Athletic Commission 10/25/13 523
523 CMR: STATE ATHLETIC COMMISSION Table of Contents Page (523 CMR 1.00 THROUGH 4.00: RESERVED) 7 523 CMR 5.00: GENERAL PROVISIONS 31 Section 5.01: Definitions 31 Section 5.02: Application 32 Section 5.03: Variances 32 523 CMR 6.00: LICENSING AND REGISTRATION 33 Section 6.01: General Licensing Requirements: Application; Conditions and Agreements; False Statements; Proof of Identity; Appearance Before Commission; Fee for Issuance or Renewal; Period of Validity 33 Section 6.02: Physical and Medical Examinations and Tests 34 Section 6.03: Application and Renewal of a License as a Professional Unarmed Combatant 35 Section 6.04: Initial Application for a License as a Professional Unarmed Combatant New to Massachusetts 35 Section 6.05: Application by an Amateur for a License as a Professional Unarmed Combatant 35 Section 6.06: Application for License as a Promoter 36 Section 6.07: Application for License as a Second 36 Section 6.08: Application for License as a Manager or Trainer 36 Section 6.09: Manager or Trainer May Act as Second Without Second’s License 36 Section 6.10: Application for License as a Referee, Judge, Timekeeper, and Ringside Physician 36 Section 6.11: Application for License as a Matchmaker 36 Section 6.12: Applicants, Licensees and Officials Must Submit Material to Commission as Directed 36 Section 6.13: Grounds for Denial of Application for License 37 Section 6.14: Application for New License or Petition for Reinstatement of License after Denial, Revocation or Suspension 37 Section 6.15: Effect of Expiration of License on -
Constitutional Combat: Is Fighting a Form of Free Speech?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Villanova University School of Law: Digital Repository Volume 20 Issue 2 Article 4 2013 Constitutional Combat: Is Fighting a Form of Free Speech? The Ultimate Fighting Championship and its Struggle Against the State of New York Over the Message of Mixed Martial Arts Daniel Berger Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Entertainment, Arts, and Sports Law Commons, and the First Amendment Commons Recommended Citation Daniel Berger, Constitutional Combat: Is Fighting a Form of Free Speech? The Ultimate Fighting Championship and its Struggle Against the State of New York Over the Message of Mixed Martial Arts, 20 Jeffrey S. Moorad Sports L.J. 381 (2013). Available at: https://digitalcommons.law.villanova.edu/mslj/vol20/iss2/4 This Comment is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. \\jciprod01\productn\V\VLS\20-2\VLS204.txt unknown Seq: 1 14-JUN-13 13:05 Berger: Constitutional Combat: Is Fighting a Form of Free Speech? The Ul Articles CONSTITUTIONAL COMBAT: IS FIGHTING A FORM OF FREE SPEECH? THE ULTIMATE FIGHTING CHAMPIONSHIP AND ITS STRUGGLE AGAINST THE STATE OF NEW YORK OVER THE MESSAGE OF MIXED MARTIAL ARTS DANIEL BERGER* I. INTRODUCTION The promotion-company -
Hand to Hand Combat
*FM 21-150 i FM 21-150 ii FM 21-150 iii FM 21-150 Preface This field manual contains information and guidance pertaining to rifle-bayonet fighting and hand-to-hand combat. The hand-to-hand combat portion of this manual is divided into basic and advanced training. The techniques are applied as intuitive patterns of natural movement but are initially studied according to range. Therefore, the basic principles for fighting in each range are discussed. However, for ease of learning they are studied in reverse order as they would be encountered in a combat engagement. This manual serves as a guide for instructors, trainers, and soldiers in the art of instinctive rifle-bayonet fighting. The proponent for this publication is the United States Army Infantry School. Comments and recommendations must be submitted on DA Form 2028 (Recommended Changes to Publications and Blank Forms) directly to Commandant, United States Army Infantry School, ATTN: ATSH-RB, Fort Benning, GA, 31905-5430. Unless this publication states otherwise, masculine nouns and pronouns do not refer exclusively to men. iv CHAPTER 1 INTRODUCTION Hand-to-hand combat is an engagement between two or more persons in an empty-handed struggle or with handheld weapons such as knives, sticks, and rifles with bayonets. These fighting arts are essential military skills. Projectile weapons may be lost or broken, or they may fail to fire. When friendly and enemy forces become so intermingled that firearms and grenades are not practical, hand-to-hand combat skills become vital assets. 1-1. PURPOSE OF COMBATIVES TRAINING Today’s battlefield scenarios may require silent elimination of the enemy. -
How to Enhance Effectiveness of Direct Attack Judo Throws
Attilio Sacripanti How to enhance effectiveness of Direct Attack Judo throws “Dr. Kano’s dream : Judo rotational application” Abstract In this paper it is performed an appraisal of the Olympic Sport “Judo” effectiveness in the optics of Biomechanics, that is the Dr Kano’s dream the rotational application of judo. Kano wasn’t able to develop his dream due to his premature death, but the biomechanical analysis is able to broaden the narrow translational vision of judo that is transmitted us by Kano’s disciples. Really speaking some learned followers of Dr. Kano like Kiuzo Mifune in Japan and Koizumi in England already had some rotational ideas, but few people appreciated their words. To broaden the classical view biomechanics will use a very special field f experimentation. This field of experimentation is obviously the high level competition in which most of these rotational application can be found applied more or less instinctively by high level Athletes. Considering the two biomechanical tools that are the physical basis of judo throws it is possible to obtain such results from the analysis of high competition application: Lever Techniques are enhanced in their effectiveness in three ways : 1. The rotational movements, strictly connected to the Lever techniques mechanics achieving victory (Ippon) in competition, can be extended to the unbalance phase (Kuzushi) 2. The rotational movements can be applied in a totally new way putting away even the unbalance that is basic in the Lever techniques. 3. The Lever tool can be hybridized with the application of a Couple to lower the energy consumption and to overcome some strong defensive resistance. -
Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│
Free uniform included with new membership. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM BOWIE MIXED MARTIAL ARTS Member Handbook BRAZILIAN JIU-JITSU │ JUDO │ WRESTLING │ KICKBOXING Copyright © 2019 Bowie Mixed Martial Arts LLC. All Rights Reserved. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM Free uniform included with new membership. Member Handbook Welcome to the world of Brazilian Jiu-Jitsu. The Brazilian Jiu-Jitsu program consists of a belt ranking system that begins at white belt and progresses to black belt. Each belt level consists of specific techniques in 7 major categories; takedowns, sweeps, guard passes, submissions, defenses, escapes, and combinations. Techniques begin with fundamentals and become more difficult as each level is reached. In addition, each belt level has a corresponding number of techniques for each category. The goal for each of us should be to become a Master, the epitome of the professional warrior. WARNING: Jiu-Jitsu, like any sport, involves a potential risk for serious injury. The techniques used in these classes are being demonstrated by highly trained professionals and are being shown solely for training purposes and competition. Doing techniques on your own without professional instruction and supervision is not a substitute for training. No one should attempt any of these techniques without proper personal instruction from trained instructors. Anyone who attempts any of these techniques without supervision assumes all risks. Bowie Mixed Martial Arts LLC., shall not be liable to anyone for the use of any of these techniques. -
Techniques Frequently Used During London Olympic Judo Tournaments: a Biomechanical Approach
Techniques frequently used during London Olympic judo tournaments: A biomechanical approach S. Sterkowicz,1 A. Sacripanti2, K. Sterkowicz – Przybycien3 1 Department of Theory of Sport and Kinesiology, Institute of Sport, University School of Physical Education, Kraków, Poland 2 Chair of Biomechanics of Sports, FIJLKAM, ENEA, University of Rome “Tor Vergata”, Italy 3 Department of Gymnastics, Institute of Sport, University School of Physical Education, Kraków, Poland Abstract Feedback between training and competition should be considered in athletic training. The aim of the study was contemporary coaching tendencies in women’s and men’s judo with particular focus on a biomechanical classification of throws and grappling actions. 359 throws and 77 grappling techniques scored by male and female athletes in Olympic Judo Tournaments (London 2012) have been analyzed. Independence of traits (gender and weight category by technique classes) was verified via c2 test. Comparison between frequency of each subsequent technique class and rest/inconclusive counts was made in 2×2 contingency tables. The significance level was set at p£0.05. Throwing technique frequencies grouped in the seven biomechanical classes were dependent on gender. A significant difference was found between frequencies of variable arm of physical lever technique scored by males (27.09%) and females (16.67%) as compared to the rest/inconclusively techniques counts. Significant differences between men who competed in extra lightweight and heavy weight concerned the frequency of the techniques used with maximum arm or variable arm of physical lever and a couple of forces applied by trunk and legs. In females, a tendency to higher frequency of techniques that used couple of forces applied by arm or arms and leg was observed in extra lightweight compared to the heavy weight. -
Introduction
Introduction “...the Shorin-ryu (Shorin ‘school’) is very light and quick, with rapid motions to the front and back, which may be likened to the swift flight of the falcon.” - Karate-Do Kyohan, Gichin Funakoshi, p.8 The Pinan kata, “forms of safety”, are a series of five forms from the Shorin-ryu (Shuri-te) School of Okinawa Karate-do, which was known for its speed and agility. Created by Grandmaster Yasutsune “Anko” Itosu and later popularized by his student Gichin Funakoshi, the Pinan kata are known in the Shotokan style as Heian- no-kata. They incorporate a wide variety of stances and techniques designed to develop your mind and strengthen your body. The Pinan katas are often thought of as training methods for beginners or children and are hence undervalued by more experienced karateka. The main reason for the katas being viewed this way is the fact that they were first established at the time Itosu was introducing Karate to the Okinawan schools. Some say that the Pinans are mealy watered down versions of the advanced kata and were developed solely for children. If this were the case then why did Itosu also teach the Pinans to his adult students? It is far more likely that Itosu had developed the Pinans over a period of time and meant for them to be a synthesis of the best methods being practised in the Shuri region. When karate was introduced to the Okinawan schools the Pinans would be the natural choice because they are relatively short. This is probably the only reason they were selected and has nothing to do with the effectiveness of techniques contained within them. -
Strength and Conditioning for Judo John Amtmann,Edd,And Adam Cotton Montana Tech of the University of Montana,Butte,Montana
© National Strength and Conditioning Association Volume 27,Number 2,pages 26–31 Keywords: judo, grappling, strength, conditioning, interval training Strength and Conditioning for Judo John Amtmann,EdD,and Adam Cotton Montana Tech of the University of Montana,Butte,Montana should be aware of this, and should work have to fight in up to 6 or 7 matches in 1 summary closely with strength and conditioning tournament. The score of ippon can be coaches to develop an appropriate given to a judo competitor by one of the For elite judo athletes and recre- strength and conditioning program for following 4 ways: their athletes. ational judo athletes alike, sport- • Throwing an opponent onto his or specific strength and conditioning This article will discuss the literature her back with impetus. published on injuries most common to • Holding an opponent down on his is essential in the prevention of in- grappling athletes and will make recom- or her back for 25 seconds. mendations regarding strength and con- • Strangling an opponent into submis- juries and for enhancing perfor- ditioning approaches to prevent injury sion. mance. This article offers sugges- and improve performance. We encourage • Joint-locking an opponent into sub- the athletes and coaches to keep an active mission. tions for judo athletes and coaches mind in analyzing what works best for them. The methods described in this arti- If a match is not won by ippon by the for the development of strength and cle are what have worked for our athletes, end of regulation time, then whomever conditioning programs specific to but may not be best for others. -
Judo Scotland Mon Grade Syllabus
JudoScotland Grading Programme Novice - 1st MON Fundamental Skills 1. Ushiro Ukemi 2. Osoto-otoshi 3. Kesa-gatame Performance Skills 1. Osoto-otoshi into Kesa-gatame 2. Kesa-gatame escape by “trapping a leg” Player’s Choice Demonstrate two of their favourite techniques (waza) Terminology Rei Hajime Matte JudoScotland, EICA, South Platt Hill, Ratho, Newbridge, Edinburgh, EH28 8AA JudoScotland Grading Programme st nd 1 MON - 2 MON Fundamental Skills a b 1. Za-rei and Tachi-rei 2. Yoko Ukemi 3. De-ashi-barai 4. Mune-gatame Performance Skills 1. De-ashi-barai into Mune-gatame 2. Mune-gatame escape by “bridge and roll” a b c Player’s Choice Demonstrate two of their favourite techniques (waza) Terminology Osaekomi Toketa JudoScotland, EICA, South Platt Hill, Ratho, Newbridge, Edinburgh, EH28 8AA JudoScotland Grading Programme 2nd MON - 3rd MON Fundamental Skills a b c 1. Correct wearing Judogi 2. Mae Mawari Ukemi 3. Uki-goshi 4. Kuzure-kesa-gatame Performance Skills 1. Uki-goshi into Kuzure-kesa-gatame a b c d 2. Kuzure-kesa-gatame escape using “sit-and-push” Player’s Choice Demonstrate two of their favourite techniques (waza) Terminology Dojo Judogi Zori JudoScotland, EICA, South Platt Hill, Ratho, Newbridge, Edinburgh, EH28 8AA JudoScotland Grading Programme rd th 3 MON - 4 MON Fundamental Skills a b c 1. Standard grip 2. Mae Mawari Ukemi 3. Tai-otoshi 4. Yoko-shiho-gatame Performance Skills 1. Tai-otoshi into Yoko-shiho-gatame a b c d 2. Yoko-shiho-gatame escape “trap-bridge-roll” a b c 3. Turnover into Yoko-shiho-gatame Player’s Choice Demonstrate two tachi-waza and one osaekomi-waza Terminology To know translation and meaning of all Japanese words used in this section JudoScotland, EICA, South Platt Hill, Ratho, Newbridge, Edinburgh, EH28 8AA JudoScotland Grading Programme th th 4 MON - 5 MON Fundamental Skills a b c d 1.