Pressed in His Artistic Choices and His Desire to Integrate Achievements from Multiple Backgrounds
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Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Calvin Trillin's Collection of Tales from the New Yorker, Explore Bizarre and Exotic Circumstances That Seem Remarkably Familiar* Page 2
Royal scam Does Prince's new album live up to his funky THE CHRONICLE legacy? See R&R. THURSDAY, OCTOBER 24,1991 © DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 38 Public Safety makes arrest in flasher case From staff reports rested him, said Chief Robert Duke Public Safety arrested a Dean of Public Safety. Hillsborough resident Friday sus Moore was subsequently iden pected in three cases of indecent tified by both freshmen as the exposure on campus. person who exposed himself to Gary Boyd Moore of Economy them, Dean said. Motel at 1807 Interstate High A similar incident occurred Oct. way 86 was charged with inde 10 at the same location. Two stu cent exposure, invalid car regis dents reported seeing a man walk tration and invalid car inspec ing around naked from the waist tion. down at 1:25 p.m. Both students Moore is being held at the positively identified Moore, Dean Durham County Emergency Jail said. on a $5,500 secured bond. He had The student involved in another not made bond as of Wednesday indecent exposure incident on Oct. afternoon. 15 did not want to press charges, Earlier Friday two freshmen but the description she had given reported to Public Safety that a Public Safety matched Moore, man had dropped his pants and Dean said. exposed his genitals to them. The Oct. 15 incident occurred The incident occurred behind behind the Gross Chemistry Trent Dormitory on North Cam building on Science Drive. pus at 10:45 a.m. Friday, in the The student reported that a area by Flowers Drive and Erwin man following her dropped his Road. -
Bilan USA - 1998
Bilan USA - 1998 10/1/21 3:55:33 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Statistics for French films (theatrical release) - USA Release details - 1998 Film title Box Office Admissions Number of Sales agents Local (€) prints distributors 1 Ma vie en rose 2,355,445.29 490,405 70 TF1 Studio Sony Pictures (My Life in Pink) Classics 2 Live Flesh 1,539,962.22 365,280 3 Tamasa MGM - Metro Distribution Goldwyn Mayer USA 3 Central do 563,972.37 133,454 7 Miramax Films Sony Pictures Brasil Classics 4 Crazy Stranger 543,028.69 119,268 11 Lionsgate 5 Artemisia 361,316.85 83,655 0 Orange Studio Miramax Films 6 After Sex 320,214.2 72,030 8 Pyramide New Yorker International Films 7 The 290,924.82 66,098 15 STUDIOCANAL Samuel Chambermaid Goldwyn Films of the Titanic 8 Marius et 256,226.05 60,777 6 New Yorker Jeannette Films 9 The Truce 228,775.26 51,439 0 Wide Miramax Films 10 The Swindle 218,999.01 51,947 6 mk2 films New Yorker Films 11 Family 195,224.32 42,644 0 Tamasa Leisure Time Resemblances Distribution Features 12 A Friend of the 191,850.06 41,486 0 Celluloid Sony Pictures Deceased Dreams Classics 13 Western 184,440.8 49,562 6 Tamasa New Yorker Distribution Films 14 The Young Girls 138,067.44 32,750 6 mk2 films Miramax Films of Rochefort 15 Marie Baie des 100,465.56 23,830 2 Pyramide Sony Pictures Anges International Classics 16 -
Early Cinema: the Brighton Conference 25
CONTENTS Preface xxiii Introduction XXV History, Historiography, and Film History: An Advanced Introduction xxxi A Note on Format xliii PART ONE: EARLY CINEMA , 1 THE INVENTION AND EARLY YEARS OF THE CINEMA, 18 8 0 s-l 904 з THE INVENTION OF THE CINEMA 4 Preconditions fo r Motion Pictures 4 / Major Precursors o f Motion Pictures 5 / An International Process o f Invention 7 EARLY FILMMAKING AND EXHIBITION 12 The Growth o f the French Film Industry 14 / England and the “Brighton School" 17 / The United States: Competition and the Resu rgence o f Edison 19 NOTES AND QUERIES 24 Identification and Preservation o f Early Films 24 / Reviving Interest in Early Cinema: The Brighton Conference 25 REFERENCES 25 x/ CONTENTS 2 THE INTERNATIONAL EXPANSION OF THE CINEMA, 1905-1912 26 FILM PRODUCTION IN EUROPE 26 France 26 / Italy 28 / Denmark 29 / Other Countries 31 THE STRUGGLE FOR THE EXPANDING AMERICAN FILM INDUSTRY 31 The Nickelodeon Boom 31 / The Motion Picture Patents Company vs. the Independents 33 / Social Pressures and Self-Censorship 36 / The Rise o f the Feature Film 37 / The Star System 37 / The Move to Hollywood 38 FURTHER EXPLORATIONS OF FILM STYLE 39 In tertitles 40 / The Beginnings o f the Continuity System 41 / Camera Position and Acting 46 / Color 47 / Set Design and Lighting 47 / An International Style 48 NOTES AND QUERIES 49 Griffith’s Importance in the Development o f Film Style 49 REFERENCES 52 3 NATIONAL CINEMAS, HOLLYWOOD ClASSICISM , AND WORLD WAR I,19 1 3 - 1 9 1 9 53 THE AMERICAN TAKEOVER OF WORLD MARKETS 54 THE RISE OF NATIONAL -
Dossier De Presse
CURIOSA FILMS présente Un film de Bertrand Blier Durée : 82 minutes SORTIE LE 13 MARS 2019 DOSSIER DE PRESSE DISTRIBUTION PRESSE UGC DISTRIBUTION AS COMMUNICATION POUR ORANGE STUDIO DISTRIBUTION Audrey Le Pennec & Leslie Ricci 24, avenue Charles de Gaulle Tél : 01 47 23 00 02 92200 Neuilly-sur-Seine [email protected] Tél : 01 46 40 45 30 [email protected] Matériel téléchargeable sur : www.ugcdistribution.fr © Curiosa Films – Orange Studio – Les Productions Chaocorp – Ouille Productions – Versus Production SYNOPSIS C’est l’histoire d’un type qui va trop vite et d’un gros qui est trop lent. Foster rencontre Taupin. Le premier est en pardessus, le deuxième en guenilles. Tout cela serait banal si l’un des deux n’était en possession d’un scénario effrayant, le scénario de leur vie et de leur mort. Il suffit d’ouvrir les pages et de trembler… LISTE ARTISTIQUE Taupin GERARD DEPARDIEU Foster CHRISTIAN CLAVIER Esther FARIDA RAHOUADJ Edouard ALEX LUTZ La showrunneuse AUDREY DANA Jennifer SYLVIE TESTUD Arthur Combasse LOUIS-DO DE LENCQUESAING Le producteur GUY MARCHAND Patrick Boyard BOULI LANNERS Sabine ALEXANDRA LAMY LISTE TECHNIQUE Réalisateur BERTRAND BLIER Scénariste BERTRAND BLIER Producteur OLIVIER DELBOSC Producteur associé EMILIEN BIGNON Sociétés de production CURIOSA FILMS ORANGE STUDIO LES PRODUCTIONS CHAOCORP OUILLE PRODUCTIONS VERSUS PRODUCTION Productrice exécutive CHRISTINE DE JEKEL Directeur de production PHILIPPE DELEST Premier assistant réalisateur HUBERT ENGAMMARE Directeur de la photographie HICHAME ALAOUIE Ingénieur du son ALAIN SIRONVAL Chef monteuse MARION MONESTIER Chef décoratrice VERONIQUE SACREZ Chef costumière JACQUELINE BOUCHARD Chefs maquilleurs TURID FOLLVIK & GUY ESPITALIER Chef coiffeuse ANTONELLA PRESTIGIACOMO Compositeur BENJAMIN MURAT Directrice de post-production SUSANA ANTUNES ENTRETIEN AVEC BERTRAND BLIER Dans le genre atypique, reconnaissez que Convoi exceptionnel se pose là ! Ah ! J’ai du mal à en parler parce que c’est un drôle de truc. -
My Afternoons with Margueritte
Mongrel Media Presents MY AFTERNOONS WITH MARGUERITTE A Film by Jean Becker (82 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Synopsis This is a story of one of those unlikely encounters that can change the course of somebody’s life: The encounter in a park between Germain, an almost illiterate man in his fifties, and Margueritte, a little old lady who is passionate about reading. There is 40 years and 200 pounds’ difference between them. One day, Germain happens to sit down beside her and Margueritte reads out loud extracts from her novels and reveals to him the magic of books from which hitherto, Germain has always felt excluded. To those close to him, his friends in the bistro who until now have always thought him an idiot, the shoe is now on the other foot. But Margueritte is losing her eyesight, and through his love for this caring grandma with all her mischievousness and charm, Germain decides to read and to show that he can by reading to her, out loud, when she is no longer able. Interview with Jean Becker How did you discover Marie-Sabine Roger’s novel and what made you want to adapt it? I have someone who scouts for potential subjects for me and who showed me Marie-Sabine Roger’s novel “La Tête en Friche”. -
Bilan USA - 2002
Bilan USA - 2002 9/29/21 10:16:09 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films and the United Stated television market in 1998 The number of French titles programmed on US television channels in 1998 remained stable compared with 1997, at around 120 titles. The proportion of French films aired also remained steady, at 1.2%, comparable to the proportion broadcast on the major cable operators. As always, one of the Rainbow Entertainment group channels was the leading broadcaster of French films. However, this year Independent Film Channel almost doubled its French film slate, offering 23 titles. French films' programming share on IFC doubled, representing 1 film in 20. By and large, these 2 channels favored French classics, such as "Les Enfants du Paradis," "Le Dernier Métro," and "Mon Oncle d’Amérique." The only recent French films aired were "Germinal," "Trois couleurs bleu" and "Le Colonel Chabert" on Bravo, as well as "La Cité des enfants perdus" on IFC. One film in 20 was French on Sundance Channel (the Showtime group's art house channel), which took out 2nd place this year. It programmed 22 titles, primarily recent films (including "Les Visiteurs," "Un divan à New York," "Le Hussard sur le toit," and "Le Journal d’un séducteur"). The group's flagship, Showtime, upped its French slate to 16 titles, against 10 in 1997. These were some of the same films (such as "Microcosmos" and "Le Huitième Jour"), as well as French foreign-language co-productions (such as "Beauté volée," "La Fleur de mon secret," and "Pinocchio"). -
Unity Is a Handbook of Christian Healing and Christian Living. The
A monthly magazine issued the first of the month by UNITY SCHOOL OF CHRISTIANITY (Inc.) 917 Tracy, Kansas City, M issouri Charles Fillmore and M yrtle Fillmore, E d ito r s Entered as second-class matter, July 15, 1891, at the post office in Kansas City, Missouri, under the act of March 3, 1879. Accepted for mailing at special rate of postage provided for in section 1103, act of October 3, 1917, authorized October 28, 1922. V ol. 61 KANSAS CITY, MO., AUGUST, 1924 No. 2 Unity is a handbook of Christian healing and Christian living. The purpose of Unity is not to found a new sect, but to give the people a practical application of what they al ready have through their church affiliations. Unity stands independent as an exponent of Practical Christianity, teach ing the application of the doctrine of Jesus Christ in all af fairs of life; explaining the action of mind— the connecting link between God and man; how mind affects the body, producing discord or harmony, sickness or health; how it brings man into the understanding of divine law, harmony, health, and peace, here and now. Unity is also the organ of the Society of Silent Unity, an organization through which an immense amount of help is being extended to suffering humanity everywhere. No matter how desperate a case may be, the Society of Silent Unity will take it. Believing in the innate honesty and justice of all men and women, we receive voluntary offerings for all our ministra tions. No demand for money, no charge against any one, has been made in the more than thirty years of our existence. -
Les Prévert Mémoire Arménienne Sen No Rikyu, Maître De
Printemps 2021 Les Prévert 406-407 Mémoire arménienne France : 12 € Étranger : 16 € Sen no Rikyu, maître de thé Michel Sportisse, Mauro Bolognini, une histoire italienne, coll. Sprezzatura, Lyon, éd. Le Clos Jouve, 2020, 160 p., 24 € LIVRES Jean A. Gili a décrit ici il y a peu recréait l’étouffoir d’une société sici- (n° 399-400, février 2020) la car- lienne à la sexualité archaïque (Il rière de Mauro Bolognini et l’impor- bell’Antonio/Le Bel Antonio, 1960), tance du cinéaste. Mais il n’a peut- ou offrait un portrait exaltant d’une être assez insisté sur l’injustice de la femme libre au XVIIIe siècle (Made- majorité de la critique à son égard au moiselle de Maupin, 1966) ? Qui, long de cette carrière. Car s’il existe classé comme « esthète », se mêlait, un réalisateur italien peu considéré, avec Metello (1970), de retracer les c’est bien lui. Certes, la rétrospec- luttes des ouvriers du bâtiment dans tive offerte par la Cinémathèque la Florence de 1900 ? De cette diffi- française en novembre 2019 a réjoui culté à être commodément réperto- ses amateurs, confrontés pour la pre- rié résultait une évidence – passer si mière fois à la vision globale d’une aisément d’un genre à l’autre, mélo- œuvre découverte, pour les plus drame, film social, drame politique anciens d’entre nous, au fil de la sor- ou mondain, n’est pas signe d’un tie de films, et pas toujours dans auteur. l’ordre chronologique (la preuve : la La preuve : aucune monographie révélation en 2019 d’un inédit de ne lui avait été encore consacrée et 1977, Gran bollito). -
Mise En Page 1 01/03/2019 14:02 Page 1 Rosebud Le Magazine Du Cinéma Katorza N° 81 - Mars 2019
ROSEBUDmars2019_Mise en page 1 01/03/2019 14:02 Page 1 Rosebud Le mAGAzine du cinémA kATorzA n° 81 - mArs 2019 / Les Témoins de Lendsdorf de Amichai Greenberg / Les Témoins de Lendsdorf nos vies formidAbLes Le reTour de berTrAnd bLier ROSEBUDmars2019_Mise en page 1 01/03/2019 14:02 Page 2 no drôLe P oP- d'endroiT corn Pour on une The renconTre menTs fLoor AGendA des événe à venir Au kATorzA édiTo éPhémère A l’heure où le cinéma convoque l’histoire comme Lundi 04 mArs à 10h30 dans Les témoins de Lensdorf de Amichai Greenberg séance Au ciné avec ou nous raconte des histoires avec Nos vies formida- bles de fabienne Godet, nous avons eu envie de bébé pour les parents vous raconter une histoire. autour de stéphane Pajot, marc maesen et moi-même nous Les Invisibles de sommes plongés dans La folle aventure du Katorza… et nous n’avons pas été déçus ! nous savions que le Louis-Julien Petit une séance où les parents peuvent se katorza avait été créé par un des «montreurs faire plaisir au cinéma avec lumière d’images» les plus connus des années 1900, qu’il a tamisée, son baissé, pleurs tolérés. été dirigé pendant plus de 30 ans par l’incroyable suite à une décision municipale, l’envol, Jean-serge Pineau, capable de faire venir marguerite centre d’accueil pour femmes sdf, va fer - duras tout en programmant Emmanuelle. mais nous mer. il ne reste plus que trois mois aux tra - avons aussi découvert ce dont ma prédécesseure et vailleuses sociales pour réinsérer coûte que coûte les femmes dont elles s’occupent : fal - moi-même aurions pu nous douter : le katorza, c’est sifications, pistons, mensonges… aussi une histoire de femmes… et si le cinéma du désormais, tout est permis ! père katorza n’aurait pas existé sans la mère Pré-ventes dès le 25/02. -
Bibliographie Der Filmmusik 2012
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Bibliographie der Filmmusik 2012 https://doi.org/10.25969/mediarep/12895 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Bibliographie der Filmmusik. Hamburg: Universität Hamburg, Institut für Germanistik 2012 (Medienwissenschaft: Berichte und Papiere 87). DOI: https://doi.org/10.25969/mediarep/12895. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0087_08.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 87, 2008 [rev. 2012]: Filmmusik. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Neuausgabe 2012. Letzte Änderung: 28. Februar 2012. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0087_08.pdf. Bibliographie der Filmmusik Komp. v. Hans J. Wulff Inhalt: Wiesbaden: VS Verlag für Sozialwissenschaften Bibliographien 2008, S. 207-226. Themenhefte Bücher und Artikel Themenhefte In die folgende Bibliographie sind Hinweise von 1895. Revue de l’association française de recherche Claudia Bullerjahn, Michael Hergt, Christoph Hen- sur l’histoire du cinéma, 38, Oct. 2002: Musique. zel, Ludger Kaczmarek, Ingo Lehmann, Birgit Leit- Èd. par François Albera et Giusy Pisano. ner, Peter Moormann, Franz Obermeier, Robert Rabenalt, Ansgar Schlichter, Mirkko Stehn und AugenBlick, 35, 2004: „Film und Musik“.