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Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Calvin Trillin's Collection of Tales from the New Yorker, Explore Bizarre and Exotic Circumstances That Seem Remarkably Familiar* Page 2
Royal scam Does Prince's new album live up to his funky THE CHRONICLE legacy? See R&R. THURSDAY, OCTOBER 24,1991 © DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 38 Public Safety makes arrest in flasher case From staff reports rested him, said Chief Robert Duke Public Safety arrested a Dean of Public Safety. Hillsborough resident Friday sus Moore was subsequently iden pected in three cases of indecent tified by both freshmen as the exposure on campus. person who exposed himself to Gary Boyd Moore of Economy them, Dean said. Motel at 1807 Interstate High A similar incident occurred Oct. way 86 was charged with inde 10 at the same location. Two stu cent exposure, invalid car regis dents reported seeing a man walk tration and invalid car inspec ing around naked from the waist tion. down at 1:25 p.m. Both students Moore is being held at the positively identified Moore, Dean Durham County Emergency Jail said. on a $5,500 secured bond. He had The student involved in another not made bond as of Wednesday indecent exposure incident on Oct. afternoon. 15 did not want to press charges, Earlier Friday two freshmen but the description she had given reported to Public Safety that a Public Safety matched Moore, man had dropped his pants and Dean said. exposed his genitals to them. The Oct. 15 incident occurred The incident occurred behind behind the Gross Chemistry Trent Dormitory on North Cam building on Science Drive. pus at 10:45 a.m. Friday, in the The student reported that a area by Flowers Drive and Erwin man following her dropped his Road. -
Bilan USA - 1998
Bilan USA - 1998 10/1/21 3:55:33 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Statistics for French films (theatrical release) - USA Release details - 1998 Film title Box Office Admissions Number of Sales agents Local (€) prints distributors 1 Ma vie en rose 2,355,445.29 490,405 70 TF1 Studio Sony Pictures (My Life in Pink) Classics 2 Live Flesh 1,539,962.22 365,280 3 Tamasa MGM - Metro Distribution Goldwyn Mayer USA 3 Central do 563,972.37 133,454 7 Miramax Films Sony Pictures Brasil Classics 4 Crazy Stranger 543,028.69 119,268 11 Lionsgate 5 Artemisia 361,316.85 83,655 0 Orange Studio Miramax Films 6 After Sex 320,214.2 72,030 8 Pyramide New Yorker International Films 7 The 290,924.82 66,098 15 STUDIOCANAL Samuel Chambermaid Goldwyn Films of the Titanic 8 Marius et 256,226.05 60,777 6 New Yorker Jeannette Films 9 The Truce 228,775.26 51,439 0 Wide Miramax Films 10 The Swindle 218,999.01 51,947 6 mk2 films New Yorker Films 11 Family 195,224.32 42,644 0 Tamasa Leisure Time Resemblances Distribution Features 12 A Friend of the 191,850.06 41,486 0 Celluloid Sony Pictures Deceased Dreams Classics 13 Western 184,440.8 49,562 6 Tamasa New Yorker Distribution Films 14 The Young Girls 138,067.44 32,750 6 mk2 films Miramax Films of Rochefort 15 Marie Baie des 100,465.56 23,830 2 Pyramide Sony Pictures Anges International Classics 16 -
Early Cinema: the Brighton Conference 25
CONTENTS Preface xxiii Introduction XXV History, Historiography, and Film History: An Advanced Introduction xxxi A Note on Format xliii PART ONE: EARLY CINEMA , 1 THE INVENTION AND EARLY YEARS OF THE CINEMA, 18 8 0 s-l 904 з THE INVENTION OF THE CINEMA 4 Preconditions fo r Motion Pictures 4 / Major Precursors o f Motion Pictures 5 / An International Process o f Invention 7 EARLY FILMMAKING AND EXHIBITION 12 The Growth o f the French Film Industry 14 / England and the “Brighton School" 17 / The United States: Competition and the Resu rgence o f Edison 19 NOTES AND QUERIES 24 Identification and Preservation o f Early Films 24 / Reviving Interest in Early Cinema: The Brighton Conference 25 REFERENCES 25 x/ CONTENTS 2 THE INTERNATIONAL EXPANSION OF THE CINEMA, 1905-1912 26 FILM PRODUCTION IN EUROPE 26 France 26 / Italy 28 / Denmark 29 / Other Countries 31 THE STRUGGLE FOR THE EXPANDING AMERICAN FILM INDUSTRY 31 The Nickelodeon Boom 31 / The Motion Picture Patents Company vs. the Independents 33 / Social Pressures and Self-Censorship 36 / The Rise o f the Feature Film 37 / The Star System 37 / The Move to Hollywood 38 FURTHER EXPLORATIONS OF FILM STYLE 39 In tertitles 40 / The Beginnings o f the Continuity System 41 / Camera Position and Acting 46 / Color 47 / Set Design and Lighting 47 / An International Style 48 NOTES AND QUERIES 49 Griffith’s Importance in the Development o f Film Style 49 REFERENCES 52 3 NATIONAL CINEMAS, HOLLYWOOD ClASSICISM , AND WORLD WAR I,19 1 3 - 1 9 1 9 53 THE AMERICAN TAKEOVER OF WORLD MARKETS 54 THE RISE OF NATIONAL -
My Afternoons with Margueritte
Mongrel Media Presents MY AFTERNOONS WITH MARGUERITTE A Film by Jean Becker (82 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Synopsis This is a story of one of those unlikely encounters that can change the course of somebody’s life: The encounter in a park between Germain, an almost illiterate man in his fifties, and Margueritte, a little old lady who is passionate about reading. There is 40 years and 200 pounds’ difference between them. One day, Germain happens to sit down beside her and Margueritte reads out loud extracts from her novels and reveals to him the magic of books from which hitherto, Germain has always felt excluded. To those close to him, his friends in the bistro who until now have always thought him an idiot, the shoe is now on the other foot. But Margueritte is losing her eyesight, and through his love for this caring grandma with all her mischievousness and charm, Germain decides to read and to show that he can by reading to her, out loud, when she is no longer able. Interview with Jean Becker How did you discover Marie-Sabine Roger’s novel and what made you want to adapt it? I have someone who scouts for potential subjects for me and who showed me Marie-Sabine Roger’s novel “La Tête en Friche”. -
Bilan USA - 2002
Bilan USA - 2002 9/29/21 10:16:09 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films and the United Stated television market in 1998 The number of French titles programmed on US television channels in 1998 remained stable compared with 1997, at around 120 titles. The proportion of French films aired also remained steady, at 1.2%, comparable to the proportion broadcast on the major cable operators. As always, one of the Rainbow Entertainment group channels was the leading broadcaster of French films. However, this year Independent Film Channel almost doubled its French film slate, offering 23 titles. French films' programming share on IFC doubled, representing 1 film in 20. By and large, these 2 channels favored French classics, such as "Les Enfants du Paradis," "Le Dernier Métro," and "Mon Oncle d’Amérique." The only recent French films aired were "Germinal," "Trois couleurs bleu" and "Le Colonel Chabert" on Bravo, as well as "La Cité des enfants perdus" on IFC. One film in 20 was French on Sundance Channel (the Showtime group's art house channel), which took out 2nd place this year. It programmed 22 titles, primarily recent films (including "Les Visiteurs," "Un divan à New York," "Le Hussard sur le toit," and "Le Journal d’un séducteur"). The group's flagship, Showtime, upped its French slate to 16 titles, against 10 in 1997. These were some of the same films (such as "Microcosmos" and "Le Huitième Jour"), as well as French foreign-language co-productions (such as "Beauté volée," "La Fleur de mon secret," and "Pinocchio"). -
Bibliographie Der Filmmusik 2012
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Bibliographie der Filmmusik 2012 https://doi.org/10.25969/mediarep/12895 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Bibliographie der Filmmusik. Hamburg: Universität Hamburg, Institut für Germanistik 2012 (Medienwissenschaft: Berichte und Papiere 87). DOI: https://doi.org/10.25969/mediarep/12895. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0087_08.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 87, 2008 [rev. 2012]: Filmmusik. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Neuausgabe 2012. Letzte Änderung: 28. Februar 2012. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0087_08.pdf. Bibliographie der Filmmusik Komp. v. Hans J. Wulff Inhalt: Wiesbaden: VS Verlag für Sozialwissenschaften Bibliographien 2008, S. 207-226. Themenhefte Bücher und Artikel Themenhefte In die folgende Bibliographie sind Hinweise von 1895. Revue de l’association française de recherche Claudia Bullerjahn, Michael Hergt, Christoph Hen- sur l’histoire du cinéma, 38, Oct. 2002: Musique. zel, Ludger Kaczmarek, Ingo Lehmann, Birgit Leit- Èd. par François Albera et Giusy Pisano. ner, Peter Moormann, Franz Obermeier, Robert Rabenalt, Ansgar Schlichter, Mirkko Stehn und AugenBlick, 35, 2004: „Film und Musik“. -
Dvds at MCL As of JAN 2016
ALL DVDs at MCL as of JAN 2016 (Alphabetical) Title Category DEWEY 1 2 3 MAGIC: MANAGING DIFFICULT BEHAVIOR IN CHILDREN 2-12 (DVD) Psychological Issues 649.64 ONE 10 ITEMS OR LESS (DVD) Movies - Contemporary 10 MINUTE SOLUTION: HOT BODY BOOT CAMP (DVD) Health & Fitness 613.71 TEN 10 MINUTE SOLUTIONS: QUICK TUMMY TONERS (DVD) Health & Fitness 613.71 TEN 10 THINGS I HATE ABOUT YOU (DVD) Movies - Contemporary 100 CARTOON CLASSICS (DVD) Children's Programs 100 YEARS OF THE WORLD SERIES (DVD) Recreation & Sports 796.357 ONE 100, THE: SEASON 1 (DVD) Television 100, THE: SEASON 2 (DVD) Television 1000 TIMES GOOD NIGHT (DVD) Movies - Foreign - Norway 1001 CLASSIC COMMERCIALS (DVD) Documentary, History & Biography 659.143 ONE 101 DALMATIANS (DVD) (Animated) Children's Programs 101 DALMATIANS (DVD) (Diamond Edition) Children's Programs 101 DALMATIANS II: PATCH'S LONDON ADVENTURE (DVD) Children's Programs 101 FITNESS GAMES FOR KIDS AT CAMP VOL 5: STRENTH AND AGILITY GAMES (DVD) Children's Information 613.7042 ONE 101 REYKJAVIK (DVD) (Icelandic) Movies - Foreign - Iceland 102 DALMATIANS (DVD) Children's Programs 11 FLOWERS (DVD) (Chinese) Movies - Foreign - China 11TH OF SEPTEMBER: MOYERS IN CONVERSATION (DVD) Documentary, History & Biography 12 (DVD) (Russian) Movies - Foreign - Russia 12 ANGRY MEN (DVD) Movies - Classic 12 MONKEYS (DVD) Movies - Contemporary 12 YEARS A SLAVE (DVD) Movies - Contemporary 12:01 (DVD) Movies - Contemporary 127 HOURS (DVD) Movies - Contemporary 13 ASSASSINS (DVD)(Japan) Movies - Foreign - Japan 13 GHOSTS (DVD) Movies -
Copyright 2010 Sonali Barua All Rights Reserved
Copyright 2010 Sonali Barua All rights reserved TUNERS OF SOULS: MUSIC GURUS AND REBEL DISCIPLES IN 20TH CENTURY INDIAN ENGLISH LITERATURE by SONALI BARUA A Dissertation submitted to the Graduate School – New Brunswick Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program of Literatures in English written under the direction of Professor Brent Hayes Edwards and approved by ______________________________ ______________________________ _______________________________ _____________________________ New Brunswick, New Jersey May, 2010 ABSTRACT OF THE DISSERTATION Tuners of Souls: Music Gurus and Rebel Disciples in 20th Century Indian English Literature by SONALI BARUA Professor Brent Hayes Edwards This dissertation examines 20th and very early 21st century Indian English writing that thematizes music and musicians. I argue that Indian English authors who engage with the question of music write in response to the phenomenon of guru worship both in India and abroad. The many works that turn to music in a bid to depict, defend, or as in some cases, turn away from Indian musical culture, present a complex range of reactions to guru worship and its consequences. Within these works, while the auto/biographical writing often tends to replicate older patterns and postures as part of the process of postcolonial cultural self-fashioning, the fiction attempts to break away from the rule of the guru to gesture towards more contemporary possibilities. My secondary argument relates to the much-debated question of whether or not Indian English fiction is relevant to the Indian reality. In this connection, I shall show how the deployment of themes and motifs from Indian music allows authors like Shashi Deshpande and Kiran Nagarkar to make meaningful contributions to current Indian discussions on religion, politics, gender, and class. -
Anne Alvaro Myriam Boyer
120x160 Le bruit des glacons:120x160 Bandidas def. 28/06/10 16:21 Page 1 CHRISTINE GOZLAN PRÉSENTE ANNE ALVARO MYRIAM BOYER AUDREY DANA CHRISTA THÉRET AVEC ÉMILE BERLING ET AVEC LA PARTICIPATION DE GENEVIÈVE MNICH UN FILM PRODUIT PAR CHRISTINE GOZLAN & CATHERINE BOZORGAN UNE PRODUCTION THELMA FILMS & MANCHESTER FILMS PHOTOS : THIERRY VALLETOUX EN COPRODUCTION AVEC WILD BUNCH FRANCE 2 CINÉMA HÉRODIADE PLATEAU A EN ASSOCIATION AVEC LES SOFICA LA BANQUE POSTALE IMAGE 3 UNI ETOILE 7 CINÉMAGE 4 AVEC LA PARTICIPATION DE CANAL + CINÉCINÉMA FRANCE TÉLÉVISIONS AVEC LE SOUTIEN DE LA RÉGION LANGUEDOC ROUSSILLON EN PARTENARIAT AVEC LE CNC IMAGE FRANÇOIS CATONNÉ, A.F.C. DÉCORS PATRICK DUTERTRE COSTUMES JACQUELINE BOUCHARD MONTAGE MARION MONESTIER SON PIERRE GAMET HÉLÈNE LE MORVAN EMMANUEL CROSET 1ER ASSISTANT RÉALISATEUR HUBERT ENGAMMARE SCRIPTE NATHALIE VIERNY RÉGISSEUR GÉNÉRAL FRÉDÉ RIC SEVESTRE DIRECTEUR DE PRODUCTION YVON CRENN HERODIADE THELMA FILMS & MANCHESTER FILMS PRESENT JEAN DUJARDIN ALBERT DUPONTEL A film by BERTRAND BLIER With ANNE ALVARO MYRIAM BOYER AUDREY DANA CHRISTA THÉRET Special guest appearance GENEVIÈVE MNICH 2010 · FRANCE · RUNNING TIME 1h27 mins · 35 mm · 1.85 · DOLBY SR-DTS · COLOUR please note: Photos and press kit can be downloaded from www.wildbunch.biz French official website: www.lebruitdesglacons.com Synopsis This is the story of a man who has a visit from his cancer. “Hello,” says the cancer. “I’m your cancer. I thought it would be a good idea if we got to know each other a bit...” CAST Charles Faulque JEAN DUJARDIN -
Row Academy Arrow Acad Arrow Academy Arrow
ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY Arrow Academy celebrates the best in world cinema with key titles from cinema’s Arrow Academy takes its name from the dearly beloved repertory cinema, the ARROW ACADEMYhistory. As the once ARROW common repertory cinema ACADEMY dies off Arrow Academy aims to Academy 1-2-3 in London, where many critics, writers, filmmakers and cineastes be your at-home repertory cinema, where you can make rich cinematic discoveries first discovered a new kind of cinema, which celebrated poster artwork with and enjoy films with optimal picture and audio presentation, special features specially commissioned designs by famed artist Peter Strausfeld. to contextualize and comment upon the film for that essential post screening So as the programmer of your at-home cinema we hope you enjoy the cinematic discussion as well as a celebration of the art of the film poster with alternate poster treats on offer and for more information on forthcoming releases please visit: designs, printed throughout this booklet. ARROW ACADEMY ARROW ACADEMY www.arrowfilms.co.uk ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY ARROW ACADEMY CREDITS CAST Antonella Attili Franco Cristaldi Enzo Cannavale presents Isa Danieli A film by Giuseppe Tornatore Leo Gullotta Marco Leonardi Production Design Andrea Crisanti Pupella Maggio Costume Design Beatrice Bordone Agnese Nano Editing Mario Morra Leopoldo Trieste Cinematography Blasco Giurato Music Ennio Morricone and introducing Salvatore Cascio Love Theme Andrea Morricone ARROW ACADEMY ARROW ACADEMY Tano Cimarosa Nicola Di Pinto An Italian French co-production between Cristaldifilm (Rome) Films Ariane (Paris) Roberta Lena In association with RAI TRE T.F.1 Film Production Nino Terzo with the collaboration of Forum Picture S.P.A.