ENGLISH Documentation of a Significant Event in 3Rd Paper Seventeenth Century England

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ENGLISH Documentation of a Significant Event in 3Rd Paper Seventeenth Century England

QP Code:19UT97NEEG3 QP Code:19UT97NEEG3 2 BDP Term End Examination c) Consider Samuel Pepys’ account of the December-2018 & June-2019 Elective Course Great Fire of London as a moving ENGLISH documentation of a significant event in 3rd Paper seventeenth century England. ( New Syllabus ) The Restoration : EEG-3 d) What were the noteworthy features of the ( Enrolled from July, 2015 ) Restoration Comedy of Manners ? Discuss Time : 4 Hours Full Marks : 100 with reference to the works of two major Weightage of Marks : 70% dramatists of the age. Special credit will be given for precise and correct 2. Answer any three of the following : 12 × 3 = 36 answer. Marks will be deducted for spelling mistakes, untidiness and illegible handwriting. The figures in the a) Assess the influence of Neo-Classicism margin indicate full marks. upon the prose of the Restoration period. b) What were Samuel Butler’s literary sources 1. Answer any two of the following : 20 × 2 = 40 or models for his Hudibras and how did he a) Attempt a survey of the efforts made, adopt these to serve his own purposes ? during the Puritan Age, to ban drama in c) “ ‘Vanity Fair’ is overwhelmingly enriched England. with the Christian Puritan spirit.” How far b) Evaluate John Dryden’s MacFlecknoe as a political satire, with suitable references to would you agree with this estimate of the the text. episode extracted from John Bunyan’s The Pilgrim’s Progress ? B.A.-15065-Y [ P.T.O. B.A.-15065-Y 3 QP Code:19UT97NEEG3 QP Code:19UT97NEEG3 4 d) Give in your own words the gist of e) Suggest a few reasons for the popularity of Neander’s appreciation of the qualities of the ‘Vanity Fair’ episode from The Pilgrim’s Ben Jonson as a dramatist. Progress. e) Show how the characters of Congreve’s The f) What account does Pepys give of the Mayor Way of The World conform to specific types. of London during the incident of the Great Fire ? f) Examine the dramatic function of the chorus in Act I of John Dryden’s All for g) Comment on John Dryden’s choice of Love. subtitle for his dramatic reworking of Shakespeare’s Antony and Cleopatra. 3. Answer any four of the following : 6 × 4 = 24 h) How, in your opinion, does William a) Briefly mention the achievements of any Congreve develop any one of these themes two major diarists of Restoration England. in The Way of The World ? b) Write a short note on any two Restoration i) Social conventions verse satirists, excluding John Dryden. ii) Marriage and adultery c) In her poem ‘Introduction’, how does Ann Kingsmill Finch develop her idea that women can accomplish more than what they are thought to be capable of ? d) With two examples from the extract from Hudibras in your syllabus, show how Samuel Butler uses parody. B.A.-15065-Y [ P.T.O. B.A.-15065-Y .

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The Way of All Flesh
The Way of All Flesh Samuel Butler This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Way of All Flesh Chapter I When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham. His name was Pontifex. His wife was said to be his master; I have been told she brought him a little money, but it cannot have been much. She was a tall, square-shouldered person (I have heard my father call her a Gothic woman) who had insisted on being married to Mr Pontifex when he was young and too good-natured to say nay to any woman who wooed him. The pair had lived not unhappily together, for Mr Pontifex’s temper was easy and he soon learned to bow before his wife’s more stormy moods. Mr Pontifex was a carpenter by trade; he was also at one time parish clerk; when I remember him, however, he had so far risen in life as to be no longer compelled to 2 of 736 The Way of All Flesh work with his own hands.
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American Society for Eighteenth-Century Studies (ASECS)
American Society for Eighteenth-Century Studies (ASECS) Mr. Spectator and the Coffeehouse Public Sphere Author(s): Brian Cowan Source: Eighteenth-Century Studies, Vol. 37, No. 3, Critical Networks (Spring, 2004), pp. 345-366 Published by: The Johns Hopkins University Press . Sponsor: American Society for Eighteenth-Century Studies (ASECS) . Stable URL: http://www.jstor.org/stable/25098064 Accessed: 01-05-2015 01:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press and American Society for Eighteenth-Century Studies (ASECS) are collaborating with JSTOR to digitize, preserve and extend access to Eighteenth-Century Studies. http://www.jstor.org This content downloaded from 194.27.18.18 on Fri, 01 May 2015 01:13:12 UTC All use subject to JSTOR Terms and Conditions ,JL . Spectator and the Coffeehouse Public Sphere Brian Cowan Recent critical and historical studies of post-Restoration England have been fascinated with the thought that the period saw the emergence of something called a "public sphere" and that the coffeehouse was a central locus for it. J?r gen Habermas
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Introduction
Notes Introduction 1. A Complete Collection of Genteel and Ingenious Conversation (1738), in Herbert Davis et al. (eds) The Prose Works of Jonathan Swift, 14 vols. (Oxford: Clarendon Press, 1939–68), 4: 102. 2. OED 2. 3. See Ricks’s essay on ‘Plagiarism’, originally published in Proceedings of the British Academy 97, reprinted in his Allusion to the Poets (Oxford University Press, 2002), pp. 219–40, 220. 4. See Chapter 1 for more detail on the lexicographical history. 5. Martial, Epigrams, I. 52. 6. See Stockdale’s An Inquiry into the Nature and Genuine Laws of Poetry (1778). Stockdale’s ideas about plagiarism are discussed in Chapter 8. 7. On modern ‘plagiarism studies’, see my ‘Plagiarism and Plagiarism Studies’, English Subject Centre Newsletter, 13 (October 2007): 6–8. The explosion of studies in this area can be deduced from two major studies published in 2007 alone: Tilar J. Mazzeo’s Plagiarism and Literary Property in the Romantic Period (Philadelphia: University of Pennsylvania Press, 2007) and Robert Macfarlane’s Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (Oxford University Press, 2007). 8. My methodology is indebted to Quentin Skinner, ‘The Idea of a Cultural Lexicon’, Essays in Criticism, 29 (1979): 205–24. 9. It is worth stressing here that this book does not propose itself as a contri- bution to the debate about the development of copyright. My general view is that no necessary relation exists between issues of literary originality and those concerning the definition of literary property as enshrined in eighteenth-century copyright legislation. See Simon Stern’s lucid analysis of these issues in ‘Copyright, Originality, and the Public Domain in Eighteenth- Century England’, in Reginald McGinnis (ed.) Originality and Intellectual Property in the French and English Enlightenment (London: Routledge, 2008), pp.
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Samuel Pepys and John Evelyn As Restoration Virtuosi
SAMUEL PEPYS AND JOHN EVELYN AS RESTORATION VIRTUOSI (with particular reference to the evidence in their diaries) by BERNARD GEORGE WEBBER B.A. University of British Columbia, 1950 A Thesis Submitted in Partial Fulfilment of the Requirements of the Degree of Master of Arts in the Department of English We accept this thesis as conforming to the required standard The University of British Columbia October, 1962 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia, Vancouver 8, Canada. Date October 4, 1962 V STATEMENT OF THESIS After the civil conflicts of the seventeenth century, England during the Restoration period began to emerge as a modern nation* As Charles II understood, and as James II was to learn at the cost,of his throne, absolute monarchy was no longer acceptable to the kingdom. Although Englishmen might henceforth tolerate the ,- ( trappings of absolutism, the substance was irrevocably gone. This 1 was as true of absolutism in religion as it was in government. It was only a question of time before the demands of Englishmen for freedom in belief and for participation in government would find expression in parliamentary democracy and in religious toleration.
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Hudibras and Its Literary Context
Hadibrag and its Literary Context by John Donovir, M.A. Submitted in partial fulfilment of the requirements for the derree of Ph.D. in the nrlYerpity of Birmingham. July 1972 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. This digital copy was scanned from the original thesis typescript, and reflects the print quality of the original. The thesis is approximately 60,000 words in length and is divided into three parts. Bart I (Chapters 1-4) deals with Hudibras in relation to seTenteenth century literary traditions. Chapter 1 introduces the poem and its author, places Hudibras within its ioosdiate historical context, describes its popularity, and states the problem of determining its genre; several possible solutions to the problem are considered, notably those of seventeenth and eighteenth century writare; "mock-heroio" IB defined and adopted. Chapter 2 is a survey: it begins by citing two adverse modern criticisms of Butler*s nethod of ridiculing his principal character, and then sets out to test
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Sketch of the Life of Samuel Butler by Samuel Butler
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Byron's and Butler's Itsuyo Higashinaka the Poem, Hudibras,1
Comic Rhymes Compared: Byron’s and Butler’s Itsuyo Higashinaka The poem, Hudibras,1 was written by Samuel Butler, a satirist of the 17th century, and not by his namesake, the novelist of the 19th century who wrote Erewhon. The poem consists of three books, with each book having three cantos. Part I was published in 1663, Part II, in 1664 and Part III, in 1678. It is written in octo-syllabics and is over 11,000 lines long—11,438 plus the arguments, to be precise. Butler uses the heroic couplet throughout. It is a satire upon the Puritans during the English Civil War. The title, Hudibras, is taken from a character of that name in Spenser’s Faerie Queene, where he is described as “not so good of deeds, as great of name,” and “More huge in strength, then wise in works” (II, ii, 17).2 This characterization is reflected in Butler’s Hudibras, who is supposedly a knight errant accompanied by Ralpho, as Don Quixote is followed by Sancho Panza. But the resemblance ends there. Hudibras is a Presbyterian, and Ralpho, an Independent, and although they help each other from time to time, they often become involved in fierce polemics. I am afraid very few people in the audience will be familiar with the poem. Earl 1 Miner writes, “Hudibras is not so well known that readers may be counted on to remember the events in their order.”3 I hope, therefore, I will be forgiven for offering a very brief summary. Hudibras and Ralpho encounter a group of bearbaiters with whom they fight, and they win.
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No One Knows Whether Homer Was a He Or She, Or Even a Real Person. the Ancient Greeks Believed He Was a Blind, Itinerant Bard Wh
Homer No one knows whether Homer was a he or she, or even a real person. The ancient Greeks believed he was a blind, itinerant bard who was born in Smyrna (present-day Izmir, Turkey) and lived in Chios (a Greek island near the coast of Turkey). Chios was famous for its epic singers and many people on the island called themselves Homeridae , the descendants of Homer. But these are far from universally-agreed-upon facts. Colophon, Salamis, Rhodes, Argos and Athens also claim to be his birthplace Richard Bentley, an 18th century English critic, claimed the Odyssey was written for women with the implication being it might have been written by a woman. To back up this assertion he pointed out that the epic's portrayal of women was realistic, while the male characters were wooden and "hopelessly wrong." The details about shipping, he said, were erroneous (a boat is once described as having rudders in both ends) and there seems to be a lot of details about things men usually don't worry about (there are passages, for example, about folding laundry carefully). The same idea was more forcefully put forward in the 19th century by Samuel Butler. Homer’s the Iliad and the Odyssey: A Biography by Alberto Manguel (Atlantic Monthly, 2008) The Iliad and the Odyssey were the ﬁrst and greatest stories in Western civilization and many of the events described in them took place in present-day Turkey. The 3200- year-old epics were the basis for Greek religion, morality and history and arguably Roman religion, morality and history too.
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Pamphlets, Commodification, Media Market
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