THE LOST PHOTOGRAPHS OF CAPTAIN SCOTT PDF, EPUB, EBOOK

David M. Wilson | 192 pages | 06 Oct 2011 | Little, Brown Book Group | 9781408703007 | English | , The Lost Photographs Of Captain Scott Photos and Premium High Res Pictures - Getty Images

Antarctica is one of the most physically and technically challenging places on Earth to use a camera: there is a danger of skin freezing to the metal on the camera, lighting levels are deceptive and composition can be challenge. Despite these hurdles, Scott took photographs of the expedition's base at ; the Western Mountains and Ferrar Glacier, and on the Southern Journey from which he and his companions would never return. In the aftermath of the expedition there was confusion about who was authorised to sell the negatives, prints and rights, a situation exacerbated by the outbreak of World War I. In , Herbert Ponting died. In his estate was a set of prints from the photographs taken by Scott. These were purchased by Popperfoto, a photographic agency who in turn sold them at auction in New York in to a private collector. During the centenary of Scott's last expedition, these prints came on the market. In the aftermath of Scott's Expedition, the prints from Scott's camera, which was returned to base camp by the final supporting party, were developed at Cape Evans by Frank Debenham. In , these were returned to Herbert Ponting in London. There was some confusion over the rights to the images taken by expedition members, a situation exacerbated by the outbreak of World War I. Only a handful of images known to be by Scott were published at the time, as illustrations to the official reports. These were purchased by Popperfoto, a photographic agency, who in turn sold them at auction in New York in to a private collector. During the centenary of Scott's last expedition these prints came onto the market again. Subsequently, a previously unknown, second selection of prints also came to light and was generously gifted to SPRI. Thorough and independent research concluded that there was no record of what had happened to Scott's photographic negatives. They were considered lost. Then, in , a private vendor revealed that they were in possession of of Scott's negatives and asked Christie's auction house to offer the Scott Polar Research Institute first refusal. A deadline of just three months was imposed; failure to raise the necessary funds would see the negatives consigned to auction and, in all likelihood, sold abroad. With public support for the campaign from Sir Ranulph Fiennes, numerous and generous donations from the public, companies and organisations provided the match funding which enabled the negatives to be secured for the nation. Following conservation work and digital copying, the prints and negatives of Scott's photographs are now reunited with the photographs of Ponting and others already in SPRI's collections, and are at last available for research and for the public to view and appreciate. Of particular importance in SPRI's collections are the negatives and early prints of the photographs taken during the British Expedition, — This expedition was led by Captain who was a proponent of scientific research. Scott pioneered the use of photography to provide faithful illustrations of the work, living quarters and environment encountered on his expeditions. Herbert Ponting, a professional photographer, was employed as the chief photographer for the expedition, but he could not be everywhere at once and did not go on the longer sledging journeys. At Scott's request, he gave photographic lessons to other members of the expedition. Whilst Ponting's beautiful photographs have gained world- wide fame, the photographs taken by others, including George Murray Levick, Frank Debenham, Tryggve Gran, Griffith Taylor and Charles Wright, also provided a valuable record, particularly of glaciological features and other scientific observations, from which the scientists could illustrate their work. The men had to learn the technical challenges of using a camera in a few weeks; a skill that had taken Ponting years to master. The Lost Photographs of Captain Scott: Unseen Images from the Legendary Antarctic Expedition brings these brave men's story to light, and does so with an incredible story of its own. Several years ago, as polar historian David M. Wilson was having a drink at a London salon, he was approached by an art collector by the name of Richard Kossow, who claimed that in he had purchased a portfolio of Antarctic photographs from the early s. Wilson was already intrigued, but when Kossow informed him that the photos were from Robert Falcon Scott's expedition, whose ill- fated crew featured Wilson's great-uncle, Edward Wilson, and they were taken by Scott himself, Wilson nearly choked on his gin and tonic. The rest, as the saying goes, is history. Self-portrait by professional travel photographer Herbert Ponting, hired by Scott, as he photographs the Terra Nova in pack ice, December, The hut at Cape Evans, captured by Scott in a photograph used chiefly to practice using lenses, filters, and other photo equipment, yet an invaluable record of the expedition, October, The ponies rest in the sun, the line of sledges leading the eye out into the great beyond, November 19, The ponies straggle in the icy wilderness on a trek from which many of the men and none of the ponies would return. Scott's lens looks in the direction of the crew's journey out from the Lower Glacier Depot, December 11, On December 20, , Scott captured these striking geological features of the mountains around Mount Wild. Equal parts inspirational and heartbreaking, The Lost Photographs of Captain Scott is as much a rugged lesson in early extreme photography as it is a priceless lens on the history of polar exploration, at last free of the fog of mystery. We want to hear what you think about this article. The Race To The

They have since remained in the Royal Collection at Windsor Castle. By Ilaria Mallozzi. The Culture Trip showcases the best of art, culture and travel for every country in the world. Have a look at our section to find out more or become involved. We and our partners use cookies to better understand your needs, improve performance and provide you with personalised content and advertisements. To allow us to provide a better and more tailored experience please click "OK". Select currency. My Plans. Open menu Menu. Illaria Mallozzi. This book also makes an excellent companion to Apsley Cherry-Gerrard's eyewitness account of the expedition, otherwise known as "The Worst Journey in the World. No one who is interested in polar exploration should be without this book. Feb 05, Marlene rated it really liked it. Wilson, while based on the recent rediscovery of photographs taken during Robert Scott's ill-fated Antarctic expedition of , is really a meditation on reputation and remembrance. These words, uttered by expedition member before he sacrificed himself to save his companions on the trek back from the pole, have always chilled me. We know of this only because Scott wrote about the incident in his diary. Of course, Oates' sacrifice came to naught; Scott and his companions died just eleven miles short of the depot that could have saved their lives. From one point of view, this is all of piece: Scott failed to reach the pole before Amundsen; unlike Shackleton, he failed to keep his companions alive; and failed to keep himself alive. Racing to the South Pole may be the ultimate boy's own adventure, but Scott bungled it. Or did he? For that matter, what was he racing towards? Wilson argues that there was no race, at least not one that Scott cared about. The polar expeditions of the 19th and early 20th centuries were undertaken for a variety of motives, with a tension between exploration qua adventure and exploration for scientific purposes. Scott conceived of his expedition as a scientific one; while it may have been necessary for fundraising and publicity to promote a goal of reaching the pole first and planting the King's flag on it, Scott was more interested in the geographic and scientific discoveries that the trip could reveal. To that end, Scott hired Herbert Ponting as expedition photographer and gave him a free hand to equip the expedition with all of the photographic equipment necessary for scientific purposes. Ponting was perhaps one of Scott's best hires; not only did he innovate techniques for using very awkward photographic equipment under harsh conditions to produce gorgeous results, he trained Scott and other expedition members to be passable polar photographers as well. However, as Ponting was not up to the rigors of the run to the Pole, in he returned home to catalog the photographs and await Scott's return to mount an exhibition. By the time Ponting reached , Scott was already dead. Ponting's own plans came to naught. The absence of Scott, wrangling over the rights to the photographs, and the advent of World War I served to bury Ponting's photographs as well as the ones taken by Scott himself. Besides, why would the martyr's photographs be of more interest than the martyr himself? By the latter part of the 20th century, Scott's reputation had fallen under attack. Why would a bungler's pics be of any interest? Moreover, where was a competent archivist to be found? Wilson tells a tale that is bittersweet on many levels and places Scott and his final expedition in the center of some important dichotomies. The book is also visually stunning. As it turned out, this is not a book that works well on current ebook readers. Attempting to read it on my iPad was a rather frustrating experience, and until Apple comes out with the iCoffeeTable or unless you have a very large monitor, if you buy this book Mar 11, Punk rated it really liked it Shelves: history , non-fiction , picture-book , polar-adjacent. Scott's second, and final fatal , attempt at the South Pole. This time around, he brought along professional photographer Herbert Ponting to stay at the base camp and teach Scott, and several others, how to take and develop photographs in the harsh Antarctic environment so that the group could document their scientific endeavors. Not all of Scott's photographs survived, but Wilson gathers up as many as he can and does a solid job of The was Captain Robert F. Not all of Scott's photographs survived, but Wilson gathers up as many as he can and does a solid job of placing them in context. David Wilson is the great nephew of Edward A. Wilson, a doctor and artist, and the expedition's chief of scientific staff. Wilson died in on the return from the pole, and the author is perhaps not all that objective about Scott. One might argue he has a personal stake in Scott being a visionary, a "forward thinker"—as Wilson puts it—rather than a traditional one and the last of the great Victorian explorers, with his man-hauled sledges and dogged pursuit of science in the face of certain death. The author's defensive of Scott and his choices and gets downright bitchy about Shackleton at one point. But Scott's defenders often do, so he's not exactly alone in that. I've seen some nasty things said about Amundsen, too, as many of Scott's fans believe Amundsen stole the pole from him by So while the scholarship is questionable and I caught at least one factual error , the photos are interesting, and they're carefully identified and cross-referenced. The paper's thick and glossy, and the black and white photographs look beautiful. Each photo has a caption to identify or guess at landmarks and figures, with a catalogue number and date, if known. This is a large book, almost a foot square. It shows the photos to their best advantage, but the text is in two columns per page, and is sometimes split across several pages with full-page photographs in between, making it difficult to read. There's no index for the text, but there is a picture index with thumbnails and captions, and relevant page numbers. The text makes good use of end notes with citations for every quote, and when photographs are referenced in the text, the author gives a page number where you can find the photo. I was really impressed with how well the photographs are linked to the text. There was never a moment where I thought to myself, angrily, "What picture is he talking about?! While Wilson's prose is a bit melodramatic, and potentially biased, this is a remarkable visual record of the expedition's day-to-day life at Cape Evans and the camps between it and the pole, as well as the unique challenge of taking photographs in an environment where you get instant frostbite if you take off your gloves, and if you accidentally touch your metal camera with your bare skin, that part of you now belongs to the camera. Knowing what these men went through to take these photographs makes them all the more remarkable, and Wilson encourages the reader to pick up a copy of Scott's diary, often published as Scott's Last Expedition , as a companion to this book; he quotes from it frequently to provide context for the photographs. Jan 17, James rated it liked it. Not a lot of new information in here for anyone who's familiar with Antarctic exploration, though there are some interesting notes about what happened in later years to some members of the expedition, particularly Ponting. The main reason to check this out is the photos, which really help the reader understand what the conditions were like. I think the most notable pictures are several photos of a group man-hauling a sledge up the Beardmore Glacier; the photos demonstrate how awful and difficult Not a lot of new information in here for anyone who's familiar with Antarctic exploration, though there are some interesting notes about what happened in later years to some members of the expedition, particularly Ponting. I think the most notable pictures are several photos of a group man-hauling a sledge up the Beardmore Glacier; the photos demonstrate how awful and difficult man-hauling really was. Another favorite is a photo of Dr. Wilson sketching a line of mountains on the Beardmore, with a copy of his actual sketch juxtaposed on the page for reference. The photo shows how amazingly accurate his sketches were. Side note: the book's author is Wilson's great nephew. Definitely worth leafing through for anyone interested in Scott's expedition, but if you're looking for details about the expedition there are much better books out there. Dec 21, Jacki rated it really liked it Shelves: shelf-awareness , adult-nonfiction , coffee-table. Nearly a century after his death during the ill- fated Terra Nova expedition to the South Pole, Captain Robert Falcon Scott remains a figure of controversy. Though initially lionized, Scott was later criticized by historians for a lack of preparation and foresight. Now David M. Wilson Edward Wilson's Nature Notebooks , the great- nephew of an expedition member, uses Scott's own recovered photographs to recount the deadly journey. Scott, who had been trained in photography by the expedition's Nearly a century after his death during the ill-fated Terra Nova expedition to the South Pole, Captain Robert Falcon Scott remains a figure of controversy. Scott, who had been trained in photography by the expedition's official cameraman, captured eerily beautiful images of the alien Antarctic panorama. Ponies struggle through crusted snow while small supply camps stand alone against the bright, frosty horizon. Wilson's accompanying text uses the words of Scott and his crew to recreate the choices and hardships that led them to their doom. More than an adventure story, The Lost Photographs is an artifact from the dawn of photography as art, suitable for historians and photography enthusiasts alike. Dec 09, Robyn Kent rated it really liked it. This beautiful book compiles photos of Scott's ill-fated journey to the South Pole in The expedition photographer, Herbert Ponting, did not accompany Scott's team to the pole, so Ponting taught Scott to use his camera. Previous expeditions had relied on artists to draw landscapes and geological features. Scott was not an expert photographer, but captured details of the journey that bring the people and ponies to life. The photos of men hauling sledges through deep snow and ice show how This beautiful book compiles photos of Scott's ill-fated journey to the South Pole in The photos of men hauling sledges through deep snow and ice show how incredibly difficult the conditions were. When I bought this book, I was already reading Apsley Cherry-Garrard's 'The worst journey in the world' and found the two to be excellent companions. Mar 13, Myka added it Shelves: antarctica. Robert F. Scott was as poor a photographer as he was an expedition leader. Nevertheless, his work in both fields remains of not inconsiderable historical value and great interest to Antarctic enthusiasts. This new book publishes previously unknown photographic plates taken by Scott during theTerra Nova Expedition on which he died. The "coffee table book" has a bad reputation among genuine students if polar history, but I found this one to be an exception to the rule. Several good Robert F. Several good essays and the unusual provenance of the photographs make for a well-done illustrated account of the expedition. A bit pricey but truly unique. Apr 05, Trish rated it liked it Shelves: read-in , photography. Unfortunately, he underestimated the conditions of the environment he was working in and perished as a result of it. This book gives you a glimpse of what Captain Scott and his team endured throughout their journey to capture the images. It is apparent through the information presented that they were all very brave to have attempted such a trip. Sep 28, Tariq Ali rated it it was amazing. This book has been beautifully put together. I knew in the end that Captain Scott did not survive but I kept hoping that his story had a better ending. Feb 02, Watson Cui rated it really liked it. Captain Scott and his team are heroes with tragedy. Jan 02, Gabriel added it. Also couldn't resist. Sep 23, Nancy rated it it was amazing. Beautiful pictures! I shared the book with my family and we sat together while looking at the pictures. Truly amazing! Pretty dang cool book. NPR Cookie Consent and Choices

He finally reached the South Pole on 17 January , disappointed to learn that Amundsen had beaten him to it. The tortuous return journey was faced with stoicism and dignity. Weak from exhaustion, hunger and extreme cold, his last diary entry is dated 29 March He died in his tent alongside two of his men. Scott was also recognised for his achievements and posthumously made a Knight Commander of the Order of the Bath. The race to the South Pole: Scott and Amundsen. What was the race to the South Pole? Experience more. South: Race to the Pole. They are a superb complement to the Antarctic photographs of Herbert Ponting, which the Heritage Lottery Fund also helped us to acquire". Although he was never to return, the research and records that were undertaken by his team are of historic and scientific importance. We at the Heritage Lottery Fund are delighted to play a part in bringing these photographs to the Scott Polar Research Institute where they will be conserved and made available for everyone to see. Scott and four companions attained the pole on 17 January , to find that a Norwegian team led by Roald Amundsen had preceded them by 34 days. Scott's entire party died on the return journey from the pole. Some of their bodies, journals, and personal effects were discovered by a search party eight months later. The images were returned to the UK by members of the expedition in and it was intended that they be used to illustrate books, reports and lectures; however, difficulties with establishing copyright meant that only a handful were ever used. The First World War intervened and confusion over ownership was never resolved, any remaining negatives were lost and the prints passed to Herbert Ponting. On Ponting's death in the prints were sold to the photographic agency Popperfoto, who in turn sold them at auction in New York in and they have remained in private hands ever since. Search site. Will include dust jacket if it originally came with one. Text will be unmarked and pages crisp. Satisfaction is guaranteed with every order. Buy It Now. Add to cart. About this product Product Information The myth of Scott of the Antarctic, Captain Robert Falcon Scott, icon of fortitude and courage who perished with his fellow explorers on their return from the South Pole on March 29th, , is an enduring one, elevated, dismantled and restored during the turbulence of the succeeding century. Until now, the legend of the doomed Terra Nova expedition has been constructed out of Scott's own diaries and those of his companions, the sketches of 'Uncle Bill' Wilson and the celebrated photographs of Herbert Ponting. Yet for the final, fateful months of their journey, the systematic imaging of this extraordinary scientific endeavor was left to Scott himself, trained by Ponting. In the face of extreme climactic conditions and technical challenges at the dawn of photography, Scott achieved an iconic series of images; breathtaking polar panoramas, geographical and geological formations, and action photographs of the explorers and their animals, remarkable for their technical mastery as well as for their poignancy. Lost, fought over, neglected and finally resurrected, Scott's final photographs are here collected, accurately attributed and catalogued for the first time: a new dimension to the last great expedition of the Heroic Age and a humbling testament to the men whose graves still lie unmarked in the vastness of the Great Alone. Show More Show Less. Pre-owned Pre-owned. David M.

Gallery: The Lost Photographs of Captain Scott | Books | The Guardian Not swamped with unnecessary information - after all those who are interested in Scott's expedition will have the relevant books already - but these images are, for the most part, heartbreaking. Huge, double page photographs of ponies and dogs and the landscape. Men striving to haul a huge sledge. The small intimacies of life: mending a sledge, chasing a pony, sketching a glacier, adjusting footwear. The 'comments' are kept to the bare minimum and thus are all the more A beautiful book. The 'comments' are kept to the bare minimum and thus are all the more poignant. None of the ponies would: within a few days they would be shot. Sep 21, Lara rated it it was amazing Shelves: history , photography , exploration , non-fiction , read-in , antarctica , faves-from Really fantastic. I wasn't sure what to expect from this one before I opened it up, but I suppose I assumed that the "Unseen Images from the Legendary Antarctic Expedition" would be accompanied by the usual retelling of Scott's last expedition and that there wouldn't really be much new to be learned from it, though I anticipated the photographs would be beautiful and haunting and, well, really interesting. Which they are. But what I really love, possibly even more than the images Fantastic. But what I really love, possibly even more than the images themselves, is the way that Wilson shows a different side of Scott's story, focusing on the use of photography at the time and the way Scott really kind of pioneered the use of it for scientific purposes in Antarctica. There's a narrative here, showing Scott's progression as a photographer over the course of the expedition under Herbert Ponting's tutelage, and Wilson does an excellent job of describing the significance of the pictures gathered here. He also discusses the various changes in Scott's reputation over the last years, which is something I've always found really fascinating. And the presentation is gorgeous. Most definitely highly recommended for anyone interested in the history of Antarctic exploration or photography--well worth every penny and certainly a book I'll come back to again and again. Dec 14, Nicky rated it it was amazing Shelves: non-fiction , history. Some gorgeously haunting photographs -- even the one where Scott got his own shadow in the shot is beautiful in its way, a remnant of a man who you have to call remarkable, whatever your opinion of his endeavour and his execution thereof. Interesting detail with them, too, and accompanying maps and so on. Mar 21, Jason Speck rated it it was amazing. The British Discovery Expedition of to Antarctica has been clouded by myths and misinformation for more than a century. The expedition was intended to be mostly scientific, but once the Norwegian explorer Roald Amundsen decided to try for the South Pole at the same time, a "race" for the pole was on. Robert Falcon Scott, famed British explorer, knew that the stakes were now exponentially high. If he lost the race for the pole, no one would remember or care about any scientific The British Discovery Expedition of to Antarctica has been clouded by myths and misinformation for more than a century. If he lost the race for the pole, no one would remember or care about any scientific accomplishments his group might make. Scott was right, but the fallout was worse than he could have imagined. His failure to reach the pole first, and his death on the way back allowed for a number of misleading or self-serving narratives: Scott was a bungler; he was the epitome of the stoic Edwardian hero; the expedition was only about the pole. As this book amply demonstrates, science was foremost on Scott's mind. While Amundsen cared only about the pole, Scott's team was consistently performing scientific tasks as they headed towards the pole. Surely they hoped to be first, but there would be no shortcuts to get there. One area in which the Discovery Expedition made enormous contributions to human understanding of the Antarctic was in the use of the nascent field of photography. Led by Herbert Ponting, who in turn taught Scott and other team members, the expedition's haunting images gave the public a true understanding of the travails, beauty and danger of polar exploration. Until the early s, most of the photography from the expedition was either missing or misidentified. This book corrects this great misfortune. Scott, as it turns out, was a very good photograper who took Ponting's lessons and amply demonstrated a keen eye for composition and technique. This book also makes an excellent companion to Apsley Cherry-Gerrard's eyewitness account of the expedition, otherwise known as "The Worst Journey in the World. No one who is interested in polar exploration should be without this book. Feb 05, Marlene rated it really liked it. Wilson, while based on the recent rediscovery of photographs taken during Robert Scott's ill-fated Antarctic expedition of , is really a meditation on reputation and remembrance. These words, uttered by expedition member Lawrence Oates before he sacrificed himself to save his companions on the trek back from the pole, have always chilled me. We know of this only because Scott wrote about the incident in his diary. Of course, Oates' sacrifice came to naught; Scott and his companions died just eleven miles short of the depot that could have saved their lives. From one point of view, this is all of piece: Scott failed to reach the pole before Amundsen; unlike Shackleton, he failed to keep his companions alive; and failed to keep himself alive. Racing to the South Pole may be the ultimate boy's own adventure, but Scott bungled it. Or did he? For that matter, what was he racing towards? Wilson argues that there was no race, at least not one that Scott cared about. The polar expeditions of the 19th and early 20th centuries were undertaken for a variety of motives, with a tension between exploration qua adventure and exploration for scientific purposes. Scott conceived of his expedition as a scientific one; while it may have been necessary for fundraising and publicity to promote a goal of reaching the pole first and planting the King's flag on it, Scott was more interested in the geographic and scientific discoveries that the trip could reveal. To that end, Scott hired Herbert Ponting as expedition photographer and gave him a free hand to equip the expedition with all of the photographic equipment necessary for scientific purposes. Ponting was perhaps one of Scott's best hires; not only did he innovate techniques for using very awkward photographic equipment under harsh conditions to produce gorgeous results, he trained Scott and other expedition members to be passable polar photographers as well. However, as Ponting was not up to the rigors of the run to the Pole, in he returned home to catalog the photographs and await Scott's return to mount an exhibition. By the time Ponting reached England, Scott was already dead. Ponting's own plans came to naught. The absence of Scott, wrangling over the rights to the photographs, and the advent of World War I served to bury Ponting's photographs as well as the ones taken by Scott himself. Besides, why would the martyr's photographs be of more interest than the martyr himself? By the latter part of the 20th century, Scott's reputation had fallen under attack. Why would a bungler's pics be of any interest? Moreover, where was a competent archivist to be found? Wilson tells a tale that is bittersweet on many levels and places Scott and his final expedition in the center of some important dichotomies. The book is also visually stunning. As it turned out, this is not a book that works well on current ebook readers. Attempting to read it on my iPad was a rather frustrating experience, and until Apple comes out with the iCoffeeTable or unless you have a very large monitor, if you buy this book Mar 11, Punk rated it really liked it Shelves: history , non-fiction , picture-book , polar-adjacent. Scott's second, and final fatal , attempt at the South Pole. This time around, he brought along professional photographer Herbert Ponting to stay at the base camp and teach Scott, and several others, how to take and develop photographs in the harsh Antarctic environment so that the group could document their scientific endeavors. Not all of Scott's photographs survived, but Wilson gathers up as many as he can and does a solid job of The Terra Nova expedition was Captain Robert F. Not all of Scott's photographs survived, but Wilson gathers up as many as he can and does a solid job of placing them in context. David Wilson is the great nephew of Edward A. Wilson, a doctor and artist, and the expedition's chief of scientific staff. Wilson died in on the return from the pole, and the author is perhaps not all that objective about Scott. One might argue he has a personal stake in Scott being a visionary, a "forward thinker"—as Wilson puts it—rather than a traditional one and the last of the great Victorian explorers, with his man-hauled sledges and dogged pursuit of science in the face of certain death. The author's defensive of Scott and his choices and gets downright bitchy about Shackleton at one point. But Scott's defenders often do, so he's not exactly alone in that. I've seen some nasty things said about Amundsen, too, as many of Scott's fans believe Amundsen stole the pole from him by So while the scholarship is questionable and I caught at least one factual error , the photos are interesting, and they're carefully identified and cross-referenced. The paper's thick and glossy, and the black and white photographs look beautiful. Each photo has a caption to identify or guess at landmarks and figures, with a catalogue number and date, if known. This is a large book, almost a foot square. It shows the photos to their best advantage, but the text is in two columns per page, and is sometimes split across several pages with full-page photographs in between, making it difficult to read. There's no index for the text, but there is a picture index with thumbnails and captions, and relevant page numbers. The text makes good use of end notes with citations for every quote, and when photographs are referenced in the text, the author gives a page number where you can find the photo. I was really impressed with how well the photographs are linked to the text. There was never a moment where I thought to myself, angrily, "What picture is he talking about?! While Wilson's prose is a bit melodramatic, and potentially biased, this is a remarkable visual record of the expedition's day-to-day life at Cape Evans and the camps between it and the pole, as well as the unique challenge of taking photographs in an environment where you get instant frostbite if you take off your gloves, and if you accidentally touch your metal camera with your bare skin, that part of you now belongs to the camera. Knowing what these men went through to take these photographs makes them all the more remarkable, and Wilson encourages the reader to pick up a copy of Scott's diary, often published as Scott's Last Expedition , as a companion to this book; he quotes from it frequently to provide context for the photographs. Jan 17, James rated it liked it. Not a lot of new information in here for anyone who's familiar with Antarctic exploration, though there are some interesting notes about what happened in later years to some members of the expedition, particularly Ponting. The main reason to check this out is the photos, which really help the reader understand what the conditions were like. I think the most notable pictures are several photos of a group man-hauling a sledge up the Beardmore Glacier; the photos demonstrate how awful and difficult Not a lot of new information in here for anyone who's familiar with Antarctic exploration, though there are some interesting notes about what happened in later years to some members of the expedition, particularly Ponting. I think the most notable pictures are several photos of a group man-hauling a sledge up the Beardmore Glacier; the photos demonstrate how awful and difficult man-hauling really was. Another favorite is a photo of Dr. Wilson sketching a line of mountains on the Beardmore, with a copy of his actual sketch juxtaposed on the page for reference. The photo shows how amazingly accurate his sketches were. Side note: the book's author is Wilson's great nephew. Definitely worth leafing through for anyone interested in Scott's expedition, but if you're looking for details about the expedition there are much better books out there. Dec 21, Jacki rated it really liked it Shelves: shelf-awareness , adult-nonfiction , coffee-table. Nearly a century after his death during the ill-fated Terra Nova expedition to the South Pole, Captain Robert Falcon Scott remains a figure of controversy. Though initially lionized, Scott was later criticized by historians for a lack of preparation and foresight. Now David M. Wilson Edward Wilson's Nature Notebooks , the great-nephew of an expedition member, uses Scott's own recovered photographs to recount the deadly journey. Scott, who had been trained in photography by the expedition's Nearly a century after his death during the ill-fated Terra Nova expedition to the South Pole, Captain Robert Falcon Scott remains a figure of controversy. Scott, who had been trained in photography by the expedition's official cameraman, captured eerily beautiful images of the alien Antarctic panorama. The ship departed Lyttelton south to the on November 29 On December 9 Terra Nova entered loose pack ice and Ponting first encountered the world of which he was to become the photographic master: 'In all my travels in more than 30 lands, I had seen nothing so simply magnificent as this stupendous work of Nature. The grandest and most beautiful monuments raised by human hands had not inspired me with such a feeling of awe as I experienced on meeting with this first Antarctic . Ponting noted that he had never before worked in such a physically challenging environment. That is soon mastered. The temperature is where the real trouble comes from. If you take off your glove and put your naked hand near the lens, instantly the lens is covered with a of ice that no mere rubbing will remove. Sometimes moisture, condensing into the finest particles of ice, will get inside the lens — then you are through. A grave danger anent the camera is the brass knobs. If, by accident, you touch with your bare hand any part of the brass of the apparatus, it will burn you like a red-hot iron. On one occasion I was focusing under my cloth when I happened to moisten my lips. The point of my tongue came in contact with the metal and instantly froze there; the shock was so great that I went over backward, and when I recovered, I found that I had lost the tip of my tongue, which remained frozen to the camera. The results, however, were revolutionary, as the camera took over from the pencil as the most accurate means of recording geological landscapes on polar expeditions. Ponting inspired an explosion of excitement and interest in photography among the officers and scientists at Cape Evans, the expedition base on the western coast of . He opened their eyes to the possible, along with the realisation that Ponting was only one man and could not be everywhere. Then, in that nice way in which he always asked a favour of anyone, he said that I should render a very great service to the Expedition if I would take him and a few others in hand, and coach them in photography. Scott stumbled into every pitfall. I had to express my disapproval of such haste, and firmly decline to discuss these things until he could repeatedly show me half-a-dozen correctly exposed negatives from as many plates. When he had achieved this result under my guidance, he would sally forth alone with his camera. He would come back as pleased as a boy, telling me quite excitedly he had got some splendid things, and together we would begin to develop his plates — six in a dish. When five minutes or more had elapsed and no sign of a latent image appeared on any of them, I knew something was wrong… One day he would forget to set the shutter, another time he would forget to release it, and each time he would vow not to make the same error again — and then go out and make some other. But I liked him all the more for his human impatience and the mistakes. How often I have made them all myself, in my own early days with the camera! Scott never needed critics: he pre-empted every one of them in his diary and the same is true of his photographs.

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