DOCSLIB.ORG

Harriet's Legacies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Harriet's Legacies HARRIET’S LEGACIES Race, Historical Memory, and Futures in Canada Thursday 22 October – Friday 23 October 2015 Brock University Conference Organizers: Gregory Betts, Natalee Caple, Ronald Cummings, Kevin Gosine, and Tamari Kitossa Conference Schedule Thursday - Day 1 Pond Inlet and Sankey Chambers 8:30-9:00 Coffee and Registration 9-9:30 Welcoming Remarks Gregory Betts, Director of the Centre for Canadian Studies Carol Merriam, Dean of Humanities Warren Hoshizaki, Director of Education District School Board of Niagara 9:45 - 11:00 Panel 1: Harriet Tubman, History and Mobility Chair: Kevin Gosine dann j. Broyld: “Tubman From Death to Today: The Grassroots of Developing the Harriet Tubman Underground Railroad National Monument” Carole Lynn Stewart: “‘Colorophobia’ in Canada: William Wells Brown’s Cosmopolitan Mobility” David Hemmings: “Slave Cottages, the "Coloured Village" and the Underground Railroad in Niagara-on-the-Lake: The case for strategic mobilization of Black heritage” Jennifer Harris: “Amelia Etta Hall Johnson” 11:15 -12:30 Panel 2: Strategizing Survival Chair: Neta Gordon Jessica Ratcliffe: “Eating Ornamental Cabbage and Other Acts of Radical Foraging in Nalo Hopkinson’s ‘A Habit of Waste’” Kate Siklosi: “The Collision of Law and Poetry in the "Liquid Archive" of M. NourbeSe Philip's Zong!” Victoria Partyka: “Postmemory and the Traumatized Female Figure; David Chariandy’s Soucouyant as a Transgenerational Narrative of Suffering, Acceptance, and its Question of Belonging.” Anique J. Jordan: “Possessed: A Genealogy of Black Women, Hauntology and Art as Survival” 12:30 - 1:45 Lunch (served) Performance Her Voice in Black: Black Female Narratives in Opera by Carla Chambers 2:00-3:15 Panel 3: Creative Writing / Writing Through Race and Building Better Communities Chair: Natalee Caple Kaie Kellough Jacqueline Valencia Klyde Broox Clifton Joseph 3:30-5:00: Plenary Addresses Lillian Allen: “Riffing on Blackness” Paul Barrett: “Austin Clarke's Aesthetics of Crossing and Detachment.” Break Niagara Artists Centre 354 St. Paul Street, St. Catharines 7:00-9:00 Readings and Performances Carolyn Thompson Living Tribute to Austin Clarke Clifton Joseph Lillian Allen Friday - Day 2 Pond Inlet and Sankey Chambers 9:00 -10:15 Panel 6: Archives and Pedagogies of Blackness Chair: Marian Bredin Leslie Sanders: “Building an inclusive curriculum grounded in African Canadian life.” Wilma Morrison: “Black Canadian Heritage Education: Successes and prospects” Natasha Henry: “We Were Here: Connecting Heritage Plaques and Classrooms as Sites for Teaching/ Learning about African Canadian Narratives” Jane Andres: “Niagara Workers Welcome” 10:30 - 11:45 Panel 7: Dionne Brand: Orientations, Relations, Revolution Chair: Jade Ferguson Kit Dobson: “Love Can Be Indefinable All on Its Own”: Dionne Brand’s Love Enough” Deanna Henderson: “A Queer Thing Happened in the Archive: Dionne Brand's Love Enough.” Ronald Cummings: ‘“A Woman Can Be a Bridge...A Way to Cross Over’: Dionne Brand's In Another Place, Not Here.” Nalini Mohabir: “Cartographic Imaginaries of Dionne Brand: Mapping the Place from which she speaks to the place of No Return” 12:00 - 1:00 Lunch (not served) 1:15-2:30 Panel 8: Indigenous/African Canadian Relations Chair: Tamari Kitossa Zainab Amadahy Bonita Lawrence Paula Madden Ciann Wilson Visitor Parking lot in front of the Pond Inlet 3:00-6:00 Bus Tour, Niagara’s Freedom Trail Performing Arts Centre (organized by the Niagara Artists Centre) 7:00-10:00 Talk/Demonstration/Film A presentation by DJ Marinko Marinkov on the history of vinyl and Dub, Techno, and Hip Hop followed by a screening of NFB film King of the Hill on St Catharines’ own Ferguson Jenkins, the greatest Canadian baseball player of all time. We are very grateful for the support of the following organizations whose contributions have made these events possible: The Council for Research in the Social Sciences, the Humanities Research Institute, the Centre for Canadian Studies, the Social Justice Research Initiative, the Brock African Heritage Recognition Committee, the Department of English Language and Literature, the Department of Sociology, the MA Program in Critical Sociology, Social Justice and Equity Studies, and the Niagara Artists Centre. Panelists and Performers Lillian Allen is a Creative Writing Professor at the Ontario College of Art & Design University in Toronto Canada. She is an award winning and internationally renowned poet. As one of its lead originators and innovators, she has specialized in the writing and performing of dub poetry. Professor Allen has published several books and recordings, and has worked in poetry, fiction, non- fiction, writing for children, experimental writing forms, and has written several plays. Her work also appears in a variety of media. She has spent almost four decades writing, publishing, and performing her work in Canada, The US, Europe, and England and elsewhere. A selection of her published works in book and CD forms include; Psychic Unrest, 2000, Women Do This Every Day, 1993; Nothing But A Hero, 1992; Why Me, 1991; If You See Truth, 1987. Her recordings (CDs) include; ANXIETY 2012, Freedom & Dance, 1999; Conditions Critical, 1988; Revolutionary Tea Party, 1986; “Revolutionary Tea Party” and “Conditions Critical” both won Canadian Juno awards in 1986 and 1988 respectively. Zainab Amadahy is a researcher/non fiction writer, futurist author, screenwriter and educator. Among her publications is "Indigenous Peoples and Black Peoples in Canada: Settlers or Allies” (co-authored with Dr. Bonita Lawrence). You can also check out Zainab’s interview in the latest issue of the online journal Feral Feminisms, where she discusses relationships across Indigenous and African descended communities. Many of Zainab’s more recent writings can be found on Muskrat Magazine and her own site swallowsongs.com. Jane Andres is owner of Applewood Hollow B+B in Niagara on the Lake and founder of Fresh Start, an initiative that encourages area B+B’s to support local farms. http://www.bbniagaraonthelake.com A lifelong resident of Niagara, it was not until 2005 when she was invited to assist with music at a small church service for farm workers, that she had the opportunity to meet some of her Caribbean neighbours personally. Since that first meeting 10 years ago she has sought to create a more inclusive and welcoming community in Niagara on the Lake. She has visited the island six times, staying with their families and is organizer of the Niagara Workers Welcome Concert https://vimeo.com/workerswelcomeniagara Paul Barrett is a Banting Postdoctoral Fellow in the Department of English and Cultural Studies at McMaster University. He is the author of Blackening Canada: Race, Diaspora, Multiculturalism (2015). He has recently published articles in ARIEL and Studies in Canadian Literature. His writing is concerned with questions and representations of race and diaspora in Canada and global contexts. His current research assesses the role of digital forms of textual analysis in Canadian Literature. The most recent manifestation of this work is a digital humanities project that employs algorithmic forms of ‘reading’ to survey Austin Clarke’s archives and corpus. Klyde Broox is an internationally seasoned dub poet with decades of experience in North America, Europe and the Caribbean. He won the Nathan Brissett Poetry Competition in 1978. His chapbook “Poemstorm” was released in 1989 and in 1992, klyde received a James Michener Fellowship to the University of Miami Caribbean Writers Summer Institute. A scholarship followed in 1993, and Klyde migrated to Canada that same year, settling in Hamilton, Ontario. In 2004, he was nominated for a John C. Holland Award for community service. klyde is active in the Toronto Poetry scene and in 2004 coordinated the International Dub poetry Festival there. In 2005, klyde also won the city of Hamilton’s Arts Award for Literature. dann j. Broyld is an assistant professor of Public History & African American History at Central Connecticut State University. He earned his PhD in nineteenth-century United States and African Diaspora history at Howard University in 2011. His work focuses on the American-Canadian borderlands and issues of Black identity, migration, and transnational relations as well as oral history and museum-community interaction. He has worked as a consulting historian for the forthcoming Harriet Tubman Underground Railroad National Monument in Cambridge, Maryland to be open in 2016 and is the author of an article titled: “Harriet Tubman: Transnationalism and the Land of a Queen in the Late Antebellum.” Broyld is also currently working on a manuscript with the University of Toronto Press. Carla Chambers is a soprano vocalist whose musical repertoire includes Gospel, Spirituals, and Jazz, as well as classical forms like the German lieder, and American art song compositions by composers including Johannes Brahms, Richard Strauss, and Samuel Barber. In opera, she is equally at home singing the lyric roles of Verdi, Puccini and Gershwin, as she is with contemporary works of American Composer Dr. Nkeiru Okoye. Her upcoming engagements include the Honours Thesis concert: Her Voice in Black: Black Women’s Narratives in Opera. Ronald Cummings teaches queer and postcolonial literatures at Brock University. His research focuses on representations of queerness and marronage in contemporary Caribbean writing. Ronald completed his PhD at Leeds University in 2013 and was the 2013-2014 Postdoctoral fellow in Critical Caribbean
Load more

Recommended publications
  • By Frank Davey
    Rampike 15/1 _____________________________________________________________________________________________ INDEX Paul Dutton: “Narcissus A, 7” p. 2 Editorial p. 3 Frank Davey: Interview p. 4 Frank Davey: “Postcards from the Raj” p. 12 Jeanette Lynes: “Frank” p. 17 Michael & Linda Hutcheon: Interview p. 18 Joyce Carol Oates: “The Writer’s (Secret) Life” p. 22 Paul Hegedus: Two Poems p. 29 Darren Wershler-Henry: from The Iron Whim p. 30 Robert Dassanowsky: Three Poems p. 35 George Bowering: “Sworn to Secrecy” p. 36 Gregory Betts “The Geopoetics of Tish” p. 42 Jürgen O. Olbrich: Two Texts p. 55 rob mclennan “Notes on a Day Book” p. 56 Charles Bernstein: Argotist Interview p. 58 Brian Edwards: “Ce n’est pas la guerre!” p. 62 Penn Kemp: “Night Orchestra” p. 66 Matthew Holmes: Two Texts p. 68 Carl Peters: “Writing Should Not Sound Like Writing” p. 70 D. King: “Driving Wheel” p. 72 Louis Cabri: “Foamula” p. 74 Nicole Markotic: Two Poems p. 76 Sandra Alland: Six Poems p. 78 Stan Rogal: “The Celebrity Rag” p. 80 Tanis MacDonald “Practice Lessons” p. 82 Sarah Bonet: “VIP at liquid” p. 83 Anne Walker: 3 Poems p. 84 Lindsey Bannister: “The Tombstone Vandal” p. 85 Photos from the Conference p. 88 1 Rampike 15/1 _____________________________________________________________________________________________ ”NARCISSUS A, 7” BY PAUL DUTTON 2 Rampike 15/1 _____________________________________________________________________________________________ Editorial: This issue of Rampike is dedicated to Frank Davey in response to the conference on “Poetics and Popular Culture” held in his honour at the University of Western Ontario (2005). Keynote speakers at that gathering included Charles Bernstein, Lynette Hunter, and Smaro Kamboureli.
    [Show full text]
  • 1 Revised Aug. 29, 2019
    1 Revised Aug. 29, 2019 Upheaval & Reconstruction | October 17 – 20, 2019 | MSATORONTO2019.ORG 2 Table of Contents IntroDuction from the Local Hosting Committee ...................................................................................................... 3 Sponsors ................................................................................................................................................................... 4 MSA Toronto 2019 at a Glance ................................................................................................................................. 5 Plenary Sessions ........................................................................................................................................................ 6 Social anD Cultural Events ......................................................................................................................................... 7 LanD AcknowleDgement ........................................................................................................................................... 9 Note on Accessibility ................................................................................................................................................. 9 ThursDay, October 17 ............................................................................................................................................. 10 FriDay, October 18 .................................................................................................................................................
    [Show full text]
  • I Make Contact: Contributive Bookselling and the Small Press In
    i Make Contact: Contributive Bookselling and the Small Press in Canada Following the Second World War Cameron Alistair Owen Anstee A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Literature Department of English Faculty of Arts University of Ottawa © Cameron Alistair Owen Anstee, Ottawa, Canada, 2017 ii Abstract This dissertation examines booksellers in multiple roles as cultural agents in the small press field. It proposes various ways of understanding the work of booksellers as actively shaping the production, distribution, reception, and preservation of small press works, arguing that bookselling is a small press act unaccounted for in existing scholarship. It is structured around the idea of “contributive” bookselling from Nicky Drumbolis, wherein the bookseller “adds dimension to the cultural exchange […] participates as user, maker, transistor” (“this fiveyear list”). The questions at the heart of this dissertation are: How does the small press, in its material strategies of production and distribution, reshape the terms of reception for readers? How does the bookseller contribute to these processes? What does independent bookselling look like when it is committed to the cultural and aesthetic goals of the small press? And what is absent from literary and cultural records when the bookseller is not accounted for? This dissertation covers a period from 1952 to the present day. I begin by positing Raymond Souster’s “Contact” labour as an influential model for small press publishing in which the writer must adopt multiple roles in the communications circuit in order to construct and educate a community of readers.
    [Show full text]
  • Contributors
    Contributors Anything that might be said about the ALBERTA RESEARCH GROUP (ARG) up to now can be found in the ARG's "Manifesto to Contest the Manifesto Contest." Otherwise, their mission is simple: raise four billion dollars. Exactly how they will achieve this is being explored right now at <albertaresearchgroup.wordpress.com>. ARG ! GREG BACHAR lives in Seattle. DEREK BEAULIEU is the author of five books of poetry (most recently the visual poem suite silence), two volumes of conceptual fiction (most recently the short fiction collection How to Write) and over 150 chapbooks. He is the publisher of small presses housepress (1997-2004) and no press (2005- present), and the editor of several small magazines in Canada. See n of the Crime, forthcoming from Snare, is a collection of criticism on contemporary poetry and poetics. beaulieu has performed his work at festivals and universities across Canada, the US, and Europe. GREGORY BETTS is the author of four books of poetry, and the editor of four books of early Canadian experimental writing. His "plunderverse" epic, The Others Raisd in Me (Pedlar Press 2009), was a finalist for the ReLit Award 2010, and he is the 2010 recipient of the International Journal of Canadian Studies's Jean-Michel Lacroix Award for the best article on a Canadian subject. Betts recently completed a literary history of early Canadian avant-gardism. He teaches literature at Brock University in St. Catharines, Ontario. SABINE BITTER and HELMUT WEBER, Vienna and Vancouver-based artists, work on projects addressing cities, architecture, and the politics of representation and of space.
    [Show full text]
  • THE ANGLE: Summer 2021 (Info Edition)
    THE ANGLE N E W S L E T T E R > S U M M E R 2 0 2 1 > I N F O E D I T I O N PRESIDENT'S MESSAGE: CONGRESS 2022 PLANNING BEGINS GREGORY BETTS Welcome to The Angle’s “Information Issue.” In this issue you will find all of the reports that were circulated at the Annual General Meeting on Tuesday 2 June 2021, as well as some initial documents in preparation for the next annual meeting in 2022. Before we get to that, though, I want to take a moment to thank the 226 people who attended our conference this year. Under extremely trying circumstances, the over 260 presentations and performances led a robust network of discussions on so many essential topics. It was good to see so many people, even virtually, after the cancelled Congress the previous year. Many were missing, but important work was done. A special thanks to the Board members who rose to the occasion, and especially to Erin Knight who steered us through. As reported previously, ACCUTE established an Equity Statement this year that gives concrete guidance to the equity and justice values and ambitions of the association. Please read the Equity Statement here. I hope it will be immediately useful in planning ACCUTE is seeking poetry submissions for the Fall issue of The Angle. Contact [email protected] for details. S U M M E R 2 0 2 1 : I N F O E D I T I O N future events, panels, and papers at ACCUTE both inside Congress and beyond.
    [Show full text]
  • The Language Revolution: Borderblur Poetics in Canada, 1963-1988
    THE LANGUAGE REVOLUTION: BORDERBLUR POETICS IN CANADA, 1963-1988 ERIC SCHMALTZ A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY TORONTO, ONTARIO JUNE 2018 © ERIC SCHMALTZ, 2018 ii Abstract This dissertation examines the emergence and development of a radical node of Canadian poetic activity known as the Language Revolution––that is, a movement concerned with the creation and proliferation of largely non-lyrical poetic modes by a number of Canadian poets whose careers mostly began in the 1960s and early 1970s. These poets include well-known writers like bpNichol, bill bissett, and Steve McCaffery alongside lesser-known but equally important figures such as Judith Copithorne, Martina Clinton, Gerry Shikatani, David UU, Susan McMaster, and Penn Kemp. As a loose affiliation, they gathered around shared values of poetic experimentation and small press literary culture, but they also actively pushed the boundaries of writing by exploring concrete poetry, sound poetry, and haptic poetry––the core topics of this dissertation’s three chapters. These poets described their work as “borderblur,” a term that acknowledges a broad range of poetic and artistic activity that seeks to dissolve boundaries between language, visuality, materiality, sound, and bodies. Over the course of this study, I examine how the poets of the Language Revolution develop a borderblur-based poetic as a reaction to problems posed by the expression of feeling during a period when human life was being standardized by emergent telecommunication technologies, a rapid increase in consumerism, and major shifts––documented by Marshall McLuhan and others––in human psychic and social life.
    [Show full text]
  • Dancing with the Dragon As China Surges to New Heights, Can Canada Keep Step?
    Juggling with genes PAGE 6 $6.50 Vol. 21, No. 3 April 2013 Paul Evans Dancing with the Dragon As China surges to new heights, can Canada keep step? ALSO IN THIS ISSUE Kate Taylor Identity crisis at the museum Wesley Wark Treason for cheap John Burns, Ikechi Mgbeoji and more Writing aboriginal peoples back into Canada PLUS: non-fiction Michael Valpy on the spectre of grassroots racism + Ramsay Cook on Maclean’s and the imperial dream + Terry Fenge on Arctic sovereignty and the Nunavut agreement + Robin Fisher on Canadian anthropology’s New Zealand godfather + Douglas Wright on a post- WWI mathematical peacemaker + Florin Diacu on measuring the heavens fiction Merilyn Simonds reviews Blood Secrets by Nadine McInnis + David Penhale reviews Publications Mail Agreement #40032362 Husk by Corey Redekop Return undeliverable Canadian addresses to LRC, Circulation Dept. poetry Caitlin Elizabeth Thomson + Robin Richardson + Alice Major + Denise Desautels + PO Box 8, Station K Toronto, ON M4P 2G1 Leslie Timmins + Anne Swannell + Seymour Mayne + Dave Margoshes + Allan Peterkin NEW FROM UNIVERSITY OF TORONTO PRESS Autonomous stAte tHe greAt reVersAl InHerItIng A CAnoe PADDle the epic struggle for a Canadian Car Industry How We let technology take Control of the the Canoe in Discourses of english-Canadian from oPeC to Free trade Planet nationalism by Dimitry Anastakis by David Edward Tabachnick by Misao Dean In this engrossing book, Dimitry Anastakis The Great Reversal takes the reader back to misao Dean explores the canoe paddle as a chronicles Canadian auto industry’s evolution Aristotle’s warning that humanity should never national symbol – integral to historical tales from the 1973 oPeC embargo to the 1989 allow technical thinking to cloud our judgment of exploration and trade, central to Pierre Canada–us Free trade Agreement and its about what makes for a good life.
    [Show full text]
  • MSA Scheduling 9 OCT 2019-2
    The Modernist Studies Association Annual Conference Altered identities & communities Pain of others & healing Ecological disaster & repair Grief & reparative commemoration Modeling confict resolution Reconfguring home Revolution & aftermath Modalities of decolonization Migration, diversity, and inclusion R Intersections of apocalypse and utopia TORONTO Altered identities & communities MSATORONTO2019.ORG Pain of others & healing Ecological disaster & repair Grief & reparative commemoration Modeling confict resolution Reconfguring home Revolution & aftermath Modalities of decolonization Migration, diversity, and inclusion Intersections of apocalypse and utopia Altered identities & communities Pain of others & healing Ecological disaster & repair Grief & reparative commemoration Modeling confict resolution Reconfguring home Revolution & aftermath Modalities of decolonization 1 Table of Contents Sponsors ....................................................................................................................................... 2 Introduction from the Local Hosting Committee .......................................................................... 3 Message From the MSA President ................................................................................................ 4 Land Acknowledgement ............................................................................................................... 6 Note on Accessibility ....................................................................................................................
    [Show full text]
  • Gary Barwin CV March 2018
    CURRICULUM VITAE Gary Barwin 180 Dufferin St. Hamilton ON L8S 3N7 • [email protected] EDUCATION PhD: State University of New York at Buffalo. Music Composition. (1995) Bachelor of Education: York University (2001) Bachelor of Arts: York University, English and Creative Writing (1987) Bachelor of Fine Arts (Spec. Hons.), York University, Music (1986) EMPLOYMENT HISTORY (RELATED EXPERIENCE) 2017-2018 Writer in Residence McMaster University and Hamilton Public Library, Hamilton, Ontario. 2012-2017 Creative Writing Instructor, Continuing Education, Mohawk College, Hamilton. Instructor, “Poetry,” writing course. (Spring/Summer 2017) Instructor, “Poetry,” writing course. (Winter 2017) Instructor of “Novel Writing 1” (Winter 2015) and “Novel Writing 2” (Spring 2016) Instructor of “Poetry,” writing course. (Spring 2013) Instructor of “Writing for Children,” writing course. (Winter 2013) Creative Writer Instructor, ArtForms/Urban Arts Initiative and Re:Create. Hamilton. Designing and leading creative writing and publishing programs for street-involved youth in the downtown core. Writing classes include a range of approaches to the writing of poetry and fiction. Publications include chapbooks, videopoems, postcards, and art gallery presentations of broadsides. 1985-present Freelance Writer Writer of fiction, poetry, children’s writing, essays, interviews and reviews. Freelance Editor Manuscript Evaluation, Writing Coaching & Mentoring. Advising and mentoring writers and editing their manuscripts of fiction, poetry and children’s writing. Freelance Creative Writing Workshop Leader Leading workshops in the writing of poetry and fiction for beginning and advanced adults, youth, and children in universities, colleges, !1 libraries, community centres, schools, shelters, and in other contexts. 2015-present Writer in Residence, Writers in the House, ArtForms. Writer in residence and writing instructor at several youth shelters and residences and educational institutions in Hamilton.
    [Show full text]
  • Partures by Michael Winkler, Babar Khan, Norman Lock, and Tentatively, a Convenience
    Rampike 21/2 __________________________________________________________________________________ INDEX Michael Winkler: Text/Image p. 2 Karl Jirgens: Editorial p. 3 Leonard Cohen & Judith Fitzgerald: Poem p. 4 Charles Bernstein: Text p. 5 Susan Gold & Mike Dyer: Mail Art p. 6 George Bowering: Poem p. 8 Frank Davey : Text p. 9 Katie Solbeck: Text/Image p. 13 Terry Trowbridge & Alexander Brown: Essay p. 14 Richard Kostelanetz: Text p. 18 Judith Fitzgerald: Poems p. 19 Peter Jaeger: Text p. 20 Jesse Ferguson: Vispo p. 21 Cathy Wagner: Poem p. 22 Tim Atkins: Poem p. 23 Amy De’Ath: Poem p. 24 Brenda Francis Pelkey: Photo p. 24 Richard Parker: Text p. 25 Marcus Slease: Text p. 26 Edward Nixon: Poem p. 27 Christian Burgaud: Text/Image p. 27 Susan Holbrook: Poems p. 28 Louis Cabri: Poems p. 30 Brian Ang: Text-Set p. 33 Harvey L. Hix: Questions p. 36 Kevin McPherson Eckoff: Instructions p. 40 Stephen Remus: Thoughts p. 41 Eric Schmaltz: Conference Notes p. 42 Travis Kirton: Projected Text Image p. 42 Kelly Mark: Visual/Text p. 43 bill bissett: Visual Poem p. 43 Judith Copithorne: Text/Image p. 44 Gregory Betts, Hallie Siegel & Matt Donovan: Visual/Text p. 47 Gregory Betts: Text & Image p. 48 Roundtable: Bird is the Word Conference p. 50 a. rawlings: Vizpo p. 51 derek beaulieu: Text/Image p. 52 Steve McCaffery: Typewriter Text p. 54 bill bissett Visual Poem p. 55 Cyril Dabydeen: Poems p. 56 Babar Khan: Haikus p. 57 Norman Lock: Installation p. 58 Karl Marx (a.k.a. George Elliott Clarke): Political Statement p. 59 tENTATIVELY, a cONVENIENCE: Music Text p.
    [Show full text]
  • Authors Auteurs
    Document generated on 10/01/2021 5:52 a.m. International Journal of Canadian Studies Revue internationale d’études canadiennes Authors Auteurs Borders, Migrations and Managing Diversity: New Mappings Frontières, migrations et gestion de la diversité : nouvelles cartographies Number 38, 2008 URI: https://id.erudit.org/iderudit/040818ar DOI: https://doi.org/10.7202/040818ar See table of contents Publisher(s) Conseil international d'études canadiennes ISSN 1180-3991 (print) 1923-5291 (digital) Explore this journal Cite this document (2008). Authors. International Journal of Canadian Studies / Revue internationale d’études canadiennes, (38), 279–280. https://doi.org/10.7202/040818ar Tous droits réservés © Conseil international d'études canadiennes, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Authors / Auteurs Marga ALTENA, Ph.D., Historian of Visual Culture, Radboud University Nijmegen, Kanunnik Van Lentstraat 11, 6525 WE Nijmegen, The Netherlands. Gregory BETTS, Assistant Professor, Department of English Language & Literature, Brock University, 500 Glenridge Avenue, St. Catharines, Ontario, L2S 3A1 Canada. Florencia CARLINO, Ph.D. Mount Saint Vincent University, Seton 320, 166 Bedford Highway, Halifax, Nova Scotia, B3M 2J6 Canada. George Elliott CLARKE, E. J. Pratt Professor of Canadian Literature, Department of English, University of Toronto, 170 St.
    [Show full text]
  • Canadianliterature / Littérature Canadienne
    Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 235, Winter 217, Concepts of Vancouver: Poetics, Art, Media Published by The University of British Columbia, Vancouver Editor: Laura Moss Associate Editors: Nicholas Bradley (Reviews), Glenn Deer (Reviews), Kathryn Grafton (CanLit Guides), Kevin McNeilly (Reviews) Assistant Editors: Phinder Dulai (Poetry), Sarah Henzi (Francophone Writing), Brendan McCormack Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27), Margery Fee (27-215) Editorial Board Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Kit Dobson Mount Royal University Janice Fiamengo University of Ottawa Helen Gilbert University of London Faye Hammill University of Glasgow Lucie Hotte University of Ottawa Smaro Kamboureli University of Toronto Ric Knowles University of Guelph Christopher Lee University of British Columbia Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Konstanz Vanja Polic´ University of Zagreb Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Gillian Roberts University of Nottingham Sherry Simon Concordia University Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Gillian Whitlock University of Queensland Lorraine York McMaster University Editorial Guest Editors: Gregory
    [Show full text]