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Pablo Neruda - Poems
Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people. -
By Frank Davey
Rampike 15/1 _____________________________________________________________________________________________ INDEX Paul Dutton: “Narcissus A, 7” p. 2 Editorial p. 3 Frank Davey: Interview p. 4 Frank Davey: “Postcards from the Raj” p. 12 Jeanette Lynes: “Frank” p. 17 Michael & Linda Hutcheon: Interview p. 18 Joyce Carol Oates: “The Writer’s (Secret) Life” p. 22 Paul Hegedus: Two Poems p. 29 Darren Wershler-Henry: from The Iron Whim p. 30 Robert Dassanowsky: Three Poems p. 35 George Bowering: “Sworn to Secrecy” p. 36 Gregory Betts “The Geopoetics of Tish” p. 42 Jürgen O. Olbrich: Two Texts p. 55 rob mclennan “Notes on a Day Book” p. 56 Charles Bernstein: Argotist Interview p. 58 Brian Edwards: “Ce n’est pas la guerre!” p. 62 Penn Kemp: “Night Orchestra” p. 66 Matthew Holmes: Two Texts p. 68 Carl Peters: “Writing Should Not Sound Like Writing” p. 70 D. King: “Driving Wheel” p. 72 Louis Cabri: “Foamula” p. 74 Nicole Markotic: Two Poems p. 76 Sandra Alland: Six Poems p. 78 Stan Rogal: “The Celebrity Rag” p. 80 Tanis MacDonald “Practice Lessons” p. 82 Sarah Bonet: “VIP at liquid” p. 83 Anne Walker: 3 Poems p. 84 Lindsey Bannister: “The Tombstone Vandal” p. 85 Photos from the Conference p. 88 1 Rampike 15/1 _____________________________________________________________________________________________ ”NARCISSUS A, 7” BY PAUL DUTTON 2 Rampike 15/1 _____________________________________________________________________________________________ Editorial: This issue of Rampike is dedicated to Frank Davey in response to the conference on “Poetics and Popular Culture” held in his honour at the University of Western Ontario (2005). Keynote speakers at that gathering included Charles Bernstein, Lynette Hunter, and Smaro Kamboureli. -
I Make Contact: Contributive Bookselling and the Small Press In
i Make Contact: Contributive Bookselling and the Small Press in Canada Following the Second World War Cameron Alistair Owen Anstee A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Literature Department of English Faculty of Arts University of Ottawa © Cameron Alistair Owen Anstee, Ottawa, Canada, 2017 ii Abstract This dissertation examines booksellers in multiple roles as cultural agents in the small press field. It proposes various ways of understanding the work of booksellers as actively shaping the production, distribution, reception, and preservation of small press works, arguing that bookselling is a small press act unaccounted for in existing scholarship. It is structured around the idea of “contributive” bookselling from Nicky Drumbolis, wherein the bookseller “adds dimension to the cultural exchange […] participates as user, maker, transistor” (“this fiveyear list”). The questions at the heart of this dissertation are: How does the small press, in its material strategies of production and distribution, reshape the terms of reception for readers? How does the bookseller contribute to these processes? What does independent bookselling look like when it is committed to the cultural and aesthetic goals of the small press? And what is absent from literary and cultural records when the bookseller is not accounted for? This dissertation covers a period from 1952 to the present day. I begin by positing Raymond Souster’s “Contact” labour as an influential model for small press publishing in which the writer must adopt multiple roles in the communications circuit in order to construct and educate a community of readers. -
Docuitnresune
DOCUitnRESUNE ED 1.18 513 SO 008 920 AUTHOR Jelinek, James John TITLE Principles and Values in School and SoCiety: The Fourth Yearbook of-the Arizona Association for Supervision and Curriculum Development. ySTITUTION Arizona Association for Supervision and Curriculum Development. PUB DATE 76 NOTE 192p.; For a related document, see SO*008 919 AVAILABLE FROM Dr. James John Jelinek, Editor of Yearbooks, Arizona Association for Supervision and Curriculum Development, C011 ge of Education, Arizona State University, Tempe Arizona 85281 ($15300 paper) EDRS PRICE MF-$0.83 PlusPoste,HC Not Available from EDRS. DESCRIPTORS' *Curriculum Development; Educational Needs; Educational Philosophy; Elementary Secondary Education; Foundations of Education; Higher Education; Humanistic Education; *Moral Development; Moral VaIties; Problem Solving; *Social Sciences; *Values; Yearbooks e .ABST.11,,g2 This yearbook records some basic ideas on values education which the author previously presented to lay and professional audiences. The first part of the doiFument focuses on the formulation of problems\and principles. A principle is defined as ,a solution to a problem. Seventy principles are identified and listed. Zor example, one principle is an attitude--if conflict among forms of behavior rages within the individual, then attitudes emerge. The second part examines values-and the nature of human values, andlists 797 values in school and society. The last part of the document places the 70 principles and 797 values into the contexts of materials on the formation of problems and solutions, theidentifying and learning of human values, leatning, objectives, creativity, criteria for the evaluation of schools, criteria of philosophy and objectives of schools and the school and community for use in the accreditation of schools,'outcomes of training as contrasted 111-1.11 teaching, and processes of humanization/dehumanization in the schools. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Pilot Schooner ALABAMA (ALABAMIAN) HAER No
Pilot Schooner ALABAMA (ALABAMIAN) HAER No. MA-64 Vineyard Haven Martha's Vineyard Dukes County Li A ^ ^ Massachusetts ' l PHOTOGRAPHS REDUCED COPIES OF MEASURED DRAWINGS WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Engineering Record National Park Service Department of the Interior Washington, DC 20013-7127 HISTORIC AMERICAN ENGINEERING RECORD Pilot Schooner ALABAMA (ALABAMIAN) HAER No. MA-64 Rig/Type of Craft: 2-masted schooner; mechanically propelled, sail assisted Trade: pilot vessel Official No.: 226177 Principle Dimensions: Length (overall): 88.63' Gross tonnage: 70 Beam: 21.6* Net tonnage: 35 Depth: 9.7' Location: moored in harbor at Vineyard Haven Martha's Vineyard Dukes County Massachusetts Date of Construction: 1925 Designer: Thomas F. McManus Builder: Pensacola Shipbuilding Co., Pensacola, Florida Present Owner: Robert S. Douglas Box 429 Vineyard Haven, Massachusetts 02568 Present Use: historic vessel Significance: ALABAMA was designed by Thomas F. McManus, a noted fi: schooner and yacht designer from Boston, Massachusetts. She was built during the final throes of the age of commercial sailing vessels in the United States and is one of a handful of McManus vessels known to survive. Historian: W. M. P. Dunne, HAER, 1988. Schooner Alabama HAER No. MA-64 (Page 2) TABLE OF CONTENTS Prologue 3 The Colonial Period at Mobile 1702-1813 5 Antebellum Mobile Bar Pilotage 10 The Civil War 17 The Post-Civil War Era 20 The Twentieth Century 25 The Mobile Pilot Boat Alabama, Ex-Alabamian, 1925-1988 35 Bibliography 39 Appendix, Vessel Documentation History - Mobile Pilot Boats 18434966 45 Schooner Alabama HAER No. MA-64 (Page 3) PROLOGUE A map of the Americas, drawn by Martin Waldenseemuller in 1507 at the college of St. -
All About Mentoring Issue 54 Autumn 2020
ALL ABOUT MENTORINGA PUBLICATION OF SUNY EMPIRE STATE COLLEGE Issue 54 • Autumn 2020 ALL ABOUT MENTORING Issue 54 • Autumn 2020 ALL ABOUT MENTORING ISSUE 54 AUTUMN 2020 Alan Mandell College Professor of Adult Learning and Mentoring Editor Karen LaBarge Senior Staff Assistant for Faculty Development Associate Editor PHOTOGRAPHY The quotes sprinkled throughout this issue of All Photos courtesy of Stock Studios, About Mentoring offer us a glimpse of the ideas and and faculty and staff of SUNY Empire State College, perspectives of Arthur Chickering, founding academic unless otherwise noted. vice president of SUNY Empire State College, whose contributions over decades and decades have left COVER ARTWORK such an indelible mark on so many individuals and By Donna Gaines Triune (Art on Neptune), 2015 institutions interested in students’ learning and their 32” H x 22.5” W, development. (Please see more information about Acrylic/spray paint/ dirt/found plywood Chickering’s work and impact on page 123.) Photo credit: James Graham PRODUCTION Kirk Starczewski Director of Publications Janet Jones Office Assistant 2 (Keyboarding) College Print Shop Send comments, articles or news to: All About Mentoring c/o Alan Mandell SUNY Empire State College 325 Hudson St., 5th Floor New York, NY 10013-1005 646-230-1255 [email protected] Special thanks: Thanks, as always, to our whole SUNY Empire State College community for voices and ideas that make this publication, and so much else, possible. 1 TABLE OF CONTENTS Editorial — Our World ................................................................ 2 Art and Activism at SUNY Empire State College ....................80 Alan Mandell, Manhattan and Saratoga Springs Menoukha Robin Case, Mentor Emerita, Saratoga Springs Connecting Community Scholarship and Service .................. -
Contributors
Contributors Anything that might be said about the ALBERTA RESEARCH GROUP (ARG) up to now can be found in the ARG's "Manifesto to Contest the Manifesto Contest." Otherwise, their mission is simple: raise four billion dollars. Exactly how they will achieve this is being explored right now at <albertaresearchgroup.wordpress.com>. ARG ! GREG BACHAR lives in Seattle. DEREK BEAULIEU is the author of five books of poetry (most recently the visual poem suite silence), two volumes of conceptual fiction (most recently the short fiction collection How to Write) and over 150 chapbooks. He is the publisher of small presses housepress (1997-2004) and no press (2005- present), and the editor of several small magazines in Canada. See n of the Crime, forthcoming from Snare, is a collection of criticism on contemporary poetry and poetics. beaulieu has performed his work at festivals and universities across Canada, the US, and Europe. GREGORY BETTS is the author of four books of poetry, and the editor of four books of early Canadian experimental writing. His "plunderverse" epic, The Others Raisd in Me (Pedlar Press 2009), was a finalist for the ReLit Award 2010, and he is the 2010 recipient of the International Journal of Canadian Studies's Jean-Michel Lacroix Award for the best article on a Canadian subject. Betts recently completed a literary history of early Canadian avant-gardism. He teaches literature at Brock University in St. Catharines, Ontario. SABINE BITTER and HELMUT WEBER, Vienna and Vancouver-based artists, work on projects addressing cities, architecture, and the politics of representation and of space. -
THE ANGLE: Summer 2021 (Info Edition)
THE ANGLE N E W S L E T T E R > S U M M E R 2 0 2 1 > I N F O E D I T I O N PRESIDENT'S MESSAGE: CONGRESS 2022 PLANNING BEGINS GREGORY BETTS Welcome to The Angle’s “Information Issue.” In this issue you will find all of the reports that were circulated at the Annual General Meeting on Tuesday 2 June 2021, as well as some initial documents in preparation for the next annual meeting in 2022. Before we get to that, though, I want to take a moment to thank the 226 people who attended our conference this year. Under extremely trying circumstances, the over 260 presentations and performances led a robust network of discussions on so many essential topics. It was good to see so many people, even virtually, after the cancelled Congress the previous year. Many were missing, but important work was done. A special thanks to the Board members who rose to the occasion, and especially to Erin Knight who steered us through. As reported previously, ACCUTE established an Equity Statement this year that gives concrete guidance to the equity and justice values and ambitions of the association. Please read the Equity Statement here. I hope it will be immediately useful in planning ACCUTE is seeking poetry submissions for the Fall issue of The Angle. Contact [email protected] for details. S U M M E R 2 0 2 1 : I N F O E D I T I O N future events, panels, and papers at ACCUTE both inside Congress and beyond. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
University of Huddersfield Repository
University of Huddersfield Repository Crump, Simon and Stewart, Michael I You He She It - Experiments in Viewpoint Original Citation Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7 This version is available at http://eprints.hud.ac.uk/31523/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ I YOU HE SHE IT Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2017 Text © 2017 all named authors and Editor Simon Crump. This work is licensed under a Creative Commons Attribution 4.0 International License Images © as attributed Every effort has been made to locate copyright holders of materials included and to obtain permission for their publication. -
Beyond the Black Waters : a Tale
EYO THE *vM WATERS 4 LOE ^mmmw^ COLUNCWOOD & BaYNES' FOUNDATION \ \ I J,CCCCU-J cut &fiOy*n. \m*- WXXtAf*&XtttfM?& Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/beyondblackwaterOOaloeiala / wonid u-tf you everythi ,' s<ttd Oscar, ' were not your peace di a re r to than my own.'" Page 117. Beyond The Black Waters By A. L. O. E. • govt in the tetter with a hand thul dui not tremble. I'age its T. Nelson and Sons London, Edinburgh, and Ne« York Beyond the Black Waters A Tale H. %. ©. £„ Author of " Pictures of St. Peter in an English Home," " Driven into Exile," " Harold's Bride," "War and Peace," &c. &c. XonDon THOMAS NELSON AND SONS 35 Paternoster Row EDINBURGH, AND NEW YORK I89O Stack ftnnex Ffc. yooo y&vzf&tz. The title of this work would probably convey no definite idea to the minds of most Europeans ; it might be con- sidered as merely a figurative expression. It is other- wise with the native of Hindostan. The Black Waters are to him those that cut off from happiness and home the criminals of that vast region to which he belongs. Beyond the Black Waters lie the Andaman Islands, where, at the present time, about thirteen thousand convicts of both sexes—thieves, murderers, and mur- deresses — endure the punishment of exile, the due reward of their crimes. A kind of mysterious pall seems to hang over the isles beyond the Black Waters. The convicts are under Government protection and Government control ; nor can there be communication with them (at any rate with those confined in jail) without Government permission.