I Make Contact: Contributive Bookselling and the Small Press In

Total Page:16

File Type:pdf, Size:1020Kb

I Make Contact: Contributive Bookselling and the Small Press In i Make Contact: Contributive Bookselling and the Small Press in Canada Following the Second World War Cameron Alistair Owen Anstee A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Literature Department of English Faculty of Arts University of Ottawa © Cameron Alistair Owen Anstee, Ottawa, Canada, 2017 ii Abstract This dissertation examines booksellers in multiple roles as cultural agents in the small press field. It proposes various ways of understanding the work of booksellers as actively shaping the production, distribution, reception, and preservation of small press works, arguing that bookselling is a small press act unaccounted for in existing scholarship. It is structured around the idea of “contributive” bookselling from Nicky Drumbolis, wherein the bookseller “adds dimension to the cultural exchange […] participates as user, maker, transistor” (“this fiveyear list”). The questions at the heart of this dissertation are: How does the small press, in its material strategies of production and distribution, reshape the terms of reception for readers? How does the bookseller contribute to these processes? What does independent bookselling look like when it is committed to the cultural and aesthetic goals of the small press? And what is absent from literary and cultural records when the bookseller is not accounted for? This dissertation covers a period from 1952 to the present day. I begin by positing Raymond Souster’s “Contact” labour as an influential model for small press publishing in which the writer must adopt multiple roles in the communications circuit in order to construct and educate a community of readers. I then examine the bookseller catalogue as a bibliographic, critical, and pedagogical genre of publication that mediates productive encounters between readers and books. I next position the material, affective, and effective labour of the bookseller within the small press gift economy. Finally, I theorize the bookstore as a potential small press archive that functions as a viable counterweight to institutional collection and preservation. My reconsideration of the labour of the bookseller realigns relations between production, distribution, reception, documentation, and preservation of iii small press publications, making possible a more complete accounting of the histories of the book and of the small press in Canada. iv Acknowledgements Thank you to my supervisor, Dr. Robert Stacey, for patience, encouragement, insight, advice, and for reading many, many drafts of these (and other) chapters. Where this work transcends my habits and limitations as a scholar, it is because of your guidance. Thank you to my dissertation committee, Dr. Ina Ferris and Dr. David Staines, for your belief in this project and for your generous feedback. Thank you to my examiners, Dr. Jennifer Blair and Dr. Gregory Betts, for your thoughtful and engaged reports and questions, and for taking the time to read and consider my work. Thank you to Dr. Marc Charron for chairing my dissertation defence. Your support has been invaluable. For funding and financial assistance, thank you to the Social Sciences and Humanities Research Council and the Ontario Graduate Scholarship Program, and at the University of Ottawa, thank you to the Department of English, the Faculty of Arts, the Faculty of Graduate and Postdoctoral Studies, and the Graduate Students Association. Elements of this research were published in Journal of Canadian Studies / Revue d’études canadiennes, Amodern, and the Routledge Encyclopedia of Modernism; thank you to the editors and readers at each. For tireless patience and invaluable work, without which I could not have navigated this program or completed this project, thank you to the exceptional administrative team of the Department of English: Nadine Mayhew, Elizabeth White, and Philippe Villeneuve. Thank you to the Directors of Graduate Studies in the Department of English I have been lucky to have during my time in the program: professors Victoria Burke, Anne Raine, Lauren Gillingham, and Jennifer Panek. For classes, comprehensive exams, conversations, employment, and many kindnesses, thank you to professors Tom Allen, Gefen Bar-on Santor, Jennifer Blair, James v Brooke-Smith, Victoria Burke, Ian Dennis, Janice Fiamengo, Lauren Gillingham, Craig Gordon, Elena Ilina, David Jarraway, Gerald Lynch, Irene Makaryk, Seymour Mayne, Jennifer Panek, Bernard Radloff, Anne Raine, Geoff Rector, Cynthia Sugars, Andrew Taylor, Trevor Tucker, and Keith Wilson. For solidarity and support (moral, intellectual, and otherwise), thank you to the graduate students that I shared this program with at various stages: Zachary Abram, Tania Aguila Way, Robin Anderson, Jennifer Baker, Ruth Bradley-St-Cyr, Tim Clarke, Marie Comisso, Jody Cooper, Stefanie Duerr, Paul Graves, Neil Hackler, Caroline Holland, Jack Horton, Kja Isaacson, Aaron Kaiserman, Erin Kean, Breanna Keeler, Andrew Loeb, Sandra MacPherson, Nick Milne, Amanda Montague, Krista Murchison, Chance Pahl, Cory Sampson, Arby Siraki, Karenza Sutton-Bennett, Rory Tanner, Lisa Templin, Laura Van Dyke, and Anne Sophie Voyer. For research support, books, conversations, letters, and other acts of generosity, thank you to Tavis Apramian, Nelson Ball, derek beaulieu, Amanda Bernstein, Valerie Bherer, Jeff Blackman, Bridgette Brown, Bill Cameron, Jason Camlot, Barbara Caruso, Michael Casteels, Richard Coxford, jwcurry, Melissa Dalgleish, Dana Dragunoiu, Nicky Drumbolis, Christopher Doody, Donna Dunlop, Peter Gibbon, Michael Gnarowski, Lisa Greaves and all at Octopus Books, William Hawkins, Jennifer Henderson, Dean Irvine, Sara Jamieson, Joe Labine, Ben Ladouceur, Colin Martin, Liam McGahern, rob mclennan, Christine McNair, Jay MillAr, Justin Million, Christine Mitchell, Alexander Monker, Dan Mozersky, Michael Nardone, Michèle Rackham Hall, Stuart Ross, Marvin and Ruth Sackner, Eric Schmaltz, Karis Shearer, Jim Smith, Raymond Souster, Rick Stapleton (McMaster University Library), Steven Temple, Jennifer Toews (Thomas Fisher Rare Books Library), Collett Tracey, Bart vi Vautour, Jeff Weingarten, Grant Wilkins, Grant Williams, as well as dozens of booksellers and too many members of Canada’s small press community to list. My apologies and thanks to anyone that I have neglected to include here. For a house full of books growing up, for hours spent in bookstores, for the “Anstee” discount when I started going to bookstores on my own, and for a lifetime of love and support through this and other projects, thank you to my family: Mom, Dad, Caitlin, Darren, Spencer, Julia, Jessie, Gram and Granddad Anstee, Gram and Granddad Brown, Dana, Mike, and all in our extended family. Finally, for a home full of unconditional love, for listening, for talking, for challenging me, for patience through every detour to every bookstore, for encouragement through the good and the bad, for reminding me that there is a world outside of this dissertation, for making that world a wonderful and exciting place to be, and for your honesty, care, and good hearts, thank you to Jenn, Beans, and Mae. This dissertation could not have been written without you. I dedicate this dissertation to Jenn, to Mom and Dad, and to Raymond Souster. vii Table of Contents Abstract .................................................................................................................................... ii. Acknowledgements ................................................................................................................. iv. Table of Contents ................................................................................................................... vii. List of Figures ....................................................................................................................... viii. Introduction: “the gesture made by a future reader” ........................................................................................1 Chapter One: Defining the Small Press: Raymond Souster’s “Contact” Paradigm .................................................................................27 Chapter Two: “i’m here to support the continuum”: Contributive Bookselling and the Bookseller Catalogue as Small Press Labour ....................73 Chapter Three: “Community not commodity”: Bookselling and the Small Press Gift Economy ....................................................................124 Chapter Four: “it should be gathered together somewhere”: The Small Press Bookseller as Minor Archivist and Curator ................................................168 Conclusion: “what will happen to these books” .........................................................................................215 Appendix A: The Contact Poetry Reading Series: Readers, Locations, Dates ...........................................225 Appendix B: Nelson Ball’s Bookseller Catalogues: A Bibliography .........................................................228 Appendix C: A Gallery of Images ...............................................................................................................237 Works Cited ...........................................................................................................................251 viii List of Figures Fig. 1: Cover, Contact 2.1 (November-January 1952-1953). 226 Fig. 2: Title Page, Contact 2.1 (November-January 1952-1953). 227 Fig. 3: Cover/First Page, Combustion 8 (November
Recommended publications
  • Book Expo 2018 Javits Center Wednesday, May 30 9:15 Am
    Book Expo 2018 Javits Center Wednesday, May 30 9:15 am Thanks Oren, for your kind introduction. I am pleased and honored to be here to talk about Barnes & Noble, and more importantly, how I see the future of the book industry as we turn yet another corner in our dynamic marketplace. I am also here to talk about our mutual love of books, and our shared passion for bookselling. Let me begin with a couple of thoughts I believe all in this room should agree upon. There could never be too many bookstores in America. Bookstores of any stripe, including small and large independent stores; super bookstores and multi-unit organizations such as ours; specialty bookstores; book departments in chain stores; book racks in discount stores and book kiosks in airports. It follows we need to open more stores than we close. Barnes & Noble intends to do its part. Individually and collectively, our bookstores are the place where demand is created because we are the showrooms for the publishing industry. More bookstores equal more demand, and 1 more bookstores lead to a more informed public, and a healthier and more upwardly mobile society. For those of us who own, operate, or work in bookstores, we are privileged to be participants in this important profession. The more bookstores the better. No one is more pleased than I am that independent bookstores are opening their doors again. I do not see them as being in mortal competition with Barnes & Noble any more than we were in competition with them when we were opening 50 stores each year.
    [Show full text]
  • Introduction
    Introduction Imagine you’re invited to a party. You arrive at the venue, slip past security, and Margaret Atwood is there; so are Michael Ondaatje, Anne Carson, and Dionne Brand. CanLit’s luminaries surround you, and having never brushed elbows with so many prominent writers, you turn paparazzi and start taking photographs in earnest. Point and click—easy to tell who monopolizes the spotlight and who falls back. It’s only once you focus manually, looking for an unconventional angle, that you begin to notice others: a younger, more anonymous crowd pushing at the margins, trying to bypass the guest list. So you raise your camera to include them too, at least those close enough to see clearly. Some of the shots will turn out perfectly—balanced composition, candid expressions that capture the palpable energy of the event. Some won’t. The blur of time will seep in, poor exposure rendering the photographs unusable. You might think I’m describing a Griffin Poetry Prize gala. I am, of course, but this is also the plight of prospective anthologists. Working without the benefit of hindsight, anthologists are responsible for scouting talent in little magazines, hard-to-find books, and critical periodicals. Canonization is a gamble, and time and time again Canadian editors have either gone all in or hedged their bets, offering up both generation defining compilations and remixed versions of established texts. With New Provinces, F.R. Scott curated 13 The Next Wave the first essential anthology of Canadian poetry in 1936. Providing a platform for future icons like E.J.
    [Show full text]
  • Alexander Literary Firsts & Poetry Rare Books
    ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band.
    [Show full text]
  • The Mathematics of Bookselling : a Monograph Pdf, Epub, Ebook
    THE MATHEMATICS OF BOOKSELLING : A MONOGRAPH PDF, EPUB, EBOOK Leonard Shatzkin | 112 pages | 01 Dec 1997 | Idealogical Press | 9780878380251 | English | United Kingdom The Mathematics of Bookselling : A Monograph PDF Book We specialize in building quality collections and welcome offers of individual books or collections for purchase or sale on consignment. Any store routinely dealing directly with more than 20 publishers and distributors will almost certainly improve their financial performance by cutting that back and consolidating. I carefully grade all my books, and have concern for the needs of both the collector of rare books and those wishing to purchase less common books at good prices. Forgot password? What would have happened? Search within book. This chapter discusses the history of bookselling in Ireland before the 17th century. Currently we have over 15, books listed and have approximately another , yet to inventory and list. Fireside Bookshop is now based in Littlehampton in West Sussex. In fact, if you think about that for even a couple of minutes, it seems nuts. Our online address is www. Only after repeated pleadings from his comrades, particularly the late Shloime Mendelsohn, did he agree to attempt it. Solutions that were immediate, practical, and necessary. We specialize in quality, scholarly books in the sciences, humanities and religion. Books and, ultimately, other content too will be merchandised in unique ways across countless web sites curating and presenting content choices for their own communities and audiences. We have very good customer service. Authors of talent, vision, and intellect would find it more difficult to be published than ever before.
    [Show full text]
  • The Lovely Serendipitous Experience of the Bookshop’: a Study of UK Bookselling Practices (1997-2014)
    ‘The Lovely Serendipitous Experience of the Bookshop’: A Study of UK Bookselling Practices (1997-2014). Scene from Black Books, ‘Elephants and Hens’, Series 3, Episode 2 Chantal Harding, S1399926 Book and Digital Media Studies Masters Thesis, University of Leiden Fleur Praal, MA & Prof. Dr. Adriaan van der Weel 28 July 2014 Word Count: 19,300 Table of Contents Introduction .................................................................................................................................................................... 3 Chapter One: There is Value in the Model ......................................................................................................... 10 Chapter Two: Change and the Bookshop .......................................................................................................... 17 Chapter Three: From Standardised to Customised ....................................................................................... 28 Chapter Four: The Community and Convergence .......................................................................................... 44 Conclusion .................................................................................................................................................................... 51 Bibliography: ............................................................................................................................................................... 54 Archival and Primary Sources: .......................................................................................................................
    [Show full text]
  • Moravian Publication Office
    M O R A V I A N A R C H I V E S Inventory of the records of the Moravian Publication Office 1823 – 1964 MPO Pauline Fox 2012 History The history of bookselling in Bethlehem began in 1745 when the Moravian Church appointed Samuel Powell, landlord of the Crown Inn on the south bank of the Lehigh River, to also manage the new "Bethlehem Buchladen." Eventually the book store, and other branches dealing with printed materi- al, centered near Main Street on the north side of the river. The first established printing press in Bethlehem began operation in 1830, providing local newspapers and advertising. The first official Moravian publication to be issued was the quarterly "Missionary Intelligencer", from 1822 to 1849, edited by the Rev. Henry Van Vleck and printed in New York City. It was then continued as the monthly "Moravian Church Miscellany" from 1850 to 1855. In 1856 a new and expanded weekly "The Moravian" was introduced, with a joint editorial board of Edmund de Schweinitz, L.F. Kampmann, and F. F. Hagen. At first the printing was done in Philadelphia, then transferred to Bethlehem at the end of 1858. The priority of publication of materials for worship, education and commu- nication was stated in the Resolutions of the 1864 Provincial Synod (Northern District) of the Moravian Church: that "a strenuous effort" should be made to create a printing/publication establishment whenever the Provincial Elders deemed "such a step practicable." The cause of publica- tions was strongly supported by Rev. Sylvester Wolle, who was Treasurer of the Provincial Elders Conference and worked in the Publication Office dur- ing the 1860s.
    [Show full text]
  • State of Bookselling 2020 Survey
    1 P1: Thank you for dedicating some time to fill out this survey. This survey asks booksellers in Canada questions about their businesses and experiences in the book industry supply chain, focusing on independent bookstores in the trade market. Please be as forthcoming as possible, your answers will enable data-driven decision-making across the industry and inform all those interested in the state of bookselling in Canada. BookNet Canada will send all participants an advance digital copy of the study before the public release in the fall. Sections: ● Introduction ● About you and your bookstore ● Systems ● Ordering, returns, and operations ● Marketing and promotions ● Financial sections ● Operating expenses ● Revenue/sales and profit ● COVID-19 ● Big picture ● Conclusion How your data is used: Personal identifying information (name, email, store/company, and role) is gathered for follow up and response tracking, and is not shared outside of BookNet Canada. Data will only be released in aggregate form and all responses will be kept completely anonymous. You can read more in our Privacy Policy here. Instructions: Please provide as much information as possible and to the best of your ability. ● For some sections, in particular the financial section, you will need your Income Statements from both 2020 and 2019 (via your accounting software). ● You will also need access to your POS system for various analytics. ● When asked about figures from 2020, use the data you have that begin nearest to January 1, 2020 and end nearest to December 31, 2020 (1/1/20 – 12/31/20). ● When asked for specific numbers, provide round numbers (for percentages or dollar amounts) unless otherwise indicated.
    [Show full text]
  • Open Letter Expresses Its Gratitude to the Ontario Arts Council OPEN LETTER Tenth Series, No
    Open Letter expresses its gratitude to the Ontario Arts Council OPEN LETTER Tenth Series, No. 4, Fall 1998 which last year awarded $5,500 bpNichol + 10 in support of its publications Open Letter acknowledges the support of the Canada Council for the Arts which last year invested $7,100 in our organization Open Letter remercie de son soutien le Conseil des Arts du Canada qui lui a accordé $7,100 l’an denier Contents bpNichol + 10 FRANK DAVEY 5 Coach House Letters DAVID ROSENBERG 14 st. Ink BILLY LITTLE 23 Nicholongings: because they is LORI EMERSON 27 False Portrait of bpNichol as Charles Lamb STEVE MCCAFFERY 34 A correction to David Rosenberg’s article “Crossing the Border: A Coach Argument for a Secular Martyrology House Memoir” (Open Letter Series 9, No. 9): David Rosenberg writes, DARREN WERSHLER-HENRY 37 “Abstract Expressionism was the movement I alluded to in ‘Crossing the The bpNichol Archive at Simon Fraser University Border: A Coach House Memoir.’ That it became ‘Im’ in print is a GENE BRIDWELL 48 Freudian slip: I was perhaps overly impressed with my point.” Sounding out the Difference: Orality and Repetition in bpNichol SCOTT POUND 50 flutterings for bpNichol STEVEN SMITH 59 Nickel Linoleum CHRISTIAN BÖK 62 Extreme Positions ROBERT HOGG 75 An Interview with Steve McCaffery on the TRG PETER JAEGER 77 for bpNichol: these re-memberings DOUGLAS BARBOUR 97 Artifacts of Ecological Mind: bp, Gertrude, Alice DAVID ROSENBERG 109 bpNichol is alive and well and living in Bowmanville, ON STEPHEN CAIN 115 “Turn this Page”: Journaling bpNichol’s The Martyrology and the Returns ROY MIKI 116 Contributors 134 6 Open Letter 10:4 Wittgenstein.
    [Show full text]
  • Bookselling for Britain a Manifesto from the Booksellers Association
    Bookselling for Britain A Manifesto from the Booksellers Association JN03_16_A4_Lobbying_V06_AW.indd 1 22/01/2016 15:50 Bookselling for Britain The book industry makes an important and positive social, economic and cultural contribution to the United Kingdom. British society has for centuries been founded on the belief that access to information and knowledge is a force for good. The book industry turns this aspiration into reality contributing to the liberal, inclusive values of all Britons. Bookselling helps underpin excellence in education and research, promotes literacy and reading for pleasure, develops present and future authors and writers, while preserving those of the past, and helps drive innovation and excellence in new forms of reading. Books enrich our culture, and help inspire other creative sectors – like theatre, cinema, television and music. Given the range of its impact across so many lives, the book industry is well placed to help Government deliver its aims across a range of areas, including; Ensuring school children achieve higher levels of literacy and numeracy. Helping consumers to access creative content in a safe online environment. Maintaining the UK’s world class research and higher education community. Helping the UK make the most of technological innovation. Helping the UK’s high streets to thrive and stay vibrant. The Booksellers Association (The BA) proposes the following measures for consideration by Government. We believe they will help ensure we maintain a strong, prosperous book industry, capable of working with all interested parties in delivering a highly literate and skilled workforce, a well-supported academic and scientific research base, and globally recognised innovative businesses able to compete for Britain in the global race in the 21st Century.
    [Show full text]
  • By Frank Davey
    Rampike 15/1 _____________________________________________________________________________________________ INDEX Paul Dutton: “Narcissus A, 7” p. 2 Editorial p. 3 Frank Davey: Interview p. 4 Frank Davey: “Postcards from the Raj” p. 12 Jeanette Lynes: “Frank” p. 17 Michael & Linda Hutcheon: Interview p. 18 Joyce Carol Oates: “The Writer’s (Secret) Life” p. 22 Paul Hegedus: Two Poems p. 29 Darren Wershler-Henry: from The Iron Whim p. 30 Robert Dassanowsky: Three Poems p. 35 George Bowering: “Sworn to Secrecy” p. 36 Gregory Betts “The Geopoetics of Tish” p. 42 Jürgen O. Olbrich: Two Texts p. 55 rob mclennan “Notes on a Day Book” p. 56 Charles Bernstein: Argotist Interview p. 58 Brian Edwards: “Ce n’est pas la guerre!” p. 62 Penn Kemp: “Night Orchestra” p. 66 Matthew Holmes: Two Texts p. 68 Carl Peters: “Writing Should Not Sound Like Writing” p. 70 D. King: “Driving Wheel” p. 72 Louis Cabri: “Foamula” p. 74 Nicole Markotic: Two Poems p. 76 Sandra Alland: Six Poems p. 78 Stan Rogal: “The Celebrity Rag” p. 80 Tanis MacDonald “Practice Lessons” p. 82 Sarah Bonet: “VIP at liquid” p. 83 Anne Walker: 3 Poems p. 84 Lindsey Bannister: “The Tombstone Vandal” p. 85 Photos from the Conference p. 88 1 Rampike 15/1 _____________________________________________________________________________________________ ”NARCISSUS A, 7” BY PAUL DUTTON 2 Rampike 15/1 _____________________________________________________________________________________________ Editorial: This issue of Rampike is dedicated to Frank Davey in response to the conference on “Poetics and Popular Culture” held in his honour at the University of Western Ontario (2005). Keynote speakers at that gathering included Charles Bernstein, Lynette Hunter, and Smaro Kamboureli.
    [Show full text]
  • 1 Revised Aug. 29, 2019
    1 Revised Aug. 29, 2019 Upheaval & Reconstruction | October 17 – 20, 2019 | MSATORONTO2019.ORG 2 Table of Contents IntroDuction from the Local Hosting Committee ...................................................................................................... 3 Sponsors ................................................................................................................................................................... 4 MSA Toronto 2019 at a Glance ................................................................................................................................. 5 Plenary Sessions ........................................................................................................................................................ 6 Social anD Cultural Events ......................................................................................................................................... 7 LanD AcknowleDgement ........................................................................................................................................... 9 Note on Accessibility ................................................................................................................................................. 9 ThursDay, October 17 ............................................................................................................................................. 10 FriDay, October 18 .................................................................................................................................................
    [Show full text]
  • The Berkeley Poetry Conference
    THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson.
    [Show full text]