DOCSLIB.ORG

Finding Form Art at Saint Mary's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Finding Form Art at Saint Mary's Summer 2007 . Finding Form Art at Saint Mary’s Your gift to the Annual Fund creates. Your gift could help a young woman... who has always dreamed in color... attend Saint Mary’s... where she will learn theories and techniques… and study the ideas and events… that have inspired expression through the ages… ideas that will change her perspective… and give her the power… to change the perspective of others. The Annual Fund A Larger Canvas Gifts to the Annual Fund help provide fifinancial nancial aidaid andand scholarshipsscholarships toto SaintSaint Mary’sMary's students.students. NineNine out out of ten Saint Mary’sMary's studentsstudents receivereceive somesome kindkind ofof fifinancial nancial assistance.assistance. YourYour contribution,contribution, largelarge oror small, small, makes a difference! Please support the Annual Fund by making a gift onlineonline atat www.saintmarys.eduwww.saintmarys.edu oror byby callingcalling (800)(800) SMC-8871.SMC-8871. tableof contents Volume 82, Number 2 Summer 2007 FEATURES Courier (USPS 135-340) is published four times a year by Saint Mary’s College, Notre Dame, IN 46556-5001. 4 From Inspiration Periodicals postage paid at the Post Offi ce at Notre Dame, IN 46556 to Installation and at additional mailing offi ces. POSTMASTER: Send address changes by Scot Erin Briggs to Alumnae Relations, Saint Mary’s College, 110 Le Mans Hall, Notre The fourth in a six-part series on the Dame, IN 46556-5001. College’s nationally accredited programs. Copyright 2007 Saint Mary’s College, Page 4 Notre Dame, IN 46556. Reproduction in whole or part is 10 The Artist’s Way prohibited without written permission. by Elizabeth Station The opinions expressed are those of the authors or their subjects and are Members of the Class of 2000 are making not necessarily shared by the College a life, and a living, in art. or the editor. Shari Rodriguez Vice President for College Relations 12 Master and Mentor [email protected] by Elizabeth Station Courier Staff: Scot Erin Briggs Art professor Billy Ray Sandusky shares Editor a painting project with students. [email protected] Page 8 Elizabeth Station 34 Portrait of the Artist Senior Writer Joya Helmuth as a Volunteer Graphic Designer by Julie E. McGranahan ’04 Photos by This art major shares her “unlikely, unique, Matt Cashore Ellen Dimino ’02 and exciting” way to use an art degree. Kelly Higgins ’08 Letters: Send letters to the editor to: 36 Commencement 2007 Courier Editor Supreme Court Justice Samuel A. Alito, Jr., Saint Mary’s College 303 Haggar College Center talked to graduates about The Constitution, Notre Dame, IN 46556 and their own constitution. Page 12 or e-mail [email protected] Class News: Send alumnae class news to: Alumnae News Editor 110 Le Mans Hall Saint Mary’s College Departments Notre Dame, IN 46556-5001 or e-mail [email protected] 2 Inside Saint Mary’s Alumnae Association Staff: Barbara Butler Henry ’85 3 Letters to the editor Director of Alumnae Relations [email protected] 7 Avenue news Michelle Poeppe Egan ’93 Assistant Director of Alumnae Relations 14 For the record [email protected] 16 Club news The Mission Saint Mary’s College is a Catholic, On the cover: residential, women’s college in the 18 Class news liberal arts tradition. A pioneer in the Leslie Lau ‘09 works with charcoal in Drawing I, education of women, the College is an 20 Excelsior academic community where women a broad foundation course. Within the art department, develop their talents and prepare to students work with a vibrant group of full-time faculty 32 Development news make a difference in the world. Founded by the Sisters of the Holy including Julie Tourtillotte, a fi bers artist; Marcia Rickard, an 44 Belles athletics Cross in 1844, Saint Mary’s promotes a life of intellectual vigor, aesthetic art historian; Krista Hoefl e, who explores design, video, and appreciation, religious sensibility, and digital media; Billy Ray Sandusky, a painter and printmaker; social responsibility. All members of the College remain faithful to this Doug Tyler, who teaches photography and new media; and mission and continually assess their Sandra Ginter, a ceramicist and sculptor. response to the complex needs and challenges of the contemporary world. Photo by Matt Cashore insidesaint mary’s Endless Possibilities By Julie Tourtillotte As one of the fi rst majors offered at the College, the art department has a long, rich history. The excellence of the program garnered the accreditation of the National Association of Schools of Art and Design (NASAD) beginning in 1974 and continuing today. Our alumnae certainly will remember some of the more rigorous requirements for the art major: semester portfolio reviews, the Advanced “W” and, of course, the senior comprehensive. The “comp” is easily the most challenging and rewarding experience for our students. It demands their best artwork in terms of form and concept and refi nes their research, communication, and presentation skills. And, as many of our graduates have confi rmed, this hallmark requirement of our program prepares them well for future success in graduate schools and their careers. Art alumnae will be proud to know that the art department has continued our commitment to a fi ne arts curriculum while expanding the courses we offer in digital/new media to include digital photography, video, beyond object and special topic courses in installation/video, the Web, and cyberfeminism. As we move forward in the 21st century, we have embraced new technologies while maintaining strength in traditional areas of painting, sculpture, ceramics, and fi bers. We believe that today’s successful artist requires fl exibility and experience in multiple art disciplines and the support of a strong, core liberal arts education. The art faculty is proudest of our students, both current and former. We love to celebrate the achievements of our alumnae and the diversity of our “art family” that includes K–12 teachers, college professors, museum curators and educators, graphic designers, medical illustrators, product designers, arts administrators, photographers, interior designers, gallerists, illustrators, studio artists, art directors, advertising executives, software trainers, Web designers, fashion designers, art therapists, event planners, muralists, business owners, book designers, buyers, marketers, consultants, and the list goes on. The possibilities prove endless with a Saint Mary’s art degree. Julie Wroblewski Tourtillotte ’82 is a Professor of Art and Chair of the Art Department. 2 COURIER | Summer 2007 lettersto the editor Dear Editor, Dear Editor, Thank you for the Spring 2007 My daughter is a junior at Saint Mary’s, a pre-med wonderful spring Courier student who has remained, since day one, happy about her focusing on science at Saint college choice. We both recently attended the Junior Moms’ Mary’s. I enjoyed reading Weekend, including a Saturday morning breakfast featuring how far science graduates President Carol Ann Mooney as the main speaker. We were have come and where future greeted at every turn by members of the development and graduates are heading. As alumnae department, and many of us assumed that we a 1999 biology BS graduate would be asked for a fi nancial commitment. I feel that Saint Mary’s Wom The President gave an excellent speech. Naturally she En + Scie ce = GreA he prepared me for my career n t C misTry talked about a vision for Saint Mary’s; one would expect that. in academic medicine A vision is a fun thing to craft, and not always implemented. and allowed me to have But she supported the vision by talking about what has confi dence in my abilities. actually been done, including, not just over the course It was wonderful to read of the rich history of Saint Mary’s College, but also its that so many young remarkable and current achievements that could only have women are choosing science as their been accomplished by strategic mapping. We mothers were course of study. Times are changing and impressed and hoped our daughters were listening intently. I am pleased to see that Saint Mary’s is contributing to This is your alma mater…be proud! the scientifi c forefront! Still, I expected the pitch for gifts, or a fi nancial Nicole Kraimer Strieter ’99, MSN, APRN-BC commitment to the College. And indeed we were asked to Boston, Mass. make a contribution, but not fi nancial. She asked all of us to be proud of Saint Mary’s, and, if we were, then to broadcast that pride far and wide. Every college needs fi nancial gifts to survive; but they also need student enrollment. With that, I Dear Editor, was further impressed. What a thrill to see almost an entire Courier issue devoted The career hats I have worn include high-end fundraising to the sciences at Saint Mary’s, specifi cally chemistry. for non-profi ts. In-kind gifts (and for colleges, student Although I majored in biology (BS, 1980), I still have fond enrollment) are important…but the reality remains it takes memories of Drs. Bambenek, Pilger, and Feigl. Qualitative, money to build programs, departments, and thus credibility quantitative chemistry, biochemistry, and organic and reputation. My Saint Mary’s canvas bag goes with me chemistry —the hours, the labs, the equations, the test tubes! everywhere and gives me that opportunity to talk about But more importantly, the ability to walk into their respective this fi ne college, far and wide. But Saint Mary’s is also in offi ces for further explanation or a friendly chat. You cannot my will. While we saved for our children’s education, we get that personal attention at just any college. could not have afforded the tuition that has allowed our In the “old days” (1976–1980), there was no “new” Science daughter to attend this special place.
Load more

Recommended publications
  • Het Bakske Beste Lezer
    Wekelijks gratis informatieblad van VTK Semester 2 week 1: 12 februari 2018 - 16 blz. - 750 ex. Het Bakske Beste lezer Na weken zweten, ploeteren en wanhopen, en nadien één miezerig weekje vakantie ter compensatie, zit het er op. Hopelijk heeft u genoten van de rust van de après-skies, en van de herwonnen vrijheid. Het feest houdt echter niet op. We vliegen er in met enkele openingsactiviteiten van formaat. Geniet van het nieuwe semster, van het hervonden Leuven en van een langverwacht bakske! Veel leesplezier De redactie ZONDAG 22u00 Openingsavond 2.0 ‘t ElixIr MAANDAG DINSDAG 20u00 Openingscantus 2 Waaiberg 12u45 VTK Bureau 8 ELEC B91.200 20u00 Speeddate MTC 00.03 WOENSDAG 22u00 Ladies night 't ElixIr DONDERDAG 20u00 Presentatie Camco Aud Eric Duval Praeseswoordje Eurosong. De sinds 1956 bestaande liedjeswedstrijd gaf ons prachtige parels en toonaangevende toppers. Van J'aime la vie, over Jennifer Jennings tot het idyllische Sanomi. En dan vergeet ik revolutionaire aspecten als de kniezwengel van Kate Ryan, de breedgebekte Xandee of de flik flak van Sergio die menig Vlaams huiskamer met verstomming heeft geslagen. In de ouwe tijd, toen enkel nog Jan, Pier, Tjoris en Corneel baarden droegen en niet Conchita Wurst (begrijp mij niet verkeerd, met wat beter trim- werk zou het er heel goed uitzien), toen hard rock nog gespeeld werd door monsters en Spring helemaal afgeknald werden in hun poging om mee te doen aan Eurosong, toen werden families gevormd door een simpele 3 uur durende wedstrijd van gekweel en gekwetter. We zouden allemaal iets moeten leren van Eurosong. Wist je trouwens dat democratie ontstaan is doordat iedereen mag stemmen op zijn favoriete artiest bij Eurosong? Maar er is nog progressie mogelijk.
    [Show full text]
  • DETROIT BUSINESS MAIN 02-05-07 a 9 CDB.Qxd
    DETROIT BUSINESS MAIN 02-05-07 A 9 CDB 2/2/2007 11:54 AM Page 1 February 5, 2007 CRAIN’S DETROIT BUSINESS Page 9 OTHER VOICES: How to rethink taxes and spending We need fundamental reforms keep calling for large-scale consoli- services than Michigan. Signifi- states tax beer at five times Michi- in how Michigan both spends and dation of business operations. cant sums could be raised by taxing gan’s rate of 2 cents per bottle. Oth- collects our taxes. Such ideas could gain traction if more items while lowering the rate. ers raise significant cash through This isn’t some obscure argu- state aid were tied to proven effi- Business tax: Lower the rate sales taxes on soda pop. It’s hard to ment best left to academics and bu- ciencies. and broaden the base. Fewer than imagine producing businesses leav- reaucrats. It’s at the core of such Critically examine public-sector 500 Michigan businesses pay more ing Michigan because our taxes on living room issues as the rising pay and benefits. Michigan taxpay- than a third of the entire single- unhealthy beverages are too high. costs of college, the dependability business tax. More than 80,000 A paper containing full discus- ers are on the hook for $35 billion in of your local cops and firefighters, businesses pay no SBT. sion of these ideas is online at unfunded public-sector pension and the security of your job. Graduate the income tax. Michi- www.thecenterformichigan.net. What to do? We have a choice. and health care costs.
    [Show full text]
  • Allemand a Venir…
    FRANCAIS PAGES DE 1 A 76 ANGLAIS PAGES DE 76 A 167 ITALIEN PAGES DE 167 A 177 PORTUGUAIS PAGES DE 177 A 180 ESPAGNOL PAGES DE 180 A 183 NEERLANDAIS PAGES DE 183 A 189 ALLEMAND A VENIR… FA 1716 CA IRA MON AMOUR 1789 FA 1714 POUR LA PEINE 1789 FA 1715 SUR MA PEAU 1789 FA 1717 JE VEUX LE MONDE 1789 F 0869 PARTIR UN JOUR 2 BE 3 F 0944 POUR ETRE LIBRE 2 BE 3 F 0006 EN BLUES JEANS ET BLOUSON D'CUIR ADAMO F 0727 MES MAINS SUR TES HANCHES ADAMO F 0728 UNE MECHE DE CHEVEUX ADAMO F 0729 INCH'ALLAH ADAMO F 0730 VOUS PERMETTEZ MONSIEUR ADAMO F 0731 TOMBE LA NEIGE ADAMO F 0732 A VOT' BON CŒUR ADAMO F 0733 LES FILLES DU BORD DE MER ADAMO F 0734 VIENS MA BRUNE ADAMO F 0735 TON NOM ADAMO F 0736 QUAND LES ROSES ADAMO F 0737 N'EST-CE PAS MERVEILLEUX ADAMO F 0738 LA NUIT ADAMO F 0739 UNE LARME AUX NUAGES ADAMO F 1917 MAUVAIS GARCON ADAMO F 1918 SANS TOI MA MIE ADAMO FA 0360 C'EST MA VIE ADAMO FA 0569 L'AMOUR TE RESSEMBLE ADAMO FA 0677 Le néon ADAMO FA 0916 A DEMAIN SUR LA LUNE ADAMO FA 0917 ACCROCHE UNE LARME AUX NUAGES ADAMO FA 0918 ALORS REVIENS ADAMO FA 0919 CAR JE VEUX ADAMO FA 0920 COMME TOUJOURS ADAMO FA 0921 EN BANDOUILLERE ADAMO FA 0922 ENSEMBLE ADAMO FA 0923 J'AIME ADAMO FA 0924 J'AVAIS OUBLIE QUE LES ROSES SONT ROSES ADAMO FA 0925 JE VOUS OFFRE ADAMO FA 0926 LE BARBU SANS BARBE ADAMO FA 0927 LE RUISSEAU DE MON ENFANCE ADAMO FA 0928 MANUEL ADAMO FA 0929 PETIT BONHEUR ADAMO FA 0451 SOMEOME LIKE YOU ADELE FA 0786 ROLLING IN THE DEEP ADELE FA 0787 SKYFALL ADELE F 0856 CHIC PLANETE AFFAIRE LUIS TRIO F 1487 AMI - OH ( AMIE ) AFRICAN CONNECTION F 1807
    [Show full text]
  • Separating Fact from Fiction in the Aiolian Migration
    hesperia yy (2008) SEPARATING FACT Pages399-430 FROM FICTION IN THE AIOLIAN MIGRATION ABSTRACT Iron Age settlementsin the northeastAegean are usuallyattributed to Aioliancolonists who journeyed across the Aegean from mainland Greece. This articlereviews the literary accounts of the migration and presentsthe relevantarchaeological evidence, with a focuson newmaterial from Troy. No onearea played a dominantrole in colonizing Aiolis, nor is sucha widespread colonizationsupported by the archaeologicalrecord. But the aggressive promotionof migrationaccounts after the PersianWars provedmutually beneficialto bothsides of theAegean and justified the composition of the Delian League. Scholarlyassessments of habitation in thenortheast Aegean during the EarlyIron Age are remarkably consistent: most settlements are attributed toAiolian colonists who had journeyed across the Aegean from Thessaly, Boiotia,Akhaia, or a combinationof all three.1There is no uniformityin theancient sources that deal with the migration, although Orestes and his descendantsare named as theleaders in mostaccounts, and are credited withfounding colonies over a broadgeographic area, including Lesbos, Tenedos,the western and southerncoasts of theTroad, and theregion betweenthe bays of Adramyttion and Smyrna(Fig. 1). In otherwords, mainlandGreece has repeatedly been viewed as theagent responsible for 1. TroyIV, pp. 147-148,248-249; appendixgradually developed into a Mountjoy,Holt Parker,Gabe Pizzorno, Berard1959; Cook 1962,pp. 25-29; magisterialstudy that is includedhere Allison Sterrett,John Wallrodt, Mal- 1973,pp. 360-363;Vanschoonwinkel as a companionarticle (Parker 2008). colm Wiener, and the anonymous 1991,pp. 405-421; Tenger 1999, It is our hope that readersinterested in reviewersfor Hesperia. Most of trie pp. 121-126;Boardman 1999, pp. 23- the Aiolian migrationwill read both articlewas writtenin the Burnham 33; Fisher2000, pp.
    [Show full text]
  • Survey Archaeology and the Historical Geography of Central Western Anatolia in the Second Millennium BC
    European Journal of Archaeology 20 (1) 2017, 120–147 This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. The Story of a Forgotten Kingdom? Survey Archaeology and the Historical Geography of Central Western Anatolia in the Second Millennium BC 1,2,3 1,3 CHRISTOPHER H. ROOSEVELT AND CHRISTINA LUKE 1Department of Archaeology and History of Art, Koç University, I˙stanbul, Turkey 2Research Center for Anatolian Civilizations, Koç University, I˙stanbul, Turkey 3Department of Archaeology, Boston University, USA This article presents previously unknown archaeological evidence of a mid-second-millennium BC kingdom located in central western Anatolia. Discovered during the work of the Central Lydia Archaeological Survey in the Marmara Lake basin of the Gediz Valley in western Turkey, the material evidence appears to correlate well with text-based reconstructions of Late Bronze Age historical geog- raphy drawn from Hittite archives. One site in particular—Kaymakçı—stands out as a regional capital and the results of the systematic archaeological survey allow for an understanding of local settlement patterns, moving beyond traditional correlations between historical geography and capital sites alone. Comparison with contemporary sites in central western Anatolia, furthermore, identifies material com- monalities in site forms that may indicate a regional architectural tradition if not just influence from Hittite hegemony. Keywords: survey archaeology, Anatolia, Bronze Age, historical geography, Hittites, Seha River Land INTRODUCTION correlates of historical territories and king- doms have remained elusive.
    [Show full text]
  • April 2018 Encourager.Pub
    April 2018 The Encourager . to grow up into Christ. St. Barnabas Lutheran Church In this issue New Members Classes Birthdays & Anniversaries ……….. p. 4 to be held in April! Message from Pastor Sarah.. .….. p. 2 Sunday, April 8, 15 & 22 Picture Page ……………………...…..... p. 7 9:15am to 10:15am Prayer Requests …………..…........... p. 4 Have you been thinking about joining St. Transition Team Update……... p. 5 Barnabas? Want to learn more about being a VBS Volunteer Meeting ….……….. p. 3 Lutheran and about the church? The 3-part series of new member classes is April 8, 15, and 22 during the Christian education hour 9:15am to 10:15am. We’ll make it official on April 29 at both services. Classes will be lead by Pastor Sarah Celebration Sunday and other ministry leaders of the congregation. We will be announcing the results of Generosity Sunday! SAVERS FUNDRAISER April 8 w/Luncheon at 11:30am The high school youth group is planning a Don’t miss this Spring Cleaning fundraiser with Savers, a exciting news!! resale shop in Crystal Lake. Starting Staff Saturday, April 7 , we will be asking people to bring Pastor Sarah Wilson ...Pastor clothing, furniture, and household items and putting Jeanne Soberg , Parish Administrator Chuck Masny, Music Director them in a trailer we’ll have in the parking lot. We’ll Dennis Mitchell , Custodian haul it all over to Savers on April 14 around noon so Jill Voelz , Nursery Supervisor they can pay us by the pound. You can clean out your Lorena Skelley , Wedding Coordinator house and turn your rummage into a worthy cause: the Youth Gathering! It’s a win-win for all! START GATHERING YOUR ITEMS NOW! For May Encourager April 15 Message from Pastor Sarah Page 2 My dad grew up on a farm, Dear One of the messages I People of heard from Professor Fram- so it made sense that he God at St.
    [Show full text]
  • CA Students Urge Assembly Members to Pass AB
    May 26, 2021 The Honorable Members of the California State Assembly State Capitol Sacramento, CA 95814 RE: Thousands of CA Public School Students Strongly Urge Support for AB 101 Dear Members of the Assembly, We are a coalition of California high school and college students known as Teach Our History California. Made up of the youth organizations Diversify Our Narrative and GENup, we represent 10,000 youth leaders from across the State fighting for change. Our mission is to ensure that students across California high schools have meaningful opportunities to engage with the vast, diverse, and rich histories of people of color; and thus, we are in deep support of AB101 which will require high schools to provide ethnic studies starting in academic year 2025-26 and students to take at least one semester of an A-G approved ethnic studies course to graduate starting in 2029-30. Our original petition made in support of AB331, linked here, was signed by over 26,000 CA students and adult allies in support of passing Ethnic Studies. Please see appended to this letter our letter in support of AB331, which lists the names of all our original petition supporters. We know AB101 has the capacity to have an immense positive impact on student education, but also on student lives as a whole. For many students, our communities continue to be systematically excluded from narratives presented to us in our classrooms. By passing AB101, we can change the precedent of exclusion and allow millions of students to learn the histories of their peoples.
    [Show full text]
  • Mood Music Programs
    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
    [Show full text]
  • 699-5914 Page 1 De
    Location/Animation Productions PAC info@ showpac.com (450) 699-5914 Song Name Singer Name no. DO WAH DIDDY 2 LIVE CREW 000030 TON AMOUR A CHANGER MA VIE LES CLASSELS 001001 LE DEBUT D'UN TEMPS NOUVEAU RENEE CLAUDE 001002 SUR LES CHEMINS D'ETE(DANS MA CAMARO) STEPHANE VENNE 001003 L'AUTOROUTE SANS RETOUR DANNY BOUDREAU 001420 1500 MILES ERIC LAPOINTE 001421 ADAMO MEDLEY 1 ADAMO 001422 ADAMO MEDLEY2 ADAMO 001423 N'EST CE PAS MERVEILLEUX ADAMO 001424 NOTRE ROMAN ADAMO 001425 ELLE ADAMO 001426 JE VEUX TOUT ARIANNE MOFFATT 001427 SOULMAN BEN L'ONCLE SOUL 001428 JE POURSUIS MON BONHEUR DANIEL BÉLANGER 001429 LE RENDEZ VOUS VALÉRIE CAROPENTIER 001430 ON S'EST AIMÉ À CAUSE CÉLINE DION 001431 J'ATTENDS CHARLOTTE CARDIN GOYER 001432 OUBLIE MOI COEUR DE PIRATE 001433 CRIER TOUT BAS COEUR DE PIRATE 001434 SI TU M'AIMES ENCORE JEAN MARC COUTURE 001435 ENCORE UN SOIR CELINE DION 001436 TU PEUX PARTIR DANIEL BÉLANGER 001437 DANZA DOMINIQUE HUDSON 001438 QUAND JE VOIS TES YEUX DOMINIQUE HUDSON 001439 ÇA ME MANQUE ERIC LAPOINTE 001440 LES ALLUMEUSES HUGO LAPOINTE 001441 TU M'AIMES TROP HUGO LAPOINTE 001442 DIS QUAND REVIENDRAS TU ISABELLE BOULAY 001443 JE PENSE À TOI GREGORY CHARLES 001444 TOI QUI ME FAIT VIVRE JEAN MARC COUTURE 001445 COMME ON ATTENDS LE PRINTEMPS JEROME COUTURE 001446 JE NE CHERCHE PAS AILLEURS JJ LECHANTEUR 001447 LE GROS PARTY JJ ROLLAND 001448 NON IL NE FAUT PAS PLEURER JJ ROLLAND 001449 L'AMOUR DE MA VIE JJ ROLLAND 001450 NANIE JOCELYN THÉRIAULT 001451 NON NE RACCROCHEZ PAS JOCELYNE BÉDARD 001452 LE KID J PAINCHAUD 001454 LES VIEUX
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • BOARD of TRUSTEES Agenda
    Glendale Community College District 1500 North Verdugo Road Glendale, California 91208 BOARD OF TRUSTEES Agenda Meeting No. 10 Regular Board Meeting Tuesday, March 15, 2016 at 5:00 p.m. Kreider Hall, San Rafael Building GLENDALE COMMUNITY COLLEGE DISTRICT 1500 North Verdugo Road Glendale, California (818) 240-1000 Vision Glendale Community College is the Greater Los Angeles Region’s premier learning community where all students achieve their informed educational goals through outstanding instructional and student services, a comprehensive community college curriculum, and educational opportunities found in few community colleges. BOARD OF TRUSTEES MEETING NO. 10 Kreider Hall, San Rafael Building Tuesday, March 15, 2016 at 5:00 p.m. AGENDA ITEM PAGE CALL TO ORDER PLEDGE OF ALLEGIANCE ROLL CALL CERTIFICATION OF COMPLIANCE To accommodate the requirement of Government Code §54954.2, it is hereby declared that the agenda for the meeting was posted 72 hours prior to this meeting at the following locations: At three locations in the Administration Building at Glendale Community College; In the display case on the outside wall of the San Gabriel Building at Glendale Community College. On the window adjacent to the main office entrance on the top floor of the Tropico Building on the Garfield Campus; On display inside the glass doors at the front entrance of the Professional Development Center; At <http://www.glendale.edu/boardoftrustees>. In accordance with the Brown Act revisions, any writings relating to open session agenda items and distributed to all or a majority of all Board Members within 72 hours prior to a regular meeting, or within 24 hours prior to a special meeting, shall be made available for inspection by the public in the Office of the Superintendent/President, John A.
    [Show full text]
  • Paul Gauguin
    Paul Gauguin Painter, Sculptor 1848 – 1903 • Born on June 7, 1848 in Paris, france • Mother was peruvian, family lived Peru for 4 years • Family returns to France when he is 7 • Serves in the Merchant Marine, then the French Navy • Returns to Paris and becomes a Stockbroker • Marries a danish woman and they have 5 children • They live in Copenhagen where he is a stockbroker • Paints in his free time – buys art in galleries and makes friends with artists Portrait of Madame Gauguin • Decides he wants to (1880) paint full time – leaves his family in Copenhagen and goes back to Paris • His early work is in the impressionist style which is very popular at that time • He is not very successful at his art, he is poor • Leaves France to find a simpler life on a tropical island Aline Gauguin Brothers (1883) Visits his friend Vincent vanGogh in Arles, France where they both paint They quarrel, with van Gogh famously cutting off part of his ! own ear Gauguin leaves france and never sees van Gogh again Night Café at Arles (1888) Decides he doesn’t like impressionism, prefers native art of africa and asia because it has more meaning (symbolism) He paints flat areas of color and bold outlines He lives in Tahiti and The Siesta (1892) paints images of Polynesian life Tahitian women on the beach (1891) • His art is in the Primitivist style- exaggerated body proportions, animal symbolism, geometric designs and bold contrasting colors • Gauguin is the first artist of his time to become successful with this style (so different from the popular impressionism) • His work influences other painters, especially Pablo Picasso When do you get married? (1892) Gauguin spent the remainder of his life painting and living ! in the Marquesas Islands, a very remote, jungle-like ! place in French Polynesia (close to Tahiti) Gauguin’s house, Atuona, ! Marquesas Islands Gauguin lived ! alone in the ! jungle, where ! one day his houseboy arrived to find him dead, with a smile on his face.
    [Show full text]