EUGENE OSADCHY Professor of Cello University of North Texas College of Music
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Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
Different Trains
DIFFERENT TRAINS 2018 / 2019 Concert Series FROM THE ARTISTIC DIRECTOR Soundstreams audiences are accustomed each written compelling string works: Dorothy to programs that pursue themes: musical, Chang (Vancouver), “Streams” for solo viola; extra-musical and sometimes both. This and Rolf Wallin (Oslo, Norway), “Curiosity program does both, a direct result of a chance Cabinet” and “Swans Kissing,” each for string meeting on the street with violinist and coach quartet. We programmed these three works and par excellence Barry Shiffman. Barry has been invited both composers (and the Rolstons!) to a mentor to the impressive Rolston String be in residence for the ECW, which will Quartet, and mentioned they had rights for conclude tomorrow morning after ten intensive a limited time to a recent video created for days. Rounding out tonight’s program is one of Steve Reich’s iconic “Different Trains.” R. Murray Schafer’s most beloved works, his “String Quartet #2 (Waves)”. While we have programmed a number of Reich’s best known works, often in his presence, never In terms of extra-musical themes, our insightful have we presented “Different Trains,” and the colleague David Jaeger has pointed out in his opportunity to present it with the Rolstons in this program note that several of tonight’s works are special version with video proved irresistible. themed around water. And Reich’s Different So repertoire for strings became the evening’s Trains bears musical witness to the Holocaust, clear musical theme. one of the possible responses to philosopher and composer Theodor Adorno’s assertion that At the same time we made that decision, we “poetry after Auschwitz is barbaric.” were looking for visiting mentors for our annual Emerging Composers Workshop (ECW). -
Vivaldichristmas Concert
bassoon out loud concert no.6 CHRISTMAS VIVALDI CONCERT Six Vivaldi Concerti, Nine Soloists with Chamber Orchestra + a singing bass player Monday, December 19 at 5pm, Heliconian Hall 35 Hazelton Lane, Toronto PROGRAM ANTONIO VIVALDI Concerto in G Major, rv 493 Allegro ma poco, Largo, Allegro Michael Sweeney, bassoon VIVALDI Concerto in C Major, rv 477 Allegro, Largo, Allegro Catherine Chen, bassoon VIVALDI Concerto in E Minor, rv 484 Allegro poco, Andante, Allegro Fraser Jackson, bassoon intermission VIVALDI Concerto in B Minor for Four Violins, rv 580 Allegro, Largo – larghetto, Adagio – largo, Allegro Brenna Hardy-Kavanaugh, Alice Hong, Bijan Sepanji and Rebecca MacLeod, violins BARTOK New Year’s Greeting Samuel Banks and Catherine Chen, bassoons VIVALDI Concerto in F Major, rv 491 Allegro molto, Largo, Allegro Nadina Mackie Jackson, bassoon Folksong Joe Philips, vocal and bass VIVALDI Concerto in C Minor, rv 480 Allegro, Andante, Allegro Samuel Banks, bassoon J. S. BACH Jesu Mein Freude, arranged by Kyle Cleland Catherine Chen, Nadina Mackie Jackson, Samuel Banks and Fraser Jackson, bassoons ORCHESTRA VIOLINS CELLO Rebecca MacLeod Bryan Lu Bijan Sepanji Brenna Hardy-Kavanaugh BASS Alice Hong Joe Phillips VIOLAS Rory McLeod Alex McLeod CDs for sale, including Vivaldi and Caliban Does Christmas MICHAEL SWEENEY BASSOON “Sweeney’s rhapsodic, make-it-up-as-you-go-along solo at the beginning of ‘The Kalendar Prince’ is the freest and most imaginative since Gwydion Brooke’s in the classic emi recording by Sir Thomas Beecham.” – fanfare magazine Sweeney has served as Principal Bassoonist of the Toronto Symphony Orchestra since 1989. As a solo- ist, Michael has a great interest in Early and Post- Modern music. -
The Ubc Alumni Association
Inside: 75 Years of Research, Athletics, Arts, Libraries ...and more w—-jr -w»--c**-'CT^5W"™ ^_C|PEJT™^. .i Bji3 yvt^ m TL ew 1 ' ^-^S1T»¥^f¥lSr»^T3f-^Ip.5jf ^r^^-i. npia__-_>l "*""T^^f|^j? „ ">' 'X^tS" 71 Canada Pastes Post Canada I* PosHfl* M - Post pay- Bulk En nombre third troisifeme class classe 4311 VANCOUVER Homecoming 1990 Do Not Forward: Return Requested 6251 Cecil Green Park Road Vancouver, B.C. V6T1W5 Affinity Card Application 3 MAJOR BOOKS FOR A MINOR PRICE ...and no commitment. 343. A mo of Arwood's Now you can join Quality Paperback Book Club, *417. The ultimate novels: Surfacing, Li/e one-volume col Be/ore Man and The get 3 fine books for $1 each, plus shipping and handling lection ofthe Handmaid's Tale world's most sought- (3-in-l vol.) — and have no obligation to buy any more books. after information. QPB: $18.25 QPB: $19.50 *482. The latest edi 429. The Pulitzer *101. A masterly *440. Together, *315. This National *469. This brilliant 132. "Vintage *117. Over 1600 tion ot the famous Prize-winning story of historical appraisal o( eight immortal Book Award winner best seller explores Davies," says the problem-solving dictionary has 40,000 two Cuban brothers the events and battles people change the brings to life the Mid the question: Can Toronto Star. drawings with ex memorable quotations. who lead a mambo of WW II. course of our earthly dle Eastern world. computers think? QPB: $10.50 planations on QPB: $26.95 band in Spanish QPB: $16.95 existence. -
NIKOLAI KORNDORF: a BRIEF INTRODUCTION by Martin Anderson Nikolai Korndorf Had a Clear Image of What Kind of a Composer He Was
Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics will be exploring it. To link label and listener directly we have launched the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you two free CDs when you join (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details. 8 TOCC 0128 Korndorf.indd 1 26/03/2012 17:30 NIKOLAI KORNDORF: A BRIEF INTRODUCTION by Martin Anderson Nikolai Korndorf had a clear image of what kind of a composer he was. -
POSLANECKÁ SNĚMOVNA 1274 Výroční Zpráva Rady Českého Rozhlasu O Činnosti Českého Rozhlasu Za Rok 2005
Parlament 6eské republiky POSLANECKÁ SNDMOVNA 2006 4. VOLEBNÍ OBDOBÍ 1274 Výro7ní zpráva Rady 6eského rozhlasu o 7innosti 6eského rozhlasu za rok 2005 O B S A H 1. Úvodem 2. 6eský rozhlas jako veUejná služba v oblasti rozhlasového vysílání 2.1. Poskytování objektivních, ovEUených, ve svém celku vyvážených informací pro svobodné utváUení názor] - § 2 odst. 2 písm. a) 2.2. PUispívání k právnímu vEdomí obyvatel 6R - § 2 odst. 2 písm. b) 2.3. VytváUení a šíUení program] a poskytování vyvážené nabídky poUad] pro všechny skupiny obyvatel se zUetelem na 2.3.1. svobodu jejich náboženské víry a pUesvEd7ení, 2.3.2. kulturu, 2.3.3. etnický nebo národnostní p]vod, národní totožnost, 2.3.4. sociální p]vod, 2.3.5. vEk nebo pohlaví tak, aby tyto programy a poUady odrážely rozmanitost názor] a politických, náboženských, filozofických a umEleckých smEr], a to s cílem posílit vzájemné porozumEní a toleranci a podporovat soudržnost pluralitní spole7nosti - § 2 odst. 2 písm. c) 2.4. Rozvíjení kulturní identity obyvatel 6eské republiky v7etnE pUíslušník] národnostních nebo etnických menšin - § 2 odst. 2 písm. d) K bod]m 2.3. a 2.4. samostatné podkapitoly: 2.4.1. Evropská kultura, geografie, instituce, legislativa 2.4.2. ZprostUedkování ekologických informací 2.4.3. Rovnost muž] a žen (gender) 2.4.4. Dopravní informace 2.5. Výroba a vysílání zejména zpravodajských, publicistických, umEleckých, dramatických, sportovních, zábavních, vzdElávacích (v7etnE dokumentárních), hudebních poUad] a poUad] pro dEti a mládež - § 2 odst. 2 písm. e) 3. NáplO veUejné služby 3.1. Provozování analogového vysílání - § 3 odst. 1 písm. a) 3.1.1. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Pdf May 2010, "Dvoinaia Pererabotka Otkhodov V Sovetskoi [3] ‘New Beginnings
Advances in Social Science, Education and Humanities Research, volume 368 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019) Multifaceted Creativity: Legacy of Alexander Ivashkin Based on Archival Materials and Publications Elena Artamonova Doctor of Philosophy University of Central Lancashire Preston, United Kingdom E-mail: [email protected] Abstract—Professor Alexander Vasilievich Ivashkin (1948- numerous successful international academic and research 2014) was one of the internationally eminent musicians and projects, symposia and competitions, concerts and festivals. researchers at the turn of the most recent century. His From 1999 until his death in 2014, as the Head of the Centre dedication, willpower and wisdom in pioneering the music of for Russian Music at Goldsmiths, he generated and promoted his contemporaries as a performer and academic were the interdisciplinary events based on research and archival driving force behind his numerous successful international collections. The Centre was bursting with concert and accomplishments. This paper focuses on Ivashkin’s profound research life, vivacity and activities of high calibre attracting knowledge of twentieth-century music and contemporary international attention and interest among students and analysis in a crossover of cultural-philosophical contexts, scholars, professionals and music lovers, thus bringing together with his rare ability to combine everything in cultural dialogue across generations and boarders to the retrospect and make his own conclusions. His understanding of inner meaning and symbolism bring new conceptions to wider world. His prolific collaborations, including with the Russian music, when the irrational becomes a new stimulus for London Philharmonic Orchestra, the Southbank Centre, the rational ideas. The discussion of these subjects relies heavily on BBC Symphony Orchestra, the Barbican Centre and unpublished archival and little-explored publications of Wigmore Hall, St. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Concerto Capriccioso Recorded Live at the Great Hall Of
Concerto capriccioso recorded live at the Great Hall of Moscow Conservatoire, 21 November 2005 Recording engineer: Farida Uzbekova Triptych recorded live at the Lazaridis Theatre, Perimeter Institute, Waterloo, Canada, 1 December 2006 (courtesy of Marshall Arts Productions) Recording engineer: Ed Marshall, Marshall Arts Productions Passacaglia recorded at Studio One, Moscow Radio House, 3–6 August 2001 (courtesy of Megadisc Records) Recording engineer: Liubov Doronina Recordings remastered by Richard Black, Recording Rescue, London Booklet essays: Martin Anderson and Alexander Ivashkin Design and layout: Paul Brooks, Design and Print, Oxford Executive Producer: Martin Anderson TOCC 0128 © 2012, Toccata Classics, London P 2012, Toccata Classics, London Toccata Classics CDs can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 Fax: +44/0 207 834 5020 E-mail: [email protected] TOCC 0128 Korndorf.indd 1 05/04/2012 14:07 Anya Alexeyev has performed extensively in many countries across Europe as well as in the USA, Canada, Argentina, Malaysia and South Africa. She has performed many times in all of London’s NIKOLAI KORNDORF: A BRIEF INTRODUCTION major concert halls, as well as in such venues as the Philharmonie in Berlin, the Konzerthaus in by Martin Anderson Vienna, Teatro Colón in Buenos Aires, Herodes Atticus Theatre in Athens, Bridgewater Hall in Manchester, the Great Hall of the Moscow Conservatoire, Philharmonia Hall in St Petersburg, Nikolai Korndorf had a clear image of what kind of a composer he was. -
Jacques HÉTU Complete Chamber Works for Strings String Quartets Nos
CANADIAN CLASSICS CLASSIQUES CANADIENS Jacques HÉTU Complete Chamber Works for Strings String Quartets Nos. 1 and 2 • Sérénade • Sextet New Orford String Quartet • Steven Dann, Viola Colin Carr, Cello • Timothy Hutchins, Flute Jacques Jacques Hétu (1938-2010) Complete Chamber Works for Strings HÉTU A Brief Survey of Jacques Hétu’s Compositional Style contrasts a quirky and arrhythmic theme with interludes of (1938-2010) glassy and furtive tremolo. A cello solo that evokes some Melodicism, lush harmonies and instrumental discourse of the more avant-garde melodies of the initial Allegro is at Complete Chamber Works for Strings are all important elements in Jacques Hétu’s music and the heart of the movement. The final movement, Allegro, his style combines expressivity and angular rhythms begins with a unison that mirrors the very beginning of the within very traditional musical forms. His early quartet, this time utilizing a much wider version of the tri- String Quartet No. 1, Op. 19 (1972) 18:18 compositions, influenced by Bartók, Hindemith and tone for striking effect. A fugue follows, which gains 1 Allegro 4:10 various leading French composers, have a marked sense momentum until it is suddenly interrupted by a recollection 2 Andante 6:29 of polytonality and are imbued with percussive rhythms of the theme from the second movement. After this 3 Andante – Vivace 3:01 and harmonic tension. In later years his musical language sudden change of character, the tremolo of the third 4 Allegro 4:38 matured with more open and spacious frameworks and movement is brought back to break the spell, leading to increasingly lyrical expression. -
Boston Symphony Orchestra Concert Programs, Summer, 1995
osfon i^j^ny wksW Tangtew@» 5 NOW AT FILENE'S... FROM TOMMY H i The tommy collection i Cologne spray, 3.4-oz.,$42 Cologne spray, 1.7-oz.,$28 After-shave balmB mm 3.4-oz., $32 m After-shave, 3.4-oz., $32 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Allen Z. Kluchman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Harvey Chet Peter C. Read John F. Cogan, Jr. Dean W. Freed Krentzman Carol Scheifele-Holmes Julian Cohen AvramJ. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Julian T. Houston Trustees Emeriti Vernon R. Alden Archie C. Epps Mrs. George I. Mrs. George Lee Philip K. Allen Mrs. Harris Kaplan Sargent David B. Arnold, Jr. Fahnestock George H. Kidder Sidney Stoneman Leo L. Beranek Mrs. John L. Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Grandin Irving W. Rabb John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L.