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Jean Coulthard Celebration
The Canadian Music Centre in BC Presents The Murray Adaskin Salon Concert Series CE L EBRAT I N G O UR L EGACY Jean Coulthard Celebration Friday, February 10, 2017 • 7:00pm Letter from the BC Director What are your values? Working in the arts, I think about this question a great deal. Values define who we are as individuals and as organizations. They inform our understanding of the world around us. Our values determine the choices we make, the individuals we most cherish in our lives, the kinds of organizations we choose to support. Yet today we are living through a time in which our core values are being challenged in ways we once thought unimaginable. Which makes me wonder what Jean Coulthard's values were. She was, like Barbara Pentland and Violet Archer, far ahead of her time, which I imagine is never a terribly comfortable place to be. At a time when women were actively discouraged from pursuing professional careers in music; when orchestras were entirely male; when there were few if any role models, Jean Coulthard was appointed the very first composition teacher at UBC in 1947. Which means she must have believed in being true to herself no matter what, to having the courage of her own convictions, particularly given what an original voice she was at a time when Boulez wrote that "all composition other than twelve-tone serialism is useless." Jean Coulthard was cosmopolitan, evinced by the portrait of her featured on the cover of this programme. Through her life and studies she embraced French Impressionism and its myriad Asian influences; the folk influences of Bartok whom she consulted about her work on a number of occasions; the nationalist influences of Vaughan Williams, with whom she studied, and of Copland, with whom she corresponded; even the serialism of Schoenberg, though it was such a far cry from her own more pastoral, and pastorally-oriented aesthetic. -
The Orchestral Music of Jean Coulthard
THE ORCHESTRAL MUSIC OF JEAN COULTHARD: A CRITICAL ASSESSMENT by David Gordon Duke B.Mus,, University of British Columbia, 1971 M.A., University of North Carolina, 1973 A Dissertation Submitted in Partial Fulfilment of the A C C E P T B I) Requirements for the Degree of h ACJULl’Y O F G U A O IlA t E S I U D l£ $ d o c t o r o f P h ilo s o p h y in the School of Music We accept this dissertation as conforming /Vi , 7, to the required standard V -rr4- . « f "T" " — ------------------ Dr, Gordaiu Lazarevich, Supervisor (School of Music) Outside Member (Department of English) Dr. Harald Krebs, Departmental Member (School of Music) Dr, Erich Schwandt, Departmental Member (School of Music) Dr, Elizabeth Tumasonis, Ctujlside Member (Department of History of Art) Colin Miles, External Examiner (Director, B.C. Region, Canadian Music Centre) © DAVID GORDON DUKE, 1993 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ‘)t oi (.on) (hard. 4 0 1 t i l l UrtJcvu< Stl-w t, lViv;t l a n o o o v r r , HrUir.h < oiumbia. A p r il 2a, I'si V. itoin U May Courerht s ii.v prrminutni to Davit! o*r«.hm imla* tr> makr r.uch quotaUnm; arid reformer: i l« m,v pabliHhed mid unpublished muwicul rt-urm, nmnmioript partieellan, and puhltnhod and unpubiSt-.hrd writing} nr. -
Stephen Chatman Fonds R13702 / MUS 309 MIKAN # Container
Date: 26/04/2018 Stephen Chatman fonds Page 1 R13702 / MUS 309 Y:\App\Impromptu\Mikan\Reports\Description_reports\finding_aids_&_subcontainers_simplelist.im MIKAN Container File/Item Cr. file/item Hierarchy Title, etc Date of/de Extent/Media/Dim/Access cde # Contenant Dos./pièce Dos./item cr. Hiérarchie Titre, etc création Support ou Média / Dim. / Accès 3695868 Sub-series Family [textual record (some electronic), graphic material] 1932-2014 3695923 19 142 File Alfred Russ Chatman 1932-1978 2 cm of textual records. / 18 S&C : File containing records concerning Stephen Chatman's father, Alfred Russ Chatman: report cards; certificate of award; registration certificate (Selective Service Proclamation); concert programmes; letter from Willard Cross; genealogy booklet; postcard (last letter); poster; press clippings; group photos. 2 photographs : b&w. / 18 3695931 19 144 File Alfred Russ Chatman 1939-1963 2 photographs : b&w. / 18 S&C : File containing records concerning Stephen Chatman's father, Alfred Russ Chatman: collection of autographed photos and concert programmes by various artists. 14 textual records. / 18 3695935 19 145 File Marion Louise White 1995-[ca 3 textual records. / 18 S&C : File containing records concerning Stephen Chatman's 2002] mother, Marion Louise White: letter; account of Stephen Chatman's early musical life; a poem. 3695938 19 146 File Liesl Chatman 1968-2004 8 textual records. / 18 S&C : File containing records concerning Stephen Chatman's sister, Liesl Chatman: correspondence; concert programme; address; clipping. 3695941 19 147 File Frank C. Chatman and Nellie Berthilda Rust 1939-1970 5 textual records. / 18 S&C : File containing records concerning Stephen Chatman's paternal grandparents, Frank C. -
A Performer╎s Guide to Canadian Works for Unaccompanied
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 A Performer's Guide to Canadian Works for Unaccompanied Trumpet and Solo Trumpet with Piano Alan S. Klaus Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PERFORMER’S GUIDE TO CANADIAN WORKS FOR UNACCOMPANIED TRUMPET AND SOLO TRUMPET WITH PIANO By ALAN S. KLAUS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Spring Semester, 2014 Alan S. Klaus defended this treatise on April 18, 2014. The members of the supervisory committee were: Christopher Moore Professor Directing Treatise James Mathes University Representative Deborah Bish Committee Member Paul Ebbers Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me throughout my degree. I am indebted to my major professor, Dr. Christopher Moore, for his guidance, mentoring, and patience. He has been a great role model both personally and professionally. I am grateful for the assistance and expertise of my committee members, Dr. James Mathes, Dr. Deborah Bish, Prof. Paul Ebbers, and Prof. Bryan Goff, who graciously served on the committee well past his retirement. Anne Marie Page and the staff at the Canadian Music Centre have been extremely helpful and accommodating. My deepest thanks are for my family and friends for their encouragement throughout this process; my parents, Jurgen and Mary Kay Klaus, for their constant love and support; and my fiancée, Felicia Ross, for her partnership and understanding that allowed this project to be possible. -
The Images of Jean Coulthard Glenn Colton
Document generated on 09/24/2021 3:14 p.m. Canadian University Music Review Revue de musique des universités canadiennes Visions of the Stars and Earth: The Images of Jean Coulthard Glenn Colton Volume 21, Number 2, 2001 Article abstract Image Astrale (1981) and the companion piece Image Terrestre (1990) may be URI: https://id.erudit.org/iderudit/1014487ar regarded as the defining works of Jean Coulthard's mature pianistic style. Both DOI: https://doi.org/10.7202/1014487ar works feature idiomatic and, at times, virtuosic piano writing, a personal application of sonata form principles, a melodic style which vacillates between See table of contents dramatic intensity and serene lyricism, and the neo-impressionistic evocation of contrasting images and moods through rich and varied harmonic colours. This article explores Coulthard's Images from both analytical and historical Publisher(s) perspectives, assessing relevant style features and demonstrating the significance of the set within Coulthard's œuvre, Canadian music, and Canadian University Music Society / Société de musique des universités twentieth-century piano repertoire. canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this article Colton, G. (2001). Visions of the Stars and Earth: The Images of Jean Coulthard. Canadian University Music Review / Revue de musique des universités canadiennes, 21(2), 94–107. https://doi.org/10.7202/1014487ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 2002 (including reproduction) is subject to its terms and conditions, which can be viewed online. -
The Proliferation of String Quartets in Canada 1991-2014
The Proliferation of String Quartets in Canada 1991-2014 by Min-Jeong Koh A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Min-Jeong Koh 2014 The Proliferation of String Quartets in Canada 1991-2014 Min-Jeong Koh Doctor of Musical Arts Faculty of Music University of Toronto 2014 Abstract This paper examines the proliferation of string quartets in Canada between 1991 and 2014. The year 1991 is a pivotal one: it was the end of a Golden Age of string quartet performance in Canada with the conclusion of the activities of the Orford, Vághy, and Purcell Quartets. It marked, also, the beginning of a New Golden Age of string quartet performance in Canada. Similar to their predecessors, the quartets of this new era have different levels of international success, but one could call it a New Golden Age from the sheer number of professional ensembles active in Canada from 1991 onward. The thesis begins with biographies of leading ensembles of this period: the Alcan, Arthur Leblanc, Claudel-Canimex, St. Lawrence, Lafayette, Penderecki, Molinari, Bozzini, Borealis, Tokai, Silverbirch, Cecilia, Afiara, and the New Orford Quartets. The fourth chapter researches the opportunities available to string quartets in Canada, including the Banff International String Quartet Competition. To supplement the biographies and to gain additional insight on the available resources, eight quartet players participated in interviews. Findings emphasize the need to create more support for Canadian musicians, including both professional ensembles and also young aspiring quartet ensembles, to stay in Canada. -
Showcase of CMS Performers & Composers I
Sixty-First National Conference Showcase of CMS Performers & Composers I Matthew Shevitz • Concert Manager Thursday, October 11, 2018 7:30 p.m. JW Marriott Parq Vancouver Fairview I—II Vancouver, British Columbia PROGRAM ORIGINAL COMPOSITION: Coast Mountainscape: Two Vistas for Trumpet and Piano ............................................... ............................................................................... Daniel Perttu (Westminster College) Tim Winfield, trumpet Nancy Zipay DeSalvo, piano Many of my compositions are inspired by a sense of place. I have visited many places in which mountains rise from the sea. The Coast Mountains of British Columbia are particularly majestic, and this piece attempts to capture my emotional responses to this majesty, from lofty contemplation in the First Vista to drama and energy in the Second Vista. SHOWCASE PERFORMANCES: Image Astrale ......................................................................................... Jean Coulthard May Phang (DePauw University), piano Vancouver-born composer Jean Coulthard was one of Canada’s most prolific and honoured composers. Alongside Violet Archer and Barbara Pentland, she dominated the Western Canadian music scene for much of the twentieth century. In 1947, she was hired as one of the first faculty members at the University of British Columbia’s incipient Department of Music. Her numerous composition students include Chan Ka Nin and Michael Conway Baker. In 1978, she was anointed Officer of the Order of Canada in 1978, and in 1994, the Order of British Columbia. A life-long learner, Coulthard studied with various composers, including Béla Bartók, Aaron Copland, Arnold Schoenberg and Ralph Vaughn Williams. Although she experimented with serialism, aleatoric procedures and electronic music, and many of her works display nationalism, including quotations from Canadian folk music, her chief influence remained Debussy and Ravel. -
Danielson Program.Pages
Janet Danielson at CalArts, 1974 CELEBRATING CANADIAN COMPOSERS Janet Danielson Celebration FOR WOMEN’S HISTORY MONTH Monday • October 15, 2018 • 7∶00pm As a courtesy… Please turn off the sound for all phones and other electronic devices. You are welcome to take non-flash photos during applause between pieces, but please refrain from taking photos during a performance and between movements, thank you. We encourage you to post your photos and share your experience on social media using the hashtag #CMCBC CMC BC on Twitter: @MusicCentreBC CMC BC on Facebook: facebook.com/CanadianMusicCentreBC Website: musiccentrebc.ca CMC National on Twitter: @CMCnational CMC National on Facebook: facebook.com/CanadianMusic Website: musiccentre.ca ‘ Program Editor • Stefan Hintersteininger Program Designer • Tom Hudock Paper generously provided by C-PAC The Murray Adaskin Piano is maintained by Scott Harker of Harker Piano Services Letter from the BC Director We have embarked together on an epic voyage of discovery over the past three years — an exploration of worlds both familiar and strange, some both. Our magical little Murray Adaskin Salon has transported us back to a time of ancient legend explored vividly through Heather Pawsey’s brilliant one-woman show, perfectly expressed through Jeffrey Ryan’s Unheard, right up into the frozen, snow-drenched mountaintops of the Andes, through Lloyd Burritt’s powerful opera Miracle Flight 571. We have sailed with the salmon down BC’s mighty rivers in Murray Adaskin’s A Wedding Toast, and flown through the soaring Pines of Emily Carr so beautifully illustrated through the lyrics of Dorothy Davies — “from root to sky, no twist, no deviation”— and evoked so magisterially by Jean Coulthard’s elegiac music. -
View of Contemporary Music Resources in Canada
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2016 Canadian Works for Horn by Michael Conway Baker, Malcolm Forsyth and Elizabeth Raum Kiirsi L. Maunula Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC CANADIAN WORKS FOR HORN BY MICHAEL CONWAY BAKER, MALCOLM FORSYTH AND ELIZABETH RAUM By KIIRSI MAUNULA A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2016 Kiirsi Maunula defended this treatise on October 27, 2016. The members of the supervisory committee were: Michelle Stebleton Professor Directing Treatise Steve Kelly University Representative Christopher Moore Committee Member Alexander Jimenez Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I am grateful to my family, especially my parents Kevin and Tracie Maunula for their constant support through my education and the many uncertainties that come with being a musician. Thank you to my professors over the years, Michelle Stebleton, Randy Gardner, Derek Conrod, and Ron George, who continue to offer advice and inspiration, as well as my committee members for their wisdom during this process. To my fiancé, Jim Johnson thank you for your unwavering support throughout this degree and in all that I do. Finally, thank you to the composers Michael Conway Baker and Elizabeth Raum for their aid in such research as well as the Counterpoint Music Library for the inclusion of Malcolm Forsyth’s works in this document. -
Weisgarber Program.Pages
The Canadian Music Centre in BC Presents The Murray Adaskin Salon Concert Series CELEBRATING OUR LEGACY Elliot Weisgarber Celebration Friday, April 7, 2017 • 7:00pm As a courtesy… Please turn off the sound for all phones and other electronic devices. You are welcome to take non-flash photos during applause between pieces, but please refrain from taking photos during a performance and between movements, thank you. We encourage you to post your photos and share your experience on social media using the hashtag #CMCBC CMC BC on Twitter: @MusicCentreBC CMC BC on Facebook: facebook.com/CanadianMusicCentreBC Website: musiccentrebc.ca CMC National on Twitter: @CMCnational CMC National on Facebook: facebook.com/CanadianMusic Website: musiccentre.ca Red and white wine from Show your ticket and get Chaberton Estate Winery, a 10% off all hot beverages at local vineyard in Langley, BC, Breka Bakery next door at is available at the lobby bar. 855 Davie Street. Letter from the BC Director This evening’s performance marks an important milestone as the final concert in CMC BC’s inaugural subscription concert series. Throughout this unique group of concerts, we have explored the unprecedented creative outpourings of the very first generation of composers to write concert music from the West Coast of Canada. Each of the composers celebrated this year has contributed something new and remarkable to the nation’s cultural mosaic. Murray Adaskin’s neo-classical sensibility helped establish an unmistakably Canadian sound. Barbara Pentland’s idiosyncratic exploration of serialism made her the unlikely leading voice of a new kind of Canadian modernism. Rudolf Komorous’ intellectual curiosity and fearless exploration of the avant-garde inspired several generations of new Canadian composers. -
Canadian Content at the Vancouver MLA Conference
Canadian Content at the Vancouver MLA Conference The fhlversion of the program for the Music (Vancouver City College) will present a paper Library Association's annual confaence in on "Creative Politics and High Art: Insights Vancouver in February 2005 has not yet been from the Musical Archives of Jean Coulthard, posted on its Web site; it will be available in Violet Archer and Barbara Pentland" for the December. But a quick survey of what is joint roundtables on Women in Music and already on the site shows there are a number Contemporary Music. of sessions where Canadians (including CAML members) are making presentations. The Fdy,on Saturday afternoon, Feb. 19, conference opens on Thursday, Feb. 17, and composer Michael Conway Baker will be that afternoon Brenda Muir of Library and discussing "Film Music in Canada'' at the Film Archives Canada will be one of the presenters Music Roundtable/Musical Theater Round- at the Second Plenary Session on table. "Reorganization and the Music Librarian." Later that same afternoon, Apollonia Lang Steele of the University of Calgary and Mention should also be made of some of composer Moshe Denberg will be presenting the tours, meetings, and receptions. Prior to at the Jewish Music Roundtable. the conference, a First Nations Cultural Tour will be offered on Tuesday afternoon, Feb. 15, Canadian content also figures in a session and again on Wednesday afternoon. A tour of entitled "Electronic Resources on Parade" on the City of Vancouver is available on Friday morning, Feb. 18. Alisa Rata of Wednesday morning and an organ crawl is Southern Methodist University and Keith scheduled for the afternoon. -
VSOI Faculty 2020
OTTO TAUSK Music Director, Vancouver Symphony Orchestra Artistic Director, VSO Institute Dutch conductor Otto Tausk is the Music Director of the Vancouver Susan Graham, Alina Ibragimova, Gidon Kremer, Anne-Sophie Mutter, Symphony Orchestra, now in his second season, and serves as Artistic Daniil Trifonov and Dawn Upshaw. Advisor of the VSO School of Music. Until spring 2018, Tausk was Music Director of the Opera Theatre and Tonhalle orchestra St Gallen. He Tausk has recorded with the Concertgebouw Orchestra (Luc Brewaeys, appears as a guest with such orchestras as Concertgebouw Orchestra, and an animated version of Prokofiev’s Peter and the Wolf), Tonhalle Rotterdam Philharmonic, Danish National Symphony Orchestra, Orchestra Orchestra St Gallen (Korngold and Diepenbrock), BBC Scottish Sinfonica di Milano Giuseppe Verdi, Los Angeles Philharmonic, Melbourne (Mendelssohn) and the Netherlands Radio Philharmonic Orchestra (Gavin Symphony, the Orchestra of the Mariinsky Theatre, the orchestras of Perth, Bryars) amongst others. His Prokofiev disc with Rosanne Philippens also Tasmania, Auckland, BBC Scottish Symphony and BBC National Orchestra received BBC Music Magazine Concerto Disc of the Month (2018). of Wales, with whom he made his BBC Proms debut last season. Born in Utrecht, Otto Tausk initially studied violin and then conducting Tausk is a hugely respected musical personality in his native Holland, with Jonas Aleksa. Between 2004 and 2006, Tausk was assistant conductor working with all its major orchestras and composers. In the 2019/2020 to Valery Gergiev with the Rotterdam Philharmonic a period of study that season, Tausk continues guesting relationships with Lahti Symphony, had a profound impact on him. In 2011 Tausk was presented with the ‘de Orquesta Sinfonica de Galicia, Netherlands Radio Philharmonic Orchestra, Olifant’ prize by the City of Haarlem.