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JOBNAME: Morgan Stanley/Case PAGE: 1 SESS: 36 OUTPUT: Tue May 28 16:10:55 2002 − /joshuawanda 0/fin/nyork/51043/cov V NEW ISSUE — BOOK ENTRY ONLY In the opinion of Squire, Sanders & Dempsey L.L.P., Bond Counsel, under existing law, (i) assuming compliance with certain covenants and the accuracy of certain representations, interest on the Bonds is excluded from gross income for federal income tax purposes, and is not an item of tax preference for purposes of the federal alternative minimum tax imposed on individuals and corporations and (ii) interest on, and any profit made on the sale, exchange or other disposition of, the Bonds are exempt from the Ohio personal income tax, the net income base of the Ohio corporate franchise tax, and municipal and school district income taxes in Ohio. Interest on the Bonds may be subject to certain federal taxes imposed only on certain corporations, including the corporate alternative minimum tax on a portion of that interest. For a more complete discussion of the tax aspects, see ‘‘Tax Matters’’ herein. $100,000,000 STATE OF OHIO HIGHER EDUCATIONAL FACILITY REVENUE BONDS (CASE WESTERN RESERVE UNIVERSITY 2002 PROJECT) $64,875,000 Series A $35,125,000 Series B (Variable Rate) (Fixed Rate) The Series A Bonds and Series B Bonds, when, as and if issued, will be special obligations of the State of Ohio issued by the Ohio Higher Educational Facility Commission (the ‘‘Commission’’) pursuant to two separate Trust Agreements, dated as of May 15, 2002 (the ‘‘Series A Trust Agreement’’ and ‘‘Series B Trust Agreement’’, respectively), between the Commission and J.P. -
After a Sold-Out Run at East to Edinburgh, the WAITING GAME Returns to 59E59 Theaters
After a sold-out run at East to Edinburgh, THE WAITING GAME returns to 59E59 Theaters New York, New York January 2, 2019 —59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is thrilled to welcome THE WAITING GAME, written by Charles Gershman and directed by Nathan Wright. Produced by Snowy Owl, THE WAITING GAME begins performances on Wednesday, February 6 for a limited engagement through Sunday, February 23. Press Opening is Tuesday, February 12 at 7:30 PM. The performance schedule is Tuesday – Saturday at 7:30 PM; and Sunday at 2:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison). Single tickets are $25 ($20 for 59E59 Members). Tickets are available by calling the 59E59 Box Office on 646-892-7999 or by visiting www.59e59.org. Sam's in a coma. Paolo's doing his best. When Geoff reveals a secret, reality and fantasy blur. This NYC premiere from critically acclaimed Snowy Owl follows a sold-out, award-winning run in the Edinburgh Fringe (Best Overseas Play, Derek Awards) and explores relationships in the digital age. After selling out at 59E59 Theaters’ East to Edinburgh festival, THE WAITING GAME went on to the 2017 Edinburgh Fringe where it was called "one of the Top 5 LGBTQ Shows to see in the Edinburgh Fringe" by Huffington Post. The cast features Joshua Bouchard (Séance on a Wet Afternoon at Lincoln Center/New York City Opera); Julian Joseph (Bluebloods on CBS); Ibsen Santos (Inside The Wild Heart with Group.BR); and Marc Sinoway (LOGO’s Hunting Season). -
Parziale Diss FINAL Aug 7 13
Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
2020-22 GRADUATE CATALOG | Eastern New Mexico University
2020-22 TABLE OF CONTENTS University Notices..................................................................................................................2 About Eastern New Mexico University ...........................................................................3 About the Graduate School of ENMU ...............................................................................4 ENMU Academic Regulations And Procedures ........................................................... 5 Program Admission .............................................................................................................7 International Student Admission ...............................................................................8 Degree and Non-Degree Classification ......................................................................9 FERPA ................................................................................................................................. 10 Graduate Catalog Graduate Program Academic Regulations and Procedures ......................................................11 Thesis and Non-Thesis Plan of Study ......................................................................11 Graduation ..........................................................................................................................17 Graduate Assistantships ...............................................................................................17 Tuition and Fees ................................................................................................................... -
Space Opera 2005…………………………..……………………
presents Music and Libretto by David Bass Directed by David Bass and Amanda Jack Choreography by Deborah Mason The King Open School Cambridge, Massachusetts March 12, 13, 19, and 20, 2005 2 55 somewheresomewhere in somerville, in thereSomer- is a store that somewhere claims to in have somerville, over a thousandthere is a beersstore ville, in that stock, claims therehard to tohave find isover kegs, a a thousandstore a world-wide beers selection that in stock, claims of hard wines, to find and to kegs, liquor have a world-widefor any over party. selection of wines, and liquor for any party. thea musicthousand is always fresh, beers and they’re open the music is always fresh, and they’re open seven in stock,days a week. hard where to is this find elusive store?seven days davis a week.square. where what is is this the elusive name kegs, store? davis a world square. what-wide is the name of of this this intoxicating intoxicating paradise?paradise? selection DOWNTOWN WINE of & SPIRITS. wines, 225 elmand st. DOWNTOWN WINE & SPIRITS. 225 elm st. “we’re not your average package store.” “we’re “we’re not yournot average your package average store.” 54 3 58 58 33 Contents Space Opera 2005…………………………..…………………….. 11 Mission Statement Synopsis………………………………………………………………. 12 The North Cambridge Family Opera Company began as an Song List………………………………………………………….. 14-15 informal group of children and adults who gathered to per- form at the NoCA (North Cambridge All Arts) open studios Cast Lists, First Weekend……………………………………..16-18 weekend in May 1999. We found the experience of singing opera to be a unique way to strengthen families, to build Cast Lists, Second Weekend………….…..………………...20-22 friendships, and to enhance relationships between genera- tions. -
1989 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 1989 1989 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "1989 Illinois Shakespeare Festival Program" (1989). Illinois Shakespeare Festival. 8. https://ir.library.illinoisstate.edu/isf/8 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. The 1989 Illinois Shakespeare I Illinois State University Illinois Shakespeare Festival Dear friends and patrons, Welcome to the twelfth annual Illinois Shakespeare Festival. In honor of his great contributions to the Festival, we dedicate this season to the memory of Douglas Harris, our friend, colleague and teacher. Douglas died in a plane crash in the fall of 1988 after having directed an immensely successful production of Richard III last summer. His contributions and inspiration will be missed by many of us, staff and audience alike. We look forward to the opportunity to share this season's wonderful plays, including our first non-Shakespeare play. For 1989 and 1990 we intend to experiment with performing classical Illinois State University plays in addition to Shakespeare that are suited to our acting company and to our theatre space. Office of the President We are excited about the experiment and will STATE OF ILLINOIS look forward to your responses. -
Cyrano De Bergerac
Cyrano de Bergerac Summer Reading Guide - English 10 Howdy, sophomores! Cyrano de Bergerac is a delightful French play by Edmond Rostand about a swashbuckling hero with a very large nose. It is one of my favorites! Read this entire guide before starting the play. The beginning can be tough to get through because there are many confusing names and characters, but stick with it and you won’t be disappointed! On the first day of class, there will be a Reading Quiz to test your knowledge of this guide and your comprehension of the play’s main events and characters. If you are in the honors section, you will also write a Timed Writing essay the first week of school. After school starts, we will analyze the play in class through discussions and various writing assignments. We will conclude the unit by watching a French film adaptation and comparing it to the play. By the way, my class is a No Spoiler Zone. This means that you may NOT spoil significant plot events to classmates who have not yet read the book. If you have questions about the reading this summer, please email me at [email protected]. I’ll see you in the fall! - Mrs. Lee 1 Introduction Cyrano de Bergerac is a 5-act play by French dramatist and poet Edmond Rostand (1868-1918). Our class version was translated into English by Gertrude Hall. Since its 1897 Paris debut, the play has enjoyed numerous productions in multiple countries. Cultural & Historical Background By the end of the 1800s, industrialization was taking place in most of Europe, including France, and with it came a more scientific way of looking at things. -
Rina Mahoney
www.hamiltonhodell.co.uk Rina Mahoney Talent Representation Telephone Elizabeth Fieldhouse +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer HAMLET Gertrude Damian Cruden Shakespeares Rose Theatre, York TWELFTH NIGHT Maria Joyce Branagh Shakespeares Rose Theatre, York DEATH OF A SALESMAN The Woman Sarah Frankcom Royal Exchange Theatre Shakespeare's Rose MACBETH Lady Macduff/Young Siward Damian Cruden Theatre/Lunchbox Productions Shakespeare's Rose A MIDSUMMER NIGHT'S DREAM Peter Quince Juliet Forster Theatre/Lunchbox Productions THE PETAL AND THE ORCHID Kathryn Cat Robey Underexposed Theatre THE SECRET GARDEN Ayah/Dr Bres Liz Stevenson Theatre by the Lake ROMEO AND JULIET Nurse Justin Audibert RSC (BBC Live) MACBETH Witch 2 Justin Audibert RSC (BBC Live) ZILLA Rumani Joyce Branagh The Gap Project Duke of Venice/Portia's THE MERCHANT OF VENICE Polly Findlay RSC Servant OTHELLO Ensemble/Emillia Understudy Iqbal Khan RSC Birmingham Repertory FADES, BRAIDS AND KEEPING IT REAL Eva Antionette Lecester Theatre/Sharon Foster Productions CALCUTTA KOSHER Maki Janet Steel Arcola/Kali ARE WE NEARLY THERE YET? Various Matthew Lloyd Wilton's Music Hall FLINT STREET NATIVITY The Angel Matthew Lloyd Hull Truck Theatre MATCH Jasmin Jenny Stephens Hearth UNWRAPPED FESTIVAL Various Gwenda Hughes Birmingham Repertory Theatre HAPPY NOW Bea Matthew Lloyd Hull Truck Theatre Company MIRIAM ON 34TH STREET Kathy Jenny Stephens Something & Nothing -
H. G. O'connell Collection
H. G. O’Connell Collection RG 255 Louisiana State Museum Historical Center May 2021 Descriptive Summary Title: H. G. O’Connell Collection Dates: 1893–1920 Abstract: This collection houses documents pertaining to theater productions in late nineteenth- and early twentieth-century New Orleans. Extent: 5 folders Accession: 7790.1–7790.5 Biographical / Historical Note The French Opera House was built in the New Orleans French Quarter in 1859 and was destroyed by fire in 1919. Scope and Content Miscellany: cast of the last performance at the New Orleans French Opera House; 1893 cast of characters; opening performance at Tulane Theatre; Sara Bernhardt, M. Coquelin. Subjects Bernhardt, Sarah Passion Play, The Coquelin, M. Precieuses Ridicules, Les French Opera House Tartufe Huguenots, The Tulane Theatre Access of Use Restrictions Access Collection is open for research. Administrative Information Preferred Citation H. G. O’Connell Collection, Louisiana State Museum Historical Center Acquisition Information Donated by H. G. O’Connell on October 7, 1920. Notes Documents are in poor condition, and some portions are in French. List of Content Folder Date Item Description Newspaper clipping from November 30, 1893. Cast list of production of Tartufe at the French Opera House. Headlining actor: Folder 1 1893 November 30 M. Coquelin. Theater program from week of March 4, 1901 at Tulane Theatre. Includes cast list of productions of La Tosca, Cyrano de Bergerac, Phedre, Les Precieuses Ridicules, and La Dame Aux Camelias. Folder 2 1901 March 4 Headlining actors: Sarah Bernhardt and M.Coquelin. Theater program from a production of The Passion Play on Sunday April 16, 1916 at the French Opera House. -
THE ETHICAL DILEMMA of SCIENCE and OTHER WRITINGS the Rockefeller Institute Press
THE ETHICAL DILEMMA OF SCIENCE AND OTHER WRITINGS The Rockefeller Institute Press IN ASSOCIATION WITH OXFORD UNIVERSITY PRESS NEW YORK 1960 @ 1960 BY THE ROCKEFELLER INSTITUTE PRESS ALL RIGHTS RESERVED BY THE ROCKEFELLER INSTITUTE PRESS IN ASSOCIATION WITH OXFORD UNIVERSITY PRESS Library of Congress Catalogue Card Number 60-13207 PRINTED IN THE UNITED STATES OF AMERICA CONTENTS CHAPTER ONE The Ethical Dilemma of Science Living mechanism 5 The present tendencies and the future compass of physiological science 7 Experiments on frogs and men 24 Scepticism and faith 39 Science, national and international, and the basis of co-operation 45 The use and misuse of science in government 57 Science in Parliament 67 The ethical dilemma of science 72 Science and witchcraft, or, the nature of a university 90 CHAPTER TWO Trailing One's Coat Enemies of knowledge 105 The University of London Council for Psychical Investigation 118 "Hypothecate" versus "Assume" 120 Pharmacy and Medicines Bill (House of Commons) 121 The social sciences 12 5 The useful guinea-pig 127 The Pure Politician 129 Mugwumps 131 The Communists' new weapon- germ warfare 132 Independence in publication 135 ~ CONTENTS CHAPTER THREE About People Bertram Hopkinson 1 39 Hartley Lupton 142 Willem Einthoven 144 The Donnan-Hill Effect (The Mystery of Life) 148 F. W. Lamb 156 Another Englishman's "Thank you" 159 Ivan P. Pavlov 160 E. D. Adrian in the Chair of Physiology at Cambridge 165 Louis Lapicque 168 E. J. Allen 171 William Hartree 173 R. H. Fowler 179 Joseph Barcroft 180 Sir Henry Dale, the Chairman of the Science Committee of the British Council 184 August Krogh 187 Otto Meyerhof 192 Hans Sloane 195 On A. -
Measuring in Absentia Removal in Immigration Court
UNIVERSITY of PENNSYLVANIA LAW REVIEW Founded 1852 Formerly AMERICAN LAW REGISTER © 2020 University of Pennsylvania Law Review VOL. 168 MARCH 2020 NO. 4 ARTICLE MEASURING IN ABSENTIA REMOVAL IN IMMIGRATION COURT INGRID EAGLY† & STEVEN SHAFER†† No academic study has empirically analyzed decisions by United States immigration judges to deport noncitizens without first providing them a day in court, a procedure known as in absentia removal. Yet bold assertions by members of the current † Professor of Law, UCLA School of Law. For helpful feedback and comments, the authors thank Jeffrey Chase, Catherine Kim, Kennji Kizuka, Katy Lewis, Sue Long, Peter Margulies, Michelle Mendez, Jaya Ramji-Nogales, Ben Nyblade, Aaron Reichlin-Melnick, Emily Ryo, Philip Schrag, Amy Semet, and participants in the UCLA Criminal Justice Faculty Workshop. In addition, we recognize Jodi Kruger, Sasha Novis, and Brittany Roberts for their excellent research assistance, and the editors at the University of Pennsylvania Law Review for their superb editorial support. †† Managing Attorney, Esperanza Immigrant Rights Project and Research Associate, UCLA School of Law Empirical Research Group. (817) 818 University of Pennsylvania Law Review [Vol. 168: 817 presidential administration that immigrants “never” appear in court drive central policy decisions on immigration enforcement, including growing the immigration detention system, limiting access to asylum, and building a border wall. By reviewing immigration court data from 2008 to 2018 made publicly available by the Executive Office of Immigration Review, this Article provides the first-ever independent analysis of in absentia removal orders. Contrary to claims that all immigrants abscond, our data-driven analysis reveals that 88% of all immigrants in immigration court with completed or pending removal cases over the past eleven years attended all of their court hearings. -
{PDF EPUB} Doctor Who the Mind Robber by Peter Ling Doctor Who: the Mind Robber by Peter Ling
Read Ebook {PDF EPUB} Doctor Who The Mind Robber by Peter Ling Doctor Who: The Mind Robber by Peter Ling. After an emergency dematerialisation, the TARDIS lands in a weird white void. Jamie and Zoe are tempted out of the time machine into a trap, while the Doctor fends off a psychic assault. In a desperate bid to escape, the Doctor tries to pilot the TARDIS somewhere else, only for the time machine to break apart. Suddenly, the three companions find themselves in a surreal world where imagination has become reality, populated by characters out of folklore and literature. They must navigate a series of riddles and deadly encounters to reach the mysterious Master of the realm. But what designs does he have for the Doctor? Production. Just before joining Doctor Who , story editor Derrick Sherwin and his assistant, Terrance Dicks, had written for the soap opera Crossroads , co- created by Peter Ling. The three men regularly travelled together by train and, one day in late 1967, Ling remarked on the way that soap opera characters could be treated like real people by some fans. Sherwin suggested that this might form a suitable basis for a Doctor Who story and, shortly thereafter, Ling put together a proposal called “The Fact Of Fiction”. On the basis of this submission, on December 20th, Ling was commissioned to write an outline for a six-part story, now entitled “Man Power”. Early in the new year, the serial's length was truncated to four episodes; the title also underwent a slight change to “Manpower”, although this would be applied inconsistently.