DOCSLIB.ORG

The Daily Egyptian, November 16, 1973

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Daily Egyptian, November 16, 1973 Southern Illinois University Carbondale OpenSIUC November 1973 Daily Egyptian 1973 11-16-1973 The aiD ly Egyptian, November 16, 1973 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_November1973 Volume 55, Issue 45 Recommended Citation , . "The aiD ly Egyptian, November 16, 1973." (Nov 1973). This Article is brought to you for free and open access by the Daily Egyptian 1973 at OpenSIUC. It has been accepted for inclusion in November 1973 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Frtdav ;"" NOIo'ember 16. 1913-Vol 55. No ~ 'lk,,;ln /illlt' rt'st'arch, /0 1 of la llt-i ng' Orescanin blasts F·Senate resolution s,· Marcia 8ullard ministration to gin' more money to tht' know where there is enough money for There are s!ill so m ~ alternatives for .()aily Egyptian Starr Writer library for buying books this year and in reallocation , . this yea r " ir the faculty is willing." he the fu ture, Library Affairs Dean Ra lph (" fi scal \,ear 1 ~73 . Orescanin said the said. I~ ampus tteasure r Da n Orescanin !\lcCoy announ ced· this wet'k tha t libra ry """nl S519.:I98 for books . He " If Ihe [acully agreed not to filf a ny blasted a Faculty Senate resolution "severe cutbacks" are bei ng madc in asked for that amount plus St74, OUU ror present vacanices this year, :lnd agreed call ing for ",6re library funds Thursday. book purchases because of the lighl Ihis fisc':Jl \'ear. but said the Illinois nol 10 spend any of the money set aside He said the -group did " damn lillie financial si tuation, Board of lii gher Education "BHE I ror hiring teaching assistants this year, research a nd a lot of talking" about the Orescanin objected that the- resolution ,denied the extra S2i·1. 0UU a nd the we co ~ use thaI money." he said . problem. did not offer any remedies to tht' governor cut out Lin additional SI34,ooo. ,. And if l!\ey wa nt 10 stop using their "They didn't tell us ladmlnistrators t si tuation. That left the library with its present Il~ l l~phom.>s and other commodities, we how much more money needs to be spent "We don 't ha\'c a copy of the in ternal S:I;<.I.I)OO budgN . could use that money. Or the facully or where it should come from ." budgel. " sa id JoAnne Thorpe. c hai r · Urescanin said h(' has askl.>d the IBHE members could a ll offer a chJlnk of their Orescanin said, in a phone int erview, woman of Ihe Faculty Sena te. :'We for about $650 ,000 ror next vear's Iibrar\, paychecks 10 lhe library- I naven't seen "Sure. we'd like to spend more money on thought the 'Faculty Senate was in a budget. " .tnyonc do that yet." the librar ~ . but the f""ds aren't position to recommend policy to the Thorpe contendt'd Orescanin 's available in the budget. 1 don 't think administration and that 's what we did, suggest ions a re illegal because the they were trying to help out. .. " We realize this has to be an internal moncy is already designated for pe r ­ The Faculty Senate passed a budget adjuslme nt, she added . " The sonfl(>1 and {'ontractual services. Once resolution Tuesday asking lhe ad· people who prepare the budgel should lIocalcd, funds cannot be spent In other arcas Wll ess approved by the IBHE. Library books are bought with mO,ney alloca ted under ' 'equipme nt" in the budget. Illinois Senate__ refusese- Another a rea in which the fa c ulty could sa\'e dollj)j;s would be in the " aU1Ount of trasflthat gets printed on to 'confirm .la·mes N.~gle duplicating machines around here." Orescanin said. He charged that too " . , muc h money is spent by people " propagandizi ng their friends " by USIng for Boar.d_fJf Trustees the copying machine. _ " The trash we mimeograph is what By Marcia Bullard Out of the 45 min utes of his testimony. the administra tion sends us to act on ." DaUy Egyptian ~f( Writer Nagle said a bout 30 minutes was spent Thorpe rebutted, " We have to print on his opinions about collective recommcndations rrom committees The Illinois Senate refused to confirm baragin ing. Anothe r 10 minutes was which were activa ted by people like James Nagle a~ SIU's new Board of .spent on'hi s membership in the ACLU. Orescanin. President DClVic R. Derge Trustees member Thursday afternoon . he said , a nd Kei th Leasure ." (Leasure is vic{' The lEA has supported collective president for academic affairs.' in~: r::~tl~::-; ~~~ev:~:~~;t':;:.~: · ;\ bargaining (or some time. and Nag le is Money thaI is beI ng spenl fQr a new required to seat the new trustee. Senate presidenl of his local chapter. Aked if he parking garage cannol be reallocated Republicans attacked his affiliation wi th would vote for collective bargaining if for the library, Orescanin said, because the IUinois Education Association I lEA l the question came before the SIU Board the money has already been specified and the American Civil Liberties Union of Trustees. Migle said. "Probably so." ror parking 10Umprovements, When (ACLU I before voting against the ap· " But I'm onl y one member," he people bu y decals , they are told that part pointment. pointed out. " Maybe one or two others of tha t money wi II be used to upgrade ''I'm disappointed bUI it's not unex· would vote for it, but 1 don't know. parking facilities. pected," Nagle said. "This just seems " It certainJy wasn 't my intention to " If we tell people all of a sudden that like an ·effort by the Senate to keep organize people ,n support of coll ective they are bu ying parking decals 10 6uy people who know about education out of bargaining," he said . " I just wanted to library books. I don 't think people in posItions of responsibility in education." serve as a citizen on the board." Na~e. 28 • •is an English teacher at In response to the Executi ve Co m , ~:i~ ~1 tS;:;~. i. C~eP:si~.iO,~t ;'~~tl~~~:~?;.~ DaDvlUe Junior CoUege. He said in a (C01tirued on page 3) Dan OrescaDin gel by without a lawsuit on thai." telephone interview hi s support of coUective bargaining through the lEA was a major cause of his rejection. Gov , Daniel Walker nominated Nag le Undisclosed source of funds possible to fill the vacant board seat about three S~~e atox':~fll:e l e~~~~ i~~;r"w~h:. nesday night and was reject"ll there. but for Saluki Stables, student announces not because of his affiliation with , - Walker, he said. "They asked me no questions about By David C. Miller Jr. " At this point. another week or two " magic money" will nol suddenly a{'· Slu in particular." he added. "Severa I Daily Egyptian Stall Writer won 't ma tter in the decision. Orescar'n pear, he said, and since the IllinoiS Republican commit tee mem bers said said. He said he would receive lI'e Board of Higher Education views they didn' t like the organizations I A " very, very possible" new source of committee's report on fUDdinr education spending in terms of total . belong to." . - funds for Saluki Stables was announced suggestions Friday. amounts, lbe extra SIU program would late Thursday. following the ad· The report, completed before the last· ,eventually mean reduction of an existing ministratiorY-5 deferment until program or fund. December of the decision on wbether to minute source of funds a{'peared Thursday. considered and relected a close tbe facility. number of possible fWlding solulions for GIIS " We might be able to gl!l a lot of th~'J.~~e~ l::~~~I:ai:.n.:fn'~ money." said Rick Pere, chainnan of the stables. The only meaningful an· costs, is to ftnd long·term funding for its B()(/p the Student Senate as hoc committee swer, tbe report said, would be to in· opetjItion, Pere welcomed the hold 00 studying menas of financing the deficit· corporate the stables into the College of t.&e cIbsiDg decision, aDd said other Education and establish a two- or four· ridden stables. Pere ... ould not id~' y revenues will be sought iD the next few the potential source. expalining i was year degree program iD equestrianism. weeks. " not sure at all" yet. Orescanin had not seen the report Pere mentioned contacting horse and Peresaid a formal proposal was 'D the Thursday, but his oUbllIId reactioo to the h"arness racing associations and the maki"l!. and ....oldd !>e forwarded td e . solution was skeptical. The problem, he state government for long·term monies admlnlstrallon. He saId tbe mone ' said would be with· !"IuesliDg ad­ for the stables. would probably only meet the sOOrt· ditioDaJ funding and he saId he was not term f",ding needs ol the stables, wbiJe) Board ol Trusb.es or the state would " It's aIlto;ntative," be ·said, "but 10Dg·term measures conti Due to be ..... ct to suctI a plaD. we're Ihinkine ol ukiug for aublidies." sought. / " Pen! did not ~ yet whether the Earlier Daniel Aside from SIU'. troubled buqet. Gus .,. !he IIIIDD1s 5eMN ....,1eI ~y , Oresc:anin, nbaidles .would be ....Ible for 10DI' executive v;c,e presideot, said the Oresc:anin said, it Is "always pouibIe" term support. aad be aaid be •• pnIbIbIy u--. nix o.nIlo ar.-In taecau.
Load more

Recommended publications
  • Discovering the Contemporary Relevance of the Victorian Flute Guild
    Discovering the Contemporary Relevance of the Victorian Flute Guild Alice Bennett © 2012 Statement of Responsibility: This document does not contain any material, which has been accepted for the award of any other degree from any university. To the best of my knowledge, this document does not contain any material previously published or written by any other person, except where due reference is given. Candidate: Alice Bennett Supervisor: Dr. Joel Crotty Signed:____________________ Date:____________________ 2 Contents Statement of Responsibility: ................................................................................................................... 2 Chapter One ............................................................................................................................................ 5 Introduction ........................................................................................................................................ 5 Methodology ....................................................................................................................................... 6 Literature Review ................................................................................................................................ 9 Chapter Outlines ............................................................................................................................... 11 Chapter Two .........................................................................................................................................
    [Show full text]
  • Marie Collier: a Life
    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
    [Show full text]
  • Melbourne Suburb of Northcote
    ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
    [Show full text]
  • 'Musical Pitch Ought to Be One from Pole to Pole': Touring Musicians and the Issue of Performing Pitch in Late Nineteenth
    2011 © Simon Purtell, Context 35/36 (2010/2011): 111–25. ‘Musical Pitch ought to be One from Pole to Pole’: Touring Musicians and the Issue of Performing Pitch in Late Nineteenth- and Early Twentieth-century Melbourne Simon Purtell In 1869, English vocal teacher Charles Bishenden complained that the high performing pitch in use in England was ‘ruinous to the voice.’ The high pitch, he reported, was the very reason why many European singers did not perform in Britain.1 ‘For a Continental larynx,’ French soprano Blanche Marchesi (1863–1940) later explained, ‘it is a real torture to sing to different pitches.’ ‘The muscles of a trained larynx act like fine clockwork,’ she wrote, and ‘a change of tone, up or down, alters the precision of their action.’ For this reason, Marchesi believed that ‘musical pitch ought to be one from pole to pole.’2 A standard of performing pitch comprises three fundamental concepts: sound frequency, note-name, and standard. A sound frequency, expressed in Hertz (Hz) or cycles per second (cps), becomes a pitch when assigned to a note in the musical scale, thus determining the pitch of every other note in a particular system of tuning. If, in equal temperament, the A directly above middle C equals 440 Hz, then the C directly above it equals 523.25 Hz. A pitch that is agreed upon, at a given time and place, as the reference point for building and tuning musical instruments to play together, is a pitch standard. Standards of pitch are usually expressed in relation to the note A directly above middle C.
    [Show full text]
  • Buried Treasure
    Buried treasure ............................................................................. The colonial woman composer Performers Thursday 4 August 2016, 1pm La Trobe Reading Room State Library Victoria Merlyn Quaife is an Jacinta Dennett is a leading Johanna Selleck is internationally-renowned figure in harp performance a composer, flautist, soprano of great versatility, and teaching in Australia, and musicologist. She performing regularly in and her work is recognised completed a PhD in opera, oratorio, chamber for its rare fusion of poetry composition at the music, lieder and and physicality. Her wide University of Melbourne contemporary music. She is range of performance in 2006. She currently a champion of new music experience includes teaches composition at the and has had many works concerto soloist, recitalist, university, where she is an composed for her. Quaife orchestral and chamber honorary fellow. Selleck is appears on CD with Naxos, musician. Dennett holds published by Cambridge ABC Classics, Tall Poppies, a Master of Fine Arts Scholars Press and has won and Move Records. She in Interdisciplinary Arts numerous awards including is currently Associate Practice and is currently the Percy Grainger Prize Professor and Coordinator undertaking a PhD at the for Composition. Her music of Voice at Sir Zelman University of Melbourne. is recorded on the Move Cowen School of Music, Records and Tall Poppies Monash University. labels. ................................................. Creative Fellow acknowledgments Johanna Selleck would like to express her deep appreciation to State Library Victoria for the opportunity to undertake a Creative Fellowship in the inspiring ..................... surrounds of the Library. 328 Swanston Street Selleck’s thanks are extended to Suzie Gasper, Melbourne Gail Schmidt, Rebecca Anthony, and Dermot McCaul from State Library Victoria, and to performers Merlyn Open 10am–5pm daily Quaife and Jacinta Dennett for their dedication and And until 9pm Thursdays.
    [Show full text]
  • ARS Audiotape Collection ARS.0070
    http://oac.cdlib.org/findaid/ark:/13030/c8f769x2 No online items Guide to the ARS Audiotape Collection ARS.0070 Franz Kunst Archive of Recorded Sound 2012 [email protected] URL: http://library.stanford.edu/ars Guide to the ARS Audiotape ARS.0070 1 Collection ARS.0070 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: ARS Audiotape Collection Identifier/Call Number: ARS.0070 Physical Description: 15 box(es): 419 open reel tapes, 15 audiocassettes, 60 videocassettes Date (inclusive): 1900-1991 Stanford Archive of Recorded Sound Stanford University Libraries Stanford, California 94305-3076 Material Specific Details: 3" reels-5 4" reels-1 5" reels-37 7" reels-334 10.5" reels-40 1/2" tapes on 10" reels - 4 audiocassettes-15 video reels-2 videocassette (VHS)- 59 videocassette (Beta) - 1 Abstract: Miscellaneous tape recordings, mostly small donations, that span the history of the Archive of Recorded Sound. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation ARS Audio Miscellany, ARS-0070. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Arrangement Most recordings are described under the series marked "Miscellaneous" according to format and reel size.
    [Show full text]
  • Carmel Music Society
    Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna
    [Show full text]
  • Connecticut College News Vol. 16 No. 6
    Connecticut College Digital Commons @ Connecticut College 1930-1931 Student Newspapers 11-8-1930 Connecticut College News Vol. 16 No. 6 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1930_1931 Recommended Citation Connecticut College, "Connecticut College News Vol. 16 No. 6" (1930). 1930-1931. 18. https://digitalcommons.conncoll.edu/ccnews_1930_1931/18 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1930-1931 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College News PRICE FIVE CENTS VOL. 16, '0. 6 .\'EW LO 'DOl\". CONNECTICUT, NOVEMBER 8, 1930 "FIFTY PRINTS OF THE MEDIEVAL FARCE THE YEAR 1930" "P ATHELIN" DISCUSSED AT CONVOCATION BY Unique Exhibition M. LOUIS CONS Now in Library Gives Background For Chosen By John Sloan Presentation Here Famous Art Critic The greatest comedy from the time The Fifth Annual Exhibition of the of Aristophanes in ancient Greece to American Institute of Graphic Arts is the plays of Moliere in the 17th cen- now on display in the College Li- tury in France was the subject of t.he bt-a.r-y.. This exhibition, entitled "Fifty fascinating address of Monsieur Cons Prints of the Year 1930," will be shown from November 3-19. at Convocation on Tuesday. ba Foree To "maintain numerical equality de Mail,'c Patuelin has been the object between works of the new and old of great admiration and the subject schools," the choice of prints was left of great controversy ot opinion.
    [Show full text]
  • Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott
    Martin Abendroth Sinfonie Orchester, dir. Felix Günther Die Zauberflöte Mozart 1929, Berlín 52434 In diesen heiligen Hallen Hom. A 8030 5101 52435 O Isis und Osiris Hom. A 8030 5101 Bessie Abott, Enrico Caruso, Louise Homer, Antonio Scotti orchestra Rigoletto Verdi 20.2.1907, New York A 4259 Bella figlia dell´amore HMV DO 100 6823 Jerzy S. Adamczewski Orkiestra symfoniczna, dir. Olgierd Straszyński Halka Stanisław Moniuszko / Włodzimierz Wołski 1955±, Varšava WA 1489 Racitativ i ariaJanusza Muza 1717 P 1321 Auguste Affre, Etienne Billot Orchestre Faust Gounod x.5.1907, Paříž XP 3362 Duo du 1er Acte – 2 Disque Odeon 60329 X 40 Werner Alberti klavír Martha Flotow x.9.1905, Berlín xB 675 Mag der Himmel euch vergeben Odeon Record 34296, 1/10 okraj X 15 Postillion von Lonjumeau Adam x.9.1905, Berlín Bx 679 Postillionslied Odeon Record 34296, 1/10 okraj X 15 Orchester Troubadour Verdi x.2.1906, Berlín 1001 Ständchen Hom. B. 838 P 11261 14.5.1906, Berlín 1701 Stretta Hom. B. 838 P 11261 Bajazzo Leoncavallo x.7.1912, Berlín 14281 Nein, bin Bajazzo nichr bloss! Beka B. 3563 P 10964 14285 Hüll´ dich in Tand Beka B. 3563 P 10964 Odeon-Orchester, dir. Friedrich Kark Troubadour Verdi x.9.1906, Berlín Bx 1641 Ständchen Odeon Record 50152 X 65 Lohengrin Wagner x.9.1906, Berlín Bx 1659 Nun sei bedankt, mein lieber Schwann Odeon Record 50161 X 65 Frances Alda, Enrico Caruso, Josephine Jacoby, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Martha Flotow 7.1.1912, New York A 11437 Siam giunti, o giovinette HMV DM 100 5420 A 11438 Che vuol dir cio HMV DM 100 5420 A 11439 Presto, presto andiam HMV DM 104 5422 A 11440 T´ho raggiunta sciagurata HMV DM 104 5422 Frances Alda, Enrico Caruso, Marcel Journet Victor Orchestra, dir.
    [Show full text]
  • Florence Austral ( 1892 – 1968)
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID FLORENCE AUSTRAL ( 1892 – 1968) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2016 Florence Mary Austral (26 April 1892[1] – 15 May 1968) was an Australian operatic soprano renowned for her interpretation of the most demanding Wagnerian female roles. She was born Florence Mary Wilson, but adopted the professional surname Austral in 1921 in honour of her homeland of Australia. Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. The Forence Austral PROMPT file may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn3526200 Programs in the National Library’ PROMPT collection are arranged chronologically by Australian performances Overseas performances Where the information is available on the program performances are listed as follows: Date (day and month); Venue, City Name of production Performer’s role. An index to staged productions is provided at the end of the document. This document is also keyword searchable]. The National Library’s collection also includes: Biographical cuttings Pictures Published works Newspaper articles Music and sound recordings
    [Show full text]
  • Water Resource Availability in the Kankakee River Basin, Indiana: Division of Water, Water Resources, Assessment 90-3
    WATER RESOURCE AVAILABILITY IN THE KANKAKEE RIVER BASIN, DIVISION OF WATER published 1990 INDIANA - EXECUTIVE SUMMARY Figure 1. Location of the Kankakee River Basin In response to legislative directives contained in the 1983 Water Resource Management Act, the Indiana Department of Natural Resources, Division of Water published a report describing the availability, distribution, quality, and use of surface water and ground water in the Kankakee River Basin, Indiana.* The third in a series of 12 regional watershed assess- ments, the report provides hydrologic data and related information for persons interested in the basin’s water resource. The following is a summary of that report. The full report can be obtained from the Indiana Department of Natural Resources, Division of Water. For ordering information, please see the instructions printed at the end of this summary. The Kankakee River Basin drains 2989 sq. mi. (square miles) in northwest Indiana, 2169 sq. mi. in northeast Illinois, and about 7 sq. mi. in southwest Lower Michigan (figure 1). The Kankakee River heads near South Bend, Indiana, then flows westward into Illinois, where it joins with the Des Plaines River to form the Illinois River. The area of Lake County which originally drained to Lake Michigan but now drains by means of artificial diversion to the Illinois River is not considered to be part of the Kankakee River Basin study region. Although the Kankakee River basin includes portions of Indiana, Illinois, and Michigan, the discussion below will focus on the Indiana portion of the basin. SOCIOECONOMIC SETTING Thirteen Indiana counties lie completely or partially within the Kankakee River Basin, but nine counties consti- tute more than 90 percent of the basin’s land area in Indiana.
    [Show full text]
  • 2017 State of Illinois Department of Natural Resources Illinois Fishing Information Effective: April 1, 2017 Through March 31, 2018
    2017 State of Illinois Department of Natural Resources Illinois Fishing Information Effective: April 1, 2017 through March 31, 2018 Wayne Herndon, veteran IDNR Fisheries Biologist, 45 years of service to the anglers of Illinois IDNR Division of Fisheries Division of Fisheries www.dnr.illinois.gov www.ifishillinois.org Building the Future of Fishing in Illinois FC1 Message from the Director Thank you for picking up a copy of the 2017 Illinois Fishing Information guide. The booklet is packed with useful information on places to fish and rules to follow when fishing in Illinois. In the pages that follow, those who enjoy fishing will find an updated summary of statewide fishing regulations in Illinois, as well as details on site-specific regulations that are organized by the body of water or water area at which those regulations apply. Once again for 2017, Illinois Free Fishing Days will be during the Father’s Day weekend in June – with the dates of Friday, June 16 through Monday, June 19. Free Fishing Days provide an opportunity for novice anglers and families to go fishing even if they have not yet purchased a fishing license. While we update the Illinois Fishing Information guide each year, some site-specific regulations may be changed in emergency situations through the administrative rule process. In those cases, the emergency changes to regulations will be posted at the location where the rules apply. We also post changes in rules online at www.ifishillinois.org. Illinois anglers are guardians of our state’s aquatic resources. The money you spend on fishing licenses and equipment helps fund our fishery programs, and helps ensure the future of fishing in Illinois.
    [Show full text]