Annual Report 2015
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Cimf20201520program20lr.Pdf
CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival. -
Summer on Ice Students Go to Polar Extremes Back to the Future New Chancellor Comes Full Circle Ruapehu Rocks Measuring the Puls
MAGAZINE FOR FRIENDS AND ALUMNI OF VICTORIA UNIVERSITY OF WELLINGTON Summer 2002 Summer on ice Students go to polar extremes Back to the future New Chancellor comes full circle Ruapehu rocks Measuring the pulse of the mountain E-text centre Victoria establishes electronic archive Classic pieces An exquisite second century AD golden former member of staff Denise Kalfas, whose earring which once adorned the lobe of a family were world-wide collectors of Greek and wealthy Roman noblewoman is the most Roman artefacts. Under the careful stewardship recent donation to the Classics Museum. The of a succession of Classics staff, most recently earring was donated to the Museum by Ilse Dr Judy Deuling, the collection has been Jacoby, daughter-in-law of renowned German selectively developed to become one of the classicist Felix Jacoby. Ilse and her husband most complete teaching collections held by a Peter emigrated from Germany to New New Zealand university. Zealand in 1938, and over the years formed a It is not just Classics students who benefit strong relationship with the University. from the excellent resource. Drama, Art History, Another recent addition to the collection has Religion and English students also make use of been the purchase of a rare and striking sixth the Museum to gain an insight into particular century BC Kalpis—a Greek vase for pouring aspects of their subjects. “There is much to learn water and wine. By fortune and good timing the from these physical objects to bring alive the vase was acquired from a London dealer and is ancient world, its history, art, literature decorated with a dramatically stylised Octopus. -
Download PDF Catalogue
Important Paintings and Contemporary Art : 26 November 2013 IMPORTANT PAINTINGS AND CONTEMPORARY ART 26 NOVEMBER 2013 art+object Catalogue 72 Gil Hanly Becalmed off Rangitoto: Pat & friends paddle home (early 80s) AO668FA2 Cat 72 cover.indd 1 6/11/13 10:24 AM Important Paintings and Contemporary Art Tuesday 26 November at 6.30pm Richard Killeen Pea Beau acrylic on canvas signed and dated 5 – ’76 1525 x 1020mm 1 AO668FA Cat 72 text.indd 1 11/11/13 9:45 PM Welcome to A+O’s final major art catalogue of Edward Bullmore’s London years traversed the 2013. It is a rare occasion in an auction context to period 1960 to 69 and the exhibition history and be able to present a comprehensive selection of an context of his work in this period is detailed in an artist’s work which encompasses key chronological insightful essay by Penelope Jackson. Bullmore’s periods and stylistic developments. In this current voyage from pure easel painting to surrealist catalogue we are pleased to present body’s of works constructions is one of the most intriguing in by two artists for whom a period of residence in all New Zealand art history. The works in this London during the 1950s and 60s proved decisive catalogue (lots 11 to 14) date from Bullmore’s not only to their practice but also in terms of the Florence and London years and his subsequent international ideas they imbibed and contributed to. return to New Zealand. They reveal his journey Before WWII earlier generations of New Zealand from and to New Zealand as both highly individual artists such as Frances Hodgkins, Rhona Haszard and inspiring. -
Composed on a Summer's Evening
A New Zealand QEarter!Jr"" VOLUME SIXTEEN Reprinted with the permission of The Caxton Press JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 111 Fifth Avenue, New York, N.Y. 10003 Berkeley Square House, London, W. 1 LANDFALL is published with the aid of a grant from the New Zealand Literary Fund. Corrigendum. Landfall 61, March 1962, p. 57, line 5, should read: day you will understand why', or even, 'Learn this now, because I First reprinting, 1968, Johnson Reprint Corporation Printed in the United States of America Landfall A New Zealand Quarterly edited by Charles Brasch and published by The Caxton Press CONTENTS Notes 3 Two Poems, C. K. Stead 6 Lily of a Day, Ruth Dallas 8 Notes from the Welfare State, Keith Sinclair r8 Three Songs from the Maori, Allen Curnow and R. S. Oppenheim 20 Two Poems, Michael Jackson 23 Henry Ware, Neva Clarke 25 Composed on a Summer's Evening, Rowley Habib 30 Two Poems, Maurice Duggan 3 I World Enough, and Time, Stuart Slater 35 New Zealand Since The War (6), Leo Fowler 36 COMMENTARIES: Disaster in the Primary School, Margaret Dalziel 49 Townscape, P. M. Hill 61 Stravinsky et al., Royer Savage 64 New Zealand Opera, Jeremy Commons 68 New Plays in Wellington,]. L. Roberts 72 REVIEWS: After Anzac Day, Thomas Crawford 75 An Affair of Men, R. A. Copland 77 Short Story One, E. A. Horsman 79 The Cradle of Erewhon, etc., J. C. Beaglehole 82 Early Travellers in New Zealand, etc., Peter Maling 84 Children's books, Patricia Guest 87 University magazines, R. -
EJ Full Draft**
Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy By Edward Lee Jacobson A dissertation submitted in partial satisfacation of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Ann Smart, Chair Professor James Q. Davies Professor Ian Duncan Professor Nicholas Mathew Summer 2020 Abstract Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy by Edward Lee Jacobson Doctor of Philosophy in Music University of California, Berkeley Professor Mary Ann Smart, Chair This dissertation emerged out of an archival study of Italian opera libretti published between 1800 and 1835. Many of these libretti, in contrast to their eighteenth- century counterparts, contain lengthy historical introductions, extended scenic descriptions, anthropological footnotes, and even bibliographies, all of which suggest that many operas depended on the absorption of a printed text to inflect or supplement the spectacle onstage. This dissertation thus explores how literature— and, specifically, the act of reading—shaped the composition and early reception of works by Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti, and their contemporaries. Rather than offering a straightforward comparative study between literary and musical texts, the various chapters track the often elusive ways that literature and music commingle in the consumption of opera by exploring a series of modes through which Italians engaged with their national past. In doing so, the dissertation follows recent, anthropologically inspired studies that have focused on spectatorship, embodiment, and attention. But while these chapters attempt to reconstruct the perceptive filters that educated classes would have brought to the opera, they also reject the historicist fantasy that spectator experience can ever be recovered, arguing instead that great rewards can be found in a sympathetic hearing of music as it appears to us today. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
Fulbright New Zealand Quarterly, November 2009
Fulbright New Zealand uuarterlyarterly ISSN 1177-0376 (print) Volume 15, NumberQ 4 November 2009 ISSN 1177-7885 (online) Inside Page 2: Editorial; Axford News: Axford Fellows report their research fi ndings Page 3: Fulbright News: Sir Kenneth Keith heads alumni law panel; Inaugural recipient of new art award; NZ Ambassador hosts Fulbright FSB board Page 4: Alumni Association: Alumni Association calls for members; Grantee and Alumni News; In Memoriam Fulbright-Hays Seminar Abroad tour leader George Dibley from Odyssey Travel shows visiting American elementary school Page 5: Alumni Voice: teachers around the Auckland War Memorial Museum For us and our children Elementary school teachers tour New Zealand after us Page 6: Grantee Voice: Fulbright New Zealand hosted a study group of 15 facility in Nelson, went whale watching at Kaikoura Down to business at American elementary school teachers in July, on a and visited the International Antarctic Centre in Berkeley two week study tour of New Zealand as part of the US Christchurch before departing for Mongolia. Department of Education’s Fulbright-Hays Seminars Page 7: Awarded; In addition to the many sightseeing and cultural visits, Abroad programme. The teachers visited fi rst New Arrivals and Departures the teachers made individual school visits in Rotorua, Zealand and then Mongolia on a six week, two Wellington and Christchurch, to schools with particular Page 8: Awards country comparative seminar on the theme of ‘A Day points of interest including language immersion, special in the Life of - Exploring the Origins of Communities’. needs and environmental programmes. The New Zealand leg of their tour was organised by Vicki O’Neal, a 2nd Grade Teacher at Lincoln Fulbright New Zealand in conjunction with Odyssey Elementary School in Baxter Springs, Kansas, summed Travel, a not-for-profi t company specialising in up her unique experience as “an opportunity not just educational travel. -
The Quest for the Long White Whale: Nature Imagery in New Zealand Classical Music
THE QUEST FOR THE LONG WHITE WHALE: NATURE IMAGERY IN NEW ZEALAND CLASSICAL MUSIC Peter Beatson [An earlier version of this article appeared in Sites 22:34-53, 1991, and was reprinted with illustrations the following year in Canzona.] INTRODUCTION This article weaves together three intertwining threads. Firstly and most importantly, it is intended as a modest contribution to the academic study of New Zealand classical music. For a very small country, we have an impressive line-up of composers, of whom 105 are listed in John Mansfield Thomson's 1990 Biographical Dictionary of New Zealand Composers, yet the discursive content of their work receives far less analytical attention in sites of intellectual discourse than their literary colleagues. The present article is not intended as anything like a total survey, but I have attempted in its course to introduce the names of a significant number of composers and their works to indicate in purely quantitative terms the size of this rather under-valued component of our national culture. Here, then, is the first thread: putting it simply, I just wanted to write something about New Zealand classical music! However, that initial impulse was a little too vague, inchoate and open-ended. To limit the field, and to give the discussion manageable structure and direction, I made the strategic decision to focus on just one theme, namely the ways in which the natural world is represented in our national music. I will therefore not be discussing self-referential, abstract music with no aspirations to be anything other than a sonata, quartet, symphony or whatever, nor programmatic works (such as operas and songs) with subjects other than nature. -
Report-On-Philanthropy-2018.Pdf
2018 REPORT ON PHILANTHROPY Victoria University of Wellington Foundation and Victoria University of Wellington CONTENTS 1 2018 philanthropy highlights 2 From the chair 3 From the vice-chancellor 4 Victoria University of Wellington Foundation 7 Your impact 20 Thank you to our donors 28 Thank you to our volunteers Looking forward (inside back cover) ISSN 2624-4411 (Print) ISSN 2624-442X (Online) 2018 PHILANTHROPY In 2018, donors gave HIGHLIGHTS or pledged a record $32 m $1.8 m was raised towards Great Futures, the (including cash, multi-year pledges, realised bequests, University’s philanthropic scholarship and gifts-in-kind) programme, launched in 2018 $100,000 743 donors raised towards alumni appeal scholarships Breakdown of donors Individuals 82.5% $6.1 m committed to national music centre Government 3% 83 members of the Corporate Victoria Legacy Club 9.5% Trusts and foundations 312 5% members of the Victoria Benefactors’ Circle Donations by category Academic positions, 15 programmes, and institutes alumni appeal 16% scholarships offered to 390 students for 2019 alumni donors Research 4% 2018 was the sixth and largest Other 1% Alumni as Mentors Student support programme 79% FROM THE CHAIR The Victoria University of Wellington Foundation was established nearly 30 years ago to advance knowledge through teaching and research by way of managed charitable donations to the University. The Foundation supports projects of strategic importance and helps students achieve their goals in education. Thanks to Supported by the Foundation and the Development Office, your generosity, the careful work of our predecessors Dame Kerry’s work has included hosting dinners in London and and current colleagues, the Foundation has significantly New York, as well as a successful art auction in Wellington, advanced the aspirations of our community and raising the centre’s profile and national and international the University. -
Fulbright New Zealand 60Th Anniversary, 1948-2008
Fulbright New Zealand 60th Anniversary, 1948-2008 LEFT: 2007 Fulbright US Graduate Student Shaw Gargis encounters a giant kiwi at Wellington Zoo; CENTRE: 2007 American Fulbright grantees and their families at Waiwhetu Marae in Lower Hutt during their orientation programme; RIGHT: 2007 Fulbright New Zealand Graduate Student Sarah Hill on Capitol Hill in Washington, DC Fulbright New Zealand The Fulbright Programme was an initiative of US Senator J. William Fulbright to promote international understanding through educational and cultural exchanges between the US and other countries. He believed the programme could play an important role in building a lasting world peace in the aftermath of World War II. The New Zealand-United States Educational Foundation (now trading as Fulbright New Zealand) was established in 1948 through a bi-national treaty between the governments of the US and New Zealand. Fulbright New Zealand celebrated its 60th Anniversary in 2008 with a series of events in New Zealand and the US. www.fulbright.org.nz © Fulbright New Zealand 2009 ISBN 978-1-877502-06-4 (print) ISBN 978-1-877502-07-1 (PDF) Chairperson’s Welcome Kia ora and welcome to this special publication celebrating 60 years of the Fulbright educational exchange programme in New Zealand. We take this opportunity to refl ect on the success and achievements of six decades of educational and cultural exchange between Fulbright graduate students, research scholars, teachers, artists and professionals from New Zealand and the United States of America. In marking this occasion we must fi rst pay tribute to the extraordinary country while abroad on Fulbright exchanges, and everyone they share vision of one man – the Fulbright Programme’s founder Senator J. -
JACK BODY Poems of Love and War
JACK BODY Poems of Love and War David Greco, Baritone & Counter-tenor Budi Surasa Putra, Javanese Vocalist Martin Riseley, Violin Robert Easting, Narrator New Zealand Symphony Orchestra Kenneth Young Jack Body (b. 1944) the texts and melodies, and to Yono Soekarno for the 5. Sonnet XXVII Three Arias from ʻAlleyʼ • My Name is Mok Bhon • Palaran: Poems Of Love And War translations. The poetry is rich in allusion and word-play, its Non posso altra figura immaginarmi … true meaning often resistant to translation. Gripped by passion, the poet sees no escape. ʻBy trying to Meditations On Michelangelo • Poems Of Solitary Delight Palaran was commissioned in 2004 by the Amsterdam diminish grief, I but double it.ʼ Atlas Ensemble, a chamber ensemble comprising Western, Three Arias from ʻAlleyʼ came to represent the many. His face haunted me, his eyes Middle Eastern and Chinese instruments. This orchestration 6. Sonnet XXVI During my first visit to China, in 1985, I began to consider the burned into me. At the beginning and end of my work a for Western orchestra was made in 2009. Se daʼ primʼ anni aperto un lento e poco … extraordinary life of Rewi Alley, a New Zealander who lived recorded voice is heard, speaking in Khmer: Even the heart of an old man falls victim to passion. ʻA small sixty years in China, arriving in Shanghai in 1927. I worked ʻMy name is Mok Bhon … Please remember me … Meditations On Michelangelo, for solo violin and strings flame consumed and fed on me in my green youth: now the with Alleyʼs biographer Geoff Chapple to assemble a libretto Remember all of us …ʼ Considered alongside Michelangeloʼs masterpieces of wood is dry, what hope have I against this fire more fierce?ʼ for an opera. -
15-28 October Hbaf.Co.Nz
15-2815-28 October 2018 hbaf.co.nzOctober hbaf.co.nz Welcome to the 4th annual Harcourts Hawke’s Arts Inc. Heretaunga is proud to present the We are incredibly excited the Harcourts Bay Arts Festival. 2018 Harcourts Hawke’s Bay Arts Festival. Hawke’s Bay Arts Festival 2018 is Our fabulous festival team has been almost here, with another outstanding I trust that this year’s festival, with its stories told beautifully and sincerely by working harder than ever to present a programme. It is one of the highlights in eclectic array of world-class acts, will dancers, actors, artists and musicians. festival for you to connect with, enjoy and our district’s event calendar. thoroughly entertain you and leave you Poets and writers to craft new stories and love. The programme on offer is the best Hastings District Council is hugely with a sense of pride in what we can comedians telling satirical tales to make local, national and international offering committed to supporting the Festival. It’s achieve together, when we support the you laugh and maybe even forget… yet. From artists at the height of their a wonderful way to bring people together arts in beautiful Hawke’s Bay. And then there are stories of hopes and careers, who have spent years learning to share their stories and to be excited, I am delighted with the stories that will dreams told by our young ones for the very and honing their craft, to individuals who inspired, challenged, and even provoked. unfold in front of your very eyes over the first time, stories of the future, our future.