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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Highlands Cleaners and Laundry
THE GAUX W S AUGUST 35 1967 PAGE 17 Highlands Cleaners and Laundry Phone 526--2136 GOOD CLEANING GIVES A SMART APPEARANCE LOWEST PRICES FOR QUALITY FURNITURE "THE FORTUNE COOKIE" EARLY AMERICAN REPRODUCTIONS "The Fortune Cookie", a MLrisch Cor poration presentation in Panavision play IN Cherry - Maple - P i n e ing Wednesday, August 9th, at the GALAX THEATRE, is six-time-Academy-Ai^ard winning ANTIQUE GLASS PATTERNS Billy Wilder's latest comedy caper. Starring Jack Lemmon and Walter Mat thau, the fun-for-all starts when a TV SPRINGS AND MATTRESSES cameraman gets tran^led by a galloping football player — then sues everybody he LAMPS - GIFTS can think of for a million dollars 1 Ron Rich and Cliff Osmond are featured PICTURES - RUGS in the farce, which introduces Judi West. Wilder both produced and directed and al so co-authored the script with longtime partner, I.A.L. Diamond, Andre Previn, (ROTARY OTS, CONTINUED MIOM PAGE FIVE) who earned one of his three Academy A- programs before, and they are always ex wards for the music in another Wilder cellent. On the final Tuesday of August, film, "Irma La Douce," scored "The For the 29th, Rotarian Nathan Sharp, of Nash tune Cookie", ville, Tennessee, who is spending some time at Highlands Country Club, iid.ll pre sent a program on Rhodesia, August 3! 3sOO p.m. - Tour of the Botan With programs of this magnitude, the ical Garden. Miss fc'tin Wadeqitz, High August meetings should produce record at- lands Biological Station, leader# tnedance in both local members and visit ing Rotarians. -
STEPHEN MOYER in for ITV, UK
Issue #7 April 2017 The magazine celebrating television’s golden era of scripted programming LIVING WITH SECRETS STEPHEN MOYER IN for ITV, UK MIPTV Stand No: P3.C10 @all3media_int all3mediainternational.com Scripted OFC Apr17.indd 2 13/03/2017 16:39 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. Brand new second season. based on the acclaimed dilemmas, this five-part series Winner – TVFI Prix Export Fiction Award 2017. author Åsa Larsson’s tells the amazing true story of CANAL+ CREATION ORIGINALE best-selling crime novels. a notorious criminal barrister. Sinister events engulf a group of friends Ellen follows a difficult teenage girl trying A husband searches for the truth when A country pub singer has a chance meeting when they visit the abandoned Black to take control of her life in a world that his wife is the victim of a head-on with a wealthy city hotelier which triggers Lake ski resort, the scene of a horrific would rather ignore her. Winner – Best car collision. Was it an accident or a series of events that will change her life crime. Single Drama Broadcast Awards 2017. something far more sinister? forever. New second series in production. MIPTV Stand C20.A banijayrights.com Banijay_TBI_DRAMA_DPS_AW.inddScriptedpIFC-01 Banijay Apr17.indd 2 1 15/03/2017 12:57 15/03/2017 12:07 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
Overand out Cline of the Original TV Theme
THE 50th ANNIVERSARY OF THE BILLBOARD HOT 100 SPEAKING IN TONGUES h ay ,.JO Tough c C al- Language European Acts By Paul Sexton In February, French -Israeli pop singer Yael ABBA to Germany's Scorpions -the Náim logged the highest Hot loo chart po- language of the Hot ioo has generally sition fora French artist in 40 years -but been English. But a select band of Euro- to get there, she had to sing in English. peans has enjoyed moments of incon- While Latino acts often take Spanish - gruous glory, rarely more so than in De- language material onto the Hot 100, most cember 1963 when Belgium's Singing European artists find that their native Nun (Sister Luc -Gabrielle), held the tongue keeps them off the chart. Indeed, Kingsmen's epochal "Louie Louie" off MIKE POST'S the highest -charting French act on the the top slot with "Dominique." Some- themes, such as Hot loo remains Paul Mauriat's No. 1 what predictably, she never reached 'The Rockford Files' and 'Hill "Love Is Blue" (1868)-an instrumental. the Hot ioo again. Street Blues,' Italy had its own fleeting moment of have been a U.S. validation in the late'5os. Although staple of prime - time TV for "Volare" is Dean usually associated with decades. Martin, his version stalled at No.12 while Domenico Modugno's original, "Nel Blu Dipinto di Blu," topped the Hot loo for five weeks in 1958. Orders, "is sanguine about the de- Modugno's hit is the only foreign -lan- OverAnd Out cline of the original TV theme. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
Cleveland Stadium
Coordinates: 41°30′24″N 81°41′50″W Cleveland Stadium Cleveland Stadium, commonly known as Municipal Stadium or Cleveland Stadium Lakefront Stadium, was a multi-purpose stadium located in Cleveland, Ohio. It was one of the early multi-purpose stadiums, built to Lakefront Stadium accommodate both baseball and football. The stadium opened in 1931 and Municipal Stadium is best known as the long-time home of the Cleveland Indians of Major League Baseball, from 1932 to 1993, and the Cleveland Browns of the National Football League (NFL), from 1946 to 1995, in addition to hosting other teams, sports, and being a regular concert venue. The stadium was a four-time host of the Major League Baseball All-Star Game, one of the host venues of the 1948 and 1954 World Series, and the site of the original Dawg Pound, Red Right 88, and The Drive. Through most of its tenure as a baseball facility, the stadium was the largest in Major League Baseball by seating capacity, seating over 78,000 Final baseball season, September 1993 initially and over 74,000 in its final years. It was superseded only by the Location 1085 West 3rd Street Los Angeles Memorial Coliseum from 1958 to 1961, while it was the Cleveland, Ohio 44114 temporary home of the Los Angeles Dodgers, and by Mile High Stadium in 1993, the temporary home of the expansion Colorado Rockies. For Owner City of Cleveland football, the stadium seated approximately 80,000 people, ranking as one Operator Cleveland Stadium of the larger seating capacities in the NFL. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Stephen J. Cannell, 1941-2010
STEPHEN J. CANNELL, 1941-2010 Stephen J(oseph) Cannell was born February 5, 1941 to Joseph Cannell, a Pasadena, California entrepreneur. Cannell struggled through his early school years, flunking three different grades of elementary, junior or senior high school, and regularly failing his English classes. Years later, when having one of his own children tested for dyslexia, he discovered that he had suffered from it his entire life. Never the less, he had a passionate love for writing, despite his difficulties with the written word, and set a goal for himself to become a best-selling author. After attending the University of Oregon on a football scholarship and meeting creative writing teachers that bolstered his confidence, Cannell married his high school sweetheart and went to work for his family’s business – driving a furniture truck all day. In the evenings, he set a rigorous writing schedule for himself – writing 5 hours a day, 7 days a week, on spec. He decided that his target market would be the burgeoning television scene, and after 6 years without a sale, he finally sold a script – to the series Ironside. After a few more sales, he caught the eye of the legendary writer/producer Jack Webb, who first hired him to be story editor and ultimately head writer for Adam-12. Cannell was contracted to Universal Television, writing and producing shows for that studio during the early-to-mid 1970s. While there, he produced Chase and wrote for and produced Toma, about real-life New York City detective David Toma. While producing Toma, Cannell and his mentor Roy Huggins (creator of Maverick, and many other tv series) wrote an episode that ended up getting rewritten to serve as a pilot for a series about an unorthodox Southern California P.I. -
The Rockford Files"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1989 A Social Historical Exploration of the Popularity of "The Rockford Files" Mary Frances Taormina College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Mass Communication Commons, and the United States History Commons Recommended Citation Taormina, Mary Frances, "A Social Historical Exploration of the Popularity of "The Rockford Files"" (1989). Dissertations, Theses, and Masters Projects. Paper 1539625491. https://dx.doi.org/doi:10.21220/s2-xjg1-db48 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A SOCIAL HISTORICAL EXPLORATION OF THE POPULARITY OF THE ROCKFORD FILES A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Mary Frances Taormina 1989 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Author Approved, December 1989 Bruce McConachie Chandos Brown Dale Cockerell ACKNOWLEDGEMENTS The author wishes to express her appreciation to Professor Bruce McConachie for his patient guidance throughout the preparation of this thesis and his enthusiasm for its subject. The author is also indebted to Professor Chandos Brown for his insights into the subject, and to Professors Brown and Dale Cockerell for their careful reading and criticism of the manuscript. -
Ethics and the Law School: the Confusion Persists
Marquette University Law School Marquette Law Scholarly Commons Faculty Publications Faculty Scholarship 1-1-1995 Ethics and the Law School: The onfC usion Persists Peter K. Rofes Marquette University Law School, [email protected] Follow this and additional works at: http://scholarship.law.marquette.edu/facpub Part of the Law Commons Publication Information Peter K. Rofes, Ethics and the Law School: The onfC usion Persists, 8 Geo. J. Legal Ethics 981 (1995). Posted with permission of the publisher, The Georgetown Journal of Legal Ethics © 1995. Repository Citation Rofes, Peter K., "Ethics and the Law School: The onfC usion Persists" (1995). Faculty Publications. Paper 291. http://scholarship.law.marquette.edu/facpub/291 This Article is brought to you for free and open access by the Faculty Scholarship at Marquette Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. ESSAY Ethics and the Law School: The Confusion Persists PETER K. ROFES* Why we should not be surprised when a former student calls to ask why a grievancehas been filed againsthim just because he borrowed money from his firm's client trust account to purchaseproperty in the Caribbean. The American law school discovered ethics at about the same time the rest of America discovered how rare a commodity ethics was in our national leaders, most of whom happened to be lawyers. In fact, despite trailblazing work by scholars such as Monroe Freedman, Geoffrey Hazard, and others, it is no stretch of the historical record to conclude that the place and status of ethics in the law school owes more to Richard Nixon and his three legal Johns (Dean, Ehrlichman, and Mitchell) than to any law professor.' Yet, two decades after the culmination of Watergate, the law school remains confused about the role ethics plays in its mission of preparing students for practice. -
Crystal Reports Activex Designer
Quiz List—Reading Practice Page 1 Printed Monday, January 30, 2012 1:44:57PM School: Firelands Elementary School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 46618 EN Cats! Brimner, Larry Dane LG 0.3 0.5 49 F 9318 EN Ice Is...Whee! Greene, Carol LG 0.3 0.5 59 F 31584 EN Big Brown Bear McPhail, David LG 0.4 0.5 99 F 9306 EN Bugs! McKissack, Patricia C. LG 0.4 0.5 69 F 86010 EN Cat Traps Coxe, Molly LG 0.4 0.5 95 F 84997 EN Colors and the Number 1 Sargent, Daina LG 0.4 0.5 81 F 9334 EN Please, Wind? Greene, Carol LG 0.4 0.5 55 F 9336 EN Rain! Rain! Greene, Carol LG 0.4 0.5 63 F 9338 EN Shine, Sun! Greene, Carol LG 0.4 0.5 66 F 9353 EN Birthday Car, The Hillert, Margaret LG 0.5 0.5 171 F 64100 EN Daniel's Pet Ada, Alma Flor LG 0.5 0.5 77 F 9314 EN Hi, Clouds Greene, Carol LG 0.5 0.5 58 F 31858 EN Hop, Skip, Run Leonard, Marcia LG 0.5 0.5 110 F 26922 EN Hot Rod Harry Petrie, Catherine LG 0.5 0.5 63 F 69269 EN My Best Friend Hall, Kirsten LG 0.5 0.5 91 F 60939 EN Tiny Goes to the Library Meister, Cari LG 0.5 0.5 110 F 9349 EN Whisper Is Quiet, A Lunn, Carolyn LG 0.5 0.5 63 NF 26927 EN Bubble Trouble Hulme, Joy N.