Unit -2-Art and Architecture of Tamil Nadu Class: VII Subject: Social- History I
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South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Pancha Rathas, the Five Stone Temples of the Mahabalipuram Site: Opportunity to Revive Its Lost Garden Heritage Through Ecotourism
Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Pancha rathas, the five stone temples of the Mahabalipuram site: opportunity to revive its lost garden heritage through ecotourism Pancha rathas, os cinco templos de pedra do sítio de Mahabalipuram: oportunidade de reviver sua herança de jardins perdidos por meio do ecoturismo Pancha rathas, los cinco templos de piedra del sitio Mahabalipuram: oportunidad de revivir su herencia de jardines perdidos a través del ecoturismo AHMED, Sayed 1 1 Anhalt University of Applied Sciences, Dessau, Germany. [email protected] ORCID ID: 0000-0003-1384-7668 Recebido em 18/04/2020 Aceito em 31/07/2020 2020, © Copyright by Authors. DOI: http://doi.org/10.18830/issn.1679-0944.n28.2020.07 Licensed under a Creative Commons Cadernos de Arquitetura e Urbanismo | Paranoá 28 Attribution International License. Abstract Heritage and landscape development may take place within the heritage assemble procedure. The study presents a case of Stone heritage, characterized by an important intangible Vedic chanting heritage which again linked to the seashore forest and Pallava temple architecture. The purpose is to search diverse physiognomies of what opportunity exists in natural context and its playing role with the built heritage and eco-tourism. The methodology includes an extensive literature review of previous texts and collecting key factors out of those literary and pictorial data for historical evidence proved analysis. The results developed from a scientific approach over such case where ethnology, ancient technology and architectural style might have lost its authenticity and integrity for robust deforestation of associated garden heritage over different courses of time just because of the absence of boundary and buffer zone concept. -
Pallav Architecture
PALLAV ARCHITECTURE The great Pallavas of Kanchi rose to power in the latter of the sixth century. Their coming marks an important epoch in the history of south Indian architecture. Politically and Geographically they dominated the southern region continuously until the ninth century A.D. Mahendravarman I (C. 580 – 630 A.D) inherited from his father SimhaVisnu a vast empire extending from the river pennaras far as the Kaveri. The First rock-cut architecture of Mahendra Varman I was the Laksitayatana Trimurti cave temple at Mandagapattu, hewn out of granite. The inscription in this cave states: “This brick less, timber less, metal less and mortar less abode of laksita was caused to be made by king Vicitracitta for Brahma, Isvara and Vishnu. King Mahendra caused nine temples, similar to the Laksitayatana cave temple Mandagapattu, to be excavated, they are:- The Pancha Pandava cave at Pallavaram the Rudravalisvaram or cave temple no. 2 at Mamandur. The Kalmandapam at Kuranganilmuttam the vasantesvara or the larger cave temple at vallam. The Mahendra Visnugriha at Mahendravadi the Visnu cave temple at Mamandur the Lalitankura Pallavesuaragriha (upper cave) at Tiruchirapalli. The Satrumalles Varalaya at Dalvanur and the Avinabhajana Pallavesvara Griha at Siyamangalam. These cave temples imitated the interiors of structural buildings made out of more perishable material like wood. The mandapa is divided into the Mukha and ardha mandapa. Under the patronage of the successors of Mahendravraman I, namely Nararsimhavarman II Rajasimha a series of cave temples were excavated. Since they followMahendra’s style rather closely, they are designated as belonging to the post-mahendra style. -
Vimana: a Crisis of Translation
Syracuse University SURFACE School of Architecture Dissertations and Architecture Senior Theses Theses Spring 2019 Vimana: A Crisis of Translation Apoorva Rao Syracuse University Follow this and additional works at: https://surface.syr.edu/architecture_theses Part of the Architecture Commons Recommended Citation Rao, Apoorva, "Vimana: A Crisis of Translation" (2019). Architecture Senior Theses. 436. https://surface.syr.edu/architecture_theses/436 This Thesis, Senior is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Senior Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. 1 01 A Crisis of Translation VIMANA 3 Apoorva Rao Advisor: Richard Rosa Syracuse University School of Architecture Advisory Group: Richard Rosa, Elizabeth Kamell, Timothy Stenson ACKNOWLEDGMENTS 00 A Sincere thanks to Eli Warshauer C. Ravindran from Vastulab Syracuse University Ellie Derwenskus Dr. Choodamani Nandagopal, School of Architecture Amreeta Verma and Neha Tummalapalli Rajendra Uncle and Family for the Ralph T. Walker Sukhmann Aneja Travel Prize which Fatima Mohammad for the references regarding allowed me to travel Ramya Swaminathan hindu temple architecture, to India to do extended Karisma Dev answering questions, research on South Ife(Debbie) and taking me to sites in Indian temples. Arezo Hakemy Karnataka and Tamil Nadu. Prof. Romita Ray Kapoor, for model and drawing Prof. Lawrence Chua, help, taking photos of Prof. Richard Rosa models and help with verbal presentation for reading references, refinement. continued support, and design help. additional SuperJury pinup , Dora Lo Ethan Benoit Christopher Autera 7 CONTENTS 01 MANIFESTO 02 PROLOGUE 03 HINDU TEMPLES 04 DESIGN 05 APPENDIX A. -
A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD)
THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE August 2001 Major Subject: Architecture THE HOLY LIGHT: A STUDY OF NATURAL LIGHT IN HINDU TEMPLES IN THE SOUTHERN REGION OF TAMILNADU, INDIA (7 CENTURY AD TO 17 CENTURY AD) A Thesis by ANURADHA MUKHERJI Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved as to style and content by: Anat Geva David G. Woodcock (Chair of Committee) (Member) Sylv' Grider (Member) Thomas L. McKittrick (Head of Department) August 2001 Major Subject: Architecture ABSTRACT Thc Holy Light: A Study of Natural Light in Hindu Temples in the Southern Region of Tamilnadu, India (7' Century AD to 17' Century AD). (August 2001) Anuradha Mukherji, Dip. Arch. , Center for Environmental Planning and Technology, India Chair of Advisory Committee: Dr. Anat Geva This thesis discusses the phenomenon of natural light that becomes the holy light in sacred architecture. In pursuing this investigation the study addressed three major objectives. First, to understand the significance of religion in the treatment of light in sacred monmnents around the world. Second, to understand the methods used to achieve the desired light quality in the ancient south Indian Hindu temples. Third, to add to the existing body of knowledge in the field of study of ancient south Indian Hindu temples. -
Famous Temples in India
Famous Temples in India Famous Temples of India No. Famous Temple Location Nearest River/Lake 1. Badrinath Temple Badrinath, Uttarakhand Alaknanda River 2. Kedarnath Temple Kedarnath, Uttarakhand Mandakini River 3. Kashi Vishwanath Varanasi, Uttar Pradesh Ganga River Temple 4. Golden Temple Amritsar, Punjab Ravi River 5. Amarnath Temple Pahalgam, Jammu & Amaravati River Kashmir 6. Vaishno Devi Temple Jammu & Kashmir Devika River 7. Akshardham Temple New Delhi Yamuna River 8. Konark Sun Temple Konark, Odisha Chandrabhaga River 9. Brihadeeswara Temple Thanjavur, Tamil Nadu Kollidam River 10. Lingaraj Temple Bhubaneshwar, Odisha - 11. Somnath Temple Saurashtra, Gujarat - 12. Jagannath Temple Puri, Odisha Chilika Lake 13. Kamakhya Temple Guwahati, Assam Brahmaputra River 14. Shani Shingnapur Ahmednagar, Maharashtra - Temple 15. Shirdi Sai Baba Temple Shirdi, Maharashtra - 16. Dilwara Temples Mount Abu, Rajasthan Banas River 17. Khajuraho Temples Khajuraho, Madhya - Pradesh 18. Tirupati Balaji Temple Tirumala, Andhra Pradesh Pushkarini River (Tirumala Venkateshwara) 19. Virupaksha Temple Hampi, Karnataka Tungabhadra River (Pampapathi temple) 20. Siddhivinayak Temple- Mumbai, Maharashtra Bhima River (Dedicated to Lord Ganesha) 21. Meenakshi Temple Madurai, Tamil Nadu Vaigai River 22. Vitthala Temple Hampi, Karnataka Tungabhadra River 23. Ramanathaswamy Rameswaram, Tamil Nadu Rameswaram Temple 24. Airavateswara Temple Darasuram, Tamil Nadu Kollidam River 25. Sanchi Stupa Raisen, Madhya Pradesh - 26. Yamunotri Temple Uttarkashi, Uttarakhand Yamunotri River 27. Bahai Temple New Delhi - 28. Padmanabhaswamy Thiruvananthapuram, - Temple Kerala 29. Dakshineswar Kali Kolkata, West Bengal Hooghly River Temple 30. Kandariya Mahadeva Madhya Pradesh - Temple 31. Gomateshwara Hassan district, Karnataka - Bahubali Temple 32. Nataraja Temple Chidambaram, Tamil Nadu - 33. Sabarimala Temple Pathanamthitta, Kerala Pamba River 34. Mahakaleshwar Temple Ujjain, Madhya Pradesh Shipra River 35. -
Rock CUT ARCHITECTURE)
1 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock Cut Architecture NEWSPAPER ANALYSIS PROGRAMME – WORK-SHEET Part - 10 Copyright © Aspire IAS All rights are reserved. No part of this document may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Aspire lAS. 2 TM Newspaper Analysis Programe WORKSHEeT -10 (UPSC PTcumMAINS-2020) (Rock CUT ARCHITECTURE) Rock cut architecture of Bihar. Some of these caves, most of which The Rock-cut structures present the most trace back to the 3rd century BC during the rule of spectacular piece of ancient Indian art specimen. the Maurya Empire (322–185 BCE), bear Most of the rock-cut structures were closely Ashokan inscriptions. These caves from the time associated with various religions and religious of the great Indian emperor Ashoka and his activities. In the beginning, remarkable Buddhist grandson, Dasharatha speak volume of the policy and Jain rock-cut structures were built in areas of religious tolerance undertaken by the two such as Bihar in the east and Maharashtra in the emperors who were otherwise Buddhists. west. Numerous caves were excavated by the Different Jain sects also thrived under their rule. Buddhist monks for prayer and residence purposes. The best example of this is Chaityas The Barabar Caves, BIHAR (prayer halls) and viharas (monasteries). Inside The Barabar Caves are the oldest examples of these rock-cut structures, windows and balconies Buddhist rock-cut architecture. and gates were carved as huge arch shaped openings. -
Rock Art (Part-2)
Rock Art (Part-2) drishtiias.com/printpdf/rock-art-part-2 Rock Art (Part-I) Rock-Cut Architecture About: The rock-cut architecture is a type of Rock Art in which a structure is created by carving it out of solid natural rock. Cave temples and monasteries are found in many parts of India, but the largest and most famous artificial caves were excavated from Western Deccan region. It was constructed during the regime of the Satavahana rulers and their successors. Timeline: This architecture had three definite phases; The earliest dating from the 2nd century BC to 2nd century AD The second from the 5th to 7th century The last from the 7th to 10th century Significance: Rock-cut architecture occupies a very important place in the history of Indian Architecture as they present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were closely associated with various religions and religious activities. Numerous caves were excavated by the Buddhist monks for prayer and residence purposes. The rock-cut architecture differs from traditional buildings in many ways. It is more similar to sculpture than architecture, as structures were produced by cutting out solid rocks. The architectures are classified into Rock-Cut Caves and Rock-Cut Temple Architecture. 1/7 Rock-Cut Caves Mauryan period: The earliest rock-cut caves in India are attributed to the Mauryan period, mainly to Ashoka (273-232 BC) and his grandson Dasharath. Caves in this period were generally used as viharas, i.e. living quarters, by the Jain and Buddhist monks. -
August 2020.Cdr
Discovery of India Building Dr. Annie Besant Road, Worli, Mumbai - 400 018. Phone : 2496 4676-80 Newsletter Fax : 2497 3827 Vol. 21 Issue 8 AUGUST 2020 Website: www.nehru-centre.org Price Rs. 10/- Per Copy Annual Subscription Rs. 100 Nation Building after Independence - Five Year Plans After independence, the Indian Article 39 of the Constitution entire terrain so as to understand it economy had to be built from scratch. It (Directive Principles of State Policy) better. Such a comprehensive exercise was crucial for nation building. India lays down 'equitable distribution of was bound to be eclectic and even chose the path of planned development material resources of the community discursive and to some extent, for which there were many reasons. for the common good and prevention tentative and cautious.' He further of concentration of wealth and means observed, “It has been said that the In 1938, the Indian National Congress of production to the common First Five Year Plan is like the had set up a National Planning detriment.' It was in accordance with Mahabharata; there is nothing in the Committee which outlined 'national this article that the Planning Indian economy which does not find self-sufficiency and doubling of living Commission was set up on 15th March reflection in the plan and there is standards in ten years as one of the main 1950 by a resolution of the nothing in the plan which is also not goals.’ Government of India, its objectives found in Indian reality.” being to assess the country's resources, In 1944, a group of leading industrialists to prioritize investment proposals and The First Five Year Plan provided like J. -
Hinduism-And-The-Religious-Arts.Pdf
RELIGION AND THE ARTS Series Editor: John Hinnells, University of Derby The arts have always been one of the primary means of communicating religious traditions; indeed, visual or performing arts may complement, predate or supplant many scriptural sources. This series explores how the visible has been used to express the invisible, and is designed to provide an understanding of the world's religions through the various art forms associated with religious practice and experience. Already published Art and Religion in Africa by Rosalind I. J. Hackett Arts in the Religions of the Pacific by Albert C. Moore Ganesa, Orissa, thirteenth century. Hinduism and the Religious Arts Heather Elgood CASSELL London and New York Cassell Wellington House, 125 Strand, London WC2R OBB 370 Lexington Avenue, New York, NY 10017-6550 First published 1999 First published in paperback 2000 © Heather Elgood 1999 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0-304-70739-2 (paperback) ISBN 0-304-33820-6 (hardback) Library of Congress Cataloging-in-Publication Data Elgood, Heather, 1950- Hinduism and the religious arts / Heather Elgood. p. cm.—(Religion and the arts) Includes bibliographical references and index. ISBN 0-304-33820-6 (hardcover) 1. Art, Hindu—India. 2. Art, Indie-India. 3. Hindu symbolism. 4. Art patronage-India. -
Colin Mackenzie, the Madras School of Orientalism, and Investigations at Mahabalipuram
3 Colin Mackenzie, the Madras School of Orientalism, and Investigations at Mahabalipuram Jennifer Howes he largest extant archive of information pertaining to the ‘Madras TSchool of Orientalism’ that was gathered by a single individual is undeniably the Mackenzie Collection in the British Library’s Asia Pacific and Africa Collections.1 Colonel Colin Mackenzie (1754–1821) gathered this vast collection over the course of his four-decade career in India. Most of the material he gathered in the South while engaged in surveys following British military campaigns. Most famously, he was in charge of the Survey of Mysore (1799–1810) after the Fourth Mysore War. When Mackenzie died on 8 May 1821 his collections were so disorganized as to be virtually unusable. His widow sold them to the East India Company in 1822, and the task of cataloguing them fell to Horace Hayman Wilson. The resulting catalogue focused on the manuscripts and gave only cursory lists of other materials Mackenzie had collected. This is why, on page 581 of Wilson’s 1828 catalogue, he devoted just one page to listing the 2,630 drawings sent to London as part of the Collection. In the late 1960s Mildred Archer attempted to individually catalogue the Mackenzie drawings (Archer 1969, 472– 552), but by that time they were housed in a different part of the India Office Library from the Mackenzie Manuscripts. This arrangement has continued, and as a result few researchers have taken an integrated view of the manuscripts and drawings Mackenzie collected concomitantly. Unfortunately, despite the renewed interest in the Mackenzie Collection that began in the 1970s the information contained in the Mackenzie drawings has been largely disregarded. -
Brouchure 3.Cdr
Growth Aligned to Sustainable Development Conceputual Framework of KNCCI Board of Directors Mr. P. Viswanathan Mr. G. Ramakrishna Reddy Mr. M. Anandkumar Mr. J. Sethuraman Mr. P. Madhusudhanan Mr. S. Vijayakumar Mr. T. Kurinchiselvan Mr. Ganesan Hari Narayanan (Japan) (Japan) Mr. Kiyohito Okida (Japan) P. VISWANATHAN Chairman Former Member of Parliament, Message from Chairman Former Director - State Bank of India (Local Board) Dear KNCCI stakeholders It's always a pleasure to engage with KNCCI members. Since our inception, with your support we have come this long way. is year we are realigning ourselves with the concept of sustainable development which has become a necessity for all of us irrespective of the sectors we come from. Public Advocacy at the highest level of governance in the country the concept of sustainable development has become entrenched in every decision each undertaken. As our family has grown and needs of socio-economic scenario have changed we have come up with a ve-year plan with specic sectors to focus upon each year besides as always any specic need from other sectors to be addressed upon on priority. Sports and culture are always interwoven. With the upcoming Tokyo 2021 Olympics and suggestion to have a cultural exchange programme from our Japanese friends, we will be conducting two initiatives this year leading to the Tokyo games. We are sure your participation in both is bound to have long-lasting value creation as desired. Yours sincerely, Draupadi Ratha, Mahabalipuram, Tamil Nadu Japanese shrine in Kiyomizu temple, Kyoto, Japan 1 KNCCI Concept Paper KNCCI was established as a non-prot organization on 22 January 2014 with a purpose of enabling the growth of industries from small scale to large ones in Tamil Nadu.