Latina/O Archival Resources
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Vida Y Cartas Winter 2007–08
Winter 2007–08 Alumna leads non-profit dedicated to welcoming international students Vida y Cartas 2 The College of Liberal Arts at The University of Winter 2007–08 Volume 7, Issue 1 Texas at Austin publishes Life and Letters for its community of scholars, alumni and friends. Editor Christian Clarke Cásarez Art Director Life&Letters Dave Holston Vida y Cartas Designers Marybeth Daigle 2 17 29 Tillie Policastro Message from the Dean Guatemala: Si Se Puede: Politicians Assistant Editor Voices of Change Court Latino Voters Jennifer McAndrew 3 Dispatches from the Field Texas Lyceum Poll Bienvenidos: Gateway Staff Writer and to the Americas Linguists in Latin America 31 Contributing Editor Generation Next: 20 Tracy Mueller 5 Shaping U.S. Education Mexico: A Neighbor Bolivia: Keeping the Peace from the Borderlands in Transition Copy Readers 21 Pam Losefsky Dominance Defeated as Top Shelf: 33 Scott Fulford Democracy Takes Hold Nettie Lee Benson Dia de los Muertos: University Leads Latin American Collection Unearthing Mexico’s Contributing Writers Delegation to Mexico Day of the Dead Henry Dietz Scholars Tackle 22 Tim Green South-of-the-Border Poverty Resources: 35 Vive Griffith Latin America Online La Llorona’s Revenge Frank Guridy 7 LANIC, Portuguese Podcasts, Cuba After Castro Texas Beyond History 37 Photographers On the Revolutionary Trail Research Briefs Marsha Miller What Language Does Your Christina Murrey From Tuskegee to Havana 23 Changing Personality Speak? 11 U.S. Demographics: Crossing Borders: Contributing Photographers Brazil: A -
Financial Documents 2022003658LAR
L EGISLATIVE A PPROPRIATIONS R EQUEST F I S C A L Y E A R S 2022 A N D 202 3 Submitted to the Governor’s Office A nd the Legislative Budget Board T H E U NIVERSITY OF T E X A S A T A USTIN O c t o b e r 2020 TABLE OF CONTENTS I. SCHEDULES NOT INCLUDED ........................................................................................................................................................................................................................ 1 1. ADMINISTRATOR’S STATEMENT ................................................................................................................................................................................................................ 2 A. ORGANIZATIONAL CHART ................................................................................................................................................................................................................................. 13 B. DESCRIPTION OF FUNCTIONAL UNITS ................................................................................................................................................................................................................ 14 C. BUDGET OVERVIEW – BIENNIAL AMOUNTS....................................................................................................................................................................................................... 16 2. SUMMARIES OF REQUEST A. SUMMARY OF BASE REQUEST BY STRATEGY .................................................................................................................................................................................................... -
Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon Author(S): Constance Classen Source: American Ethnologist, Vol
Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon Author(s): Constance Classen Source: American Ethnologist, Vol. 17, No. 4 (Nov., 1990), pp. 722-735 Published by: Blackwell Publishing on behalf of the American Anthropological Association Stable URL: http://www.jstor.org/stable/645710 Accessed: 14/10/2010 14:06 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and American Anthropological Association are collaborating with JSTOR to digitize, preserve and extend access to American Ethnologist. http://www.jstor.org sweet colors, fragrantsongs: sensory models of the Andes and the Amazon CONSTANCE CLASSEN-McCill University Every culture has its own sensory model based on the relative importance it gives to the different senses. -
FOOTBALL 2019 SEASON Media Release (2019 Bowl Release) Contact: Russell Anderson [email protected] STANDINGS East Division W-L Pct
FOOTBALL 2019 SEASON Media Release (2019 Bowl Release) Contact: Russell Anderson [email protected] STANDINGS East Division W-L Pct. H A Div. Pts. Opp. W-L Pct. H A Pts Opp. x-Florida Atlantic 7-1 .875 3-1 4-0 5-1 291 153 10-3 .769 5-2 5-1 458 290 Marshall 6-2 .750 4-0 2-2 4-2 200 163 8-4 .667 6-1 2-3 310 277 WKU 6-2 .750 3-1 3-1 4-2 196 141 8-4 .667 4-2 4-2 307 241 Charlotte 5-3 .625 3-1 2-2 3-3 227 237 7-5 .583 5-1 2-4 379 390 Middle Tennessee 3-5 .375 3-1 0-4 3-3 229 204 4-8 .333 4-2 0-6 316 359 FIU 3-5 .375 3-1 0-4 2-4 200 237 6-6 .500 6-1 0-5 318 320 Old Dominion 0-8 .000 0-4 0-4 0-6 116 254 1-11 .083 1-5 0-6 195 358 x -C-USA Champion West Division W-L Pct. H A Div. Pts. Opp. W-L Pct. H A Pts Opp. y-UAB 6-2 .750 4-0 2-2 5-1 204 150 9-4 .682 6-0 3-4 307 271 Louisiana Tech 6-2 .750 4-0 2-2 5-1 270 197 9-3 .750 6-0 3-3 408 284 Southern Miss 5-3 .625 3-1 2-2 5-1 226 172 7-5 .583 4-1 3-4 333 311 North Texas 3-5 .375 3-1 0-4 2-4 247 241 4-8 .333 4-2 0-6 367 390 UTSA 3-5 .375 1-3 2-2 2-4 168 261 4-8 .333 2-4 2-4 244 407 Rice 3-5 .375 1-3 2-2 2-4 161 187 3-9 .250 1-6 2-3 215 311 UTEP 0-8 .000 0-4 0-4 0-6 140 278 1-11 .083 1-5 0-6 235 431 y -Division Champion BOWL SCHEDULE C-USA CHAMPIONSHIP C-USA AWARDS MAKERS WANTED BAHAMAS BOWL SATURDAY, DECEMBER 7 (Nassau, Bahamas) Ryan C-USA Championship Game COACH OF THE YEAR Friday, December 20 Florida Atlantic 49, UAB 6 Tyson Helton - WKU Buff alo vs. -
715-261-6391 Or [email protected]
Wisconsin Public Radio For Immediate Release Contact: Rick Reyer, Central Regional Manager Ph: 715-261-6391 or [email protected] Phil Corriveau, Former Director Of Wisconsin Public Radio, Passes Away Madison, Wis. – It is with great sadness that Wisconsin Public Radio (WPR) announces the death of our friend and former director, Phil Corriveau. His leadership, optimism and commitment to WPR’s mission will continue to benefit listeners for years to come. Current WPR Director Mike Crane embraced that optimism when Corriveau hired him as chief operating officer in 2008. “There are so many positive things that started with Phil,” Crane said. “He set the stage for expanding our radio networks. He believed in growing our Major and Planned Giving effort. He had a vision for us reaching new audiences across the state. He was an incredibly positive force, I’m really going to miss him.” Crane said. Corriveau was a Wisconsin native who received both his bachelor’s and master’s degrees from UW-Madison. As he told the Isthmus weekly in 2010, he discovered his love of radio as a freshman board operator working a summer job in 1971 at WPR’s flagship station, WHA. That summer job turned into a career. In 1974, Corriveau was hired as an engineer at WHA, where he continued to build his resume. From engineering, he moved into production and, by the end of the decade, he was serving as programming and production manager. In 1980, he was hired as the first general manager of what is now called Capital Public Radio in Sacramento. -
Curriculum Vitae March 2011 MICHAEL L. BENEDIKT Hal Box
1 Curriculum Vitae March 2011 MICHAEL L. BENEDIKT Hal Box Chair in Urbanism Director, Center for American Architecture and Design School of Architecture The University of Texas at Austin Austin, TX 78712 (512) 471-1922, fax 512-471-7033, email: [email protected] EDUCATION • Master of Environmental Design, (M.E.D.) Yale University, New Haven, Connecticut, 1975 • Bachelor of Architecture, (B. Arch.) University of the Witwatersrand, Johannesburg, South Africa, 1971 TEACHING • Professor of Architecture, The University of Texas at Austin, 1989--present Hal Box Chair in Urbanism, 1999–present Roland W. Roessner Professor 1998–1999 Harwell Hamilton Harris Regents Professor, 1996–1998 Meadows Foundation Centennial Professor, 1991--1995 Harwell Hamilton Harris Teaching Fellow, 1986–1995 - Architectural Design Studio, graduate and undergraduate, all levels - Visual Communications, as above - Graduate seminars: Perception of Space and Environment; Architecture and Reality; Problem Design and Programming; The Architecture of Depth; Cyberspace: A New Venue for Architectural Design; Theory of Economic Value; 1 2 The Art and Science of Architectural Phenomena; The Spiritual Dimensions of Architecture; On Beauty - Thesis Supervision and Independent Project Supervision - Instructor, Europe Program, Fall 1987, Fall 1999 • External Examiner, University College London, MSArchitecture Program, 2003-2007 • Colin Clipson Fellow, Taubman College of Architecture and Urban Planning, University of Michigan (winter semester, 2004). Graduate seminar, doctoral -
The Grotesque Body and the Reconfiguration of Nation in Mexican Historiographic Metafiction
Bodies of Evidence: e Grotesque Body and the Reconfiguration of Nation in Mexican Historiographic Metafiction by Kyle James Matthews B.S.O.F., Indiana University, 2003 A.M., Brown University, 2008 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Hispanic Studies at Brown University Providence, Rhode Island May 2013 © Copyright 2010 – 2013 by Kyle James Matthews is dissertation by Kyle James Matthews is accepted in its present form by the Department of Hispanic Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date____________________ __________________________________ Julio Ortega, Director Recommended to the Graduate Council Date____________________ __________________________________ Aldo Mazzucchelli, Reader Date____________________ __________________________________ Rafael Olea Franco, Reader Approved by the Graduate Council Date____________________ __________________________________ Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Kyle James Matthews was born in Cheshire, CT in 1981. He graduated with high honors from the Indiana University School of Music with a Bachelor of Science degree in Music and an Outside Field (Spanish) in 2003 after writing a thesis titled “Resonances of Faulkner in La muerte de Artemio Cruz.” He began at Brown University’s Department of His- panic Studies in 2005 and received his Master’s Degree in 2008; the title of his major paper was “El realismo grotesco en Rayuela.” After receiving a competitive dissertation fellowship, Kyle began work on this dissertation in 2009 and completed it in November 2012. Kyle has taught Spanish at Brown University’s Department of Hispanic Studies and the College of the Holy Cross’s Department of Spanish. -
3658-Aus-Lar-09-2020.Pdf
L EGISLATIVE A PPROPRIATIONS R EQUEST F I S C A L Y E A R S 2022 A N D 202 3 Submitted to the Governor’s Office A nd the Legislative Budget Board T H E U NIVERSITY OF T E X A S A T A USTIN S e p t e m b e r 2020 TABLE OF CONTENTS I. SCHEDULES NOT INCLUDED ........................................................................................................................................................................................................................ 1 1. ADMINISTRATOR’S STATEMENT ................................................................................................................................................................................................................ 2 A. ORGANIZATIONAL CHART ................................................................................................................................................................................................................................. 13 B. DESCRIPTION OF FUNCTIONAL UNITS ................................................................................................................................................................................................................ 14 C. BUDGET OVERVIEW – BIENNIAL AMOUNTS....................................................................................................................................................................................................... 16 2. SUMMARIES OF REQUEST A. SUMMARY OF BASE REQUEST BY STRATEGY .................................................................................................................................................................................................... -
Les Payne • 1981-1983 Bob Reid • 1979-1981 Bob Reid • Vernon Jarrett • 1977- Vernon Jarrett Chuck Stone • 1975-1977 Chuck Foreword Merv Aubespin • 1983
T Foreword 3 able of by Paula Madison Chuck Stone • 1975-1977 5 • Essay by Paul Brock • Photograph by Robert Miller Vernon Jarrett • 1977- 8 Contents • Essay by Lynn Norment • Photograph by Andre F. Chung Bob Reid • 1979-1981 11 • Essay by Gayle Pollard Terry • Photograph by Hillery Shay Les Payne • 1981-1983 14 • Essay by Derrick Z. Jackson • Photograph by Suné Woods Merv Aubespin • 1983- 17 • Essay by Michel Marriott • Photograph by Durell Hall Al Fitzpatrick • 1985- 20 • Essay by John L. Dotson Jr. • Photograph by Gary J. Kirksey DeWayne Wickham • 23 • Essay by Sheila Brooks • Photograph by Hillery Shay Thomas Morgan III • 1989- 26 • Essay by Katti Gray • Photograph by Suné Woods Sidmel Estes-Sumpter • 1991-1993 29 • Essay by Ernie Suggs • Photograph by Joey Ivansco Dorothy Butler Gilliam • 1993-1995 32 • Essay by Jacqueline E. Trescott • Photograph by Hillery Shay Arthur Fennell • 1995- 35 • Essay by Herbert Lowe • Photograph by Hillery Shay Vanessa Williams • 1997- 38 • Essay by Betty Winston Bayé • Photograph by Dudley M. Brooks William W. Sutton Jr. • 1999- 41 • Essay by Michael Days • Photograph courtesy of The News & Observer Condace Pressley • 2001- 44 • Essay by Eric Deggans • Photograph by Ian Irving 47 Contents Herbert Lowe • 2003- • Essay by Jackie Jones • Photograph by Jason Miccolo Johnson Remembering Vernon 50 able of Contributors 52 T hen did I first learn of NABJ? It was back in the late '70s. I was an Y B investigative reporter at The Syracuse (N.Y.) Herald-Journal and I PAULA was down. We had no black editors, no black folks on the desk, no black photographers. -
View / Open Thesis Final-Dorland.Pdf
CREATIVE NONVIOLENT ACTION: LEVERAGING THE INTERSECTIONS OF ART, PROTEST, AND INFORMATION AND COMMUNICATIONS TECHNOLOGY FOR SOCIAL CHANGE by EMMA DORLAND A THESIS Presented to the Department of Spanish and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2015 Acknowledgements I would like to formally acknowledge and thank my Advisory Committee for their commitment to seeing me through this process. These professors have generously given of their time and expertise to facilitate my growth and my completion of this substantial project. Thank you to Professor Analisa Taylor, who has coached and guided me, consistently offering insightful critique of my work and challenging me to develop my thinking and express myself clearly. Her expertise in the humanities and in the writing process has made me a stronger writer and a more analytical scholar. Thank you to Professor Kiersten Muenchinger for lending her keen eye to this project and for helping me to build my capacity for creativity by extending her most perceptive feedback. Thank you to Professor Monique Balbuena for serving as a reliable resource and for urging me to develop a more amplified perspective and complex argument from the outset of this project through to its completion. I am incredibly appreciative of each of these professors for their words of encouragement and commitment to my success. In addition, I would like to thank Dianne Torres for her consistent support throughout my writing of this thesis and all of my college years. I am deeply grateful for her caring guidance each step of the way. -
The School of Journalism at the University of Texas at Austin Has
DIRECTOR R.B. Brenner Professor ASSOCIATE DIRECTOR Kathleen McElroy Senior Lecturer FACULTY The School of Journalism at students to think critically, their field of interest or the Rosental C. Alves The University of Texas at gather information accurately, Reporting Texas course, which Professor, Knight Chair Austin has long been recognized honestly and fairly, and produce is an online news service that in Journalism as a leader in journalism stories that communicate clearly, provides real-world newsroom Mary Bock Assistant Professor education. The faculty, which concisely and powerfully to experience and multimedia Gina Masullo Chen includes internationally the public using all the tools reporting to professional news Assistant Professor renowned scholars, have diverse for information gathering and outlets across the state. The Iris Chyi backgrounds and extensive communication that modern internship requirement helps Associate Professor Renita Coleman experience in the fields of print, technology provides. Students equip students to graduate with Associate Professor and broadcast, photojournalism complete a broad, integrated practiced skills attractive to the Graduate Adviser and multimedia journalism. course schedule across five industry. Tracy Dahlby They hold leadership positions levels: foundations, applications, Professor, Frank A. Bennack Resources Chair in Journalism in national and international specialized issues and skills In summer 2012, the Moody Dennis Darling organizations and serve as courses, professional principles Professor editors, editorial board members and professional practices. The College of Communication Donna DeCesare Associate Professor and contributors to the top major core curriculum contains opened its new facility, the Belo Center for New Media, and Robert Jensen journals in the field. components involving critical Professor completed a total renovation of In a recent evaluation by issues, basic newsgathering and Tom Johnson the Accrediting Council for writing, multimedia and media the CMA and CMB buildings Professor, Amon G. -
IAJC’S Centenary Celebrations; AWARE of the Valuable Assistance Given by Dr
PERMANENT COUNCIL OEA/Ser.G CP/doc.4695/12 8 March 2012 Original: Spanish ANNUAL REPORT OF THE INTER-AMERICAN JURIDICAL COMMITTEE TO THE FORTY-SECOND REGULAR OF THE GENERAL ASSEMBLY ORGANIZATION OF AMERICAN STATES INTER-AMERICAN JURIDICAL COMMITTEE 79th REGULAR SESSION OEA/Ser.Q/IV.42 August 1 to 6, 2011 CJI/doc.399/11 Rio de Janeiro, Brazil 5 August 2011 Original: Spanish ANNUAL REPORT OF THE INTER-AMERICAN JURIDICAL COMMITTEE TO THE GENERAL ASSEMBLY 2011 General Secretariat Organization of the American States www.oas.org/cji [email protected] EXPLANATORY NOTE Until 1990, the OAS General Secretariat published the “Final Acts” and “Annual Reports of the Inter-American Juridical Committee” under the series classified as “Reports and Recommendations”. In 1997, the Department of International Law of the Secretariat for Legal Affairs began to publish those documents under the title “Annual Report of the Inter-American Juridical Committee to the General Assembly”. According to the “Classification Manual for the OAS official records series”, the Inter- American Juridical Committee is assigned the classification code OEA/Ser.Q, followed by CJI, to signify documents issued by this body (see attached lists of resolutions and documents). iii TABLE OF CONTENTS Page EXPLANATORY NOTE......................................................................................................................................... III TABLE OF CONTENTS .........................................................................................................................................