46 God Conquers Death. Perhaps, It Will Not Be Far-Fetched to Argue That

Total Page:16

File Type:pdf, Size:1020Kb

46 God Conquers Death. Perhaps, It Will Not Be Far-Fetched to Argue That 46 God conquers death. Perhaps, it will not be far-fetched to argue that the Jewish dogma of divine reward and retribution inspired this new vision of death and the after-life. Almost axiomatic is the general belief that since God is eternal, man made . in his "image and likeness" must possess that divine principle which overcomes total destruction by death. But this is a victory only the righteous can achieve. The wicked will experience eternal death. At this point victory over death is linked to morality and indicated in the injunction to choose the "way of wisdom". According to the Wisdom author, death is ultimately a passage for the just to a continuing friendship and intimacy in "truth" and "love", completely devoid of earthly limitations. And in ' the perspectives of Ps 16:3, the "Holy Ones" pass through the exodus of death to shalom, a place of well-being (50). Ori this note, I can conclude that this is how late Judaism gave a positive rationalisation of the problem of human mortality and the after-life. The Igbo People The specific Nigerian tribe studied here is my own people, the Igbo. As an attempt in an area study, effort will be made to penetrate the heart of the Igbo religious worldview and to interpret it as accurately as possible. The Igbo speaking people of Nigeria constitute the second ethnic majority in the Nigerian population. They inhabit the south-eastern part of Nigeria. Inspite of the present truncation of the Igboland by the creation of states in 1976 by the Federal Government, the Igbo still occupy a dense area of land and have retained much of their traditional and psychic unity, especially in the areas of religion and culture (51). Igbo Traditional Religious Worldview The Igbo are nothing if not profoundly religious, and all accounts of their existence reflect this religious way of life. For the Igbo, Chukwu (God), 'which in spoken language is a contraction of Chi-Ukwu (the Great-God), is the creator of uwa, the vis- ible universe. He is the one who is immense, the ode n'lgbo (the One whose Being spreads over the whole extent of the Igboland). There are two aspects of Igbo cosmos; namely uwa nkea (this natural world) and ala mmuo (the spirit-world). All divinities and all categories of spirits inhabiting this world and the spirit-world derive their essence from Chukwu (God). They are his created beings and are no more than his satelites. The cosmos includes anyanwu (the sun), igwe (the sky) which form the abode of Chukwu and ala mmadu (earth), the home of man. Ala (the Earth Goddess) is an important deity in the traditional religion of the Igbo. She is the custodian and super- visor of Igbo morality. In the Igbo pantheon, she ranks next to Chukwu, the Supreme Being. She is the queen of the underworld and rules in union with the Ndichie (the ancestors) to ensure peace and tranquility in Igboland. This worldview is better illustrated with a diagram: 'I _ 47 Igbo ontology is all-inclusive. As John S. Mbiti has rightly observed, African ontology is anthropocentric. This ontology includes God as the Originator and Sustainer of other beings; the spirits and those of men who had died long ago; including all human beings and those yet unborn, animals and vegetation and the inanimate phenomena (53). All together form part of a continuum. The dead constitute part of the Igbo social world. In this ontology, the whole of human life is cyclical .(54). It includes birth, puberty, initiation, marriage, procreation, old age and death as an entry into the community of the dead and a final reditus to the spirit-world (Ala mmuo) (55). Temporality is viewed from the Now (ugbua) to the obea n'iru' (future) as Mbiti has rightly described (56). .
Recommended publications
  • Igbo Folktales and the Idea of Chukwu As Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston
    University of Massachusetts Boston From the SelectedWorks of Chukwuma Azuonye April, 1987 Igbo Folktales and the Idea of Chukwu as Supreme God of Igbo Religion Chukwuma Azuonye, University of Massachusetts Boston Available at: http://works.bepress.com/chukwuma_azuonye/76/ ISSN 0794·6961 NSUKKAJOURNAL OF LINGUISTICS AND AFRICAN LANGUAGES NUMBER 1, APRIL 1987 Published by the Department of Linguistics and Nigerian Languages, University of Nigeria, Nsukka NOTES ON THE CONTRIBUTORS All but one of the contributors to this maiden issue of The Nsukka Journal of Linguistics and African Languages are members of the Department of Linguistics and Nigerian Languages, Univerrsity of Nigeria, Nsukka Mr. B. N. Anasjudu is a Tutor in Applied Linguistics (specialized in Teaching English as a Second Language). Dr. Chukwuma Azyonye is a Senior Lecturer in Oral Literature and Stylistics and Acting Head of Department. Mrs. Clara Ikeke9nwy is a Lecturer in Phonetics and Phonology. Mr. Mataebere IwundV is a Senior Lecturer in Sociolinguistics and Psycholinguistics. Mrs. G. I. Nwaozuzu is a Graduate Assistant in Syntax and Semantics. She also teaches Igbo Literature. Dr. P. Akl,ljYQQbi Nwachukwu is a Senior Lecturer in Syntax and Semantics. Professor Benson Oluikpe is a Professor of Applied and Comparative Linguistics and Dean of the Faculty of Arts. Mr. Chibiko Okebalama is a Tutor in Literature and Stylistics. Dr. Sam VZ9chukwu is a Senior Lecturer in Oral Literature and Stylistics in the Department of African Languages and Literatures, University of Lagos. ISSN 0794-6961 Nsukka Journal of L,i.nguistics and African Languages Number 1, April 1987 IGBD FOLKTALES AND THE EVOLUTION OF THE IDEA OF CHUKWU AS THE SUPREME GOD OF IGBO RELIGION Chukwuma Azyonye This analysis of Igbo folktales reveals eight distinct phases in the evolution of the idea of Chukwu as the supreme God of Igbo religion.
    [Show full text]
  • The Influence of the Supernatural in Elechi Amadi’S the Concubine and the Great Ponds
    THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG/MA/09/51229 DEPARTMENT OF ENGLISH AND LITERARY STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. SUPERVISOR: DR. EZUGU M.A A DISSERTATION SUBMITTED IN PARTIAL FULFILMENT FOR THE AWARD OF MASTER OF ARTS (M.A) IN ENGLISH & LITERARY STUDIES TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 i TITLE PAGE THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG /MA/09/51229 DEPARTMENT OF ENGLISH & LITERARY STUDIES UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 ii CERTIFICATION This research work has been read and approved BY ________________________ ________________________ DR. M.A. EZUGU SIGNATURE & DATE SUPERVISOR ________________________ ________________________ PROF. D.U.OPATA SIGNATURE & DATE HEAD OF DEPARTMENT ________________________ ________________________ EXTERNAL EXAMINER SIGNATURE & DATE iii DEDICATION This work is dedicated to my dear son Davids Smile for being with me all through the period of this study. To my beloved husband, Mr Smile Iwejua for his love, support and understanding. To my parents, Elder & Mrs S.C Ekpendu, for always being there for me. And finally to God, for his mercies. iv ACKNOWLEDGEMENTS My greatest thanks go to the Almighty God for his steadfast love and for bringing me thus far in my academics. To him be all the glory. My Supervisor, Dr Mike A. Ezugu who patiently taught, read and supervised this research work, your well of blessings will never run dry. My ever smiling husband, Mr Smile Iwejua, your smile and support took me a long way.
    [Show full text]
  • Saharan Africa: the Igbo Paradigm
    Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value.
    [Show full text]
  • OF CULTURAL FESTIVALS and RELATIONS in WEST AFRICA: PERSPECTIVES on MBANO of SOUTHEAST NIGERIA SINCE the 20TH CENTURY Chinedu N
    Mgbakoigba, Journal of African Studies, Vol. 8 No. 2. May, 2021 OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi OF CULTURAL FESTIVALS AND RELATIONS IN WEST AFRICA: PERSPECTIVES ON MBANO OF SOUTHEAST NIGERIA SINCE THE 20TH CENTURY Chinedu N. Mbalisi Department of History and International Studies, Nnamdi Azikiwe University, Awka [email protected] Abstract Africa is prominently known for its rich cultural heritage, festivals and traditional celebrations. The Igbo of southeast Nigeria are known globally for their addiction to their traditional way of life, belief systems and celebration of numerous cultural festivals. These traditional and cultural festivals form the basic foundation of the rich heritage of the Igbo. Most of these celebrations begin from birth. Usually, the birth of a new born baby is greeted with joy and fanfare by his/her parents and their relatives. The celebrations continue till the period of transition (death); from puberty to adulthood, marriage, title taking, old age till one rejoins his/her ancestors, then comes the final celebration. Mbano people of southeast Nigeria have numerous traditional and cultural festivals which form the nucleus of their relations with their neighbours. In fact, the cultural festivals depict the rich cultural heritage of the people and are used to show in most parts, the kinship between the people and their proximate neighbours. This paper essays to demonstrate the import of these traditional and cultural festivals to the nature of relationship prevalent between Mbano people and their neighbours in southeast Nigeria. The work adopts the orthodox historical method of narrative and analysis.
    [Show full text]
  • “Things Fall Apart” in “Dead Men's Path”
    International Journal of Linguistics and Literature (IJLL) ISSN(P): 2319-3956; ISSN(E): 2319-3964 Vol. 7, Issue 6, Oct - Sep 2018; 57-70 © IASET “THINGS FALL APART” IN “DEAD MEN’S PATH”, A STORY FROM CHINUA ACHEBE’S GIRLS AT WAR AND OTHER STORIES Komenan Casimir Lecturer, Department of English, Félix Houphouët-Boigny University of Coode, Abidjan, Côte d’Ivoire ABSTRACT Introduced in Igbo-land owing to colonialism, Western school proves intolerant of Odinani, the Igbo traditional religion,by closing “Dead Men’s Path”, a symbol of three realms of existence: the dead, the living and the unborn children. To claim the right of being practiced freely, Odinaniwage war with the school. The ins and outs of these conflicts permits of postulating that “things fall apart” in “Dead Men’s Path”, a short story excerpted from Achebe’s Girls at War and Other Stories. KEYWORDS: “Things Fall Apart”, “Dead Men’s Path”, Intolerant School, Odinani, Igbo, Achebe Article History Received: 04 Oct 2018 | Revised: 16 Oct 2018 | Accepted: 03 Nov 2018 INTRODUCTION Introduced in Africa with the advent of colonization and its civilizing mission, school as one feature of the white man’s ways, has clashed with Odinani, the Igbo traditional religion based on the ancestral veneration or what is referred to as the first faith of Africans 1. As a result, the inherited religious practices have become obsolete, as shown in Chinua Achebe’s “Dead Men’s Path”, a short story extracted from Girls at War and Other Stories (1972). This work is a collection of short stories in which the author attests to the culturo-spiritual conflict between the African culture and the European one 2.
    [Show full text]
  • Dictionary of Ò,Nì,Chà Igbo
    Dictionary of Ònìchà Igbo 2nd edition of the Igbo dictionary, Kay Williamson, Ethiope Press, 1972. Kay Williamson (†) This version prepared and edited by Roger Blench Roger Blench Mallam Dendo 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/ Fax. 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail [email protected] http://www.rogerblench.info/RBOP.htm To whom all correspondence should be addressed. This printout: November 16, 2006 TABLE OF CONTENTS Abbreviations: ................................................................................................................................................. 2 Editor’s Preface............................................................................................................................................... 1 Editor’s note: The Echeruo (1997) and Igwe (1999) Igbo dictionaries ...................................................... 2 INTRODUCTION........................................................................................................................................... 4 1. Earlier lexicographical work on Igbo........................................................................................................ 4 2. The development of the present work ....................................................................................................... 6 3. Onitsha Igbo ................................................................................................................................................ 9 4. Alphabetization and arrangement..........................................................................................................
    [Show full text]
  • Perceptions of Mental Illness in South- Eastern Nigeria: Causal Beliefs, Attitudes, Help-Seeking Pathways and Perceived Barriers to Help-Seeking
    PERCEPTIONS OF MENTAL ILLNESS IN SOUTH- EASTERN NIGERIA: CAUSAL BELIEFS, ATTITUDES, HELP-SEEKING PATHWAYS AND PERCEIVED BARRIERS TO HELP-SEEKING UGO IKWUKA BA, BSc, MA June 2016 A thesis submitted in partial fulfilment of the requirements of the University of Wolverhampton for the degree of Doctor of Philosophy The exploratory studies of three of the four chapters of this work have been published in peer reviewed journals. SAGE granted an automatic ‘gratis reuse’ for the first publication on causal beliefs that allows for the work to be posted in the repository of the author’s institution. Copyright licence (no. 3883120494543) was obtained from John Wiley and Sons to republish the second paper on attitudes towards mental illness in this dissertation. Copyright licence (no. 3883131164423) was obtained from the John Hopkins University Press to republish the third paper on barriers to accessing formal mental healthcare in this dissertation. The exploratory study on Pathways to Mental Healthcare has been accepted for publication in Transcultural Psychiatry with the proviso that it is part of a doctoral dissertation. Save for any express acknowledgments, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own efforts and of no other person. The right of Ugo Ikwuka to be identified as author of this work is asserted in accordance with ss.77 and 78 of the Copyright, Designs and Patents Act 1988. At this date copyright is owned by the author. Signature……………………………………….. Date…………………………………………….. Acknowledgments I share the communitarian worldview that ‘a tree cannot make a forest’ which was clearly demonstrated in the collective support that made this research possible.
    [Show full text]
  • The Typology of Spirits in Igbo-African Ontology: a Discourse in Existential Metaphysics
    IDEA – Studia nad strukturą i rozwojem pojęć filozoficznych XXIX/2 Białystok 2017 Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri (Abuja, Okada, Nigeria) THE TYPOLOGY OF SPIRITS IN IGBO-AFRICAN ONTOLOGY: A DISCOURSE IN EXISTENTIAL METAPHYSICS Introduction Gleaning from tradition, history, experience and research, it is bare-faced that the African ontology is incomplete without the transcendental and meta- physical domain. As a matter of fact what differentiates the African ontology from others is the seeming inevitable alliance between the physical and the su- per-physical realm. A typical explanation and illustration of this submission is blatant in Edeh’s work Towards an Igbo Metaphysics (1985) where he outlined the three broad categories of beings with sub-categories. The first category is: Spirit and Forces. The subs in descending order are (i) the Supreme Deity (Chukwu/Chineke (ii) Powerful Spirit (Agbara) (ii) Ancestral Spirit (Ndichie) (iv) Spirit of the dead, (v) human Spirit, (vi) Spirit associated with the persona- lity of all things, (vii) forces which may be phenomena, or related to certain human endeavours, (viii) forces which are immanent in natural objects, (ix) Evil spirit- devil (akalaogoli, ogbanje). In the second category: Human being (Madu) in descending order (i) Priests (Ndiezemmuo) (ii) Diviners (DibiaAfa), (iii) Medicine men (NdidibiaOgwu), (iv) Elders (NdiOkenye) (v) Wealthy/titled men (NdiOgaranya/NdiNzenaozo), (vi) Ordinary men (Ndiefu) (vii) Women and children, (viii) the unborn. In the last category are: (i) Animals (including birds and insects), (ii) Plants, (iii) inanimate objects and elements. Interestingly Nelson Udoka Ukwamedua, Moris K. O. Edogiaweri 318 and most importantly for this research, each of these beings is permeated by spi- rits and forces.
    [Show full text]
  • The Sacred Festival of Iri Ji Ohuru in Igboland, Nigeria UKACHUKWU CHRIS MANUS Obafemi Awolowo University, Nigeria
    Nordic Journal of African Studies 16(2): 244–260 (2007) The Sacred Festival of Iri Ji Ohuru in Igboland, Nigeria UKACHUKWU CHRIS MANUS Obafemi Awolowo University, Nigeria ABSTRACT This article examines the religious significance of the New Yams Festival (Iri Ji Ohuru) among the Igbo of south-eastern Nigeria. Secondary data for the study was collected from ethnographical information on the origin of the custom by some well-known Igbologists. An analysis of a major extant etiological myth about the revelation of yams in Igboland is provided. A phenomenological description of the Emume (festival), the primary datum as it directly presented itself to my consciousness when I observed one such festival in my village of birth, Umueze, Uzoagba in the Ikedururu Local Government Area of Imo State, Nigeria, in 2004 is presented. Interview schedules with some elders and a ritual master of this kind of traditional custom was conducted in the village on 12 April 2004 and 1–7 February 2006. To anchor the findings on the place of yams on solid ethno-history, a brief sketch of the migrations of the Igbo people, their religion and the legend about their progenitor, Eri , is discussed. The aim is to provide the socio-religious background for understanding the divine origin and the sacred nature of yams in the traditional belief of the Igbo people. Popular views on the value of yams as principal staple in Igbo gastronomic life as attested in contemporary literary works are related. Matters of great interest to phenomenologists such as the descriptive account of the festival, its ritual acts, the oral nature of the incantations, and the age of the participants are discussed.
    [Show full text]
  • Sneak Peak! Chapters
    THE RETURN OF THE EARTH MOTHER SERIES: BOOK 1 DAUGHTERS OF NRI RENI K AMAYO PRAISE FOR DAUGHTERS OF NRI ‘Oh . my . goddesses! This book is something special. There is so much myth, fantasy and genuinely great storytelling packed into the pages of this novel. Excellent writing, brilliant book.’ Dorothy Koomson, Best-selling author ‘From a rich and deep culture, Amayo weaves a world of literary magic. Daughter’s of Nri is a beautifully written novel paving the way for a powerful collection to follow.’ Buzzfeed ‘A phenomenal debut from a brilliant writer which kept me on the edge of my seat from the first page. This is a beautiful story full of heritage, passion and bravery that every young black girl should read.’ Black Girl Book Club ‘With Daughters of Nri, Reni K Amayo conjures a magical world that truly centres black sisterhood. Combining lush prose with a fast-paced plot, this is one read that everyone – but especially black teens – will struggle to put down.’ Alex Sheppard, Author of ‘Oh My Gods’ ‘This book is a love letter to black women. It is beautifully written and its message is so powerful and incredibly important. Every black woman needs to read. We deserve this story.’ WCAN First published in Great Britain in 2019 by Onwe Press Ltd This paperback edition was first published in 2019 All rights reserved; no part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except for the use of brief quotations in a book review.
    [Show full text]
  • Uli: Metamorphosis of a Tradition Into Contemporary Aesthetics
    ULI: METAMORPHOSIS OF A TRADITION INTO CONTEMPORARY AESTHETICS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sandra A. Smith May, 2010 Thesis written by Sandra A. Smith B.A., Kent State University, 2006 M.A., Kent State University, 2010 Approved by __________________________, Advisor Fred T. Smith __________________________, Chair, School of Art Christine Havice __________________________, Interim Dean, College of the Arts John R. Crawford ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... v ACKNOWLEDGMENTS ...................................................................................... vii CHAPTER Page INTRODUCTION .................................................................................................. 1 I DESCRIPTION OF IGBO HISTORY, CULTURE AND ART ...................... 8 Igbo-Ukwu .................................................................................................. 9 Igbo Culture and Society .......................................................................... 10 Igbo Religious Beliefs and Practices ....................................................... 12 Igbo Deities .............................................................................................. 13 Masked Spirits ........................................................................................ 14 Aspects of Belonging .............................................................................
    [Show full text]
  • Interface Between Igbo Theology and Christianity
    Interface Between Igbo Theology and Christianity Interface Between Igbo Theology and Christianity Edited by Akuma-Kalu Njoku and Elochukwu Uzukwu Interface Between Igbo Theology and Christianity, Edited by Akuma-Kalu Njoku and Elochukwu Uzukwu This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Akuma-Kalu Njoku, Elochukwu Uzukwu and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6390-4, ISBN (13): 978-1-4438-6390-2 TABLE OF CONTENTS Introduction ................................................................................................. 1 Akuma-Kalu Njoku and Elochukwu Uzukwu Part One: Challenging the Project – Interface between the Theology of Igbo Indigenous Religions and Christian Theology Christianity Meets Igbo Traditional Religion ............................................ 10 Francis Cardinal Arinze The Interface of Igbo Theology and Christianity ...................................... 20 Msgr Theophilus Okere Ofo na-Ogu and Mmanwu: Ritual Symbolism in the Interface of Igbo Indigenous Religion and Christianity ........................................................ 31 Christopher
    [Show full text]