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Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
A Science of Time: Roger Bacon and His Successors
CHAPTER SIX A SCIENCE OF TIME: ROGER BACON AND HIS SUCCESSORS 1. Bacon, the Calendar, and the Passion of Christ The acute criticism of the ecclesiastical calendar voiced in theCompotus emendatus of Reinher of Paderborn and—in somewhat more subdued form—in the works of Constabularius and Roger of Hereford fell on fertile ground in the following century, during which three well-known English scholars went on to pen influential treatises on the reform of the calendar, which took account of the deficiencies both of the Julian calendar with respect to the sun and the 19-year lunisolar cycle with respect to the moon. The three men in question were the astronomer John of Sacrobosco (ca. 1195–ca. 1256), who wrote a treatise De anni ratione (ca. 1232/35),1 Robert Grosseteste (ca. 1170–1253), chancellor of Oxford University and bishop of Hereford, who wrote a Compo- tus correctorius (ca. 1220/30), and—most importantly—the Franciscan polymath Roger Bacon (ca. 1214/20–ca. 1292).2 Bacon’s views on the calendar have gained particular fame for the strident tone in which they were expressed and for the fact that he was the first to present this kind of criticism to the only person in Latin Christendom who could have possibly authorized the desired change: Pope Clement IV (1265–68), to whom he addressed both his Opus 1 Theeditio princeps of this text can be found in John of Sacrobosco, Libellus de Sphaera, ed. Philipp Melanchthon (Wittenberg, 1538), Br–H3r. On the background, see Olaf Pedersen, “In Quest of Sacrobosco,” Journal for the History of Astronomy 16 (1985): 175–221; Jennifer Moreton, “John of Sacrobosco and the Calendar,” Viator 25 (1994): 229–44. -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
By Bradley Steffens
1 A millennium of science as we know it thousand years ago, a math- By Bradley Steffens ematician and scholar from Basra named Abu ‘Ali al-Hasan Aibn al-Hasan ibn al-Haytham was controversially judged to be insane and placed under house arrest. To make the most of his simple surroundings, he began to study the physiology of vision and the properties of light. Upon release, he described his investigations in a mas- sive, seven-volume treatise titled Kitâb al-Manâzir· , or Book of Optics . Although missing from the many lists of the most important books ever written, Kitâb al- Manâzir changed the course of human history, giving mankind a new and effec- tive way of establishing facts about the natural world—an approach known today as the scientific method . What sets Kitâb al-Manâzir apart from earlier thirteenth century, Kitâb al-Manâzir became one of investigations into natural phenomena is that Ibn the most copied works of medieval Muslim scholar- al-Haytham included only those ideas that could be ship. Roger Bacon, the thirteenth century English friar proven with mathematics or with concrete mani- who is sometimes credited as the first true scientist festations that he called “true demonstrations,” because of his advocacy of experimentation, not only what we refer to nowadays as experiments. The read De aspectibus but summarized its findings in part use of physical experiments to establish the validity five of his Opus Majus , or Greater Work , referring of scientific claims was a departure not only from to Ibn al-Haytham by his Latinized name, Alhazen, and the works that formed the foundation of Kitâb al- describing his experiments in detail. -
The Weight of Comparing in Medieval England
The Weight of Comparing in Medieval England David Gary Shaw Abstract1 How important and common were the practices of comparing in medieval England (1150- 1500)? Focusing on activities that tended to have a pragmatic rather than purely logical in- tention, this chapter first considers medieval comparing on technical matters such as weigh- ing and measuring for the market and for agricultural efficiency. Then, however, we consider as well the more controversial comparing of humans by examining its place in taxing and ranking people; in assessing religious diversity; and even discerning the moralizing uses of comparing in literature and art. As it turns out, comparing could be perilous when humans were the subjects. Introduction It is possible that comparison might be everywhere in history, but we might also suppose that comparing might matter less in some moments and places than oth- ers. Especially given the sense that there is something distinctive and powerful about comparison in contemporary life, it is important to try to get a sense for the range, variety, and importance of modes of comparison in other times and places. In this chapter, I inquire into the place and weight of comparative thinking in Eng- land in the later medieval period. It is not an easy task, because the definition of the comparative and of com- parative practices is hardly settled. There is probably some amount of comparative activity in all European societies and moments, but we can expect that the compo- sition of the comparative practices will vary and maybe vary significantly; and that will raise problems for making any longer-term narratives. -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
Alchemy, the Ancient Science
Alchemy, the Ancient Science by Neil Powell For centuries a number of men of science and Alchemy, learning spent their lives in the practice of the Ancient alchemy, searching for a way to change ordinary metals into gold. Why did they try? Science Did any of them succeed? We know that alchemists today continue the old tradition and the age-old quest. Will they succeed? Contents 1 The Meaning of Alchemy The basic ideas and processes of the traditional alchemists. 2 The Principles of Alchemy 24 The theoretical background to the work that the alchemists carried out. 3 Two Mysterious Frenchmen 40 Flamel, a medieval alchemist, and Fulcanelli, a modern writer on alchemy. 4 The Medieval Masters 54 Mysterious figures, half-veiled in legend, of alchemy's great period. 5 The Wandering Alchemists 80 The masters who traveled from city to city contacting other adepts. 6 What Happened to Alchemy? 96 The changes that occurred in alchemy as the infant sciences developed. 7 Sex and Symbolism 118 The course of Eastern alchemy, and how it influenced alchemy in the West. 8 Alchemy Lives On 130 The practice of alchemy in the 20th century. The Meaning of Alchemy It is late at night. In a room hidden away Absorbed in the long labor of a dual search—for the secret that from prying eyes, an old man bends over a will enable him to transmute base flask of bubbling colored liquid. All around metal into gold and to achieve spiritual perfection—the alchemist is a clutter of jars, bottles, and apparatus pursued his involved experiments, laying the foundations for the that looks somewhat like the equipment in a science, then still unborn, that modern school chemistry laboratory. -
The Emerald Tablet of Hermes
The Emerald Tablet of Hermes Multiple Translations The Emerald Tablet of Hermes Table of Contents The Emerald Tablet of Hermes.........................................................................................................................1 Multiple Translations...............................................................................................................................1 History of the Tablet................................................................................................................................1 Translations From Jabir ibn Hayyan.......................................................................................................2 Another Arabic Version (from the German of Ruska, translated by 'Anonymous')...............................3 Twelfth Century Latin..............................................................................................................................3 Translation from Aurelium Occultae Philosophorum..Georgio Beato...................................................4 Translation of Issac Newton c. 1680........................................................................................................5 Translation from Kriegsmann (?) alledgedly from the Phoenician........................................................6 From Sigismund Bacstrom (allegedly translated from Chaldean)..........................................................7 From Madame Blavatsky.........................................................................................................................8 -
Historical Influence of the Rosicrucian Fraternity on Freemasonry
Historical Influence of the Rosicrucian Fraternity on Freemasonry Introduction Freemasonry has a public image that sometimes includes notions that we practice some sort of occultism, alchemy, magic rituals, that sort of thing. As Masons we know that we do no such thing. Since 1717 we have been a modern, rational, scientifically minded craft, practicing moral and theological virtues. But there is a background of occult science in Freemasonry, and it is related to the secret fraternity of the Rosicrucians. The Renaissance Heritage1 During the Italian renaissance of the 15th century, scholars rediscovered and translated classical texts of Plato, Pythagoras, and the Hermetic writings attributed to Hermes Trismegistus, thought to be from ancient Egypt. Over the next two centuries there was a widespread growth in Europe of various magical and spiritual practices – magic, alchemy, astrology -- based on those texts. The mysticism and magic of Jewish Cabbala was also studied from texts brought from Spain and the Muslim world. All of these magical practices had a religious aspect, in the quest for knowledge of the divine order of the universe, and Man’s place in it. The Hermetic vision of Man was of a divine soul, akin to the angels, within a material, animal body. By the 16th century every royal court in Europe had its own astrologer and some patronized alchemical studies. In England, Queen Elizabeth had Dr. John Dee (1527- 1608) as one of her advisors and her court astrologer. Dee was also an alchemist, a student of the Hermetic writings, and a skilled mathematician. He was the most prominent practitioner of Cabbala and alchemy in 16th century England. -
Chapter Ix. the Spiritual Conferences (1581-1589)
CHAPTER IX. THE SPIRITUAL CONFERENCES (1581-1589). I. The True and Faithful Relation and additional M.S. sources — Casaubon’s objects in publishing the T.F.R. in 1659 — to confute atheism and discredit enthusiasm — his view of Dee as deluded by devils. II. The conferences mark no abrupt discontinuity in Dee’s career — their conformity with his general interests and speculations — the Angelic realm a recognised topic in Natural Philosophy — Platonism and intermediate spiritual entities — sixteenth century pneumatology — belief in prevalence of spirits and their communion with men — Platonic hierarchy of spirits reflected even in conventional scale of demons — such a scale encourages view that the less malevolent and powerful may be safely dealt with or controlled — confusion of such demons with daemons and fairies — resemblance of Kelley’s “angels” to traditional fairies — Dee’s insistence that they can only be servants of God perhaps influenced by Platonic doctrines of negativity of evil — the usual orthodox condemnation of all dealings with spirits — but the doctrine that man may come consciously to associate with angels in this life a familiar feature in contemporary mystical Platonism — similarity of Kelley’s “angelic books” and the Cabalah — the frequency of crystal gazing — Dee’s own view of the conferences as the crown and seal of all his past intellectual endeavour — scrying as one of the chief parts of “experimental science” — the union of practical experience and speculative theology. III. Particular reasons for Dee’s so extensive concentration on the conferences at this date — his apocalyptic view of history — influence of the cyclical theories of Trithemius and progressive revelations through time of Joachim of Flora — Dee’s chronology — connection with astrological teachings — the doctrine of trigons governing historical and religious change — the conjunction of 1583 interpreted as indicating the birth of a new religion or the end of the world. -
Charlotte.Pdf
TABLE OF CONTENTS CHAPTER I BIRTH AND EDUCATION Tercentenary of Dee’s death — No life of him — Persistent misunderstanding — Birth — Parentage — At Chelmsford Grammar School — St. John’s College, Cambridge — Fellow of Trinity — Theatrical enterprise — In the Low Countries — M.A. of Cambridge — Louvain University — Paris — Readings in Euclid — Correspondents abroad — Return to England. CHAPTER II IMPRISONMENT AND AUTHORSHIP Books dedicated to Edward VI. — Upton Rectory — Long Leadenham — Books dedicated to Duchess of Northumberland — Ferrys informs against his “magic” — In prison — Handed over to Bonner — At Philpot’s trial — Efforts to found a State Library — Astrology — Horoscopes — Choice of a day for Queen Elizabeth’s coronation — Introduced to her by Dudley — Sympathetic magic — Bachelor of Divinity — In Antwerp — Monas Hieroglyphica — Preface to Billingsley’s Euclid — Called a conjurer. CHAPTER III MORTLAKE Proposed benefices — Propædeumata Aphoristica — Alchemical secrets — Settled at Mortlake — Journey to Lorraine — Illness — The Queen’s attentions — Mines and hidden treasure — Wigmore Castle — Marriage — Death of first wife — Literary correspondence — John Stow — Diary commenced — The Hexameron Brytannicum — The British Complement — Slander and falsehood — A petty navy — The sea-power of Albion — Fisheries and foreign policy. CHAPTER IV JANE DEE A comet or blazing star — Second marriage — Jane Fromond — Hurried journey abroad — Berlin and Frankfort — Birth of a son — Christening — Edward Dyer — Duc d’Alencon — Michael Lock — His sons — The Queen’s visit — Sir Humphrey Gilbert at Mortlake — Adrian Gilbert — John Davis — The Queen’s Title Royall — Lord Treasurer Burleigh — Death of Dee’s mother — The Queen’s visit of condolence — Map of America — Visits to the Muscovy House — Frobisher and Hawkins — Birth of a daughter — Accident to Arthur.