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The Japan Foundation Newsletter Vol
THE JAPAN FOUNDATION NEWSLETTER VOL. XXVIII/NO. 1 AUGUST 2000 On Other Pages Sound Japan Cultural Highlights From the Japanese Press (January 1–May 31, 2000) 8 Christopher Yohmei Blasdel Research Reports Depiction of the Family in Con- temporary Japanese Cinema 9 Masao Maruyama 12 Reclaiming Cultural Identity, Re- everal people sit in a simple tatami-matted room, enjoying the deliberate move- jecting Deviance, and “Doing ments of the tea ceremony. All is silent except for the susurrant rattle of the Homelessness” in Ueno Park 15 teapot’s iron lid as steam rushes out. This murmur is punctuated by the soft Book Reviews 18 S whisks of the bamboo stirring brush. Foundation Activities A shishiodoshi bamboo ladle, set along the stream in a traditional Japanese garden, Exhibition of Children’s Pic- ture Book Illustrations from slowly fills with water. As critical mass is achieved, the liquid is dropped. The base of Korea 20 the ladle hits a stone on the rebound, sending a report throughout the garden. In another part of the garden, a suikinkutsu jar, partially filled with water, is buried just below ground level. As water slowly drops into the jar from above, sonorous plops The Japan Foundation Newsletter is distrib- escape into the garden, audible only to those who wait, patiently, near the jar’s opening. uted free of charge to individuals and organizations interested in Japanese Cicada hum in unison from the luxuriant growth of summer. Later, as evening cools Studies and international cultural ex- to night, the shrill sounds of their higurashi cousins reverberate back and forth, as they change. -
Fr Ü Hst Ü Ck an Dw Alt H Al Lch Il D
FRÜHSTÜCK AND WALTHALL | CHILD’S PLAY Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Child’s Play Child’s Play Multi-Sensory Histories of Children and Childhood in Japan Edited by Sabine Frühstück and Anne Walthall UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2017 by Sabine Frühstück and Anne Walthall Suggested citation: Frühstück, Sabine and Walthall, Anne. Child’s Play: Multi-Sensory Histories of Children and Childhood in Japan. Oakland: University of California Press, 2017. doi: https://doi.org/10.1525/luminos.40 This work is licensed under a Creative Commons CC-BY-NC-ND license. To view a copy of the license, visit http://creativecommons.org/licenses. Library of Congress Cataloging-in-Publication Data Names: Frühstück, Sabine, editor. | Walthall, Anne, editor. Title: Child’s play : multi-sensory histories of children and childhood in Japan / edited by Sabine Frühstück and Anne Walthall. Description: Oakland, California : University of California Press, [2018] | Includes bibliographical references and index. -
Articulations of Salaryman Masculinity in Shôwa and Post-Shôwa Japan by Romit Dasgupta, University of Western Australia
Volume 15, Number 1 • Fall 2017 Articulations of Salaryman Masculinity in Shôwa and Post-Shôwa Japan by Romit Dasgupta, University of Western Australia Abstract: This paper looks at Japan over the Shôwa (1925—1989) and post- Shôwa, Heisei (1989— ) periods through the discourse of masculinity embodied in the urban, middle-class white- collar “salaryman.” As a sort of “Everyman” of corporate Japan, particularly over the 1960s-1990s, the salaryman came to signify both Japanese masculinity in general, and more specifically Japanese corporate culture. In this regard the discourse of masculinity signified by the salaryman could have been regarded as the culturally privileged hegemonic masculinity. Moreover, despite the corporate re- structurings and socio-economic and cultural shifts in Japan since the 1990s, the salaryman continues to be pivotal to the ways in which Japanese corporate culture, Japanese masculinity, and indeed Japanese national identity continue to be framed. This paper traces the emergence of the discourse of the salaryman in the first decades of the twentieth century, its entrenchment in the post-World War II (postwar) decades as the hegemonic blueprint for Japanese masculinity, and its apparent fragmentation over the decades of economic slowdown since the 1990s. Permalink: Date of Publication: Vol. 15, no. 1, Fall 2017 usfca.edu/center-asia-pacific/perspectives/v15n1/dasgupta Citation: Keywords: Japan, twentieth-century, twenty- Dasgupta, Romit. “Articulations of Salaryman first century, masculinity, hegemonic masculinity, -
The Bombay the Terrorist Ti Koun .
644 CHAPTER 26 Beyond the Industrialized West 26.1 0 The Bandit Queen: Phoolan 26.1 1 Bombay's vision of a united India: as the parents are reunited with their Devi protects her wounded lover. children, hands drop weapons and stretch out in friendship. critical cinema. "In India, there is no salvation outside Yet local audiences remained loyal to the national the commercial cinema." 1 Also pursuing this path was product-which was now incorporating more sexuality Mani Rathnam, a Tamil filmmakerwho found great suc along with MTV dance styles (e.g., Trimurti, 1995). Juras cess with Nayakan ("Hero," 1986), an adaptation of The sic Park was unable to trump another 1994 release, the Godfather. Rathnam's Bombay (1994) denounces the traditional romantic comedy-drama Hum Aapke Hain bloody religious strife of the early 1990s. A Hindu jour Koun ... ! ("Who Am I to You? "). Filled with sparkling nalist marries a Muslim woman, and the couple and their studio-shot dance numbers (Color Plate 26.5), it became children are thrust into the middle of anti-Muslim riot the most popular filmof the decade. Even after restric ing. Bombay neighborhoods are spectacularly re-created tions were lifted, American imports claimed no more than in a Madras studio, riot scenes are shot and edited for 10 percent of the box office. In a country where nearly visceral force, hand-held cameras race through the half the population earned only a dollar a day, admission streets, and children watch as people trapped in cars are to a local filmran only about fifty cents while Hollywood burned alive. -
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema by Alexander McAulay Submitted in partial fulfillment of the requirements for a Doctor of Philosophy Faculty of Media and Communication Bournemouth University May 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Alexander McAulay The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema Abstract This PhD investigates the writing of a feature film screenplay for mainstream Japanese-language cinema by a British screenwriter. As a long-term resident of Japan with production credits in Japanese cinema, I have for many years been interested in how to write stories set in Japan that will appeal to domestic and international audiences. The study examines the challenges I face as a Western screenwriter writing a screenplay for Japanese cinema, and how those challenges inform my creative practice, bringing into being a screenplay that is intended to enhance screenwriting craft in mainstream Japanese cinema and provide new knowledge to transnational cinema and screenwriting research. The critical commentary that accompanies the screenplay takes a dialogic approach in practice-led research to explore how various issues emerge for the Western screenwriter in Japanese cinema. These problems are examined with regard to relevant theory, and contextualised in considerations of various films in Japanese-language cinema written by non-Japanese screenwriters. One salient issue is the application of the Hollywood ‘universal’ model of screenwriting to stories about Japan. -
VOL 0046 ISSUE 0004.Pdf
The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus fcVS \ ^ I -ft^ Bliiliii the dead women and children lying there. And I watched as a photogra Alumni Ash pher snapped a picture of my Marines "I do not believe ND has digressed as far as some are led moving past the dead civilians, sending it for you to see. So now you can to believe." form your accurate conclusions about how immoral our actions are in Viet ABOUT CHANGES AT ND It may be too early to judge the nam. And don't forget to gather your results of the changes that are taking statistics! And by all means, go on It is with mixed emotions that I report place but what was so wrong with the the (lack of) activities of the Ohio believing the half-truths of the press. "old time religion" that produced You may say what you like (I was Valley ND Club. Recent changes at such men as Cardinal O'Hara, Tom ND and the adverse publicity they one of many thousands who fought Dooley, Knute Rockne, Father Nieuw- over there to ensure you of that have generated have caused most of land and Pat Crowley? the local Alumni to become dis privilege). But I respond to your interested to the extent that our ND statements as one who has been there, Club has had no activities since last To refute the statement that stu who knows that your words are not fall. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Seventeen 2013 Interdisciplinary Studies of Modern Japan Steven Heine Editor John A. Tucker Book Review Editor Editorial Board Yumiko Hulvey, University of Florida John Maraldo, Emeritus, University of North Florida Matthew Marr, Florida International University Mark Ravina, Emory University Ann Wehmeyer, University of Florida Brian Woodall, Georgia Institute of Technology Copy and Production Jennylee Diaz María Sol Echarren Maria Magdaline Jamass Kristina Loveman Gabriela Roméu JAPAN STUDIES REVIEW VOLUME SEVENTEEN 2013 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Language Conflict and Language Rights: The Ainu, Ryūkyūans, and Koreans in Japan Stanley Dubinsky and William Davies 3 A Bakery Attack Foiled Again Masaki Mori 29 Consuming Nostalgia in a Bowl of Noodle Soup at the Shin Yokohama Rāmen Museum Satomi Fukutomi 51 A Counter Culture of the 1980s: Ozaki Yutaka’s Songs Shuma Iwai 71 The Effectiveness and Learners’ Perception of Teacher Feedback on Japanese-as-a-Foreign Language Writing Nobuaki Takahashi 93 ESSAYS The Rise in Popularity of Japanese Culture with American Youth: Causes of the ‘Cool Japan’ Phenomenon Jennifer Ann Garcia 121 Arousing Bodhi-Mind: What is the ‘Earth’ in Dōgen’s Teachings? Shohaku Okumura 143 BOOK REVIEWS Doing Business with the New Japan: Succeeding in America’s Richest International Market By James D. Hodgson, Yoshihiro Sano, and John L. Graham Reviewed by Don R. McCreary 155 Demystifying Pearl Harbor: A New Japanese Perspective By Takeo Iguchi Reviewed by Daniel A. Métraux 157 The Art of the Gut: Manhood, Power, and Ethics in Japanese Politics By Robin M. -
The East Asian Resource and Education Program at Yale: a Catalogue of AV Materials, Resources, and Organizations at Yale University
DOCUMENT RESUME ED 364 439 SO 023 013 AUTHOR White, Caryn TITLE The East Asian Resource and Education Program at Yale: A Catalogue of A.V. Materials, Resources, and Organizations at Yale University. INSTITUTION Yale Univ., New Haven, CT. Council on East Asian Studies. PUB DATE 93 NOTE 212p. PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Annotated Bibliographies; Area Studies; Asian History; *Asian Studies; *Culture Contact; Educational Facilities; *Ethnic Groups; Higher Education; Instructional Materials; Multicultural Education; *Non Western Civilization IDENTIFIERS *Asia (East); *Yale University CT ABSTRACT This document is a catalog of audio-visual materials, other resources, and information on organizations concerned with East Asian studies, all of which are available through Yale University. The catalog begins with a discussion of goals and objectives and of the East Asian Resource and Education Program at Yale and the East Asian Education Resource Center and Library. Annotated bibliographic entries appear under the categories: China, Japan, Korea, Asia, Asian Americans, and International/Global, along with listings of films and videos, slide sets, and other audio-visual materials. A listing of "Organizations, at/or Affiliated with Yale" includes libraries, galleries and collections, and organizations and associations. The catalog provides subject and title indices. (SG) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** . The East Asian \ . Resource -& Educati9n Program 0,c^ at Yale 3 A Catalogue of A.V. Materials, Resources, aid Organizations 1993 f . U.E. DEPARTMENT OF EDUCATION °Mc* ofEdoeflabonblFloosorch and IMOnminonl EDUCATIONAL REESOURCES INFORMATION CENTER(ERIC)NTER (ERIC) '4Thts document has bin ropfoduood as fodesylid from thePOII00Of Ofgdentlifoid Ongodtwq 1. -
Ancient and Modern Egypt and Israel,- June 20-22, 1991
DOCUMENT RESUME ED 350 210 SO 022 346 TITLE Compendium of Curriculum Projects for 1991 Fulbright-Hays Seminars Abroad Program: Ancient and Modern Egypt and Israel,- June 20-22, 1991. INSTITUTION Institute of International Education, New York, N.Y. SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 92 NOTE 318p.; Some materials may not reproduce clearly. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MFO1 /PC13 Plus Postage. DESCRIPTORS *Area Studies; Elementary Secondary Education; Foreign Countries; *Global Approach; Instructional Materials; *Multicultural Education; Social Studies; Study Abroad; *Teacher Developed Materials; Travel IDENTIFIERS *Egypt; Fulbright Teacher Exchange Program; *Israel; Middle East ABSTRACT These curriculum projects were produced by teachers who traveled to Egypt and Israel as part of the Fulbright-Hays Seminars Abroad Program. The materials developed by the educators were: Activities and Bibliography of Resources to Promote Student Involvement in a Class Study of Egypt and Egyptian Culture (Edith Baxter); Egypt at the Crossroads of Civilization: The Old Ways Change (Charlotte Nasser Byrd); A Comprehensive Unit on Israel for Sixth Graders Using the Five Themes of Geography (Joy Campbell; Janet Rinehart); Jerusalem: City of Peace (Frances S. Dubner; Bella Frankel); Eight-Year Old Mohammed Travels the Nile--Primary Grades Curriculum on Egypt (Monty Hawks); Taking Many Steps through Ancient and Modern Israel and Egypt (Tonya Houser); Lesson Plan: The Rise of Nazism and World War II--Stereotyping and the Holocaust (Jim Kelly); Promote International Understanding (Cynthia Kinstler); The Israeli-Palestinian Resolution: Homeland or Occupied Territory? (Bruce E. MaClean; Kelly A. Smith); Curriculum Project--Egypt (Kristine K. -
Japanese Collection (Selected Titles)
Japanese Collection (Selected Titles) Woodworth : Films in department 麦秋 Early Summer Bakushuu dir Yasujiro Ozu 1951 雨月物語 Ugetsu- Ugetsu- Kenji Mizoguchi 1953 monogatari monogatari 生きる To live! Ikiru Akira Kurosawa 1952 七人の侍 Seven samurai Shichi-nin no Akira Kurosawa 1954 samurai 蜘蛛の巣城 Throne of blood Kumo-no-su jou Akira Kurosawa 1957 座頭市 Masseur Ichi Zatou-ichi: Kimiyoshi Yasuda 1964 けんか旅 on the road Kenka-tabi 心中 Double Shinjuu: Masahiro Shinoda 1969 天の網島 suicide Ten no Amijima 楢山節考 The Ballad of Narayama-bushi Shohei Imamura 1983 Narayama -kou お葬式 The Funeral O-souhiki Juzou Itami 1984 火垂の墓 Grave of the fireflies Hotaru no haka Isao Takahata 1988 Shain Library 浪華悲歌 Osaka elegy Naniwa elegy dir Kenji Mizoguchi 1936 浮草物語 Floating weeds Ukikusa monogatari Yasujiro Ozu 1934 東京物語 Tokyo Story Tokyo monogatari Yasujiro Ozu 1953 お早う Good morning Ohayou Yasujiro Ozu 1959 秋刀魚の味 An autumn Sanma no aji Yasujiro Ozu 1962 afternoon 二十四の瞳 Twenty-four eyes Nijuu-yon no hitomi Keisuke Kinoshita 1954 雪国 Snow country Yukiguni Shiro Toyoda 1957 源氏物語 Genji monogatari The tale of Genji Gisaburo Sugii ビルマの The Burmese harp Biruma no tategoto Kon Ichikawa 1956 竪琴 羅生門 Rashomon Rashomon Akira Kurosawa 1950 生きる To live! Ikiru Akira Kurosawa 1952 七人の侍 Seven Samurai Shichi-nin no Akira Kurosawa 1954 samurai どん底 The lower depths Donzoko Akira Kurosawa 1957 悪い奴ほど The Bad sleep well Warui yatsu hodo Akira Kurosawa 1960 よく眠る yoku nemuru 用心棒 Yojimbo The bodyguard Akira Kurosawa 1961 赤ひげ Red beard Akahige Akira Kurosawa 1965 影武者 Kagemusha Kagemusha dir Akira Kurosawa -
Downloadable Tracks of the Original Score
Book of Projects 2013 ProectBookof ProectBook13ofScript&Pitch Audience Design AdaptLab Writers’ Room The Pixel Lab FrameWork Biennale College - Cinema 206 207 Book of Projects 2013 ProectBook13ofScript&Pitch Audience Design AdaptLab Writers’ Room The Pixel Lab FrameWork Biennale College - Cinema 2013 is the year of Salvo and The Lunchbox, of Just a few weeks ago I participated, as every year, Wolf and Il Sud è Niente: first features coming in the Think Tank organized by Power to the Pixel from different corners of the world that have been in London. This time the 40 people in the room launched at major Festivals and are now being were asked to re-think the way they present their successfully distributed. companies, by redefining their mission, their vision, and the motivation behind what was done. In a few Salvo, by Italian directors Fabio Grassadonia and sentences we had to come up with something that Antonio Piazza, awarded in Cannes with the Grand could describe what we do today, what we hope for Prix Nespresso and the Prix Révélation France 4 the future, and why we do it - what we believe in. of the Critics’ Week, has recently opened in Italy, France, Brazil, Croatia, besides travelling to many This is what I wrote: festivals around the world. Mission - Help filmmakers around the world develop, The Lunchbox, by Indian director Ritesh Batra, which fund and produce their projects also premiered in competition at the last Cannes Vision - Become a worldwide community of Critics’ Week, has been sold to many territories storytellers that will support each other in creating - including to Sony Pictures Classics for North and bringing high quality independent content to America.