Analysis of the Collusive Tactics Implemented by the National Wrestling Alliance
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Donald Trump Shoots the Match1 Sharon Mazer
Donald Trump Shoots the Match1 Sharon Mazer The day I realized it can be smart to be shallow was, for me, a deep experience. —Donald J. Trump (2004; in Remnick 2017:19) I don’t care if it’s real or not. Kill him! Kill him! 2 He’s currently President of the USA, but a scant 10 years ago, Donald Trump stepped into the squared circle, facing off against WWE owner and quintessential heel Mr. McMahon3 in the “Battle of the Billionaires” (WrestleMania XXIII). The stakes were high. The loser would have his head shaved by the winner. (Spoiler alert: Trump won.) Both Trump and McMahon kept their suits on—oversized, with exceptionally long ties—in a way that made their heads appear to hover, disproportionately small, over their bulky (Trump) and bulked up (McMahon) bodies. As avatars of capitalist, patriarchal power, they left the heavy lifting to the gleamingly exposed, hypermasculinist bodies of their pro-wrestler surrogates. McMahon performed an expert heel turn: a craven villain, egging the audience to taunt him as a clueless, elitist frontman as he did the job of casting Trump as an (unlikely) babyface, the crowd’s champion. For his part, Trump seemed more mark than smart. Where McMahon and the other wrestlers were working around him, like ham actors in an outsized play, Trump was shooting the match: that is, not so much acting naturally as neglecting to act at all. He soaked up the cheers, stalked the ring, took a fall, threw a sucker punch, and claimed victory as if he (and he alone) had fought the good fight (WWE 2013b). -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
69 Th« JAK H a U Coat
w / I f ' V' i , MONDAV, NOVEMBER B, 19,56 Hav^ Y^u y6tedt Lucky Americofts?Polls Close:at 7^. m, Manchester WAXES Mill hold a The Rotary Club will iQMt Tum- Pvt. Adrian P. I^faaUd, son of Carl F. Clalr^lS Saulter* Rd., e^ tor of mUsie. The group \yUI leas meeting toipjjhvw at 7:30 day night at 6:30 at the Manchea- Mr. and Mrs. Joh jtlv Scarlatb, 300 .Tohn L. GagUafMone, 214 Gardn^t BpardTaked also sing the Lord’a Prayer. Average Effitly Net Preaa Run About To p.m."fmiowing the usDal weighing ter Country Club. The'Rev. Aimold Charter Oak anid' Pvt. Andre St., and JpS^h J. Hatoburdo Jr., ’the Rev. K. Ejnar Rask, pastor WMki Anemic, TheAn.n Weatherrrm iuivr -v ■ '29 Btr^nt St:, are among the 24 W»t the Week Ended ^S8ion><whlch . will ^ begin at 7 W. Toser of tjfte SCcohd Congrega I'. Liebmahr lion of Mr. and Mr^' of Covenant Congregational Nev. 8, 1086 Fttremt ef D. 8. WMthev ' <SIVf. S. S.. MoMlew^^d Mrs. tional (jhurch win show slides and Andre^JCi- Uebhian Jr,-'of Qroiia students^at the University / o^loclj;. Pltms will also be com Oath Tcmight Church will pronounce the Invoca Stanley Klflca may contacted pleted for the^roup's annual food present a talk on h.*s recent Euro Rd, ,^ Coventry," Have arrived at Connecticut \who have been Run-Down Cteari' noatlaned neni * M t| »H for pickup of ar^es fot* the pean trip. , - \ Fort D ^ N. J., and ibeen^assigned singled out for > honors ini' the tion, and ^he Rev. -
Nhl Media Directory 2011-12 Table of Contents Page Page Nhl Directory Nhl Media 1+/2I¿Fhv
NHL MEDIA DIRECTORY 2011-12 TABLE OF CONTENTS PAGE PAGE NHL DIRECTORY NHL MEDIA 1+/2I¿FHV ...........................................3 1+/FRP .............................................11 1+/([HFXWLYH .......................................4 1+/1HWZRUN .......................................11 1+/&RPPXQLFDWLRQV ............................4 1+/5DGLR ...........................................12 1+/*UHHQ ............................................6 1+/6WXGLRV ........................................12 NHL MEMBER CLUBS NHL MEDIA RESOURCES .................. 13 $QDKHLP'XFNV ...................................20 HOCKEY ORGANIZATIONS %RVWRQ%UXLQV ......................................27 %XIIDOR6DEUHV .....................................34 +RFNH\&DQDGD .................................260 &DOJDU\)ODPHV ...................................40 +RFNH\+DOORI)DPH .........................261 &DUROLQD+XUULFDQHV .............................46 1+/$OXPQL$VVRFLDWLRQ ........................7 &KLFDJR%ODFNKDZNV ...........................52 1+/%URDGFDVWHUV¶$VVRFLDWLRQ .........264 &RORUDGR$YDODQFKH ............................57 1+/3OD\HUV¶$VVRFLDWLRQ ....................17 &ROXPEXV%OXH-DFNHWV .......................66 3URIHVVLRQDO+RFNH\:ULWHUV¶ 'DOODV6WDUV .........................................72 $VVRFLDWLRQ ...................................263 'HWURLW5HG:LQJV ...............................78 86+RFNH\+DOORI)DPH0XVHXP ..261 (GPRQWRQ2LOHUV ..................................85 86$+RFNH\,QF ...............................262 )ORULGD3DQWKHUV ..................................92 -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
1994-95 Northern Iowa Wrestling
University of Northern Iowa UNI ScholarWorks Athletics Media Guides Athletics 1995 1994-95 Northern Iowa Wrestling University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1994 Athletics, University of Northern Iowa Follow this and additional works at: https://scholarworks.uni.edu/amg Part of the Higher Education Commons Recommended Citation University of Northern Iowa, "1994-95 Northern Iowa Wrestling" (1995). Athletics Media Guides. 205. https://scholarworks.uni.edu/amg/205 This Book is brought to you for free and open access by the Athletics at UNI ScholarWorks. It has been accepted for inclusion in Athletics Media Guides by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. This is Northern Iowa camplis-wide commitment to great ranked among the 10 best in the country by have characterized an impressive growth Ateaching lies at the heart of the educators and accounting professionals. In a period over the past dozen years. The attract University of Northern Iowa's national survey of 400 accounting faculty, ive, park-like campus contains more than 40 reputation for providing exceptional Northern Iowa ranked as one of their to major buildings on 861 acres, yet is compact undergraduate education, as well as programs. enough to cross in a 10-minute walk. complementary programs at the master's, Considered a long-time leader in the UNI is located in Cedar Falls, an inviting specialist's and doctoral levels. Building on field of teacher education, UNI has and historic community of about 35,000 its historic strength in teacher education, the implemented several programs that people. -
Tampa Bay History Center Hosts Florida Wrestling “Showdown”
NEWS RELEASE March 3, 2020 Contact: Manny Leto 813.675.8985 [email protected] Tampa Bay History Center Hosts Florida Wrestling “Showdown” The History Center’s latest exhibit looks at the bay area’s pro wrestling roots (Tampa, MARCH 3, 2020) --- Pop quiz: What do Hulk Hogan, Chyna and “Mr. Wonderful” Paul Orndorff have in common? They all lived in Tampa. Florida – especially the Tampa Bay area ̶ has been home to a who’s who of larger-than-life pro wrestling personas – everyone from “The American Dream” Dusty Rhodes to “The Doctor of Thuganomics” John Cena. Step into the squared circle and step back in time with Dusty, Hulk Hogan and some of Florida's best- known wrestling superstars during "Sunshine State Showdown: Pro Wrestling in Tampa Bay," opening Saturday, March 7 at 10 a.m. at the Tampa Bay History Center. See the stories behind the legends along with one-of-a-kind artifacts from the archives of the WWE. On opening day, guests can meet with WWE Superstar Titus O’Neil from 12 – 2 p.m. The exhibit will feature Tampa’s Rocky “Soul Man” Johnson’s robe and boots, the NWA Championship title belt, original posters, programs and tickets from bouts throughout the bay area and more. Guests will learn about the origins of professional wrestling in America, classic wrestling moves, wrestling jargon and trash talk. “Florida has long been home to passionate wrestling fans and A-list wrestlers,” said the History Center’s Curator of Public History, Dr. Brad Massey. “The Tampa armory hosted professional and amateur wrestling and, later, the bay area was a headquarters for some of wrestling’s biggest stars. -
The WWF Legend Has Become Renowned for His Hilarious Twitter
the WWF legend has become renoWned For his hilarious Twitter takedoWns oF celebrities noW, on the eve oF the release oF a documentary about his spectacular rise, Fall, and come by Steven Leckart photographs by Gregory Miller Says, “Go F Yourself!”**K (F**k the bieber!), rivals (F**k the hulk hogan!), and even countries (F**k the north korea!). back, We Went to the sheik’s house to get to knoW the man behind the snarling mustache. Gilbert Gottfried; he’ll sign hundreds of One day the phone rang—Takhti was head shots and pose for photos at two being rushed to the hospital. When VIP meetandgreets; he’ll shoot a spec Vaziri arrived, he was sent to the cem TV commercial for Bud Light in which etery. As Takhti’s body was washed on a he armwrestles a blonde actress in a stone altar, Vaziri stood there and wept. pizza parlor; he’ll film his final interview Takhti’s death was declared a suicide, for the documentary Iranian Legend: The but many suspected his democratic Iron Sheik Story, which premieres next leanings had put the wrestler in the month; he’ll storm Mayor Rob Ford’s of crosshairs of the SAVAK, Iran’s secret fice in Toronto and hijack a gaggle of TV police, who were infamous for torture news crews. Video of him insulting the and executions. “They tell me, ‘If you politician—“The man eats a cheeseburger don’t want to be like him,’ ” Vaziri and smokes crack!!!”—will go viral. recalls, “ ‘better don’t say nothing.’ ” Which brings us to the Sheik’s Twitter Vaziri hopped a plane to New York, “WAKE THE FUCK UP, JABRONI!” account. -
SENATE JOINT RESOLUTION 384 by Massey a RESOLUTION to Honor
<BillNo> <Sponsor> SENATE JOINT RESOLUTION 384 By Massey A RESOLUTION to honor Knox County Mayor Glenn Jacobs upon his Kane character being inducted into the World Wrestling Entertainment Hall of Fame. WHEREAS, the members of this General Assembly take great pleasure in recognizing an exceptional public servant who, in a previous career, created and played one of the most dynamic and most popular characters in the history of professional wrestling; and WHEREAS, Knox County Mayor Glenn Jacobs's wrestling persona, Kane, will be inducted into the World Wrestling Entertainment (WWE) Hall of Fame during WrestleMania festivities in Tampa, Florida; and WHEREAS, Kane, or The Big Red Machine, became a popular WWE wrestler from his very first appearance in the squared circle in 1997; after cycling through several characters earlier in his career, Mayor Jacobs assumed the persona of Kane, who was very popular with aficionados and quickly became one of the most iconic figures in professional wrestling history; and WHEREAS, Kane's shocking debut during a match between The Undertaker and Shawn "The Heartbreak Kid" Michaels is considered by many wrestling fans to be the greatest of all time; and WHEREAS, Kane began his career feuding with The Undertaker, his fictional brother and another popular WWE character; their intertwined storyline eventually created a friendship between the two, and they became twelve-time tag-team champions as The Brothers of Destruction; and WHEREAS, Kane also held the WWE Championship, World Heavyweight Championship, and Intercontinental -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v