The Adoption and Adaptation of Neo-Confucianism in Japan

Total Page:16

File Type:pdf, Size:1020Kb

The Adoption and Adaptation of Neo-Confucianism in Japan THE ADOPTION AND ADAPTATION OF NEO‑CONFUCIANISM IN JAPAN: THE ROLE OF FUJIWARA SEIKA AND HAYASHI RAZAN BY W.J. BOOT >>> VERSION 3.0 <<< © W.J. Boot, Leiderdorp Printed: Leiden, December 1992 Revised: Leiderdorp, August 2013 TABLE OF CONTENTS PREFACE 1 INTRODUCTION 2 CHAPTER I : THEORIES AND CONTENTIONS CONCERNING THE RISE OF NEO‑CONFUCIANISM IN THE BEGINNING OF THE EDO PERIOD 13 A. The discovery of Confucianism 14 1. Fujiwara Seika and Kang Hang 14 2. The Seika Legend 35 B. The Line of Succession 49 Kan Tokuan 49 Nawa Kassho 51 Hori Kyōan 53 Matsunaga Sekigo 53 Hayashi Razan 56 CHAPTER II : THE SOURCES OF THE NEW CONFUCIANISM 69 A. The Middle Ages 69 1. Shōmono 70 Daxüe 72 Zhongyong 74 Lunyu 76 Mengzi 78 2. Printed works 81 3. Evaluation 83 4. Conclusions 95 B. The Bunroku‑Keichō Period (1592‑1614) 98 1. Korean influences 99 Conclusions 117 2. The education of Razan 119 3. Evaluation and conclusions 131 CHAPTER III : THE DOCTRINES 138 A. Fujiwara Seika 142 1. The doctrine 146 2. Conclusions 167 B. Hayashi Razan 174 1. The Doctrine 175 2. Conclusions 203 APPENDIX : On Qi 212 APPENDIX : On Ling 215 CHAPTER IV : CONFUCIANISM AND THE BAKUFU 220 Nakae Tōju 250 Serving the bakufu 260 Conclusions 290 BIBLIOGRAPHY 302 PREFACE This is a new version of the text of the dissertation I defended in Leiden on January 19, 1983. Over the last few years I have retyped the original text, because the original version, composed on an Apple‑II, proved to be unusable and inconvertible. My intention was to retype the text as it was originally published, but this turned out to be impossible. I could not refrain from changing the wording and correcting the more egregious mistakes, and from taking into account some books that appeared after I have finished the original. This explains the intrusion of references to works that were published in 1982 or later, e.g. the translation of Kanyangnok that appeared in the Tōyō Bunko and Gernet’s Chine et Christianisme. Basically, however, the text is the same as that of the original dissertation. I have decided to make the text available in this form, first, because I intend to make a thorough revision of the whole book, taking into account the recent publications of Herman Ooms and Watanabe Hiroshi, to name only a few of the studies that have appeared in recent years, and rechecking all the translations and references. The second reason is that every now and then colleagues ask me for a copy of the original publication. Since at the time I had only 150 copies printed, these can no longer be obtained. Making the text available in this form is the next best thing, until I have completed the second revised edition. Leiden, December 1992 On the occasion of this digital publication of my thesis I have again made a number of corrections. Perfection is only approached asymptotically. I have also changed the Chinese transcription from Wade-Giles to Pinyin, and turned the endnotes into footnotes. The characters are provided at the first occasion when a name or title appear, or, when appropriate, in the bibliography. As the document can be searched, the index could be dispensed with, together with the references to the original edition. This digital edition should therefore be regarded as Version 3.0. Leiderdorp, August 2013 2 INTRODUCTION The present book is structured around the proposition, a well‑known and ancient one, that Neo‑Confucianism in Japan began with Fujiwara Seika, that Hayashi Razan was Seika’s most important disciple, and that Razan was hired by the bakufu as its Confucian ideologist. I am well aware that the status of this proposition, at least amongst specialist in the field, is rather low, and thatinrecentyearsseveralscholarshavequeriedor disproved parts of it.1 However, the proposition offers an interesting and, in my opinion, valid angle of approach for the study of the first beginnings of Neo‑Confucianism in Japan, and of its proponents Seika and Razan. The main interest of the proposition is that it offers — or pretends to offer — a solution for three problems that must be settled before one can embark on further studies of the intellectual history of the Tokugawa period. These problems concern the time of the introduction of Neo‑Confucianism, the nature of the Neo-Confucianism that was introduced, and the way in which it functioned in its social and political context. According to the proposition Neo‑Confucianism began with Fujiwara Seika. As it is commonly understood, this means the Neo‑Confucianism was introduced in the last decade of the sixteenth or the first of the seventeenth century. Both during the Edo period and later many scholar have tried to explain “why this should be so.” Their explanations fall into two main categories, one of which is the availability of new sources 1 For details, cf. Ch. I, n. 1. Here I will confine myself to one quotation, from an article by Ishida Ichirō ("Tokugawa hōken shakai to Shushi‑gakuha no shisō," 1962), that gives the proposition more or less in full: In the beginning of the Tokugawa period Confucianism, or, more specifically, the schools of Zhu Xi and Wang Yangming, tried to take over the role of a theology (shingaku) in the formation and preservation of the new feudal society, instead of creeds like Buddhism, “Tentō,” or Christianity. However, it seems that the school of Wang Yangming could not faithfully discharge the role that the new feudal order required of it. ... It is a historical fact, deserving our attention, that, on the other hand, ever since the beginning of the bakufu, the school of Zhu Xi worked loyally in support of the policies of the bakufu and the fiefs. Tokugawa Ieyasu first invited Fujiwara Seika. Seika had originally been a monk of the Five Monasteries, but after he had come into contact with Keian’s Japanese explanation of the commentaries of Zhu Xi he had immersed himself in the study of Zhu Xi's teachings. Eventually he had returned to the lay‑state, and he exerted himself to liberate Zhu Xi‑ism from Buddhism. Subsequently Ieyasu appointed Seika’s disciple Hayashi Razan, and put him in charge of civil affairs (bunji wo tsukasadorashimeta)(pp. 72‑73). We may not overlook, that in their essence the teachings of Zhu Xi‑ism agreed with the structure and spirit of the feudal system of the Edo period and supported it. By its very nature, a feudal system demands intellectual uniformity. But this certainly does not mean that it is a matter of indifference, which "thought" becomes the standard of unification. The fact that one teaching, over such a long period of time, became interwoven so deeply with all areas of life, cannot have been the result of a fortuitous union; it must have been due to mutual sympathy and response (ibid., p. 75). 3 (i.e. “books from China”), and the other, the establishment of the Tokugawa realm of peace. The first explanation we find mentioned several times in Edo sources, and has recently been greatly developed by Abe Yoshio.2 In his theory Abe emphasizes the sudden availability of Korean (not Chinese) books, and argues that the rise of Neo‑Confucian studies was linked causally to the introduction of Korean Neo‑Confucian works into Japan as a result of the invasions of Korea that took place in the 1590’s. Abe’s theory is discussed in Chapter II.B of this study; for the reasons stated there, I cannot consider his theory as proven or even as plausible, though it might be allowed to live on in an attenuated form, i.e. that a number of Korean Neo-Confucian works were brought to Japan in these years, that Seika and Razan had read these works, and that they had some knowledge of Korean Neo‑Confucian debate during the Yi Dynasty. The other explanation, which considers the rise of Neo-Confucian studies in relation to the establishment of the Tokugawa bakufu, has always enjoyed great popularity. In the older Edo sources (introduced in the second part of Chapter I) it generally took the form of the assertion that the peace brought by the Tokugawa had been responsible for a flourishing of the literary arts, and therefore of Neo-Confucian studies. In consideration of the fact that one of the Neo-Confucian patriarchs, Hayashi Razan, had been employed by the bakufu, it was further developed into the assertion that the bakufu had taken a positive interest in Neo-Confucianism and used it to establish its rule of peace. This development of the original assertion in its turn led to the idea, postulated by some modem scholars (e.g. Ishida Ichirō and Maruyama Masao), that a “compatibility” existed between Neo-Confucianism and the social and political structure of Tokugawa Japan. Such a “compatibility,” however, did not exist. The feudal society that developed in Japan was quite different from that of China, both the contemporary China and that of Zhou or Song times. The other argument, namely that Neo-Confucianism was “used” because it favours the preservation of the status quo, is also not valid. Neo-Confucianism is primarily concerned with the ends and means of individual self-cultivation, and its most important political demand is that administrative offices be filled with those who have succeeded in cultivating themselves. Depending on the circumstances, this can 2 See especially his Nihon Shushigaku to Chōsen (1965). 4 become a highly explosive doctrine. Such essentially egalitarian demands stood not the slightest chance of being met in feudal Japan, where every office tended to become hereditary, and where no amount of education or self-cultivation would ever help one to cross the social barriers laid down by birth and family affiliation.
Recommended publications
  • After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
    After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the
    [Show full text]
  • Animals and Morality Tales in Hayashi Razan's Kaidan Zensho
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2015 The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho Eric Fischbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons, Japanese Studies Commons, and the Translation Studies Commons Recommended Citation Fischbach, Eric, "The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho" (2015). Masters Theses. 146. https://doi.org/10.7275/6499369 https://scholarworks.umass.edu/masters_theses_2/146 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2015 Asian Languages and Literatures - Japanese © Copyright by Eric D. Fischbach 2015 All Rights Reserved THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Approved as to style and content by: __________________________________________ Amanda C. Seaman, Chair __________________________________________ Stephen Miller, Member ________________________________________ Stephen Miller, Program Head Asian Languages and Literatures ________________________________________ William Moebius, Department Head Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank all my professors that helped me grow during my tenure as a graduate student here at UMass.
    [Show full text]
  • Japanese Native Speakers' Attitudes Towards
    JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment.
    [Show full text]
  • Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
    Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
    [Show full text]
  • Some Observations on the Weddings of Tokugawa Shogunâ•Žs
    University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics.
    [Show full text]
  • The Hosokawa Family Eisei Bunko Collection
    NEWS RELEASE November, 2009 The Lineage of Culture – The Hosokawa Family Eisei Bunko Collection The Tokyo National Museum is pleased to present the special exhibition “The Lineage of Culture—The Hosokawa Family Eisei Bunko Collection” from Tuesday, April 20, to Sunday, June 6, 2010. The Eisei Bunko Foundation was established in 1950 by 16th-generation family head Hosokawa Moritatsu with the objective of preserving for future generations the legacy of the cultural treasures of the Hosokawa family, lords of the former Kumamoto domain. It takes its name from the “Ei” of Eigen’an—the subtemple of Kenninji in Kyoto, which served as the family temple for eight generations from the time of the original patriarch Hosokawa Yoriari, of the governing family of Izumi province in the medieval period— and the “Sei” of Seiryūji Castle, which was home to Hosokawa Fujitaka (better known as Yūsai), the founder of the modern Hosokawa line. Totaling over 80,000 objects, it is one of the leading collections of cultural properties in Japan and includes archival documents, Yūsai’s treatises on waka poetry, tea utensils connected to the great tea master Sen no Rikyū from the personal collection of 2nd-generation head Tadaoki (Sansai), various objects associated with Hosokawa Gracia, and paintings by Miyamoto Musashi. The current exhibition will present the history of the Hosokawa family and highlight its role in the transmission of traditional Japanese culture—in particular the secrets to understanding the Kokinshū poetry collection, and the cultural arts of Noh theater and the Way of Tea—by means of numerous treasured art objects and historical documents that have been safeguarded through the family’s tumultuous history.
    [Show full text]
  • Study and Uses of the I Ching in Tokugawa Japan
    Study Ching Tokugawa Uses of and I Japan the in Wai-ming Ng University Singapore National of • Ching $A (Book Changes) The of 1 particular significance has been book of a history. interest and in Asian East Divination philosophy basis its and derived from it on integral of Being civilization. Chinese within parts orbit the Chinese of the cultural were sphere, Japan traditional Ching development indebted for the the 1 of of its to aspects was culture. Japan The arrived in later sixth than the and little studied text in century no was (539-1186). Japan ancient readership expanded major It literate such Zen to groups as high-ranking monks, Buddhist courtiers, and period warriors medieval in the (1186- 1603). Ching scholarship 1 during reached Tokugawa its period the (1603-1868) apex Ching when the became 1 popular of the influential and Chinese This 2 most texts. one preliminary is provide work aims which brief Ching of overview 1 to essay a a scholarship highlighting Tokugawa Japan, in popularity themes: several of the the text, major writings, schools, the scholars, of/Ching and characteristics the and scholarship. 3 Popularity Ching The of the I popularity Ching Tokugawa of the The Japan in acknowledged I has been by a t• •" :i• •b Miyazaki Japanese number scholars. of Michio Tokugawa scholar of a thought, has remarked: "There by [Tokugawa] reached Confucians consensus was a pre-Tokugawa historical of the For overview Wai-ming in Japan, Ng, Ching "The 1 in text a see Japan," Quarterly Ancient (Summer Culture 1996), 26.2 Wai-ming 73-76; Asian and Ng pp.
    [Show full text]
  • The Goddesses' Shrine Family: the Munakata Through The
    THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago.
    [Show full text]
  • Japanese Confucianism Kiri Paramore Index More Information
    Cambridge University Press 978-1-107-05865-1 — Japanese Confucianism Kiri Paramore Index More Information Index Action Française, 189 religious and political vision, 30 agricultural innovation and reform, 51 rise of, 44 alternate attendance system social reading, 89 (sankinko¯tai),70 Tendai Buddhism, 38 American Civil War, 124 Way of Heaven texts and, 50 Amino Yoshihiko, 23 Zen Buddhism, 17, 31, 32–35, 38 anti-Christian tradition in bunbu ryo¯do¯, 72, 82 Japan, 148 Bushi practice, 136 anti-elitism, 176 anti-Semitism, 9 capitalism, 119, 130–136, 188 anti-Siniticism, 9. see also Sinophobia carnal desire, 80 anti-Western sentiment, 119 Catholicism, 47. see also Christianity Arai Hakuseki, 47, 101 “Central Kingdom” (chu¯goku), 64, 175 Asai no So¯zui, 96 Cheng Hao, 45, 52, 111 Association for the Propagation of Japanese Cheng Yi, 45, 52, 60, 111 Confucianism Nihon jukyo¯senyo¯ Cheng Ziming, 96, 99 kai, 157 Chiang Kai-shek, 160, 165, 188, 189 authoritarianism, 166, 191 Chikamatsu Monzaemon, 75–77 China, occupied, 161–162 Ban Gu, 5 Chinese Civil War, 174 Bansho wage goyo¯ (barbarian document Chinese Communist Party (CCP), 10, translation service), 108 159, 186 Barbarian Documents Research Center Chinese Confucianism, 185–191. see also (bansho shirabesho). see Shogunal East Asian Confucianism Institute of Western Learning Chinese dynastic codes, 26 barbarian identity, 22–23 Chinese Nationalist Party (KMT), 159, Bencao (Herb Canon), 109 161–162, 186 Bingo Mihara Rebellion, 91 Choson Korea, 66, 163 Bito¯Jishu¯, 78, 87, 88, 92 Christianity Bodart-Bailey,
    [Show full text]
  • Download The
    Pictures of Social Networks: Transforming Visual Representations of the Orchid Pavilion Gathering in the Tokugawa Period (1615-1868) by Kazuko Kameda-Madar B.A., The University of Hawai„i at Mānoa, 1997 M.A., The University of Hawai„i at Mānoa, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Art History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2011 © Kazuko Kameda-Madar, 2011 Abstract This thesis examines the cultural networks that connected people holding common ideological values in the Tokugawa period by surveying a range of visual representations of the Orchid Pavilion Gathering. It explores the Tokugawa social phenomena that gave rise to the sudden boom in the Orchid Pavilion motif and how painters of different classes, belonging to different schools, such as Kano Sansetsu, Ike Taiga, Tsukioka Settei and Kubo Shunman, came to develop variations of this theme in order to establish cultural identity and to negotiate stronger positions in the relationships of social power. Probing the social environment of artists and their patrons, I demonstrate how distinct types of Orchid Pavilion imagery were invented and reinvented to advance different political agendas. The legendary gathering at the Orchid Pavilion in China took place in 353 CE, when Wang Xizhi invited forty-one scholars to participate in an annual Spring Purification Festival. At this event, Wang Xizhi improvised a short text that has come to be known as the Preface to the Orchid Pavilion Gathering. In Japan, while the practice of the ritual gathering and the text describing it were introduced in the Nara period, its pictorial representation in the format of a stone rubbing was not imported until the early seventeenth century.
    [Show full text]
  • Raid 06, the Samurai Capture a King
    THE SAMURAI CAPTURE A KING Okinawa 1609 STEPHEN TURNBULL First published in 2009 by Osprey Publishing THE WOODLAND TRUST Midland House, West Way, Botley, Oxford OX2 0PH, UK 443 Park Avenue South, New York, NY 10016, USA Osprey Publishing are supporting the Woodland Trust, the UK's leading E-mail: [email protected] woodland conservation charity, by funding the dedication of trees. © 2009 Osprey Publishing Limited ARTIST’S NOTE All rights reserved. Apart from any fair dealing for the purpose of private Readers may care to note that the original paintings from which the study, research, criticism or review, as permitted under the Copyright, colour plates of the figures, the ships and the battlescene in this book Designs and Patents Act, 1988, no part of this publication may be were prepared are available for private sale. All reproduction copyright reproduced, stored in a retrieval system, or transmitted in any form or by whatsoever is retained by the Publishers. All enquiries should be any means, electronic, electrical, chemical, mechanical, optical, addressed to: photocopying, recording or otherwise, without the prior written permission of the copyright owner. Enquiries should be addressed to the Publishers. Scorpio Gallery, PO Box 475, Hailsham, East Sussex, BN27 2SL, UK Print ISBN: 978 1 84603 442 8 The Publishers regret that they can enter into no correspondence upon PDF e-book ISBN: 978 1 84908 131 3 this matter. Page layout by: Bounford.com, Cambridge, UK Index by Peter Finn AUTHOR’S DEDICATION Typeset in Sabon Maps by Bounford.com To my two good friends and fellow scholars, Anthony Jenkins and Till Originated by PPS Grasmere Ltd, Leeds, UK Weber, without whose knowledge and support this book could not have Printed in China through Worldprint been written.
    [Show full text]
  • Winds Over Ryukyu. a Narrative on the 17Th Century Ryukyu Kingdom
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Mikołaj Melanowicz Winds over Ryukyu . A Narrative on the 17th Century Ryukyu Kingdom Introduction A historical drama ( taiga dorama 大河ドラマ), broadcast by Japanese public television NHK about the Ryukyu Kingdom – the present Okinawa prefecture – was an important event which brought back to life things that many Japanese would prefer to remain concealed. The story concerns the history of the Ryukyu Kingdom’s subjugation by the Japanese in the seventeenth century. Before that time, the Ryukyu Kingdom had maintained trade relations with China, the Philippines, Japan and even South-East Asia. It was a period of prosperity stretching over the fifteenth and sixteenth centuries, the time when the kingdom was united and strengthen. The TV series was based on the novel Ryūkyū no kaze (Winds over Ryukyu, 1992), by Chin Shunshin, a well-known writer of Chinese origin. The novel is 900 pages long and divided into three volumes: Dotō no maki ( 怒涛の巻: ’the book of angry waves’), Shippū no maki ( 疾風の 巻 雷雨の巻 : ‘the book of the violent1 wind’), and Raiu no maki ( : ‘the book of the thunderstorm’) . These titles reflect the increasing danger faced by the heroes of the novel and the 100,000 inhabitants of the archipelago. The danger comes from the north, from the Japanese island of Kyushu, the south-eastern part of which was governed by a clan from Satsuma ( 薩摩, present Kagoshima 鹿児島). The Characters of Winds over Ryukyu The heroes of the novel are two fictional brothers: Keitai, who pursues a political career, and Keizan, who devotes himself to the art of dance in its native form; and their girlfriends, future wives, Aki and Ugi.
    [Show full text]