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Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
Queens of Consciousness & Sex-Radicalism in Hip-Hop
Queens of Consciousness & Sex-Radicalism in Hip-Hop: On Erykah Badu & The Notorious K.I.M. by Greg Thomas, Ph.D. English Department Syracuse University Greg Thomas ([email protected]) is an Assistant Professor in the English Department at Syracuse University. His interests include Pan-Africanism, Hip-Hop and Black radical traditions. He is author of The Sexual Demon of Colonial Power: Pan-African Embodiment and Erotic Schemes of Empire (Indiana University Press, 2007). He is also editor of the e-journal, Proud Flesh: New Afrikan Journal of Culture, Politics & Consciousness. Abstract This article is a study of sex, politics and lyrical literature across what could be called “Hip-Hop & Hip-Hop Soul.” It champions the concept “sexual consciousness” against popular and academic assumptions that construe “sexuality” and “consciousness” to be antithetical--in the tradition of “the mind/body split” of the white bourgeois West. An alternative, radical articulation of consciousness with an alternative, radical politics of gender and sexuality is located in the musical writings of two contemporary “iconic” figures: Lil’ Kim of “Hip-Hop” and Erykah Badu of “Neo-Soul.” Underscoring continuities between these author-figures, one of whom is coded as an icon of “sexuality (without consciousness),” conventionally, and the other as an icon of “consciousness (without sexuality),” I show how Black popular music is a space where radical sexual identities and epistemic politics are innovated out of vibrant African/Diasporic traditions. 23 The Journal of Pan African Studies, vol. 1, no. 7, March 2007 The reputed “Father of African Cinema,” Ousmane Sembène is perhaps ironically famous for what we can call his sexual consciousness, a consciousness of the politics of sex or gender and sexuality, in his radical productions of Black independent film. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
Mario Van Peebles's <I>Panther</I>
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in Communication Studies Communication Studies, Department of 8-2007 Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party Kristen Hoerl Auburn University, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/commstudiespapers Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Other Communication Commons Hoerl, Kristen, "Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party" (2007). Papers in Communication Studies. 196. http://digitalcommons.unl.edu/commstudiespapers/196 This Article is brought to you for free and open access by the Communication Studies, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in Communication Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Critical Studies in Media Communication 24:3 (August 2007), pp. 206–227; doi: 10.1080/07393180701520900 Copyright © 2007 National Communication Association; published by Routledge/Taylor & Francis. Used by permission. Published online August 15, 2007. Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party Kristen Hoerl Department of Communication and Journalism, Auburn University, Auburn, Alabama, USA Corresponding author – Kristen Hoerl, email [email protected] Abstract The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther’s narrative indicted the white-operated police for perpetuating violence against African Americans and for un- dermining movements for black empowerment. -
The Hilltop 4-11-2003
Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 4-11-2003 The iH lltop 4-11-2003 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 4-11-2003" (2003). The Hilltop: 2000 - 2010. 122. https://dh.howard.edu/hilltop_0010/122 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. LIFE&STYLE Men who refuse to identify as gay, bisexual or THE straight... Bl The Student Voice of Howard1/ University. Since 1924 VOLUME 86, NO. 54 FRIDAY, APR.JL 11, 2003 ,/ www.thehilltoponline.com . Morris Brown Loses Accreditation By Kerry-Ann Hamilton accreditation loss is severe. Howard University · Campus Editor Morris Brown will immediately President H. Patrick Swygert lose access to millions of dollars commends the efforts of the Despite the tireless efforts of in federal financial assistance, Howard faculty, staff and espe several members of the Howard which approximately 90 percent cially the students that worked University community to stop of its students receive. relentlessly to bring the plight of sister school Morris Brown The loss of accreditation Morris Brown to the forefront. College from losing their accred- also suspends the school's affilir "Our efforts here at Howard itation, what was feared has ation with the United Negro University have not failed," occurred. -
EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards. -
The Black Perspective March 2003
University of Dayton eCommons The lB ack Perspective Student Produced Media 3-1-2003 The lB ack Perspective March 2003 University of Dayton. Black Action Through Unity Follow this and additional works at: https://ecommons.udayton.edu/blk_perspective Recommended Citation University of Dayton. Black Action Through Unity, "The lB ack Perspective March 2003" (2003). The Black Perspective. 29. https://ecommons.udayton.edu/blk_perspective/29 This Book is brought to you for free and open access by the Student Produced Media at eCommons. It has been accepted for inclusion in The lB ack Perspective by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. The Black Perspective Issue: March/April, 2003 Civil Rights Tour Table of Contents By Veronica Ford So what does it mean to be an African American? What does it truly mean to be "black"? What is our history? What made us who we are today? What contributions have we made to the world and to this country? We cannot find the answers in our history books; the bloody and cold side of the United States' history cannot be revealed because it contradicts everything for which "we" stand. For the African Page 1 - American, and any other racial group, it is difficult to take Civil Rights Tour positive steps into the future without first knowing the past. It Page 2 - sounds like a cliche, but truth is truth. Truth is the same as Civil Rights Tour the unrevealed, the unrevealed becomes a denial of something continued that molded us into the people we currently are. -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
MP3-Tag-Editor
MobilMusicService erstelltam26.05.2018sortiertnachTitel Titel Interpret Tüdelband 20thCenturyFoxFanfare BuenaVistaDistributionFanfare ColumbiaFanfare ConstantinFilmFanfare Disney1Fanfare Disney2Fanfare DreamworksFanfare EurovideoFanfare KinoweltFanfare MetroGoldwynMeyerDVD UfaHomeEntertainmentFanfare UniversalFanfare UniversumFilmFanfare WarnerBros.Pictures Bonanza DieSendungmitderMaus Flipper IDreamofJeannie PeterGunn Sesamstraße St.PauliAffairs HappyBirthday HochSollErLeben HochSollSieLeben Feuerwerk Countdown10~0deutsch(Raumpatrullie Orion) Albanien Andorra Bolivien Chile Equador Ghana Iran Island Kenia Kuba Madagaskar Malta Mexiko Mongolei Peru Rußland SanMarino Schweiz Taiwan Tansania Thailand Vatikan Vietnam ZentralAfrika Handglockeklingelnkurz Handglockeklingelnlang IndianBell Kirchenglocken1Loop KirchenglockenLoop RecordNeedleScratch Rewind(BeststeaksAutomatic) TriangleDinnerBell Weihnachtsglocken Verloren $160MillionChineeseMan(ElvisPresley-ALittleLessConversation) Ocean'sElevenCast (1.FCKaiserslautern)-DasIstFürEuch(RoteTeufelMix) 1.FCKaiserslautern (Bayer04Leverkusen)-WirSindDieBayerlöwen Bayer04Leverkusen (BorussiaMönchengladbach)-DerFohlenwalzer Montevideo (BVB09BurussiaDortmund)-WerWirdDeutscherMeister... PureHarmony (Do)TheHucklebuck Coasters (Don'tFear)TheReaper BlueÖysterCult (Don't)GiveHateAChance Jamiroquai (Don't)GiveHateAChance(Single) Jamiroquai (DuMußtEin)SchweinSein Prinzen (EintrachtFrankfurt)-JaImWaldDaSpieltDieEintracht RainerVogl (EverythingIDo)IDoItForYou Brandy (EverythingIDo)IDoItForYou BryanAdams (EverythingIDo)IDoItForYou -
Gesamtwertung BAYERN 3-Charts Zur 2000. Sendung
GESAMTWERTUNG BAYERN 3-CHARTS ZUR 2000. SENDUNG Woch Einstieg Platz Titel Interpret Punkte 1 2 3 4 5 6 7 8 9 10 en s-Datum Ein Stern (der deinen Namen 1 DJ Ötzi & Nik P 669 57 16.02.07 13 13 6 9 7 5 2 1 1 trägt) 2 Perfect Ed Sheeran 402 26 29.09.17 15 6 1 3 1 3 Wind Of Change Scorpions 392 30 12.04.91 12 5 5 3 2 2 1 4 Despacito Luis Fonsi feat. Daddy Yankee 386 28 24.03.17 15 2 3 2 3 1 1 1 5 In My Mind Dynoro & Gigi D'Agostino 374 30 15.06.18 15 2 3 1 3 2 3 1 6 Poker Face Lady Gaga 348 25 06.03.09 12 5 3 1 1 1 2 Sarah Brightman & Andrea 7 Time To Say Goodbye 341 24 06.12.96 11 4 4 2 2 1 Bocelli 8 The Sound Of Silence Disturbed 337 26 15.07.16 6 9 4 1 4 1 1 9 Human Rag'n'Bone Man 330 24 26.08.16 10 7 2 1 1 1 2 10 Shallow Lady Gaga & Bradley Cooper 314 30 05.10.18 3 6 6 6 4 2 1 1 1 11 Sweat Inner Circle 307 20 28.08.92 14 1 2 2 1 12 Conquest Of Paradise Vangelis 304 24 02.12.94 9 3 4 3 1 2 2 13 Dragostea din tei O-Zone 303 21 21.05.04 13 1 1 3 1 1 1 14 What's Up 4 Non Blondes 297 20 30.07.93 13 1 2 1 1 1 1 15 Mambo No. -
Country Women Piracy Gambit
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw CL V) W z HI CCVR H 3 -DIGIT 9011 'IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #90807GEE374EM002# BLBD 893 A06 B0093 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 111 UMW r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com JULY 5, 2003 Shal aTwzin at the HOT SPOTS recent Country Music Aw r Is. The Mercury Piracy Gambit artist is the lone female with a current top 10 country single. Raises Stakes RIAA Lawsuit Strategy Risks Consumer Backlash BY BILL HOLLAND and BRIAN GARRITY WASHINGTON, D.C.-The music 5 'Phoenix Rising industry's promised blitzkreig of law- suits against Internet song swappers- The new "Marry Potter and the including file-sharing teens-could Order of the Phoenix" flies out quickly become a legal quagmire. of retail outlets in record num- some critics warn. bers: 5 m Ilion in 24 hours. But with frustration levels running high after months of fruitless educa- tional campaigns, the industry is hell- bent on raising the stakes in the war on music pirates. As it launched its newest offensive June 25, the industry picked up a major ally in Congress. Rep. Lamar Smith, R- Texas, the anti -piracy cham- (Continued on page 74) Majors' Woes Continue 5 Jam On It Country Women Gov't Mule's Warren Haynes is Talks among the artists helping Along With Merger this summer's hot jam band Lose Hit Magic BY MATTHEW BENZ tour to jell. -
JIMMY DOUGLASS – Producer/Mixer/Engineer
JIMMY DOUGLASS – Producer/Mixer/Engineer Jimmy Douglass is the most rare of creative people. With unmatched experience across the genres, Jimmy has been making records sound exciting for years. There aren’t many that can boast the diversity of Jimmy’s discography and he feels equally at home with organic musician driven music as he does in the world of hip-hop that he now dominates. As long time engineer and mixer for Timbaland, Jimmy has been instrumental in pushing forward hip-hop music and he continues breaking boundaries. Form is temporary, class is permanent. Discography Mixed Justin Timberlake “The 20/20 Experience” Album RCA The Cataracs “Mouthful” EP Track Universal Republic Aaliyah “Aaliyah” Album Virgin “I Care 4 You” Album Virgin “Try Again” Single Virgin “Are U That Somebody” Single “One in A Million” Single John Legend & The Roots “Wake-Up” Album Columbia Justin Timberlake “Future Sex Love Songs” Singles & Album Jive “Sexy Back” “What Goes Around Comes Around” “My Love” “Justified” Album Jive “Cry Me A River” Single Al Green “Lay It Down” Album Blue Note Ginuwine “The Bachelor” Album Epic “So Anxious Album” Album Epic “Life” Album Epic Jay-Z “Dirt Off Your Shoulder” Single Roc-A-Fella “The Black Album” Album Tracks “Vol 2: Hard Knock Life” Album Roc-A-Fella “Vol 3: Life & Times…” Album Roc-A-Fella “Big Pimpin” Single Roc-A-Fella “In My Lifetime Vol. 3” Album Missy Elliott “Da Real World” Album Elektra “Miss E… So Addictive” Album Elektra “Under Construction” Album Elektra “The Cookbook” Album Atlantic “Work It”/Get ur Freak