JIMMY DOUGLASS – Producer/Mixer/Engineer
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The Wire: Adventures in Modern Music: Article
Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays. -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists. -
Queens of Consciousness & Sex-Radicalism in Hip-Hop
Queens of Consciousness & Sex-Radicalism in Hip-Hop: On Erykah Badu & The Notorious K.I.M. by Greg Thomas, Ph.D. English Department Syracuse University Greg Thomas ([email protected]) is an Assistant Professor in the English Department at Syracuse University. His interests include Pan-Africanism, Hip-Hop and Black radical traditions. He is author of The Sexual Demon of Colonial Power: Pan-African Embodiment and Erotic Schemes of Empire (Indiana University Press, 2007). He is also editor of the e-journal, Proud Flesh: New Afrikan Journal of Culture, Politics & Consciousness. Abstract This article is a study of sex, politics and lyrical literature across what could be called “Hip-Hop & Hip-Hop Soul.” It champions the concept “sexual consciousness” against popular and academic assumptions that construe “sexuality” and “consciousness” to be antithetical--in the tradition of “the mind/body split” of the white bourgeois West. An alternative, radical articulation of consciousness with an alternative, radical politics of gender and sexuality is located in the musical writings of two contemporary “iconic” figures: Lil’ Kim of “Hip-Hop” and Erykah Badu of “Neo-Soul.” Underscoring continuities between these author-figures, one of whom is coded as an icon of “sexuality (without consciousness),” conventionally, and the other as an icon of “consciousness (without sexuality),” I show how Black popular music is a space where radical sexual identities and epistemic politics are innovated out of vibrant African/Diasporic traditions. 23 The Journal of Pan African Studies, vol. 1, no. 7, March 2007 The reputed “Father of African Cinema,” Ousmane Sembène is perhaps ironically famous for what we can call his sexual consciousness, a consciousness of the politics of sex or gender and sexuality, in his radical productions of Black independent film. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album. -
R&B/ -NOP Timbaland Makes a `Proposal'
R&B/ -NOP Timbaland Makes A `Proposal' Rapper Says Duo's Second Project On Blackground Is His Last As An Artist BY RASHAUN HALL Timbaland says the CD will be his understanding how it works and NEW YORK- Timing is everything last as an artist. how the money is made." when it comes to releasing a record. For Magoo, who found himself Working with renewed focus, the Just ask Timbaland & Magoo, whose grappling with newfound fame after duo crafted Indecent Proposal, a 15- and The Blues,. BlackgroundNirgin sophomore proj- track set featuring guest appear- ect, Indecent Proposal, is now set for ances by Aaliyah, Ludacris, Jay -Z, SNOOP'S NEW HOME: Snoop Dogg is Backstage after the Atlanta show, a Nov. 20 release after a long delay. and Tweet, among others. Magoo setting up shop at MCA Records. But Wright commented on her desire for "I turned [the album] in a year - credits Timbaland with matching the former No Limit/Priority rapper onstage spontaneity. "I'm just being and -a -half ago, and it's just [now] artists to its tracks. still has one more studio album under me," she says. "It's easy. I wrote a coming out," a frustrated Timbaland "He has an idea of what direction that contract before he can exit. The bunch of songs that I really like, and I says. "And now we're in a recession - each song should go in," Magoo says. MCA deal also includes Snoop Dogg's have some very capable musicians and it doesn't make sense." "It has a lot to do with the concept Doggy Style Records, formerly distrib- vocalists helping me create the colors The delay was partially due to and who can come up with a good uted by TVT, and the production of and the pictures that I want onstage. -
Fresh Dressed
PRESENTS FRESH DRESSED A CNN FILMS PRODUCTION WORLD PREMIERE – DOCUMENTARY PREMIERE Running Time: 82 Minutes Sales Contact: Dogwoof Ana Vicente – Head of Theatrical Sales Tel: 02072536244 [email protected] 1 SYNOPSIS With funky, fat-laced Adidas, Kangol hats, and Cazal shades, a totally original look was born— Fresh—and it came from the black and brown side of town where another cultural force was revving up in the streets to take the world by storm. Hip-hop, and its aspirational relationship to fashion, would become such a force on the market that Tommy Hilfiger, in an effort to associate their brand with the cultural swell, would drive through the streets and hand out free clothing to kids on the corner. Fresh Dressed is a fascinating, fun-to-watch chronicle of hip-hop, urban fashion, and the hustle that brought oversized pants and graffiti-drenched jackets from Orchard Street to high fashion's catwalks and Middle America shopping malls. Reaching deep to Southern plantation culture, the Black church, and Little Richard, director Sacha Jenkins' music-drenched history draws from a rich mix of archival materials and in-depth interviews with rappers, designers, and other industry insiders, such as Pharrell Williams, Damon Dash, Karl Kani, Kanye West, Nasir Jones, and André Leon Talley. The result is a passionate telling of how the reach for freedom of expression and a better life by a culture that refused to be squashed, would, through sheer originality and swagger, take over the mainstream. 2 ABOUT THE FILMMAKERS SACHA JENKINS – Director Sacha Jenkins, a native New Yorker, published his first magazine—Graphic Scenes & X-Plicit Language (a ‘zine about the graffiti subculture)—at age 17. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
National Song Binder
SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man -
Dr-4455 Platterlog(A
Monday 13 th February 2006 … Over 55,000 music fans packed Sydney's Olympic Park for the 14th annual Big Day Out festival (January 26). The sold-out crowd watched sets from bands including Franz Ferdinand , The Magic Numbers , Kings of Leon , The Subways , Soulwax and MIA , as well as Aussie newcomers Cut Copy , Wolfmother , The Grates , Wolf & Cub and The Presets . Artist: Various Artists Title: Big Boi Presents…Got Purp? Vol II Distributor: EMI Records Australia (EMI) Release Date: 22/01/06 Catalogue # 3122072 … Jet have revealed they are considering 27 songs for their second album. The band, are currently working on the Big Boi, one half of the legendary Outkast record with first album producer and Oasis collaborator Dave delivers an im pressive release with "Got Sardy. Songs have been written in Barbados, Brookfield Purp? Vol. 2". While Andre has hit the acting Massachusetts and Los Angeles since December 2004 and are scene, Big Boi has created a label with a dedicated to the father of Nic and Chris Cester, who died of roster full of talent. cancer two years ago.The record will be recorded in L.A.,though there are no definite release plans. "The release date will depend The lead single "Kryptonite" (I'm On It) is off on exactly when we are satisfied that the record is far superior to the hook, Big Boi, C-Bone, Rock D and Killer 'Get Born' ," the band explained. Mike provide a track to remember. Singer Sleepy Brown shines on solo delivering the … REM frontman Michael Stipe is to make a guest smooth "Me, My Baby And My Cadillac" appearance on his pals Placebo 's new album.