A Radical Return Bacone College Once Redefined What Native Art Could Be
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MS 7536 Pochoir Prints of Ledger Drawings by the Kiowa Five
MS 7536 Pochoir prints of ledger drawings by the Kiowa Five National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Local Numbers................................................................................................................. 3 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Biographical / Historical................................................................................................... -
PWA Unity Diversity Publication July 2017
July 2017 Volume 1, Issue 3 Unity: Cultivating Diversity and Inclusion in PWA Hilo, Hawaii LGBT Film Screening Hilo, Hawaii recognized LGBT Month by holding a special screening of the film Limited Partnerships. Limited Partnership is the love story between Filipino-American Richard Adams and his Australian husband, Tony Sullivan. In 1975, thanks to a courageous county clerk in Boulder, CO, Richard and Tony were one of the first same-sex couples in the world to be legally married. Richard immediately filed for a green card for Tony based on their marriage. But unlike most heterosexual married couples who easily file petitions and obtain green cards, Richard received a denial letter from the Immi- gration and Naturalization Service stating, “You have failed to establish that a bona AREA DIRECTOR’S fide marital relationship can exist between two faggots.” Outraged at the tone, tenor CORNER: and politics of this letter and to prevent Tony’s impending deportation, the couple sued the U.S. government. This became the first federal lawsuit seeking equal treat- Maintaining a workplace that wel- ment for a same-sex marriage in U.S. history. comes diversity in all forms is an im- Over four decades of legal challenges, Richard and Tony figured out how to maintain portant component of attracting high- ly-qualified applicants for our job their sense of humor, justice and whenever possible, their privacy. Their personal vacancies. Celebrations of Special tale parallels the history of the LGBT marriage and immigration equality move- Emphasis Program months contribute ments, from the couple signing their marriage license in Colorado, to the historic to this effort by enhancing our appre- U.S. -
{Download PDF} Creek Country the Creek Indians and Their World 1St
CREEK COUNTRY THE CREEK INDIANS AND THEIR WORLD 1ST EDITION PDF, EPUB, EBOOK Robbie Ethridge | 9780807854952 | | | | | Creek Country The Creek Indians and Their World 1st edition PDF Book During the winter, additional warmth was provided by bear skins and buffalo hides. Creek Country provides an in-depth description of many aspects of Creek life in the nineteenth century and a window on the changes they experienced. Seller Inventory S Russell Allen. The women then cooked sofkey and fried the fish for a feast. Contact: Nathan Martin. Contact: Gale Thrower. Trade patterns, gender roles, and political structure all changed with the redeployment of American citizens. Employment and Economic Traditions The early Creeks enjoyed a comfortable living based on agriculture and hunting. Trade expanded, and they began to sell not only venison, hides, and furs, but also honey, beeswax, hickory nut oil, and other produce. Richard Highnote rated it really liked it Feb 16, The Removal Treaty of guaranteed the Creeks political autonomy and perpetual ownership of new homelands in Indian Territory in return for their cession of remaining tribal lands in the East. During courtship, the man might woo the woman by playing plaintive melodies on a flute made either of hardwood or a reed. In , the U. Ethridge finds that the world of Creek Indians was quite diverse in terms of the composition of the population, the economic activity in which Creek Indians participated, and the varying landscapes in which they lived. Christian missionary schools established in were the first to formally educate Creeks in American culture; a few earlier attempts at founding schools had been unsuccessful. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
Agenda Format
NB-2 ADDITIONAL DOCUMENTS CITY POSITIONS ON STATE LEGISLATION CITY COUNCIL SUPPLEMENTAL REPORT MEETING DATE: MAY 7, 2019 SUBJECT: CITY POSITIONS ON STATE LEGISLATION: SCR 21 (CAPTAIN KREZA MEMORIAL HIGHWAY), SB 450 (MOTEL CONVERSIONS), AND AB 1273 (TOLL ROADS) (NB-2) DATE: MAY 6, 2019 FROM: CITY MANAGER’S OFFICE/ADMINISTRATION FOR FURTHER INFORMATION CONTACT: CONNOR A. LOCK AT (714) 754-5219 The purpose of this supplemental report is to provide a correction to an attachment for New Business Item 2 ‘City Positions on State Legislation: SCR 21 (Captain Kreza Memorial Highway), SB 450 (Motel Conversions), and AB 1273 (Toll Roads)’. Attachment 1 contains an update to the Table of Bills for Consideration to reflect the appropriate requestor of Assembly Bill 1273. ALBERTO C. RUIZ Management Aide ATTACHMENTS: 1- Table of Bills for Consideration Attachment 1 – Table of Bills for Consideration 5/7/2019 Bill # Bill Requestor Requested League ACCOC Brief Summary Notable Notable Fiscal Author Position Position Position Supporters Opposition Impact (s) City Staff Recommendation: Support SCR Senators Fire Chief Support Watch No Senate Concurrent Resolution California None Unknown 21 Bates and Stefano Position 21 would honor Captain Kreza’s Professional Moorlach memory by dedicating a portion Firefighters of Interstate 5, from Avery Costa Mesa Parkway to El Toro, as the Costa Firefighters Mesa Fire Captain Michael Kreza Memorial Highway. SB Senator Mayor Support Watch No This bill would, until January 1, Mayors of: None Unknown 450 Umberg Foley Position 2025, exempt from CEQA, Anaheim projects related to the Bakersfield conversion of a structure with a Fresno certificate of occupancy as a Long Beach motel, hotel, apartment hotel, Los Angeles transient occupancy residential Oakland structure, or hostel to supportive Riverside housing or transitional housing, Sacramento as defined, that meet certain San Diego requirements. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
CIRCLE of HONOR Muscogee (Creek) Elder to Be Recognized for Work Passing on Culture & Traditions 4 NATIVE OKLAHOMA | JANUARY 2016
NATIVE OKLAHOMA | JANUARY 2016 JANUARY 2016 Red Earth calls for artists AmeriCorps reaches out to Osage Nation Gingerbread Pumpkin Cheesecake recipe CIRCLE OF HONOR Muscogee (Creek) elder to be recognized for work passing on culture & traditions 4 NATIVE OKLAHOMA | JANUARY 2016 Sam Proctor Muscogee (Creek) elder to be inducted into Tulsa City-County Library’s Circle of Honor Tulsa City-County Library’s American Indian Proctor, Muscogee (Creek), was born south of Hanna in Resource Center will induct Sam Proctor into the Weogufkee community of Oklahoma, the heart of the the Circle of Honor during a special presentation Muscogee (Creek) Nation, and is a lifelong Oklahoman. He is a descendant of Opethleyahola, one of the great Creek March 5, 2016, at 10:30 a.m. at Hardesty leaders. Regional Library’s Connor’s Cove, 8316 E. 93rd Proctor has dedicated his life’s mission to encouraging St. families to incorporate Muscogee (Creek) traditions in their By JOHN FANCHER daily routines. He believes that the language and traditions are vital to maintaining a way of life that promotes balance Proctor’s award presentation begins the monthlong celebration and harmony with family, friends and strangers. honoring the achievements and accomplishments of Native Americans. Award-winning and internationally acclaimed His knowledge of traditional and sustainable agriculture artist Dana Tiger, Muscogee (Creek), painted a portrait of was beneficial in the efforts to establish the Mvskoke Food Sam Proctor and will have prints for sale after his ceremony. Sovereignty Initiative in Okmulgee, Okla. in 2007. The Programs will be held throughout TCCL locations during purpose of the program is to help the Muscogee (Creek) March. -
THE RAINBOW FLAG of the INCAS by Gustav Tracchia
THE RAINBOW FLAG OF THE INCAS by Gustav Tracchia PROLOGUE: The people of this pre-Columbian culture that flourished in the mid- Andes region of South America (known as The Empire of The Incas) called their realm: Tawantinsuyo, meaning the four corners. The word INCA is Quechua for Lord or King and was attached to the name of the ruler e.g., Huascar Inca or Huayna Capac Inca. In Quechua, the official language of the empire; Suyo is corner and Tawa, number four. Ntin is the way to form the plural. Fig. 1 Map of the Tawantinsuyo Wikipedia, (en.wikipedia.org/wiki/file:inca expansion.png) 1 Gustav Tracchia The "four corners" or suyos radiated from the capital, Cuzco: - Chincasuyo: Northwest Peru, present day Ecuador and the tip of Southern Colombia. - Contisuyo: nearest to Cuzco, south-central within the area of modern Peru. - Antisuyo: almost as long as Chincansuyo but on the eastern side of the Andes, from northern Peru to parts of upper eastern Bolivia. - Collasuyo: Southwest: all of western Bolivia, northern Chile and northwest of Argentina. Fig. 2 Cobo, Historia, schematic division of the four suyos 2 The Rainbow Flag of the Incas Fig. 3 Map of Tawantinsuyo, overlapping present day South American political division. ()www.geocities.com/Tropics/beach/2523/maps/perutawan1.html To simplify, I am going to call this still mysterious pre-Columbian kingdom, not Tawantinsuyo, but the "Empire of the Incas" or "The Inca Empire." I am also going to refer to events related to the culture of the Incas as "Incasic" or "Incan". -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952
1 The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952 Janet Catherine Berlo October 2008 2 Table of Contents Introduction . 3 Native American Painting as Modern Art The Publisher: l’Edition d’Art C. Szwedzicki . 25 Kiowa Indian Art, 1929 . .27 The Author The Subject Matter and the Artists The Pochoir Technique Pueblo Indian Painting, 1932 . 40 The Author The Subject Matter and the Artists Pueblo Indian Pottery, 1933-36 . 50 The Author The Subject Matter Sioux Indian Painting, 1938 . .59 The Subject Matter and the Artists American Indian Painters, 1950 . 66 The Subject Matter and the Artists North American Indian Costumes, 1952 . 81 The Artist: Oscar Howe The Subject Matter Collaboration, Patronage, Mentorship and Entrepreneurship . 90 Conclusion: Native American Art after 1952 . 99 Acknowledgements . 104 About the Author . 104 3 Introduction In 1929, a small French art press previously unknown to audiences in the United States published a portfolio of thirty plates entitled Kiowa Indian Art. This was the most elegant and meticulous publication on American Indian art ever offered for sale. Its publication came at a time when American Indian art of the West and Southwest was prominent in the public imagination. Of particular interest to the art world in that decade were the new watercolors being made by Kiowa and Pueblo artists; a place was being made for their display within the realm of the American “fine arts” traditions in museums and art galleries all over the country. Kiowa Indian Art and the five successive portfolios published by l’Edition d’Art C. -
Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas
Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas Gilbert Baker Oral History Interviewed by Tami Albin June 19, 2008 http://kuscholarworks.ku.edu/dspace/handle/1808/6895 This interview was made possible by the generous support of the University of Kansas Libraries and the University of Kansas grants 2302114, 2301283, 2301334. © Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People and Kansas Copyright and permissions All oral histories in the Under the Rainbow: Oral Histories of Gay, Lesbian, Bisexual, Transgender, Intersex and Queer People in Kansas are copyrighted and protected by copyright law (Title 17, U. S. Code). Requests for permission to publish quotations beyond “fair use” from this collection should be addressed to: Tami Albin ([email protected] or [email protected] ) Director of Under the Rainbow: Oral Histories of GLBTIQ People in Kansas Anschutz Library 1301 Hoch Auditoria Dr., University of Kansas Lawrence, KS 66045 Requestors must identify: 1. Type of publication 2. Proposed title 3. Specific passages to be quoted 4. Anticipated uses of the passages 5. Publisher’s name 6. Expected date of publication Citing Under the Rainbow Oral History Interviews Your citation should include information that will allow people to find this transcript. Please consult a citation guide (Chicago, MLA, ALA) for the correct citation style for audio/video interviews or transcripts. Please be sure to include: Narrator’s name e.g. Bill Smith Interviewer’s Name e.g. Tami Albin Date of interview e.g. March 26, 2009 Name of project and location e.g. -
Connie Seabourn Education Permanent Collections
[email protected] CONNIE SEABOURN www.connieseabourn.com EDUCATION • M.Ed. with a major in art education and an emphasis in studio art (with an additional 6 hours beyond requirements), University of Central Oklahoma, Edmond, OK, 2003 • B.F.A. with a major in printmaking and emphasis in painting, University of Oklahoma, Norman, OK, 1981 • Completed 6 graduate hours towards an MLS at the University of Oklahoma, Norman, OK, approximately 1985 • Completed 8 hours of French after receiving BFA form OU; South Oklahoma City Junior College, now Oklahoma City Community College, approximately 1983 • High School diploma, Western Heights High School, Oklahoma City, salutatorian, 1969 PERMANENT COLLECTIONS, partial listing • Talley Industries, Phoenix, AZ • Tyson Food Corporation, Fayetteville, AR • Bell Telephone Company, Washington, D.C. • His Excellency, Nobuo Matsunaga, Japan • Mabee-Gerrer Museum, Benedictine Abby, Shawnee, OK • Oklahoma State Arts Council, Oklahoma City, OK • Verde Valley School, Sedona, AZ • Iowa State University Memorial Museum, Ames, IA • Xerox International Headquarters, Norwalk, CT • The Easter Egg Collection, Smithsonian Museum, Washington, D.C. • The Heard Museum, Phoenix, AZ • Former Oklahoma Governor and First Lady, George and Donna Nigh • David Boren, former U.S. Senator, Oklahoma Governor, and University of Oklahoma President • U.S. Representative Micky Edwards • McClain County Historical Museum, Purcell, OK • The Allergy Clinic, Oklahoma City, OK • Presbyterian Hospital, Oklahoma City, OK • Edmond Memorial Hospital, Oklahoma City, OK • Saint Anthony Hospital, Oklahoma City, OK • The Silberman Collection, Cowboy Hall of Fame and Western Heritage Center, Oklahoma City, OK [email protected] CONNIE SEABOURN www.connieseabourn.com SELECTED EXHIBITIONS *indicates one- or two-person show or featured artist 2021 • 50 Penn Place Art Gallery, as a member of a co-op gallery for 26+ years, bimonthly opening receptions of new works, meetings, budgeting, advertising, etc.