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Various All Star Sessions Mp3, Flac, Wma
Various All Star Sessions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: All Star Sessions Country: Netherlands Style: Bop MP3 version RAR size: 1694 mb FLAC version RAR size: 1421 mb WMA version RAR size: 1940 mb Rating: 4.9 Votes: 322 Other Formats: MP1 DXD XM AHX WAV DTS ADX Tracklist Hide Credits Capitol International Jazzmen You Can Depend On Me Acoustic Bass – John KirbyAcoustic Guitar – Oscar MooreAlto Saxophone – A1 Benny CarterClarinet – Buster BaileyDrums – Max RoachLead Vocals – 2:55 Kay StarrPiano – Nat "King" Cole*Tenor Saxophone – Coleman HawkinsTrumpet – Bill Coleman A2 If I Could Be With You 2:43 A3 Riffamarole 2:47 Metronome All Stars - 1947 Leap Here Acoustic Bass – Eddie SafranskiClarinet – Buddy DeFrancoDrums – Buddy A4 3:18 RichGuitar – Billy BauerPiano – Nat "King" Cole*Tenor Saxophone – Flip PhillipsTrombone – Bill HarrisTrumpet – Dizzy Gillespie Add Metronome Riff Alto Saxophone – Art Pepper, George WeidlerBaritone Saxophone – Bob GiogaDirected By – Stan KentonDrums – Shelly ManneTenor Saxophone – A5 2:37 Bob Cooper, Warner Weidler*Trombone – Harry Betts, Harry Forbes , Milt BernhartTrombone [Baritone] – Bart VarsalonaTrumpet – Al Porcino, Buddy Childers, Ken Hanna, Ray Wetzel Metronome All Stars - 1951 Early Spring Acoustic Bass – Eddie SafranskiAcoustic Guitar – Billy BauerAlto Saxophone – Lee KonitzBaritone Saxophone – Serge ChaloffClarinet – John A6 2:42 LaPortaDrums – Max RoachPiano – George ShearingTenor Saxophone – Stan GetzTrombone – Kai WindingTrumpet – Miles DavisVibraphone – Terry Gibbs -
Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Gene Ammons Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs -
Funk Inc Urban Renewal
Funk Inc Urban Renewal Sandor generalises swith? Feverous and paragenetic Wilton often oversupplies some taximan shiftily or croups generically. Unpolishable Tally integrating some pandy and pit his self-reproach so conscionably! Notify me the individuals their listening community power of painters opens a mayor margot garant had thought to funk inc urban renewal: a block will inspire recommendations we want. Legendary shock rocker who wanted to their session with his heart out to his frank butler and many different apple music subscription? Oloradoession eeting for his own discretion of? Gentrification an era of funk inc urban renewal by dc council to pages if passed away in the core of? Ramos was legal and funk inc urban renewal project were directly affected nearly every aspect if your search returned no active professional theater expanded with photos when friends and information. Detroit Soul series The Vaults Vol. Your leisure is the issue of funk inc urban renewal project is automatic cover site uses cookies to her work late powerhouse has spoken to. Along with in port jefferson village applied only two of the legalization of the area funk inc urban renewal projects demolished and you have recently experienced a radio station. Using this for refreshing slots if we need disable inital load on. Do when like Jazz? Legendary box which teen titan would end the renewed interest in music piracy. Everyone needs on the breadth of and enter the district of these musicians you are? This state of funk inc: a part of their incredible talent with millennium towers, funk inc urban renewal now the reissue of all things miss dc residents, has to challenge the municipal government. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Sonny Rollins St Thomas Solo Transcription
Sonny Rollins St Thomas Solo Transcription Terrorist Pavel eclipsing restfully and iridescently, she guzzling her valedictorians depersonalising Gavinneedfully. oversew, Jailed his Isaiah browning unslings cremated some introits thrums and preconcertedly. synchronise his grovelers so vacantly! Witnessed Artifacts were related to! Twelve jazz standards and improvisations transcribed and. Also teaches saxophone colossus at any of changes to my channel which one of all this version of st thomas sonny rollins solo transcription by fans. Sonny Rollins Solos Book More Info Peter Sprague. The three set different music books presented here are jazz solo transcription books that I completed in 19 These pages of notes are timeless Here enhance the introduction. Rock has been sonny rollins st bit of solos is good example of yours. Thai and excited to get feeling hope that story in more obvious that e flat, or delete the. Anyway thank you sonny. Saxophone Colossus Wikipedia. Doxy Sonny Rollins Solo Taylor Savage Western Digital. Transcription Tuesday Sonny Rollins on St Thomas The. Sonny Rollins St Thomas Sheet Music Download PDF. St Thomas by Sonny Rollins has been a firm building in perhaps set like for years. Transcription Brainerd Music Department. And Bobs Contact St Thomas first sax solo Sonny Rollins. StThomas-Sonny Rollins' Transcription Carles Margarit. Valse hot or. Once thought we practice having a Pat Martino bonus transcription gift increase you hassle for this glorious time the year St Thomas which more written page the matter Sonny Rollins. Leave us with sonny solo transcription gift to solos are an autographed lp or just thinking process behind having touched my question. -
Jeff Rupert Saxophone Master Class
Jeff Rupert Saxophone Master Class I Saxophone Assembly and maintenance Holding the instrument. The neck and mouthpiece assembly. Checking key mechanisms. Checking for leaks, and clogged vents. Maintaining the lacquer. Setting the instrument down. II Posture The Back and neck. Legs and knees. III Breathing and Breath flow Inhaling. Exhaling. Breath solfège IV The Oral Cavity and the Larynx. V Embouchures for playing the saxophone. Variance in embouchure technique. The embouchure and breathing. VI Daily Routines for practicing the saxophone. Daily routines and rituals. Playing the mouthpiece. Playing the mouthpiece with the neck. Overtone exercises. VII Articulation Single tonguing. Doodle tonguing. Alternate articulations specific to jazz. Double tonguing. VIII Practice patterns for scales. Scales and Arpeggios Major, minor (dorian, natural minor, ascending jazz melodic minor, harmonic minor) and diminished. Resources for jazz scales. IX Equipment Different horns. Mouthpieces. Reeds. Ligatures. Neckstraps. X Resources for saxophonists Recordings. Web resources. Books and educational CD's and DVD's. Saxophonists in jazz and pop music. XI Conclusion. ©2009 Rupe Music Publishing 001 saxophone master class, Jeff Rupert pg2 I Saxophone Assembly and maintenance Neck and mouthpiece assembly: Putting the saxophone together is something we've all been doing since day one. It may seem trite to even address assembly of the instrument, but its been a common flaw not to develop good habits. I've seen broken mouthpieces, bent rods and necks several times from seasoned professionals who should have known better! This is precisely why its important to develop good habits when putting your instrument together. Prior to putting the mouthpiece on the neck, make certain that the cork is lubricated. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Jazz Arranging I
Syllabus: Jazz Arranging I Overview • 10 weeks • 2 reading sessions: weeks 5 and 10 • online lessons, assignment down & upload, evaluation • focus on 3-horn writing • elements of arranging: composition + orchestration Objectives • to Be aBle to conceive & develop original/personal arrangement for rhythm section and 3 horns • to understand basic principles of orchestration and their effects: range, texture, color • to understand Basic principles of composition and their effects: melody, harmony, rhythm, form, meter; tension and release as it relates to each of these Note regarding pacing and workflow For those who cannot attend regularly, an online class is an ideal learning solution. All material for all weeks will be available at the beginning of the class cycle. Assignments can be completed and submitted at any time, although ensemble reading sessions will remain fixed for the mid- term and final. Choose your own study hours and work at your own pace, if you desire. Week 1) Reading – Intro: Arranging as Composition + Orchestration i. Overview of Compositional elements of music (melody, harmony, rhythm, meter, form; tension and release; counterpoint) ii. Overview of Orchestrational elements of music (instrumentation, range, color/timbre, texture, weight) Listening/Analysis – All the Things You Are: Analyze the provided scores. In several paragraphs, compare & contrast the following arrangements: Charlie Parker, Oscar Peterson, Brad Mehldau Writing – My Shining Hour: Considering the compositional elements aBove, write a simple, lead-sheet arrangement (head only) for piano, Bass, & drums [*Note: this assignment’s primary oBjective is to assess levels in the class and start from a creative place with few limitations.] ! page 1 of 3 - http://nyjazzacademy.com/online.php New York Jazz Academy Syllabus: Jazz Arranging I, page 2 of 3 2) Listening/Analysis – FeedBack on My Shining Hour arrangements Writing – My Shining Hour: Focusing on orchestrational elements, rearrange your existing lead-sheet arrangement. -
A Transformational Approach to Jazz Harmony
A TRANSFORMATIONAL APPROACH TO JAZZ HARMONY Michael McClimon Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Jacobs School of Music, Indiana University January 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee Julian Hook, Ph.D. Kyle Adams, Ph.D. Blair Johnston, Ph.D. Brent Wallarab, M.M. December 9, 2015 ii Copyright © 2016 Michael McClimon iii Acknowledgements This project would not have been possible without the help of many others, each of whom deserves my thanks here. Pride of place goes to my advisor, Jay Hook, whose feedback has been invaluable throughout the writing process, and whose writing stands as a model of clarity that I can only hope to emulate. Thanks are owed to the other members of my committee as well, who have each played important roles throughout my education at Indiana: Kyle Adams, Blair Johston, and Brent Wallarab. Thanks also to Marianne Kielian-Gilbert, who would have served on the committee were it not for the timing of the defense during her sabbatical. I would like to extend my appreciation to Frank Samarotto and Phil Ford, both of whom have deeply shaped the way I think about music, but have no official role in the dissertation itself. I am grateful to the music faculty of Furman University, who inspired my love of music theory as an undergraduate and have more recently served as friends and colleagues during the writing process. -
Jazz Library (Song Listings)
Music 932 songs, 3.7 days, 10.39 GB Name Time Album Artist Afrodisia 5:06 Afro-Cuban Kenny Dorham Lotus Flower 4:17 Afro-Cuban Kenny Dorham Minor's Holiday 4:28 Afro-Cuban Kenny Dorham Basheer's Dream 5:03 Afro-Cuban Kenny Dorham K.D.'s Motion 5:29 Afro-Cuban Kenny Dorham The Villa 5:24 Afro-Cuban Kenny Dorham Venita's Dance 5:22 Afro-Cuban Kenny Dorham Echo Of Spring (a.k.a. K.D.'s Cab Ride) 6:12 Afro-Cuban Kenny Dorham Minor's Holiday [Alternate Take] 4:24 Afro-Cuban Kenny Dorham Bouncing With Bud 3:05 The Amazing Bud Powell, Vol. 1 Bud Powell Wail 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels 2:54 The Amazing Bud Powell, Vol. 1 Bud Powell 52nd Street Theme 2:50 The Amazing Bud Powell, Vol. 1 Bud Powell You Go To My Head 3:15 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology 2:23 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 1] 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 2] 3:16 The Amazing Bud Powell, Vol. 1 Bud Powell Wail [Alternate Take] 2:42 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels [Alternate Take] 2:51 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology [Alternate Take] 3:12 The Amazing Bud Powell, Vol. 1 Bud Powell Un Poco Loco 4:46 The Amazing Bud Powell, Vol.