DOCSLIB.ORG

Symbolic Capital and the Performativity of Authorship: the Construction and Commodification of the Nineteenth-Century Authorial Celebrity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Symbolic Capital and the Performativity of Authorship: the Construction and Commodification of the Nineteenth-Century Authorial Celebrity University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of Spring 4-20-2013 Symbolic Capital and the Performativity of Authorship: The Construction and Commodification of the Nineteenth-Century Authorial Celebrity Whitney Helms University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Helms, Whitney, "Symbolic Capital and the Performativity of Authorship: The Construction and Commodification of the Nineteenth-Century Authorial Celebrity" (2013). Dissertations, Theses, and Student Research: Department of English. 74. https://digitalcommons.unl.edu/englishdiss/74 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SYMBOLIC CAPITAL AND THE PERFORMATIVITY OF AUTHORSHIP: THE CONSTRUCTION AND COMMODIFICATION OF THE NINETEENTH- CENTURY AUTHORIAL CELEBRITY by Whitney Helms A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Laura M. White Lincoln, Nebraska May, 2013 SYMBOLIC CAPITAL AND THE PERFORMATIVITY OF AUTHORSHIP: THE CONSTRUCTION AND COMMODIFICATION OF THE NINETEENTH- CENTURY AUTHORIAL CELEBRITY Whitney Helms, Ph.D. University of Nebraska, 2013 Adviser: Laura M. White Victorian and Antebellum writers were the first literary figures to construct and perform their authorship within the sphere of celebrity. Unlike their Romantic predecessors who endured fame as an unexpected consequence of their popularity, the Victorians and their contemporaries understood celebrity as a condition of authorship. This dissertation takes as its subject the origins and development of symbolic power for authors as it was expressed in the trappings of celebrity and mass culture and argues that authorship became no longer strictly a profession of writing, but rather a performative endeavor that could be presented through diverse commercial markets. Investigating the changing conditions of the production and consumption of literature, this study contends that the public enterprises in which authorship was now being performed were not cheap acts of mass entertainment, as many would claim, but were in fact new forms of cultural capital and legitimate literary labor. Focusing on Charles Dickens, Harriet Beecher Stowe, Wilkie Collins, and Oscar Wilde, four of the greatest nineteenth-century authorial celebrities, this work traces the historical growth of celebrity culture within the authorial profession from the inception of the Victorian and Antebellum periods to the fin de siècle. In doing so, it seeks to understand how each of these writers effectively reconciled publicity and self-commodification with respectability and authorial legitimacy. Incorporating cultural studies, new historicism, gender studies, and the discourse of the recently emerging study of celebrity culture, each chapter is a microhistory that focuses on the respective promotional tours of these authors. Because the tours offered Dickens, Stowe, Collins, and Wilde with a new medium in which to perform their authorial role, they illustrate the ways in which notions of authorship and literary labor were being reconceived in popular culture. Specifically, they show how celebrity and visibility played increasingly major roles in the public reception of these writers’ work within a mass market. Together, the chapters of this dissertation offer detailed discussions on four canonical writers while also providing an analysis of the larger structural, cultural, and social forces that helped to develop and sustain the nineteenth-century authorial celebrity within the literary realm. iv ACKNOWLEDGEMENTS This dissertation was written under the guidance, support, and encouragement of many professors, colleagues, friends, and loved ones. I extend my gratitude to Laura White, Stephen C. Behrendt, Peter J. Capuano, and Ken Winkle, for encouraging and challenging me, and for always treating my research and ideas with enthusiasm and respect. Thank you, Laura, for offering me invaluable experiences, such as opportunities to participate in faculty seminars and committee searches, both of which informed this project. I am especially grateful to Kathy Johnson, whose generosity is as great as her expertise. Her personal support truly made it possible for me to finish this project. Among the many friends who helped me along the way, I would like to thank Melissa, with whom I had many cathartic conversations about editing, research, and graduate school. Thank you, Melissa, not only for the support that you gave me throughout the years, but also for your friendship. Cooper and Zach, you are my two most beloved friends, and your presence, comfort, and friendship are immeasurable to me. I would not have made it through the years without you two. Sitting outside in the sun, drinking coffee, and writing my dissertation with Zach by my side will always be one of my happiest memories. I am especially grateful for the many walks we would take mid-day in order to recharge, rethink, and simply enjoy. To my parents, Janice and Terry Helms, and to my brother, Preston Helms, I am thankful for your support every step of the way. Thank you, Preston, for encouraging me during the writing of my last chapter. What you do in life is far more challenging and difficult than anything I will ever achieve, and so I thank you for always treating my PhD as though it were an accomplishment worth celebrating. Thank you, mom, for the many conversations over the years and for being my greatest champion. Your humor and positivity—even in the most difficult times—inspire me to be better in every possible way. Dad, I am incredibly grateful to you for never giving up on me. Thank you for your words of encouragement and for the moral and financial support that you have always offered me. I am grateful, too, for our friendship. I hope that I have made you all proud. Finally, this project would not have been possible without Donovan Kosters, whose patience and encouragement never wavered, even in the bleakest of circumstances. Thank you, Donovan, for treating this dissertation as though it were your own. Thank you for supporting me spiritually, emotionally, and financially every minute of every day. I am most grateful for the enthusiasm and humor with which you treat life, and for showing me what it means to be happy. You are my best and greatest friend—always. To you I dedicate this project. v TABLE OF CONTENTS List of Illustrations………………..vi Introduction…………………..…..1-15 Chapter 1………………………....16-55 Performing Authorship in the Celebrity Sphere: Dickens and the Reading Tours Chapter 2………………………....56-102 The (Authorial Celebrity) Woman Question: Harriet Beecher Stowe’s (Domestic, Feminine) Celebrity Chapter 3………………………....103-147 Writing in the Name of ‘King Public’: The Rise and Fall of Wilkie Collins’s Sensational Celebrity Chapter 4………………………....148-193 Oscar Wilde’s Vexed Celebrity: Performing, Commodifying, and Reinventing the Self in Popular Culture Works Cited……………………...194-207 vi LIST OF ILLUSTRATIONS Figure 1………..64 Image of Caroline Norton [from Fraser’s Magazine 3 (March 1831)] Figure 2..………70 Image of Harriet Martineau [from Fraser’s Magazine 8 (November 1833)] Figure 3………..125 “Caricature Portraits of Eminent Public Men.” [from Once A Week (February 1872)] Figure 4………..132 “The Lyceum Committeeman’s Dream.” [from Harper’s Weekly (1873)] Figures 5……….143 Photograph of Wilkie Collins [from Napoleon Sarony (March 1874)] Figure 6………...143 Photograph of Wilkie Collins [from Napoleon Sarony (March 1874)] Figure 7………...154 Wilde at Oxford. [from the Oscar Wilde Collection (April 1876)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 8………...158 “O.W.” by Linley Sambourne [from Punch (June 1881)] Figure 9………...162 “Oscar Dear!” [from the Oscar Wilde Collection (1882)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 10……….172 Photograph of Oscar Wilde by Napoleon Sarony [from the Oscar Wilde Collection (1882)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 11………..173 A collectible card of Oscar Wilde issued by Napoleon Sarony [from the Oscar Wilde Collection (1882)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 12………..174 Photograph of Oscar Wilde by Napoleon Sarony [from the Oscar Wilde Collection (1882)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. vii Figure 13…………176 A sketch of Oscar Wilde by James Edward Kelly [from the Oscar Wilde Collection (1882)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 14………….179 Illustration of Oscar Wilde in The Judge [from the Oscar Wilde Collection (September 1883)]. Courtesy of the William Andrews Clark Memorial Library, Los Angeles, California. Figure 15…………..180 Illustration of Oscar Wilde in The Entre’acte [from the Oscar Wilde Collection (September
Load more

Recommended publications
  • Cemeteries Strategy for the London Borough of Brent
    Cemeteries Strategy for the London Borough of Brent Table of Contents Executive Summary Section1: Introduction Section 2: Current Provision Section 3: Demand for Burial Space Section 4: Income and Expenditure Section 5: Key Issues and Areas for Development Section 6: Vision and Objectives Appendices Appendix 1: Legal Background and Statutory Powers Appendix 2: Action Plan Appendix 3: Consultation Report 1 Executive Summary Brent Council is a burial authority by virtue of the Local Government Act 1972 and is legally obliged to maintain its cemeteries ‘in good order and repair’ 1. It is not legally obliged to provide new burial space but the sale of space generates income that funds the maintenance of cemeteries and provides a service to residents. If the council does not continue to provide new burial space to meet demand, maintenance costs will still have to be met, creating a budget shortfall. The council owns and manages three cemeteries within the borough; Alperton, Paddington Old and Willesden New. It also jointly owns Carpenders Park Cemetery, located outside the borough within the area of Three Rivers District Council near Watford. Harrow Council owns approximately 25% of the burial land at Carpenders Park with Brent managing the whole cemetery as part of a joint delivery arrangement. The council is currently exploring options for the grounds maintenance and management of its cemeteries as part of its Managing the Public Realm project. The three cemeteries in Brent are traditionally laid out with memorial stones while Carpenders Park is a lawn cemetery with graves grassed over apart from horizontal memorial plaques. New land for graves is available at Carpenders Park but not at any of the cemeteries located in the borough.
    [Show full text]
  • Caring for Historic Graveyard and Cemetery Monuments
    Caring for Historic Graveyard and Cemetery Monuments Guidance and best practice for the assessment, planning and implementation of conservation work to monuments as well as legal frameworks and statutory duties. www.english-heritage.org.uk/publications/ caring-historic-graveyard-cemetery-monuments Contents Summary 3 1 Approach 4 2 Historical background 5 Churchyards 5 Burial grounds 6 Cemeteries 6 War cemeteries and war graves 6 3 Monuments 8 Types of monuments 8 Materials 10 4 Deterioration 14 Material properties and decay characteristics 14 Structure 16 Inappropriate treatments 16 5 Legislation 19 Health and safety 19 Statutory designations 19 6 Management 20 Prioritisation of work 20 7 Inspection and assessment 21 Inspection survey process 21 Documentation 21 Condition survey and risk assessment 25 8 Practical treatment 27 Establishing priorities 27 Commissioning conservation work 27 Routine care and maintenance 27 Practical intervention 28 9 Further information 39 Funding 39 Principal sources of advice 39 Other sources of advice 41 Bibliography 41 2 Summary Monuments mark the final resting place of people DEFINITIONS whatever their origins and status.The materials, design, Monuments: throughout this document, the word craftsmanship and inscriptions of these monuments are ‘monuments’ has been used to include outdoor a rich and irreplaceable repository of information that monuments, memorials, sculptures and other symbols of connects us with previous generations and their history. commemoration They continue to be objects of respect but unfortunately, many monuments are also neglected. Churchyards: a burial ground around a church or other place of worship Many burial sites are still in use and provide us with Burial grounds: a pre-Victorian place of burial without a landscapes of cultural, historical and natural interest.
    [Show full text]
  • An Audit of London Burial Provision
    An Audit of London Burial Provision A report for the Greater London Authority by Julie Rugg and Nicholas Pleace, Cemetery Research Group, University of York 1 Contents List of tables 3 List of figures 3 1 Introduction 4 2 The demand for and supply of space for burial 6 Introduction 6 Demand for burial space 6 Supply of burial space 12 Conclusion 21 3 Reclamation and re‐use 22 Grave reclamation and re‐use 22 Re‐use under faculty jurisdiction 23 Conclusion 25 4. Recommendations 26 Borough summaries 27 Table conventions 27 Owner 27 Name 27 Date 27 Area 27 Status 95 27 Status 10 28 Total burials 95 28 Total burials 09 28 Capacity 28 Barking and Dagenham 29 Barnet 30 Bexley 31 Brent 32 Bromley 33 Camden 34 Croydon 35 Ealing 36 Enfield 37 Greenwich 38 Hackney 39 Hammersmith & Fulham 40 Haringey 41 Harrow 42 Havering 43 2 Hillingdon 44 Hounslow 45 Kensington and Chelsea 46 Kingston upon Thames 47 Lambeth 48 Lewisham 49 Merton 50 Newham 51 Redbridge 52 Richmond upon Thames 53 Southwark 54 Sutton 55 Waltham Forest 56 Wandsworth 57 List of tables Table 2.1: Projected total burials and required burial space for inner London boroughs for the period 2010/1‐2030/1 11 Table 2.2: Projected total burials and required burial space for outer London boroughs for the period 2010/1‐2030/1 12 Table 2.3: Operational capacity of private and borough cemeteries, 1995 and 2009 13 Table 2.4: Borough capacity status 17 Table 2.5: Additional burial grounds 20 Table 2.6: London Borough provision outside Greater London 21 Table 3.1: Reclamation and re‐use summary 24 Table 3.2: Grave types and re‐use applicability 25 List of figures Figure 2.1: Projected death rates in London, 2010/11‐2030/31 6 Figure 2.2: Cremation numbers in London 8 Figure 2.3: London boroughs by the projected proportion of all estimated burials that will be Muslim people, 2010/11‐2030/1.
    [Show full text]
  • Kensington and Chelsea Archaeological Priority Areas Appraisal
    Royal Borough of Kensington and Chelsea Archaeological Priority Areas Appraisal August 2016 DDDOOOCUCUCU MMMEEENTNTNT CCCOOONTNTNT RRROOOLLL AAAututut horhorhor (((sss)))::: Gillian King , Sandy Kidd, Patrick Booth DDDeeerrriiivvvaaatttiiion:on:on: Final version submitted to th e Royal Boroug h of Kensington & Chelsea OOOrrriiigggiiinnnaaatttiiiononon DDDaaatetete ::: 26 August 2016 RRReeevvviseiseise rrr(((sss)))::: DDDaaattteee ofofof laslaslas t rrreeevvvisiisiisi on:on:on: DDDaaattteee PPPrrriiinnnttteeeddd::: 26 August 2016 VeVeVe rrrsssiiiooonnn::: 2.10 SSStttaaatttuuusss::: Fi nal SSSumm aaarrryyy ofofof ChChCh aaangngng eseses ::: CCCiiirrrcccuuulalala tttiiion:on:on: GLAAS, Royal Borough of Kensington & Chelsea and London APA Advisory Panel RRReeequququ iiirrreeeddd AAAccctttiiion:on:on: FFFililil eee NNNaaammmeee /// S: \Glaas\Archaeo logic al Priority LoLoLo cacaca tttiiion:on:on: Area s\K&C \K&C App rais al AAApppprprpr ooovvvalalal ::: (((S(SSSiiiigngngngnaaaatttturururureeee)))) This document has been produced by Gillian King, Sandy Kidd and Patrick Booth (all Historic England). 2 ConConContCon ttteeeennnnttttssss Introduction page 4 Explanation of Archaeological Priority Areas page 4 Archaeological Priority Area Tiers page 6 Kensington and Chelsea: Historical and Archaeological Interest page 8 Archaeological Priority Areas in Kensington and Chelsea page 14 Map of Archaeological Priority Areas in Kensington and Chelsea page 15 Map of Archaeological Priority Areas and former page 16 Archaeological Priority Zones and Sites
    [Show full text]
  • Kensal Green Cemetery
    KENSAL GREEN CEMETERY The General Cemetery of All Souls, Kensal Green, is one of Britain's oldest and most beautiful public burial grounds. One of the world's first garden cemeteries, and doyen of London's Magnificent Seven, Kensal Green received its first funeral in January 1833, and still conducts burials and cremations daily. The cemetery was innovative in having most of the site consecrated by the Church of England, but reserving the eastern spur for Dissenters and others to practise their own rites. Today, people of many faiths and denominations are buried throughout the cemetery. Uniquely among British cemeteries, Kensal Green has been managed by the same private joint-stock company since its inception: the General Cemetery Company (est. 1830) still has its offices by the Main Gate. The cemetery now covers some 72 acres (29 hectares) between the Grand Union Canal and Harrow Road in west London, and is open to visitors every day of the year. NOTABLE PERSONALITIES From the funeral of HRH The Duke of Sussex in 1843 to that of his nephew HRH The Duke of Cambridge in 1904, Kensal Green was the most fashionable cemetery in England. Its notable personalities include some 500 members of the titled nobility and over 550 individuals noted in the Dictionary of National Biography. Kensal Green is the resting place of the engineers Sir Marc Isambard Brunel and Isambard Kingdom Brunel, the mathematician Charles Babbage, and the novelists Wilkie Collins, Anthony Trollope and William Makepeace Thackeray; Lord Byron's wife, Oscar Wilde's mother, Charles Dickens' in-laws and Winston Churchill's daughter; a cross-dressing Army doctor and the surgeon who attended Nelson at Trafalgar; the creator of Pears' Soap, and the original WH Smith; the funambulist Blondin and the Savoyard George Grossmith; the first man to cross Australia from south to north, and the last man to fight a duel in England; the Duke's nephew who ruined the richest heiress of the day, and the English adventuress who became a French baronne disgraced by the accusation of murder.
    [Show full text]
  • Environmental History and the Forest History Society
    PETER THORSHEIM the corpse in the GARDEN: BURIAL, HEALTH, AND THE ENVIRONMENT IN NINETEENTH-CENTURY LONDON Downloaded from http://envhis.oxfordjournals.org/ ABSTRACT Between 1875 and 1900 advocates of green space in London converted nearly a hundred graveyards into public gardens or playgrounds. This article examines why and how this transformation in urban land use occurred. Incorporating changes in ideas about the body, disease, environment, and religion, it argues that a radically new understanding of the corpse and of burial emerged in Britain during the late nineteenth century. Instead of regarding the disintegration of the corpse with horror and trying to arrest it, many came to see the process as essential to the balance of nature. They argued that the planting of grass, plants, and trees was necessary not only to purify the air of unhealthy gases, but also to by guest on August 4, 2015 speed the transformation of the human body into its constituent elements and thus complete the circulation of matter between the animal and vegetable worlds. Although some critics maintained that the creation of recreation areas in burial grounds was both disrespectful and unhealthy, the proponents of grave- yard conversion secured both popular support and parliamentary sanction for their efforts. During the final decades of the nineteenth century, nearly a hundred old burial grounds in London became public gardens or children’s playgrounds. The public-health reformer Edwin Chadwick proposed this idea as early as the 1840s, with a view toward increasing the amount of open space available © 2011 The Author. Published by Oxford University Press on behalf of the American Society for Environmental History and the Forest History Society.
    [Show full text]
  • Circus Graves List (Vers. March 2018)
    FAMILY NAME FIRST NAMES Burial site Also interred CIRCUS NAME JOB Bareback horse rider and wife of the Excelcior Circus Excelsior Circus A-6-9 West Cemetery, - Toured NE of proprietor Frederick ALLEN Mary Jane Darlington England Allen. No Known Grave, Thiepval Memorial is "Flick" & Young BALE Arthur Percy Pier and Face 7C and 7B Tyko Menia Music Hall artist Kensal Green Cemetery, Harrow Rd. N. W. 10 - Plot 13,198 - Square Equestrian & Circus BATTY William 140, Row 1 - b Batty's Circus Owner A85 Layton Cemetery Saw Blackpool Tower BICKERSTAFFE John Blackpool to completion Kensal Green Cemetery, BLONDIN Harrow Rd. N. W. 10 - (GRAVELET - Jean- Plot 13,198 - Square FranCois) EMILE 140, Row 1 - b Emile Blondin Tightrope Walker Studied medicine until 1911 but the Alexander H.7.135. Ipswich Old 2nd son of E.H. started working at BOSTOCK Gordon Cemetery, Suffolk Bostock Ipswich Hippodrome. BOSTOCK Edward Henry Glasgow? Circus Proprietor Abney Park is in Stoke Newington, London Brother of EH Lion Tamer and BOSTOCK Frank N16 Bostock Circus Proprietor Ada "Queen of Layton Cemetery BOSWELL the Gypsies" Blackpool B381 Bridges Reuben St Paul's, Bristol Bridges Circus West Norwood Cemetery, Norwood High St. S. E. 27 - Grave 32,152 - Square 82 - Monument on family CINQUEVALLI Paul plot still exists Juggler John William Clack Snr - Stage name Carlo - (Father of John William Clack Jr - Stage Name Olrac - See below) - Streatham Cemetery - d December 1927. Also buried at Streatham Cemetery are John William Clack Snr's wife Georgina Clack (Carlo), their son's Isaac Thomas Henry Clack (Harry Carlo) and Alexander Clack (Alec Carlo), also their grandson Bobby Clack and his wife Lilian clack (Bobby Olrac CLACK (Carlo) and Lilian).
    [Show full text]
  • Geology and London's Victorian Cemeteries
    Geology and London’s Victorian Cemeteries Dr. David Cook Aldersbrook Geological Society 1 Contents Part 1: Introduction Page 3 Part 2: Victorian Cemeteries Page 5 Part 3: The Rocks Page 7 A quick guide to the geology of the stones used in cemeteries Part 4: The Cemeteries Page 12 Abney Park Brompton City of London East Finchley Hampstead Highgate Islington and St. Pancras Kensal Green Nunhead Tower Hamlets West Norwood Part 5: Appendix – Page 29 Notes on other cemeteries (Ladywell and Brockley, Plumstead and Charlton) Further Information (websites, publications, friends groups) Postscript 2 Geology and London’s Victorian Cemeteries Part 1: Introduction London is a huge modern city - with congested roads, crowded shopping areas and bleak industrial estates. However, it is also a city well-served by open spaces. There are numerous small parks which provide relief retreat from city life, while areas such as Richmond Park and Riverside, Hyde Park, Hampstead Heath, Epping Forest and Wimbledon Common are real recreational treasures. Although not so obviously popular, many of our cemeteries and churchyards provide a much overlooked such amenity. Many of those established in Victorian times were designed to be used as places of recreation by the public as well as places of burial. Many are still in use and remain beautiful and interesting places for quiet walks. Some, on ceasing active use for burials, have been developed as wildlife sanctuaries and community parks. As is the case with parklands, there are some especially splendid cemeteries in the capital which stand out from the rest. I would personally recommend the City of London, Islington and St.
    [Show full text]
  • Kensington Citizens Advice
    REPORT TO CMA ON PROPOSAL TO INVESTIGATE THE FUNERAL AND CREMATION INDUSTRY I wish wholeheartedly to support the proposed investigation of the funeral and cremation industry. I must apologise for the brevity of evidence I can provide at this stage in the difficult time frame available. My evidence derives from many years’ work as a social worker with people facing terminal illness, which led to a growing awareness of the unfairness of the funeral industry and the long term damage that funeral costs can inflict on family finances. Since my retirement I have worked with Citizens Advice, latterly setting up and managing a one year project supporting people to plan for the end of life. I have contributed to the national Fair Funeral Campaign and submitted reports to the Standing Committee on Social Fund Funeral Payments in 2016. In relation to the specific issues of interest to the CMA at this stage, I wish to submit the following: 1. I agree that the funeral industry’s practices prevent, restrict or distort competition in the UK in a manner that is detrimental to the consumer: 1.1: through opacity in pricing that prevents people making fully informed comparisons or choices 1.2: through restricting the information they provide so customers are rarely clear of the full range of choices 2. I believe that these practices lead to significant harm by 2.1: causing long-term debt 2.2: exacerbating the impact of bereavement and grief by adding elements of stigma and shame The features causing concern: Funeral services 3. Customers’ vulnerability and difficulty in engaging at the point of need.
    [Show full text]
  • The Writings of Barbara Pym Index
    The writings of Barbara Pym Index compiled by Hazel K. Bell Note: Titles of works of literature, and quotations, are listed in the index under the names of their authors, except for those of Barbara Pym, which are entered under their titles. For topics, products, places and characters, indication is given only of the novels they appear in, with page numbers of their first appearance and maybe some selected others. Only the opening page numbers may be given where references extend over several pages. Characters are listed under their surnames if given; otherwise the forename is entered in the index; minor characters with forenames only may be omitted. Bold type indicates the novels in which they are main characters. References to the volume of Barbara Pym’s diaries and letters, A Very Private Eye, are included only if the items also appear in her other works. References to these, and to her radio talk of 1978, ‘Finding a Voice’, are underlined. Title abbreviations and editions used are: ACR ‘Across a Crowded Room’ AQ An Academic Question paperback Grafton edition, 1987 CH Crampton Hodnet paperback Grafton edition, 1986 CTS Civil to Strangers Macmillan, 1987 CV ‘The Christmas Visit’ EW Excellent Women Penguin paperback edition, 1980 FGL A Few Green Leaves Granada paperback edition, 1981 FV ‘Finding a Voice’ GoB A Glass of Blessings Penguin paperback edition, 1980 GBC ‘Goodbye Balkan Capital’ GF ‘Gervase and Flora’ HF ‘Home Front Novel’ JP Jane and Prudence Pan paperback edition, 1989 LTA Less than Angels Granada paperback edition, 1980
    [Show full text]
  • A Self-Guided Walk Around West Norwood Cemetery
    Lives of the dead A self-guided walk around West Norwood Cemetery Explore one of London’s ‘Magnificent Seven’ cemeteries Discover why it was built and Victorian attitudes to death Find out about about some of the famous people buried there .discoveringbritain www .org ies of our land the stor scapes throug discovered h walks Created in collaboration with 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Further information 46 Credits 47 © The Royal Geographical Society with the Institute of British Geographers, London, 2014 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Memorials in the Greek necropolis © Rory Walsh 3 Lives of the dead Discover how people from around the world found peace in south London Welcome to this Discovering Britain walk in West Norwood Cemetery. West Norwood was one of seven private cemeteries founded on the outskirts of London in the nineteenth century, when life expectancy was short and burial space scarce. This walk explores the cemetery to find out more about some of the View of the South Metropolitan Cemetery (1891) notable people buried here. © London Borough of Lambeth From Victorian household names to post Second World War migrants, people from many walks of life and from many countries around the world have their final resting place in West Norwood. They include royals, inventors, artists, writers, soldiers and sports heroes. On this walk you can discover some of their incredible monuments and hear their fascinating stories.
    [Show full text]
  • Friends of West Norwood CEMETERY
    Friends of West Norwood CEMETERY Newsletter NoAO - January 200 I Price £I (Free to Members) In this issue: Chairman's Report o Mechanical by Bob Flanagan Catafalque at Publication of the Landscape and Ecology survey Kensel Green required under the Consistory Court judgment is Page 4 awaited and looks set to provide a framework for restoration and nature conservation work in the o National cemetery for years to come. Federation of Perhaps more importantly in the short term, the Cemetery Council ban on the sale of new grave plots in the Friends AGM cemetery imposed in June seems likely to be continued indefinitely pending any change in the Page 7 legislation affecting Norwood. o Thomas This is because the independent consultant contracted Cubitt Page 8 to produce the complete list of re-sold graves (some 1,000) in the cemetery has produced his report. In 19 o Recent cases less than 75 years had elapsed since the grave was last opened (in one case the most recent burial FOWNC was 1945, the grave having been re-sold before Events Page 13 1991). o Book Review [n addition, it has been confirmed that many of the cemetery records (some from the 1970s and 1980s as Page 14 well as those dating from [9[4 or before) are o Forthcoming incomplete. Events Page 15 Moreover, since no proper plans of the position of the graves were kept when many of the the o FOWNC headstones were swept away, the consultant has Officers Page 16 confirmed that it is impossible to locate further ,;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;:J existing graves in 'converted' areas of the cemetery L with sufficient accuracy to be able to re-sell them.
    [Show full text]