Library Matters the Official Newsletter of the Dearborn Public Library
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June 17, 1963 Number Eight
June 17, 1963 Number Eight HIT OF THE WEEK: HARRY, THE HAIRY APE - Ray Stevens (Mercury) A previous choice and popular pick. In less than a month it has become a request and sales goodie. Several stations are running contests with the record. CORRESPONDENTS POPULAR PICK: EASIER SAID THAN DONE - Essex (Roulette) Already an established hit in Atlanta. All the picks will prove fruitful, because this is a guaranteed winner. HOT ACTION RECORD: ONE FINE DAY - Chiffons (Laurie) It looks like the label know what it was doing'when it decided against releasing two sides from their "He's So Fine" album. All areas report action. SOUTHERN SURVEY CHOICE OF THE WEEK; MARLENA/CANDY GIRL - Four Seasons (Vee Jay) See Review and Comment Section. SOUTHERN TOP TWENTY 1. IT'S MY PARTY-Leslie Gore (Mer.) 11. DA DOO RON RON-Crystals (Phil) 2. SUKIYAKI-Kyu Sakamoto (Cap) 12. BE HAPPY-Jimmy Soul (SPQR) 3. BLUE ON BLUE-Bobby Vinton (Epic) 13. BIRDLAND-Chubby Checker (Par) 4. STILL-Bill Anderson (Decca) 14. ONE FINE DAY-Chiffons (Leu) 5. HAIRY APE-Ray Stevens (Mer) 15. 18 YELLOW ROSES-Bobby Darin (Cap) 6 . HELLO STRANGER-Barbara Lewis (Atl) 16. FALLING-Roy Orbison (Mon) 7. I LOVE YOU BECAUSE-A1 Martino (Cap) 17. YOU CAN'T SIT DOWN-Dovells (Par) 8 . SATURDAY NIGHT-Sam Cooke (RCA) 18. I WILL FOLLOW HIM-Peggy March (RCA) 9. LAZY HAZY DAYS-Nat King Cole ¡Cap) 19. STRING ALONG-Rick Nelson (Decca) 10. IF YOU NEED ME-Solomon Burke (Atl) 20. PUSHOVER-Etta James (Argo) REQUESTS AND RETAIL ACTION REPORTED TEN COMMANDMENTS- James Mac Arthur (See) TWO FACES HAVE I-Lou Christy -
Bobby Darin the Legendary Bobby Darin Mp3, Flac, Wma
Bobby Darin The Legendary Bobby Darin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Pop Album: The Legendary Bobby Darin Country: US Released: 2004 Style: Big Band, Vocal MP3 version RAR size: 1523 mb FLAC version RAR size: 1363 mb WMA version RAR size: 1636 mb Rating: 4.4 Votes: 960 Other Formats: VOX AHX MP2 VQF DMF AC3 RA Tracklist Hide Credits Once In A Lifetime 1 2:07 Written-By – Newley*, Bricusse* More 2 2:23 Written-By – Oliviero*, Newell*, Ortolani* Charade 3 1:46 Written-By – Mancini*, Mercer* Beyond The Sea (Live) 4 4:25 Written-By – Trenet*, Lawrence* As Long As I'm Singing 5 1:35 Written-By – Darin* Mack The Knife (Live) 6 3:24 Written-By – Brecht*, Weill*, Blitzstein* On The Street Where You Live 7 2:05 Written-By – Loewe, Lerner* Hello, Dolly! 8 3:14 Written-By – Herman* A Nightingale Sang In Berkeley Square 9 2:56 Written-By – Maschwitz*, Sherwin* The Good Life 10 2:22 Written-By – Reardon*, Broussoule*, Distel* I Got Rhythm 11 1:53 Written-By – Gershwin, Gershwin* Oh! Look At Me Now 12 2:40 Written-By – Bushkin*, Devries* Moon River 13 2:50 Written-By – Mancini*, Mercer* You're The Reason I'm Living 14 2:27 Written-By – Darin* Call Me Irresponsible 15 2:03 Written-By – Cahn, Van Heusen* Goodbye, Charlie 16 2:54 Written-By – Previn*, Langdon* Softly, As I Leave You 17 2:21 Written-By – DeVita*, Calabrese*, Shaper* Venice Blue 18 2:35 Written-By – Aznavour*, Dorin*, Lees* If A Man Answers 19 2:21 Written-By – Darin* 18 Yellow Roses 20 2:16 Written-By – Darin* If I Were A Carpenter 21 2:19 Written-By – Hardin* Hits Medley (Live) 2:53 Splish Splash 22a Written-By – Darin*, Kaufman* Beyond The Sea 22b Written-By – Trenet*, Lawrence* Artificial Flowers 22c Written-By – Bock*, Harnick* Clementine 22d Written-By – Traditional - (Your Love Keeps Lifting Me) Higher And Higher (Live) 23 4:16 Written-By – Smith*, Jackson* The Curtain Falls (Live) 24 2:53 Written-By – Weinstein* Companies, etc. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Laurel Awards 1964
Laurel Awards 1964 TOP FEMALE SUPPORTING PERFORMANCE WINNER The V.I.P.s: Margaret Rutherford NOMINEES Lilies of the Field: Lilia Skala A New Kind of Love: Thelma Ritter Tom Jones: Diane Cilento 4th place. The Thrill of It All: Arlene Francis 5th place -------------------------------------------------------------------------------- Top Male Supporting Performance WINNER Hud: Melvyn Douglas NOMINEES The Cardinal: John Huston Come Blow Your Horn: Lee J. Cobb Captain Newman, M.D.: Bobby Darin 4th place. Tom Jones: Hugh Griffith 5th place -------------------------------------------------------------------------------- Top Producer/Director WINNER Alfred Hitchcock NOMINEES John Huston John Ford Billy Wilder 4th place. Stanley Kramer 5th place. George Stevens 6th place. Otto Preminger 7th place. Delmer Daves 8th place. Mervyn LeRoy 9th place. William Wyler 10th place -------------------------------------------------------------------------------- Top Director WINNER Fred Zinnemann NOMINEES Joseph L. Mankiewicz Tony Richardson George Cukor 4th place. Blake Edwards 5th place. Vincente Minnelli 6th place. Henry Hathaway 7th place. John Sturges 8th place. Vittorio De Sica 9th place. Stanley Kubrick 10th place -------------------------------------------------------------------------------- Top Male New Face WINNER Sean Connery NOMINEES Don Knotts Peter Fonda Dick Van Dyke 4th place. Jonathan Winters 5th place. Tony Bill 6th place. Robert Walker Jr. 7th place. James Franciscus 8th place. Cliff Richard 9th place. Luke Halpin 10th place. Tom Bosley 11th place. Philippe Forquet 12th place. Alain Delon 13th place. Brock Peters 14th place. Todd Armstrong 15th place -------------------------------------------------------------------------------- Top Female Star WINNER Doris Day NOMINEES Elizabeth Taylor Natalie Wood Debbie Reynolds 4th place. Shirley MacLaine 5th place. Ann-Margret 6th place. Sandra Dee 7th place. Hayley Mills 8th place. Carroll Baker 9th place. Jane Fonda 10th place. Joanne Woodward 11th place. -
Year 1963 Dean Martin LP
Year 1963 Dean Martin LP “Dean “Tex” Martin – Country Style” 414 Martin, Dean Dean “Tex” Martin - Country Style Reprise R9-6061 (US) 1.1963 I’m so lonesome I could cry (piano) – Face in a crowd (piano) – Things (background piano) – Room full of roses (no piano) – I walk the line (no piano) – My heart cries for you (piano!!) – Any time (piano) – Shutters and boards (piano) – Blue, blue day (piano?) – Singing the blues (piano) – Hey, Good Lookin’ (no piano) – Ain’t gonna try anymore (piano!!!) – Lots of Leon all over! James Burton on guitar. Rec. date: Face in a crowd - Ain’t gonna try anymore - Shutters & Boards - Singing The Blues - Face In The Crowd - Dec. 20, 1962 The label states that the year of release was 1961!!?? - Arr. & cond. Don Costa – prod. Jimmy Bowen? Bobby “Blue” Bland – LP 645 Bland, Bobby Call On Me/That’s The Way Love Is Duke 360 (US) 2.1963 Leon background piano on both? Dean Martin LP “Dean “Tex” Martin – Rides Again” 543 Martin, Dean Dean “Tex” Martin - Rides Again Reprise R-6085 (US) 4.1963 I’m gonna change everything (no piano) – Candy kisses (piano!!) – Rockin’ alone (in an old rocking chair) (piano) – Just a little lovin’ (background piano) – I can’t help it (if I’m still in love with you) (piano) – My sugar’s gone (piano!!) – Corrine, Corrina (piano!) – Take good care of her (piano) – The middle of the night is my cryin’ time (piano!!) – From lover to loser (piano!) – Bouquet of roses (piano) – Second hand Rose (piano!!) – Lots of Leon all over! Arr. -
How Hollywood Films Portray Illness Robert A
New England Journal of Public Policy Volume 17 | Issue 1 Article 11 9-21-2001 How Hollywood Films Portray Illness Robert A. Clark Follow this and additional works at: http://scholarworks.umb.edu/nejpp Part of the Film and Media Studies Commons, and the Medicine and Health Sciences Commons Recommended Citation Clark, Robert A. (2001) "How Hollywood Films Portray Illness," New England Journal of Public Policy: Vol. 17: Iss. 1, Article 11. Available at: http://scholarworks.umb.edu/nejpp/vol17/iss1/11 This Article is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in New England Journal of Public Policy by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. How Hollywood Films Portray Illness Robert A. Clark, M.D. Part I: Oncology Art imitates life, we are often told. Occasionally we also observe that life imitates art. Hollywood movies may fulfill the definition of art in both these adages. Movies evoke our fantasies, fears, loves, and hates and therefore reflect our lives. The art of film, however, diverges from real life because of the necessities of good story- telling: dramatization, plot lines, character development, and romanticism. There- fore, films are often imperfect reflections of our lives. As F. Scott Fitzgerald said, “There are no second acts in life.” Movies have been blamed for creating disturbing or profane cultural images, leading to societal ills such as violence, sexual deviancy, and isolation. Whether art imitates life or the reverse, it may be instructive to study how movies depict medi- cal themes, especially oncology, in order to understand how cancer and medicine are perceived in popular culture. -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
Are You Sitting Comfortably
PHOENIX C I N E M A 52 High Rd London N2 9PJ Grease Educational Resource Teen Movies as a Genre The teen film (also called teen movie or teenpic) is a film genre in which the plot is based upon the special interests of teenagers, such as coming of age, first love, rebellion, conflict with parents, teen angst and alienation. Films in this genre are often set in high schools, or contain characters that are of high school age. Sexual themes are also common, as are nudity and crude forms of humour. Not surprisingly, the genre is particularly popular with teenagers and young adults, who can better relate to the subject matter than an older audience. The genre can trace its roots back to "beach films" of the 1950s and 60s, such as the Gidget series. The genre gained more credibility in the 1980s with the appearance of writer/director John Hughes. His legacy of teen films (which includes: The Breakfast Club, Pretty in Pink, and Sixteen Candles) proved to be popular not only with audiences, but with critics also. Codes and conventions of the teen film genre include: prom, alcohol, illegal substances, high school, parties and all-night raves, losing one's virginity, relationships, social groups and cliques, and American pop-culture. Teen films also include actors, such as James Dean in the 50s, Annette Funicello and Hayley Mills in the 60s and 70s, members of the Brat Pack, a group of young movie actors in the 80s and early 90s, and Hilary Duff, Lindsay Lohan, and other teenage sensations in the later 90s and 00s, who are teens or in their early twenties at the time of the movies themselves. -
Sexy Sensationalism Case Study: the Af Scination with Celebrity News and Why USA Today Caters to the Obsession Grant Edward Boxleitner University of South Florida
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-6-2007 Sexy Sensationalism Case Study: The aF scination with Celebrity News and Why USA Today Caters to the Obsession Grant Edward Boxleitner University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Boxleitner, Grant Edward, "Sexy Sensationalism Case Study: The asF cination with Celebrity News and Why USA Today Caters to the Obsession" (2007). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/642 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sexy Sensationalism Case Study: The Fascination with Celebrity News and Why USA Today Caters to the Obsession by Grant Edward Boxleitner A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Mass Communications College of Arts and Sciences University of South Florida Major Professor: Robert Dardenne, Ph.D. Gary Mormino, Ph.D Mike Killenberg, Ph.D. Date of Approval: April 6, 2007 Keywords: gossip, media, ethics, newspapers, competition © Copyright 2007, Grant Edward Boxleitner Table of Contents Abstract.............................................................................................................................. -
Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film
University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM Michael Todd Hendricks University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hendricks, Michael Todd, "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM" (2014). Theses and Dissertations--English. 14. https://uknowledge.uky.edu/english_etds/14 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.