Sexy Sensationalism Case Study: the Af Scination with Celebrity News and Why USA Today Caters to the Obsession Grant Edward Boxleitner University of South Florida

Total Page:16

File Type:pdf, Size:1020Kb

Sexy Sensationalism Case Study: the Af Scination with Celebrity News and Why USA Today Caters to the Obsession Grant Edward Boxleitner University of South Florida University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-6-2007 Sexy Sensationalism Case Study: The aF scination with Celebrity News and Why USA Today Caters to the Obsession Grant Edward Boxleitner University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Boxleitner, Grant Edward, "Sexy Sensationalism Case Study: The asF cination with Celebrity News and Why USA Today Caters to the Obsession" (2007). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/642 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Sexy Sensationalism Case Study: The Fascination with Celebrity News and Why USA Today Caters to the Obsession by Grant Edward Boxleitner A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Mass Communications College of Arts and Sciences University of South Florida Major Professor: Robert Dardenne, Ph.D. Gary Mormino, Ph.D Mike Killenberg, Ph.D. Date of Approval: April 6, 2007 Keywords: gossip, media, ethics, newspapers, competition © Copyright 2007, Grant Edward Boxleitner Table of Contents Abstract............................................................................................................................... ii Chapter One Introduction ....................................................................................................1 Justification and Limitations....................................................................................6 Historical and Cultural Context ...............................................................................9 Literature Review...................................................................................................14 Methodology..........................................................................................................25 Research Goal ........................................................................................................27 Glossary of Terms and Concepts ...........................................................................31 Chapter Two Themes and Findings of In-Depth Interviews .............................................33 Analysis of USA Today News and Life Fronts .....................................................66 Chapter Three Conclusion .................................................................................................73 References..........................................................................................................................83 Bibliography ......................................................................................................................89 Appendices.........................................................................................................................90 Appendix A: Interview with Debbie, Columnist at USA Today..........................91 Appendix B: Interview with Mary, Celebrity Reporter at USA Today .............111 Appendix C: Interview with Julie, USA Today Reporter ..................................128 Appendix D: Interview with USA Today Entertainment Reporters Blair, Monica and Bill............................................................................151 Appendix E: Interview with Todd, Photo Editor of USA Today.......................181 Appendix F: Interview with Tom, Celebrity Reporter for USA Today.............201 Appendix G: Interview with Jack, USA Today High-Ranking Editor...............217 Appendix H: Interview with usatoday.com Editors Fred and Eileen ................239 Appendix I: Interview with Chloe, Mid-Level Editor of usatoday.com..........264 Appendix J: Interview with USA Today High-Level Editor Melissa, Mid-Level Editors Tim, Veronica and Ruby ...............................292 Appendix K: Interview with USA Today Photo Editor John.............................311 Appendix L: Celebrity Content of USA Today Front Page and Life Front Page..............................................................................................343 Appendix M: Celebrity Story Presence on News Front During Sample Period ...........................................................................................425 Appendix N: Tabloid-Like Stories on Life Front During Sample Period .........428 i Sexy Sensationalism Case Study: The Fascination with Celebrity News and Why USA Today Caters to the Obsession Grant Boxleitner ABSTRACT In the digital age where newspapers compete with the Internet, cable TV and other publications for an audience, USA Today strives to stay relevant in the media with a daily dose of celebrity news. Newspapers continue to lose circulation during a time when the fascination with celebrities shows no signs of dwindling. This study explores how much celebrity news coverage USA Today gives readers, how much competition from other outlets plays a factor and whether the nation's largest newspaper is making a sacrifice of traditional forms of newspaper content in favor of celebrity coverage. The methodology for this qualitative case study is a two-fold approach. In-depth interviews with sixteen managers, editors and staffers at USA Today were conducted, using questions that gather an overview of the newspaper's celebrity news approach. The interviews were transcribed and analyzed in the findings. The second part was a one-year analysis of USA Today's main front and Life section front pages, looking for patterns of celebrity news. The study shows clear differences between USA Today and its non-newspaper competitors. USA Today's newsroom has a strong culture of journalism ethics and standards that limits the newspaper from going head to head with tabloids and celebrity magazines for the rumor and gossip stories. Among them is a strict sourcing policy that ii forbids blind or anonymous sources in celebrity coverage. Nearly all of the interviewees questioned about competition and gossip mentioned the ethical standards at the newspaper. The analysis of news fronts shows that USA Today uses the skybox in the upper right-hand corner as a way to promote its celebrity news. The majority of days, a celebrity photo and teaser were in that space, something a high-ranking editor at the newspaper said is a conscious effort to showcase celebrities. The Life front pages were loaded with celebrity news, including stories one can argue are tabloid-like in nature. Most of those interviewed at USA Today insisted they are not sacrificing other content for celebrity coverage. They say celebrity news is just part of a balance the newspaper gives readers every day. Covering celebrities heavily is a way USA Today keeps relevant in the ever-changing media landscape. USA Today can be used as a celebrity news model for other newspapers looking for techniques to keep circulation numbers from dropping. iii Chapter One Introduction USA Today has long been known for its celebrity news coverage, but in this age of Internet, cable TV and celebrity gossip magazines galore, the newspaper’s stake in this competitive battle has never been greater. Circulations of newspapers throughout the country continue to decline, yet USA Today flourishes with more than 2.3 million daily readers-- a steady increase from the 1.3 million it began with in 1983 -- and a Web site that brings in millions more, according to its company profile (Gannett Co., 2006). The features that originally set it apart--abundant colorful graphics, brief stories and a concentration on sports and celebrity--have influenced other newspapers, according to the answers.com’s definition of USA Today. USA Today founder Al Neuharth says the newspaper when it began in 1982 "had to be different, in appearance and content. Wrapped in color. Four sections. Everything organized and in a fixed place. Short, easy- to-read stories. Lots of them. Heavy use of graphics and charts. Heavy emphasis on sports, TV, weather" (Neaharth, 1989, p. 130). Many of USA Today's innovations have been copied, and now, according to Neuharth, anywhere in the country, newspapers have the color, the graphics and are no longer gray and dull (Pleasants, 2003, p. 36). Shortly after the newspaper's inception, media analyst John Morton wrote USA Today was widely imitated, a success with readers and pushed other newspapers into "rethinking their traditional stodgy, haphazard makeup." (Prichard, 1987, p. 315). The nation's newspaper, with its branding, carved out a niche of covering celebrities and 1 is widely available. But with its celebrity coverage, is USA Today actually competing with tabloids and Web sites, willing to drop its journalistic standards in the name of attracting readers caught up in the celebrity obsession? Why does it willingly dish out a steady dose of celebrity news, and how does it attempt to stand apart? And how much of a sacrifice are staffers making to the traditional objectives of a newspaper? This case study is a behind-the-scenes look into USA Today’s approach to covering celebrity news, offering rare insight into how and why the nation’s newspaper covers the stars. In-depth, taped interviews collected from editors, reporters and managers in all facets of the newspaper--writing, photography and online--lend academic insight into how newspaper editors
Recommended publications
  • Eastern Progress 1990-1991 Eastern Progress
    Eastern Kentucky University Encompass Eastern Progress 1990-1991 Eastern Progress 1-17-1991 Eastern Progress - 17 Jan 1991 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1990-91 Recommended Citation Eastern Kentucky University, "Eastern Progress - 17 Jan 1991" (1991). Eastern Progress 1990-1991. Paper 16. http://encompass.eku.edu/progress_1990-91/16 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1990-1991 by an authorized administrator of Encompass. For more information, please contact [email protected]. Activities Weekend weather Moo-ving art All together now Pressing on Friday: Dry afternoon, night low near 20. New faculty art exhibit E Pluribus Unum Colonels push Saturday and Sunday: features ceramics kicks off Monday to 2-1 in OVC Clear and dry, high of and photographs Page B-2 Page B-4 Page B-6 40. Low near 20. THE EASTERN PROGRESS Vol. 69/No. 16 16 pages January 17,1991 Student publication ot Eastern Kentucky University, Richmond, Ky. 40475 © The Eastern Progress, 1991 Middle Eastern War Zone A moment of silence Syria- Persian Gult X Mediterranean Sea Source: Cable News Network Progress grmphic by TERRY SEBASTIAN Coalition forces launch offensive on Iraqi targets War won't affect university, Funderburk says By Mike Royer, Tom Marshall middle of hell." and Joe Castle Late last night CNN reported the mission Candlelight vigil unites was "a blowout" with no allied losses, ac- It happened. cording to reports from CNN quotinq a At 7 p.m.
    [Show full text]
  • FEDERAL ELECTION COMMISSION Washington, DC 20463 June 1, 2021 CERTIFIED MAIL – RETURN RECEIPT REQUESTED Via Email: Pryan@Commo
    FEDERAL ELECTION COMMISSION Washington, DC 20463 June 1, 2021 CERTIFIED MAIL – RETURN RECEIPT REQUESTED Via Email: [email protected] Paul S. Ryan Common Cause 805 15th Street, NW, Suite 800 Washington, DC 20005 RE: MUR 7324 Dear Mr. Ryan: The Federal Election Commission (“Commission”) has considered the allegations contained in your complaint dated February 20, 2018. The Commission found reason to believe that respondents David J. Pecker and American Media, Inc. knowingly and willfully violated 52 U.S.C. § 30118(a). The Factual and Legal Analysis, which formed a basis for the Commission’s finding, is enclosed for your information. On May 17, 2021, a conciliation agreement signed by A360 Media, LLC, as successor in interest to American Media, Inc. was accepted by the Commission and the Commission closed the file as to Pecker and American Media, Inc. A copy of the conciliation agreement is enclosed for your information. There were an insufficient number of votes to find reason to believe that the remaining respondents violated the Federal Election Campaign Act of 1971, as amended (the “Act”). Accordingly, on May 20, 2021, the Commission closed the file in MUR 7324. A Statement of Reasons providing a basis for the Commission’s decision will follow. Documents related to the case will be placed on the public record within 30 days. See Disclosure of Certain Documents in Enforcement and Other Matters, 81 Fed. Reg. 50,702 (Aug. 2, 2016), effective September 1, 2016. MUR 7324 Letter to Paul S. Ryan Page 2 The Act allows a complainant to seek judicial review of the Commission’s dismissal of this action.
    [Show full text]
  • Kickstart Your Social Media Marketing
    Social Media 101 Your Anti-Sales Social Media Action Plan Text Copyright © STARTUP UNIVERSITY All Rights Reserved No part of this document or the related files may be reproduced or transmitted in any form, by any means (electronic, photocopying, recording, or otherwise) without the prior written permission of the publisher. LEAsectionR 1 N The Basics to Get Started What Social Media Isn’t Sorry to break it to you but here’s a few things that social media was never, ever designed for: 1. Free marketing Do you really thing Mark Zuckerberg became a billionaire by giving away free advertising? Social media is a branding tool – not a marketing tool. It’s designed to give the public a taste of your business, get to know you a little bit, and let them know how to find out more information – if they want to! 2. One-way conversations Social media is a two+ mostly public conversation. The user has the power to click away, so why would they ever watch or read advertising they were not interested in? 3. Soap-box speeches Again, it’s a conversation, not a pulpit. 4. Non-judgmental comments Tweet an unpopular, misleading, or misguided message and prepare the face the wrath of…everyone on the planet. 5. Easy money Actually, using social media is very easy. It’s just not easy for businesses. This cheat sheet will help you figure out how you want to use social media, and help you avoid the biggest blunders. Your Social Media Goals 1. Build your brand’s image 2.
    [Show full text]
  • This Is “Magazines”, Chapter 5 from the Book Culture and Media (Index.Html) (V
    This is “Magazines”, chapter 5 from the book Culture and Media (index.html) (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This content was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. i Chapter 5 Magazines Changing Times, Changing Tastes On October 5, 2009, publisher Condé Nast announced that the November 2009 issue of respected food Figure 5.1 magazine Gourmet would be its last. The decision came as a shock to many readers who, since 1941, had believed that “Gourmet was to food what Vogue is to fashion, a magazine with a rich history and a perch high in the publishing firmament.”Stephanie Clifford, “Condé Nast Closes Gourmet and 3 Other Magazines,” New York Times, October 6, 2009, http://www.nytimes.com/2009/ 10/06/business/media/06gourmet.html.
    [Show full text]
  • Media Effects and Marginalized Ideas: Relationships Among Media Consumption and Support for Black Lives Matter
    International Journal of Communication 13(2019), 4287–4305 1932–8036/20190005 Media Effects and Marginalized Ideas: Relationships Among Media Consumption and Support for Black Lives Matter DANIELLE KILGO Indiana University, USA RACHEL R. MOURÃO Michigan State University, USA Building on research analyses of Black Lives Matter media portrayals, this inquiry uses a two-wave panel survey to examine the effects news coverage has on the evaluation of the core ideas from the Black Lives Matter social movement agenda. Results show that conservative media use increases negative evaluations; models suggest this relationship works as a multidirectional feedback loop. Mainstream and liberal media consumptions do not lead to more positive views about Black Lives Matter’s core ideas. Keywords: media effects, partisan media, conflict, news audiences, Black Lives Matter The 2014 shooting death of Michael Brown in Ferguson, MO, was the catalyst that launched a brewing protest movement into the international spotlight. Police officer Darren Wilson shot the unarmed teenager multiple times in the middle of a neighborhood street. Initial protests aimed at finding justice for Brown turned violent quickly and were subsequently met with a militarized police force (e.g., Brown, 2014). Local protests continued in Ferguson while the jury deliberated Wilson’s possible indictment. However, in November 2014, Wilson was not indicted, and the decision refueled national protests. Brown’s death was one of many in 2014, and news media paid attention to the reoccurrence of similar scenarios, as well as the associated protests. These demonstrations were part of the growing, decentralized Black Lives Matter (BLM) movement. Protests echoed demands for justice for Black men, women, and children killed by excessive use of force, for police policy reformation, and for the acknowledgment of oppression against Blacks and other marginalized communities.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Protests, Free Expression, and College Campuses
    Social Education 82(1), pp. 6–9 ©2018 National Council for the Social Studies Lessons on the Law Protests, Free Expression, and College Campuses Evan Gerstmann Much has been written about university student protests against conservative speak- commencement speaker at Rutgers ers on campus, and there has been a great deal of media coverage as well. The bulk University. At Smith, students and faculty of the coverage has been critical, lamenting the lack of respect that today’s students protested Lagarde’s invitation because have for free speech and meaningful debate. Across the country, legislation is being of her representation of IMF policies, considered that would mandate punishment for disruptive students and remove which critics argue have not had a posi- university autonomy in dealing with controversial social issues. This legislation will tive influence on developing economies. be discussed in greater detail later in the article. At Rutgers, students protested Rice’s invitation based on her support of the Is this concern overly hyped? Is this Maddow; Clarence Thomas and Ruth Iraq War. It was competely reasonable legislation really neccesary, or even Bader Ginsburg. Students have abso- for students to object to both women as positive? While free speech is a corner- lutely no right to keep a speaker off of commencement speakers. stone of American democracy and is their campus simply because they don’t Why is commencement different? central to the mission of higher educa- like their point of view. If a professor Many reasons. Serving as a commence- tion, the coverage of this issue has gen- invites a member of the Nazi Party to ment speaker is not just a speaking erally lacked nuance and has failed to campus (and I should mention that not opportunity—it is a major honor by a pay attention to important distinctions.
    [Show full text]
  • 1 to What Extent Has Sensationalism in the Oregon Shooting, the Ebola
    1 To what extent has sensationalism in the Oregon shooting, the Ebola Crisis, and the missing Malaysian flight avoided genuine problems in print media? AP CAPSTONE RESEARCH March 14, 2016 2 Introduction Sensationalism can be defined as subject matter designed to produce startling or thrilling impressions or to excite and please vulgar taste. (Dictionary.com, 2016) The use of sensationalism in media, or other forms of entertainment can be traced back to ancient roman society, where messages would be publically presented. On public message boards, information was considered to be sensationalized as scandalous and thrill-seeking stories were typically presented first, and in the most exciting manner. From that period on, although not officially given a name, the idea of sensationalizing stories became predominant in society. (Czarny, 2016) It is typical amongst news outlets that stories involving death and crime gain the most attention. Not only do these stories exhibit controversial, graphic, and expressive details, but give news outlets the opportunity to report on high profile cases, that can be followed and updated for days to come, filling up air time. (Czarny, 2016) The idea of sensationalism began after the nineteenth century, due to William Randolph Hearst and Joseph Pulitzer. Both publishers worked for high profile media outlets based out of New York City, and developed the idea and name of Yellow Journalism. Journalists would uphold the title of a “yellow journalist” as their stories would exaggerate events and conceal accurate details to attract and rouse viewers. (Story, 2016) Although unethical, media outlets saw dramatic increases in the numbers of viewers, and thrived off of the attention they were receiving.
    [Show full text]
  • Crowdgather (CRWG)
    CORPORATE PRESENTATION April 2012 @CROWDGATHER 1 Safe Harbor This presentation contains forward-looking statements (as defined in Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended) concerning future events and the Company's growth and business strategy. Words such as "expects," "intends," "plans," "believes," "anticipates," "hopes," "estimates," and variations of such words and similar expressions are intended to identify forward-looking statements. Although the Company believes that the expectations reflected in such forward-looking statements are reasonable, no assurance can be given that such expectations will prove to have been correct. These statements involve known and unknown risks and are based upon a number of assumptions and estimates that are inherently subject to significant uncertainties and contingencies, many of which are beyond the control of the Company. Actual results may differ materially from those expressed or implied by such forward-looking statements. Factors that could cause actual results to differ materially include, but are not limited to changes in the Company’s business; competitive factors in the market in which the Company operates; risks associated with operations outside the United States; and other factors listed from time to time in the Company's filings with the Securities and Exchange Commission. The Company expressly disclaims any obligations or undertaking to release publicly any updates or revisions to any forward-looking statements contained herein to reflect any change in the Company's expectations with respect thereto or any change in events, conditions or circumstances on which any statement is based.
    [Show full text]
  • Shiyena Chun Makeup & Grooming
    SHIYENA CHUN MAKEUP & GROOMING CELEBRITIES Alicia Witt Derek Luke Joe Dante Amy Yasbeck Djimon Hounsou John Malkovich Ana Ortiz Donald Faison John Romano Anna Gunn Emily Procter Jon Hamm Andrea Bowen Eva Amurri Jon Turtletaub Anthony Michael Evan Rachel Wood Josh Duhamel Hall Evanescence Judd Apatow Antonio Sabato Jr. Freddie Highmore Justin Bartha Beau Bridges Freddy Rodriguez Justin Bruening Ben Foster Hayes Carll Keke Palmer Betty Anne Waters Hayley Atwell Kelly Hu Bitsie Tulloch Henry Winkler Kenny Chesney Bonnie Hunt Jack Nicholson Kerr Smith Brandon T. Jackson Jacob Vargas Kerry Washington Briana Evigan Jada Pinkett Smith Kevin Nealon Brooke Shields Jake T. Austin Kim Cattrall Carmen Electra James Caan Kimora Lee Carson Kressley Jennifer Westfeldt Simmons Cécile De France Jeremy Piven Lauren Froderman Daniel Dae Kim Jerry Bruckheimer Laurence Fishburne Daniela Ruah Jim Caviezel Leo Howard Danny Huston Jimmy Fallon Lisa Niemi Swayze Dennis Haysbert JJ Abrams Lorne Michaels 1 Ludacris Paris Hilton Shawn Ashmore Maggie Grace Paul Giamatti Shoshana Bush Mark Feurstein Philip Seymour Tara Reid Marlee Matlin Hoffman Taye Diggs Meatloaf Randy Jackson Taylor Swift Michael C Hall Ray Winstone Terry Crews Michael Chiklis Rob Brown Todd Phillips Michael Ealy Romany Malco Tom Papa Mike Epps Rose Byrne Tony Shalhoub Mischa Barton Rose McGowan Tyrese Morgan Fairchild Ryan Eggold Vincent Cassel Muhammad Ali Rydaznrtist Virginia Madsen Nelsan Ellis Sam Rockwell Ziggy Marley Neve Campbell Samuel L. Jackson Zooey Deschanel Nikki Reed Sean Connery Nolan Sotillo Shaun White EDITORIAL AARP GQ Nylon Allure Harper's Bazaar OK Complex In Style People Cosmopolitan In Touch Teen Damsel Magazine L.A.
    [Show full text]
  • Sunday Morning Grid 6/24/18 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 6/24/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program PGA Tour Special (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Program House House 1st Look Extra Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX FIFA World Cup Today 2018 FIFA World Cup Japan vs Senegal. (N) FIFA World Cup Today 2018 FIFA World Cup Poland vs Colombia. (N) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Buddhism Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Belton Real Food Food 50 28 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Kid Stew Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Conexión Paid Program Como Dice el Dicho La casa de mi padre (2008, Drama) Nosotr. Al Punto (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]