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Home , Andrea Maffei, Casa Ricordi, Filippo Coletti, Inno delle nazioni, Italo Gardoni, Petite messe solennelle

ROBERTA M. MARVIN University of Iowa

EDUCATIONAL AND PROFESSIONAL HISTORY Higher Education Ph.D. Historical Musicology Brandeis University 1992 (1986-1992) M.A. Historical Musicology Tufts University 1986 (1984-1986) B.M. Flute Performance Boston Conservatory of Music 1975 (1971-1975) Professional Academic and Administrative Positions University of Iowa Associate Dean, International Programs (interim) 2010-2012 Associate Professor, International Programs (affiliated) 2003-present Director, Office of Research, Grants, and Development, International Programs 2003-2005 Associate Director (interim), International Studies National Resource Center Aug.-Oct. 2003 Associate Professor, Musicology (tenured 1999) 1997-2003 University of Alabama Associate Professor (promotion earned before leaving the institution) 1997 Assistant Professor, Musicology 1993-1997 Boston University Visiting Assistant Professor, Musicology 1992-1993 Tufts University Visiting Lecturer, Musicology 1991-1992 Visiting Lecturer, Experimental College Spring 1991 Miscellaneous Private studio, flute instructor 1973-1991

GRANTS, FELLOWSHIPS, AWARDS, PRIZES International / National Competitions 2012 Visiting International Research Fellow, Oxford Brookes University (UK) 2011 Liguria Center for the Arts and Humanities Bogliasco Foundation Fellow (Italy) (alternate) 2010 / 2003 / 1993 National Endowment for the Humanities Summer Stipends 2010 University of London Institute of Musical Research Visiting Research Fellow (UK) 2010 Humanities Iowa Grant (for the University of Iowa Studies Forum) 2009-2010 Leverhulme Foundation Research Fellowship (UK) (award declined for personal reasons) 2009 Music & Letters Trust Research Grant (UK) 2007 / 1992 American Philosophical Society Franklin Research Grants

2004-2005 National Endowment for the Humanities Fellowship for University Professors 2003-2004 Liguria Center for the Arts and Humanities Bogliasco Foundation Fellowship (Italy) 2002-2003 Howard Foundation Fellowship 1993-1994 Fulbright (CIES) Research Scholar Fellowship (Italy) 1993 National Endowment for the Humanities Travel to Collections Grant 1991 Premio Internazionale “” awarded by the Istituto Nazionale di Studi Verdiani (Italy) 1988-1989 Fulbright (IIE) Grant for Dissertation Research (Italy) Institutional Competitions (University of Iowa unless indicated otherwise) 2010 International Programs Summer Research Fellowship 2009/2008/2006/1999 International Programs Travel Grant(s) 2005 Stanley-Obermann Research Fellowship 2005 International Programs Major Projects Award (collaborative) 2004/2002/2000/1998 Arts and Humanities Initiative Grants 2004 International Programs Curriculum Development Award 2001 International Programs Distinguished International Lecture Series Grant 2001 New Technologies in the Learning Environment Grant 2001 Obermann Center Summer Research Seminar Award (collaborative) 2000-2002 College of Liberal Arts and Sciences Dean‟s Scholar Award 1999 Career Development Award 1998 Central Investment Fund for Research Enhancement Grant 1998 Old Gold Faculty Research Fellowship 1997 / 1995 University of Alabama Research Committee Summer Research Grants 1988 Brandeis University Sachar Dissertation Research Fellowship, Damon Award Additional Honors (from University of Iowa) 1998-2010 Obermann Center: Associate 2009-10; Scholar-in-Residence 1998-2003, 2005-09 2001 University of Iowa Graduate College Outstanding Faculty Mentor Award, Nominee 2000 University of Iowa “Preparing Our Graduate Students as Teachers” Award

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SCHOLARSHIP Publications

Books (Authored and Edited) and Critical (Music) Editions The Politics of Verdi‟s „Cantica‟. Royal Musical Association Monograph Series. Farnham: Ashgate, forthcoming. Verdi and the Victorians. Music in Britain, 1600-1900. Woodbridge: Boydell & Brewer, forthcoming. The Cambridge Verdi Encyclopedia. Edited by Roberta Montemorra Marvin. Cambridge: Cambridge University Press, forthcoming. Music and Messages from Hildegard of Bingen to The Beatles. Edited by Craig Monson and Roberta Montemorra Marvin. Eastman Studies in Music. Rochester: University of Rochester Press, forthcoming. Verdi the Student–Verdi the Teacher. Parma: Istituto Nazionale di Studi Verdiani, 2010. Fashions and Legacies of Nineteenth-Century Italian Opera. Edited by Roberta Montemorra Marvin and Hilary Poriss (equal contributions). Cambridge: Cambridge University Press, 2010. Giuseppe Verdi: Cantatas and Hymns: and Suona la tromba (Inno popolare), editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / : Ricordi. Full score, 2007 / Vocal score, 2010. Operatic Migrations: Transforming Works and Crossing Boundaries. Edited by Roberta Montemorra Marvin and Downing A. Thomas (equal contributions). Aldershot: Ashgate, 2006. (Short-listed for the American Musicological Society‟s Ruth A. Solie Award) Historical Musicology: Sources, Methods, Interpretations. Edited by Stephen A. Crist and Roberta Montemorra Marvin (equal contributions). Rochester: University of Rochester Press, 2004. (Paperback reissue, 2008.) Giuseppe Verdi: , editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi. Full score, 2000 / Vocal score, 2004. Verdi 2001: Atti del Convegno Internazionale / Proceedings of the International Conference, Parma-New York-New Haven, January-February 2001. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica (equal contributions). 2 vols. : Leo S. Olschki, 2003. Giuseppe Verdi: Sinfonia in , editor of full score and author of historical introduction and critical commentary. Parma: Istituto Nazionale di Studi Verdiani / Milan: Teatro della Scala, 2000.

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Articles and Book Chapters “Coming to Terms with in Victorian England.” Forthcoming. “Verdi‟s „Music of the Future‟.” In Music and Messages from Hildegard of Bingen to The Beatles. Edited by Craig Monson and Roberta Montemorra Marvin. Eastman Studies in Music. Rochester: University of Rochester Press, forthcoming. “Verdi, Conservatory Reform, and the Italian Musical Tradition.” In L‟insegnamento dei conservatori, la composizione e la vita musicale nell‟Europa dell‟Ottocento. Edited by Licia Sirch, et al. Milan: Libreria Musicale Italiana, in press. “„Idealizing the Prima Donna in Mid-Victorian London.” The Arts of the Prima Donna in the Long Nineteenth Century, Ch. 2, pp. 21-41. Edited by Rachel Cowgill and Hilary Poriss. Oxford: Oxford University Press, 2012. “The Victorian Violetta: The Social Messages of Verdi‟s .” Art and Ideology in European Opera, Ch. 10, pp. 224-240. Edited by Rachel Cowgill, Clive Brown, and David Cooper. Woodbridge: Boydell, 2010. “Verdian Opera in the Victorian Parlor.” Fashions and Legacies of Nineteenth-Century Italian Opera, Ch. 4, pp. 53-75. Edited by Roberta Montemorra Marvin and Hilary Poriss. Cambridge: Cambridge University Press, 2010. “Introduction to The Great : A Verdian Manifesto?” Verdi Forum 34 (2007 [2011]): 28-33. “Verdi Learns to Compose: The Writings of Bonifazio Asioli.” Studi musicali 36/2 (2007): 469-490. “Handel‟s Acis and Galatea: A Victorian View.” , Empire, and Spectacle in Nineteenth-Century British Music, pp. 249-264. Edited by Julian Rushton and Rachel Cowgill. Aldershot: Ashgate, 2006. “Burlesques, Barriers, Borders, and Boundaries” and “Introduction: Migrations and Transformations.” Operatic Migrations: Transforming Works and Crossing Boundaries, pp. 205-216 and pp. 1-6. Edited by Roberta Montemorra Marvin and Downing A. Thomas. Aldershot: Ashgate, 2006. “Commercial Intrigue, National Identity, and the Italian Premiere of Rossini‟s .” Nineteenth-Century Studies 18 (2004 [2005]): 117-138. “Verdi‟s Non-Operatic Works.” Cambridge Companion to Verdi, pp. 169-181 and (notes) pp. 296-299. Edited by Scott Balthazar. Cambridge: Cambridge University Press, 2004. “Andrea Maffei‟s „Ugly Sin‟: The Libretto for Verdi‟s I masnadieri” and “Scholarly Inquiry in Historical Musicology.” Historical Musicology: Sources, Methods, Interpretations , pp. 280-301 and pp. 1-7. Edited by Stephen A. Crist and Roberta Montemorra Marvin. Rochester: University of Rochester Press, 2004 / paperback reissue, 2008. “Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture.” Cambridge Opera Journal 15/1 (2003): 33-66; publisher‟s errata, 15/2 (2003): 209-211.

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“Reflections of Art and Society: Adaptations of Verdi‟s and La traviata for the Stages of Victorian London.” Verdi 2001: Atti del Convegno Internazionale, II: 789-809. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica. 2 vols. Florence: Leo S. Olschki, 2003. “La Messa solenne di Rossini: La sua prima esecuzione in Italia” (“Rossini‟s Petite Messe solennelle: Its Premiere in Italy”). Bollettino del Centro rossiniano di studi 2001 [2002]: 37-82. “The Censorship of Verdi‟s Operas in Victorian London.” Music & Letters 82/4 (2001): 582-610. “Music at Court During the Reign of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla: A Partial Survey.” The Musical Quarterly 83/1 (2000): 475-496. “Verdi, Nationalism, and Cultivation of the Folk Idiom: His Stornelli of the 1860s.” Verdi Forum 26-27 (1999-2000 [2003]): 33-38. “The Censorship of I masnadieri in London.” Verdi Newsletter 25 (1998 [2001]): 20-23. “Aspects of Tempo in Verdi‟s Early and Middle Period Italian Operas.” Verdi‟s Middle Period: Source Studies, Analysis, and Performance Practice, pp. 393-411. Edited by Martin Chusid. Chicago: University of Chicago Press, 1997. “The Critical Reception of Verdi‟s Operas in London, 1845-1847.” Verdi Newsletter 24 (1997[1999]): 7- 11. “Verdi‟s Unwritten Operas.” The Maynooth International Musicological Conference 1995: Selected Proceedings, II, pp. 191-204. Edited by Patrick F. Devine and Harry White. 2 vols. Irish Musical Studies, 6. Dublin: Four Courts Press, 1996. “Shakespeare and Primo Ottocento Italian Opera: The Case of Rossini‟s .” The Opera and Shakespeare, pp.71-96. Edited by Holger Klein and Christopher Smith. Shakespeare Yearbook, Vol.4. Lewiston, New York: Edwin Mellen Press, 1994. “Verdi‟s Tempo Assignments in I masnadieri.” Actas del XV Congreso de la Sociedad Internacional de Musicologi'a “Culturas musicales del Mediterraneo y sus ramificaciones,” Madrid 1992. Revista de musicologi'a 16/6 (1993[1997]): 3179-3195. “A Verdi Autograph and the Problem of Authenticity.” Studi Verdiani 9 (1993[1995]): 33-51. “The Censorship of I masnadieri in Italy.” Verdi Newsletter 21 (1993[1995]): 5-12. “Verdi and the Metronome.” Verdi Newsletter 20 (1992): 4-8. “Artistic Concerns and Practical Considerations in the Composition of I masnadieri.” Studi Verdiani 7 (1991[1992]): 79-110. “Il libretto di Berio per l‟Otello di Rossini.” Bollettino del Centro Rossiniano di Studi 31(1991): 55-76. “Verdi‟s Composition of I masnadieri: A Newly-Discovered Version of Francesco‟s Cabaletta, „Tremate, o

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miseri‟.” The Opera Journal 24/1 (1991): 19-43.

Book Series and Journals Edited Verdi Forum (journal), Editor-in-chief, 2004-present; Co-editor, 2003-2004; Associate Editor, 2000-2003. Cambridge Opera Journal. Guest co-editor (with Alexandra Wilson) for special issue on the historiography of opera reception, forthcoming 2013. The Opera Quarterly. Guest co-editor (with Alessandra Campana) for special issue on and opera, planned. Ashgate Interdisciplinary Studies in Opera. Series Editor. Farnham: Ashgate Press, 2007-present. Volumes published to date: •Musical Theatre, Realism and Entertainment, by Millie Taylor, 2012 •Melodramatic Voices, ed. Sarah Hibberd, 2011 •Opera Indigene: Re/presenting First Nations and Indigenous Cultures, ed. P. Karantonis and D. Robinson, 2011 The Works of Giuseppe Verdi. General Editor: ; Associate General Editor: Roberta Montemorra Marvin. University of Chicago Press and , 2006-present. Volumes edited to date: •Giovanna d‟Arco, 2008 • [in press, premiered at Metropolitan Opera, New York, Riccardo Muti, conductor, February 2010] • [in press] •I Lombardi alla prima crociata [in preparation]) Ashgate Library of Essays in Opera Studies (six volumes). Series Editor. Farnham: Ashgate Press, 2010. Nineteenth-Century Music Review. Guest editor, special issue (vol. 7, no. 2, 2010) on ottocento opera; author of introduction, vol. 7, no. 2 (2010): 3-5.

Dictionary and Encyclopedia Entries “Giuseppe Verdi.” The Cambridge Wagner Encyclopedia. Edited by Nicholas Vazsonyi. Cambridge: Cambridge University Press, in press. Twenty entries (including the opera I masnadieri) in The Cambridge Verdi Encyclopedia. Cambridge: Cambridge University Press, forthcoming. “Giuseppe Verdi.” The New Catholic Encyclopedia. 2nd ed., 2011 supplement. Farmington Hills, MI: Gale Cengage Learning, 2011. “Giuseppe Verdi.” Censorship: A World Encyclopedia, IV: 2563-2566. Edited by Derek Jones, 4 vols. London: Fitzroy Dearborn, 2001 [2002]. Eighteen entries on composers. The New Grove Dictionary of Music and Musicians. 2nd ed. Edited by and John Tyrrell. 29 vols. London: Macmillan, 2001.

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“Giuseppe Verdi, Operas: Staging.” Reader‟s Guide to Music: History, Theory, and Criticism. Edited by Murray Steib. Chicago: Fitzroy Dearborn, 2000. “Filippo Colini.” The New Grove Dictionary of Opera, I: 900. Edited by Stanley Sadie. 4 vols. London: Macmillan, 1992.

Essays in Opera House Program Books Programme Books, London, England, for Verdi‟s operas: •“The Domestication of La traviata,” for La traviata: 2012, pp. 39-45 2010, pp. 39-43 2008, pp. 43-49 2006, pp. 33-38 • “Verdi and Shakespeare,” for : 2011, pp. 35-38 2006, pp. 35-38 •“Verdi‟s Otello: Tradition in Disguise,” for Otello: 2005, pp. 24-29 •“A Question of Quality?: The Reception of ,” for Luisa Miller: 2003, pp. 14-22 •“„Fiasco‟ or „Furore‟: I masnadieri in England and Italy,” for I masnadieri: 2002, pp. 37-41 •“A Long and Complex Gestation: The Birth of I masnadieri,” for I masnadieri: 2002, pp. 13-17 Santa Fe Opera: “Verdi‟s Violetta: Vixen or Victim?” For La traviata, commissioned 2002. Giuseppe Verdi: I masnadieri, Teatro Massimo; pp. 9-19. , Italy: Teatro Massimo, 2001.“La genesi dell‟edizione critica de I masnadieri” (“The Genesis of the of Verdi‟s I masnadieri”).

Reviews D‟une scène à l‟autre: L‟opéra italien en Europe, ed. D. Colas and A. Di Profio, 2 vols. (Mardaga). Revue de musicologie, forthcoming. Fashionable Acts: Opera and Elite Culture in London, 1780-1880, by J. Hall-Witt (University of New Hampshire). Journal of Interdisciplinary History 39/3 (2008): 417-419. Giuseppe Verdi: (recording). Nineteenth-Century Music Review 5/1 (2008): 160-163. nel secondo centenario della nascita: Atti del Convegno internazionale (2001), ed. G. Seminara and A. Tedesco, 2 vols. (Olschki). Music & Letters 88 (2007): 158-160. , ed. J. Johnson, and , ed. P. Gossett and A. Zedda. Edizione critica delle opere di (Fondazione Rossini). Journal of the American Musicological Society 59 (2006): 202-215. Verdi-Studien: Pierluigi Petrobelli zum 60 Geburtstag, ed. S. Döhring and W. Osthoff (Ricordi). Music & Letters 83 (2002): 474-476. Verdi in Performance, ed. R. Parker and A. Latham (Oxford). Journal of Musicological Research 21

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(2002): 359-363. Giuseppe Verdi, Sacred music (multiple recordings). The Choral Journal 42 (April 2002): 91-94. “Verdi Scholarship at the Beginning of the Twenty-First Century.” Review essay. Nineteenth-Century Studies 15 (2001): 89-97. Max Bruch, Oratorios (multiple recordings). The Choral Journal 40 (December 2000): 80-81. R. Parker, Leonora‟s Last Act (Princeton University). Notes: Journal of the Music Library Association 55 (1999): 914-916. H. Busch, Verdi‟s “” in Letters and Documents (Indiana University). Notes: Journal of the Music Library Association 55 (1999): 917-918. Gioachino Rossini, Musique anodine; Album italiano, ed. M. Tartak. Edizione critica delle opere di Gioachino Rossini (Fondazione Rossini). Notes: Journal of the Music Library Association 55 (1999): 1005- 1007. Felix Mendelssohn, Elijah (multiple recordings). The Choral Journal 39 (February 1999): 81-84. Giuseppe Verdi, Messa da (multiple recordings). The Choral Journal 32 (September 1998): 53- 56. T. G. Kaufman, Verdi and His Major Contemporaries: A Selected Chronology of Performances with Casts (Garland). Notes: Journal of the Music Library Association 47 (1992): 113-115.

Conference Presentations, Lectures, Colloquia (refereed = §; invited = *) 2012 *Finnish Literary Society Conference (Finland): “Traditionalism and Modernism in Portraying Prima Donnas in Victorian London,” keynote lecture 2012 *Finnish Network for the Study of Nordic Operatic Culture Workshop (Finland): “Operatic Migrations: What? How? Why?” 2012 *Northwestern University Musicology Colloquium: “Coming to Terms with Jenny Lind in Victorian England” 2012 *“Love to Death”: Annual Conference of the Royal Musical Association (Wales): Roundtable on “Staging Opera,” participant 2012 *Bird Lecture Series, Cardiff University (Wales): “Jenny Lind as Commercial Entity” 2012 *Catholic University of America Musicology Colloquium: “The Politics of Verdi‟s Cantica”

2012 *Oxford Brookes Exploring Research Trends in Opera () Institute Lecture (UK): “Music,

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Political Propaganda, and National Pride: Verdi‟s Inno delle nazioni, a „Weapon of Art‟” 2010 §North American British Music Studies Association Fourth Biennial Conference: “Coming to Terms with Jenny Lind in Victorian England” 2010 §North American Victorian Studies Association Conference (Canada): ”Perspectives on Operatic Celebrity in Victorian England” 2010 §Sixteenth Annual Conference on Nineteenth-Century Music (UK): “Coming to Terms with Jenny Lind in Victorian England” 2010 *University College London Interdisciplinary Workshop on Game Theory, Drama, and Opera (UK): “Verdi‟s Otello and Iago‟s „Game‟” 2010 §Midwest Victorian Studies Association Conference: “Coming to Terms with Jenny Lind in Victorian England” 2010 §Royal Musical Association Annual Conference (UK): “Verdi and the Italian Musical Tradition” 2010 *Chicago Opera Theater, Symposium on Rossini‟s “Mosé in Egitto”: “Between the Devil and Holy Water: The History of Lenten Opera in ” 2010 *University of Chicago Opera Symposium in honor of Philip Gossett: Respondent for panels on textual criticism and opera performance 2009 *University of Iowa International Programs Eighteenth- and Nineteenth-Century Studies Interdisciplinary Colloquium: “„Veiled beneath the simplest guise...‟: Idealizing the Prima donna in Mid-Victorian London” 2008 *Società Italiana di Musicologia and Conservatorio di Musica “G. Verdi”di Milano Bicentenary Celebration Conference (Italy): “Envisioning a National Musical Identity: Verdi‟s Italian „Music of the Future‟” 2008 §North American British Music Studies Association Third Biennial Conference (Canada): “The Victorian Violetta: The Social Messages of La traviata” 2008 §American Musicological Society Annual Meeting: “Idealizing the Prima Donna in Mid-Victorian London” 2008 §“Music, Body, and Stage: The Iconography of Music Theater and Opera” Conference of the Répertoire International d‟Iconographie Musicale and the Research Center for Music Iconography, The City University of New York Graduate Center (New York): “Visual Imagery and the Prima Donnas of Mid-Victorian London: The Illustrated London News, A Case in Point” 2007 §Sixth Biennial Conference on Music in Nineteenth-Century Britain (UK): “„Veiled beneath the simplest guise‟: The Iconography of the Prima Donna in Mid-Victorian London” 2007 §Midwest Victorian Studies Association Conference: “Domesticating Verdi: Italian Opera and Victorian Sensibilities”

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2007 §North American Victorian Studies Association Conference (Canada): “„Veiled beneath the simplest guise‟: The Role of Iconography in Creating the Prima Donna in Mid-Victorian London” 2006 *“Staging the Feminine: The Arts of the Prima Donna” Symposium (UK): “The Role of Iconography in Creating the Prima Donna in Victorian London: The Illustrated London News, A Case in Point”

2006 *Institute for Historical Research, “Music and Social History” Seminar (London): “Music, Political Propaganda, and National Pride: Verdi‟s Inno delle nazioni, a „Weapon of Art‟”

2006 *University of Leeds Musicology Seminar (UK): “Music, Political Propaganda, and National Pride: Verdi‟s Inno delle nazioni, a „Weapon of Art‟” 2006 §North American British Music Studies Association Second Biennial Conference (USA): “Verdi‟s Inno delle nazioni and the 1862 London International Exhibition” 2005 §American Musicological Society Annual Meeting: “Forging „Weapons of Art‟: Verdi, Toscanini, and the Inno delle nazioni Across Two Centuries” 2005 §Fifth Biennial Conference on Music in Nineteenth-Century Britain (UK): “Verdi‟s Inno delle nazioni and the 1862 London International Exhibition: A Case of National Pride and International Intrigue” 2005 *Royal Academy of Music (London) “Music and Performance in Nineteenth-Century Britain” Lecture Series: “Verdi‟s Operas in the Victorian Parlor” 2005 *University of London, Royal Holloway, Musicology Colloquium: “Verdi‟s „Music of the Future‟” 2005 *Institute of Advanced Musical Studies, King‟s College, Colloquium Series (London): “Verdi‟s „Italian‟ Music” 2005 §University of Iowa Stanley International Programs - Obermann Center Research Fellow University Lecture: “Music, Political Propaganda, and National Pride: Verdi‟s Inno delle nazioni, a „Weapon of Art‟” 2004 §Thirteenth Annual Conference on Nineteenth-Century Music (UK): “The „Real‟ Thing?: Verdi‟s Operas in the Victorian Parlor” 2004 §Interdisciplinary Nineteenth-Century Studies Association Conference (USA): “The „Real‟ Thing?: Verdi‟s Operas in the Victorian Parlor” 2004 *Stanford University Musicology Colloquium: “Envisioning a National Musical Identity: Verdi‟s Italian „Music of the Future‟” 2003 §Fourth Biennial Conference on Music in Nineteenth-Century Britain (UK): “Handel‟s Acis and Galatea: A Victorian View” 2003 §Midwest Chapter of the American Musicological Society Meeting: “Verdi‟s „Italian‟ Music:

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Nationalism and Music Education in Secondo Ottocento Italy” 2003 *American Handel Society International Conference: “Handel‟s Acis and Galatea: A Victorian View” 2002 §American Musicological Society Annual Meeting: “Envisioning a National Musical Identity: Verdi‟s „Music of the Future‟” 2002 *University of Cambridge Colloquium (UK): “Verdian Opera Adaptations and Theatrical Culture in Mid-Century Victorian London” 2002 *University of Oxford Colloquium (UK): “Verdian Opera Burlesqued: A Glimpse into Mid- Victorian Theatrical Culture” 2002 §Royal Musical Association Annual Conference (UK): “The Dissemination of Verdi‟s Music Outside the Theaters of Victorian London” 2002 *Twelfth International Conference on Nineteenth-Century Music (UK): “Burlesques, Barriers, Borders, and Boundaries” 2002 *University of Iowa Opera Studies Group and School of Music Musicology and Theory Colloquium: “Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture” 2001 *Pre-performance lecture for the premiere of my critical edition of Verdi‟s I masnadieri (Teatro Massimo, Palermo, Italy): “Un viaggio dei masnadieri attraverso gli orecchi di un musicista ottocentesco” (“The Voyage of the masnadieri through the Ears of a Nineteenth-Century Musician”) 2001 §Third Biennial Conference on Music in Nineteenth-Century Britain (UK): “Reflections of Art and Society: Comic Adaptations of Verdi‟s La traviata and Il trovatore on the Stages of Victorian London” 2001 §“Textual Intersections in the Nineteenth Century”Conference (UK): “Reflections of Art and Society: Comic Adaptations of Verdi‟s La traviata and Il trovatore on the Stages of Victorian London” 2001 *University of London, Royal Holloway, Musicology Colloquium (UK): “Victorian Decorum, English Censorship, and Verdi‟s Operas” 2001 *University of Southampton Musicology Colloquium (UK): “Verdi‟s Cultural Patriotism” 2001 §Convegno internazionale “Verdi 2001” (Italy and USA): “Reflections of Art and Society: Adaptations of Verdi‟s La traviata and Il trovatore on the Stages of Victorian London” 2001 *“Primal Scenes: Staging and Interpreting Verdi‟s Operas” Conference (University of California, Berkeley): “Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture” 2001 *Catholic University of America, Lecture: “Preparing a Critical Edition of Verdi‟s Operas”

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2001 *Boston University Music Colloquium: “Victorian Decorum, English Censorship, and Verdi‟s Operas”

2001 §Northeast Victorian Studies Association Annual Conference (USA): “„Celestial Bodies‟ and „An Erring Sister‟s Shame‟: Victorian Decorum, Censorship, and Verdi‟s Operas” 2001 §Nineteenth-Century Studies Association National Conference, “The Century of Victoria and Verdi” (USA): “„Celestial Bodies‟ and „An Erring Sister‟s Shame‟: Victorian Decorum, Censorship, and Verdi‟s Operas” 2001 *University of Illinois, Urbana-Champaign, Musicology Colloquium: “Victorian Decorum, English Censorship, and Verdi‟s Operas” 2001 *University of Iowa International Programs Eighteenth- and Nineteenth-Century Studies Interdisciplinary Colloquium: “„Celestial Bodies‟ and „An Erring Sister‟s Shame‟: Victorian Decorum, English Censorship, and Verdi‟s Operas” 2000 §International Conference on Censorship (UK): “The Censorship of Verdi‟s Operas in Victorian London” 2000 §Eleventh International Conference on Nineteenth-Century Music (UK): “Rossini‟s Petite Messe solennelle: Its Journey to Italy” 2000 §American Musicological Society Annual Meeting: “Celestial Bodies and „An Erring Sister‟s Shame‟: Victorian Decorum, Censorship, and Verdi‟s Operas” 2000 *University of Colorado Musicology Colloquium: “The Censorship of Verdi‟s Operas in Victorian London” 2000 *University of Kansas Musicology Colloquium: “The Censorship of Verdi‟s Operas in Victorian London” 1999 §British Musicological Societies Conference: “Envisioning a National Musical Identity: Giuseppe Verdi and Music Education in Secondo Ottocento Italy” 1999 *Second Biennial Conference on Music in Nineteenth-Century Britain (UK): “The Censorship of Verdi‟s Operas in Victorian London” 1999 *DEI-Middlesex University, Music Seminar / Lecture (Greece): “Verdi‟s Sinfonia in D Major” 1999 §Fifth Annual Women‟s Studies Conference (USA): “Verdi‟s Violetta: Vixen or Victim?” 1998 §Tenth International Conference on Nineteenth-Century Music (UK): “The Censorship of Verdi‟s Operas in Victorian London” 1998 *City University, London, Graduate Musicology Research Seminar (UK): “Maria Luigia as Patroness of Music: Archival Research Techniques”

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1998 §Royal Musical Association Annual Conference (UK): “Schiller‟s Die Ra"uber and Verdi‟s I masnadieri: Andrea Maffei‟s „Ugly Sin‟” 1998 *Loyola University Biever Lecturer (New Orleans): “Verdi and Shakespeare” 1998 *Louisiana State University Musicology Colloquium (Baton Rouge): “The Musical-Dramatic Language of Verdi‟s Otello” 1998 §Southern Chapter of the American Musicological Society Meeting: “Verdi‟s Otello: A Musical Homage to Rossini?” 1998 *University of Iowa School of Music Musicology Colloquium: “The Censorship of Verdi‟s Operas in Victorian London” 1997 §International Musicological Society Sixteenth Congress (London): “The Stornello and Its Popularity in Ottocento Italy” 1997 *Rutgers University Musicology Colloquium: “Verdi and the Art of Dramatic Composition” 1997 *“Verdi and Censorship” Conference (New York): “Censorship of Verdi‟s Operas Outside Italy” 1997 §Southern Chapter of the American Musicological Society : “Andrea Maffei‟s „Final Sacrifice‟: A Study in the Genesis of the Libretto for Verdi‟s I masnadieri” 1997 *University of Iowa School of Music Musicology Colloquium : “Aspects of Tempo in Verdi‟s Operas” 1997 *University of Iowa School of Music Musicology Colloquium: “Verdi Learns to Compose: The Teachings of Bonifazio Asioli” 1996 §Ninth International Conference on Nineteenth-Century Music (UK): “A Tale of Two Singers: , Jenny Lind, and Verdi” 1996 §Royal Musical Association and Society for Music Analysis British Musicology Conference (UK): “Music at the Court of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla” 1996 *“Austria, 996-1996: Music in a Changing Society” International Musicology Conference (Canada): “Music in Parma During the Reign of Maria Luigia” 1996 *Florida State University Musicology Colloquium and Class lectures: “A Tale of Three Singers: Jenny Lind, Italo Gardoni, , and Giuseppe Verdi” and “Preghiere, Brindisi, and Giuramenti in the Operas of Verdi” 1996 §Southern Chapter of the American Musicological Society: “Verdi‟s Unwritten Operas” 1995 §Maynooth International Musicology Conference (Ireland): “Verdi‟s Unwritten Operas” 1995 *Wayne (New Jersey) Chamber Orchestra pre-concert lecture: “The Discovery of Verdi‟s Sinfonia in D Major”

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1995 §New England Chapter of the American Musicological Society: “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1995 *Heritage Academy, George Hazard Lecturer (Mississippi):”Verdi‟s Creative Process” 1995 *University of Kentucky Musicology Colloquium: “Verdi Learns to Compose” 1995 §Southern Chapter of the American Musicological Society: “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1994 *International Congress of Verdi Studies (Italy): “Ottocento Liriche da Camera”: a concert of songs by Verdi and his contemporaries organized; historical and analytical commentary provided in Italian 1994 §Royal Musical Association Annual Conference (UK): “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1994 §Southern Chapter of the American Musicological Society: “Aspects of Tempo in Verdi‟s Early and Middle Period Operas” 1993 §Royal Musical Association and British Society for Music Analysis Conference (UK): “Artistic Concerns and Practical Considerations in the Composition of I masnadieri” 1993 *Belfast International Verdi Congress (Northern Ireland): “Aspects of Tempo in Verdi‟s Operas” 1993 §American Musicological Society Annual Meeting: “Andrea Maffei‟s „Final Sacrifice‟: A Study in the Genesis of the Libretto for Verdi‟s I masnadieri” 1992 §Fifteenth Congress of the International Musicological Society (Spain): “Verdi‟s Tempo Assignments: I masnadieri: A Case in Point” 1992 §New England Chapter of the American Musicological Society: “Verdi‟s Tempo Assignments: I masnadieri: A Case in Point” 1991 *American Institute for Verdi Studies and Greater New York Chapter of the American Musicological Society: “Verdi‟s Artistic Concerns and Practical Considerations in I masnadieri: A Newly Discovered Version of Francesco‟s Cabaletta “Tremate, o miseri!” 1990 §New England Chapter of the American Musicological Society: “Artistic Concerns and Practical Considerations in the Composition of I masnadieri: A Newly Discovered Version of Francesco‟s Cabaletta “Tremate, o miseri!” 1990 *“Celebration of Puccini” Symposium (University of Rhode Island): “Behind the Scenes and Beyond the Footlights: Opera Production and Performance in Ottocento Italy” 1989 *Harvard University Musicology Colloquium: “Verdi‟s Artistic Concerns and Practical Considerations in the Composition of I masnadieri”

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1987 §New England Chapter of the American Musicological Society: “Verdi‟s Otello: A Musical Homage to Rossini?” Performance-Related Activities Selected performances of my critical edition of Giuseppe Verdi‟s opera I masnadieri 2012 Teatro San Carlo, Naples, Italy 2003 Teatro Comunale, Bologna, Italy 2001 Teatro Massimo, Palermo, Italy (premiere) Selected performances of my edition of Giuseppe Verdi‟s Sinfonia in D Major 2000 Orchestra of the Teatro alla Scala, Teatro alla Scala, Milan, Italy, Riccardo Muti, conductor (revised edition) 1998 Orquesta Sinfónica of the Universidad de Guanajuato, Mexico, Sergio Espinosa, conductor (Mexican premiere) 1995 Wayne Chamber Orchestra, New Jersey, Murray Colosimo, conductor (U.S. premiere) 1995 Orchestra Sinfonica dell‟Emilia-Romagna “Arturo Toscanini,” Salsomaggiore (Parma), Italy (twentieth-century world premiere)

SERVICE TO THE PROFESSION Lecture Series, Conferences, and Professional Seminars Organized 2009- “The Metropolitan Opera in Iowa”: a lecture series for the general public coordinated with the Met 2012 Live in HD theater series, funded in part (2010-2011) by Humanities Iowa, the Iowa division of the National Endowment for the Humanities 2007 “Interdisciplinarity and Opera.” University of Iowa Ida Cordelia Beam Distinguished Visiting Professorship Lecture Series by Herbert Lindenberger: proposer and coordinator 2004 “Viewing Opera Through a Humanistic Lens.” University of Iowa Ida Cordelia Beam Distinguished Visiting Professorship Lecture Series by Linda Hutcheon and Michael Hutcheon: proposer and coordinator 2001 “Perspectives on the Music of Verdi.” University of Iowa Distinguished International Lecture Series by , Philip Gossett, , Pierluigi Petrobelli: proposer and coordinator 2001 “Opera in Context.” University of Iowa Obermann Center for Advanced Studies Summer Research Seminar: co-director with Downing Thomas 2001 Istituto Nazionale di Studi Verdiani, Celebrazioni Verdiane 2001, Comitato Scientifico per il Convegno Internazionale Verdi 2001, 1999-2001 1997 Southern Chapter Meeting of the American Musicological Society (University of Alabama): conference organizer and local arrangements chair

Conference Sessions Organized and/or Chaired 2012 “Love to Death” Annual Conference of the Royal Musical Association (Wales): chair for opera

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paper session 2010 Fourth Biennial Conference of the North American British Music Studies Association: chair for paper session 2007 Sixth Biennial Conference on Music in Nineteenth-Century Britain (UK): session chair 2006 “Staging the Feminine” Symposium (University of Leeds, UK): co-moderator for session on future planning for research/projects 2005 Fifth Biennial Conference on Music in Nineteenth-Century Britain (UK): opera session chair 2005 American Council on Education Internationalization Collaborative Annual Meeting: discussion facilitator for roundtable titled “Internationalizing the Curriculum” 2004 Thirteenth International Conference on Nineteenth-Century Music (UK): 1) organizer, proposer, and presenter for session titled “Musical Mutations;” 2) chair for session titled “Italian Opera” 2004 Interdisciplinary Nineteenth-Century Studies Association National Conference: 1) moderator, organizer, proposer, and presenter for session titled “Musical Mutations;” 2) music plenary session chair 2003 American Handel Society National Conference: session chair 2001 Convegno internazionale “Verdi 2001”: chair for two sessions: 1) “Verdi‟s French Operas” and 2) “Verdian Heroes and Heroines” 2001 Midwest American Society for Eighteenth-Century Studies: music keynote session chair 2000 Southern Chapter of the American Musicological Society: organizer, moderator, and panelist for panel titled “Writing for the Profession” 1999 American Musicological Society National Meeting: co-organizer and co-moderator for two panels: 1) “Professional Etiquette and the Job Market” and 2) “Writing for the Profession” 1998 Tenth International Conference on Nineteenth-Century Music (UK), organizer, proposer, and presenter for session on “Verdi and Censorship” 1998 American Musicological Society National Meeting: organizer and moderator for panel on “Careers in Musicology: Preparing for the Twenty-First Century” 1998 Midwest Chapter of the American Musicological Society: session chair 1997 American Musicological Society National Meeting: co-organizer and co-moderator for panel titled “The Juggling Act: Musicology Faculty Positions in the 1990s” 1997 Southern Chapter of the American Musicological Society: session chair 1996 Southern Chapter of the College Music Society: session chair

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1996 Southern Chapter of the American Musicological Society: session chair 1995 Maynooth International Musicology Conference (Ireland): session chair 1994 Eighth International Conference on Nineteenth-Century Music (UK): session chair

Consultancies / Reviews (grants, tenure and promotion), Etc. Consultant, “Opera on the Move in the Nordic Countries,” grant submission from the Sibelius Academy, Helsinki, Finland, 2012 Evaluator, European Research Council Grant Competitions, 2010-2013 Review panelist, National Endowment for the Humanities, 2007-2008, 2005-2006 Consultant, Center for Educational Policy Research, University of Oregon, 2003-2005 University of Iowa representative, Alliance for Education / Association of International Education Administrators Legislative Advocacy for International Education Meetings, United States Congress, Washington, D.C., 2005 Tenure/promotion reviews 2000-2010: Eastman School of Music, University of Maryland, Northern Illinois University, University of Michigan Professional Organizations American Musicological Society, member 1984-present National Program Committee for Annual Meeting 2011 (appointed) Pisk Prize Committee 2007-2009, Chair 2009 (appointed) Board of Directors / Society Officers Nominating Committee 2005 (appointed) Committee on Career-Related Issues 1997-2001, Chair 2000, 2001(appointed) Mid-West Chapter Program Committee 1998-1999 Nominated for the office of Chapter Secretary 1997 (nomination declined) Southern Chapter Representative to the National Council 1996-1998 Secretary-Treasurer 1997-1999 (moved from chapter, term not served) Abstracts Editor 1997 Program Committee 1996, 1997 Local Arrangements Committee Chair 1997 New England Chapter Representative to the National Council 1993 North American British Music Studies Association, member 2006-present Board of Directors (elected position) 2009-2012 Nominee, for President 2009, elected post (nomination declined) Development Committee, 2011-2012 Local Arrangements Committee for biennial meeting 2010 Nominating Committee 2006

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American Institute for Verdi Studies, member 1984-present Executive Board 2010-present Advisory Board 1998-2009 Association of International Education Administrators, associate member 2012, 2005 Royal Musical Association, member 1993-present North American Victorian Studies Association, member 2007-present Midwest Victorian Studies Association, member 2010, 2007 Fulbright Association, member 2009, 2005-2006, 1994-1997 Board of Directors, Alabama Chapter, 1996-1997 University of Alabama Campus Liaison to the State Chapter 1996-1997 College Music Society, member 1995-2008 Campus Representative, University of Iowa 2002-2003 Modern Language Association, member 2006-2007 National Association of Fellowship Advisors, member 2005-2006 Council for the Advancement of Secondary Education, member 2004-2006 International Musicological Society, member 1997-2004, 1987-1992 Interdisciplinary Nineteenth-Century Studies Association, member 2003-2004 Nominated to stand for election to Board of Directors 2004 Nineteenth-Century Studies Association, member 2003-2004 Northeast Victorian Studies Association, member 2001 North American Society for the Study of , member 1994-1997 The American Bach Society, member 1992-1997

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