Historic Environment Analysis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Charles Darwin: a Companion
CHARLES DARWIN: A COMPANION Charles Darwin aged 59. Reproduction of a photograph by Julia Margaret Cameron, original 13 x 10 inches, taken at Dumbola Lodge, Freshwater, Isle of Wight in July 1869. The original print is signed and authenticated by Mrs Cameron and also signed by Darwin. It bears Colnaghi's blind embossed registration. [page 3] CHARLES DARWIN A Companion by R. B. FREEMAN Department of Zoology University College London DAWSON [page 4] First published in 1978 © R. B. Freeman 1978 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher: Wm Dawson & Sons Ltd, Cannon House Folkestone, Kent, England Archon Books, The Shoe String Press, Inc 995 Sherman Avenue, Hamden, Connecticut 06514 USA British Library Cataloguing in Publication Data Freeman, Richard Broke. Charles Darwin. 1. Darwin, Charles – Dictionaries, indexes, etc. 575′. 0092′4 QH31. D2 ISBN 0–7129–0901–X Archon ISBN 0–208–01739–9 LC 78–40928 Filmset in 11/12 pt Bembo Printed and bound in Great Britain by W & J Mackay Limited, Chatham [page 5] CONTENTS List of Illustrations 6 Introduction 7 Acknowledgements 10 Abbreviations 11 Text 17–309 [page 6] LIST OF ILLUSTRATIONS Charles Darwin aged 59 Frontispiece From a photograph by Julia Margaret Cameron Skeleton Pedigree of Charles Robert Darwin 66 Pedigree to show Charles Robert Darwin's Relationship to his Wife Emma 67 Wedgwood Pedigree of Robert Darwin's Children and Grandchildren 68 Arms and Crest of Robert Waring Darwin 69 Research Notes on Insectivorous Plants 1860 90 Charles Darwin's Full Signature 91 [page 7] INTRODUCTION THIS Companion is about Charles Darwin the man: it is not about evolution by natural selection, nor is it about any other of his theoretical or experimental work. -
The Project Gutenberg Ebook #35588: <TITLE>
The Project Gutenberg EBook of Scientific Papers by Sir George Howard Darwin, by George Darwin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Scientific Papers by Sir George Howard Darwin Volume V. Supplementary Volume Author: George Darwin Commentator: Francis Darwin E. W. Brown Editor: F. J. M. Stratton J. Jackson Release Date: March 16, 2011 [EBook #35588] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SCIENTIFIC PAPERS *** Produced by Andrew D. Hwang, Laura Wisewell, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (The original copy of this book was generously made available for scanning by the Department of Mathematics at the University of Glasgow.) transcriber's note The original copy of this book was generously made available for scanning by the Department of Mathematics at the University of Glasgow. Minor typographical corrections and presentational changes have been made without comment. This PDF file is optimized for screen viewing, but may easily be recompiled for printing. Please see the preamble of the LATEX source file for instructions. SCIENTIFIC PAPERS CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, Manager Lon˘n: FETTER LANE, E.C. Edinburgh: 100 PRINCES STREET New York: G. P. PUTNAM'S SONS Bom`y, Calcutta and Madras: MACMILLAN AND CO., Ltd. Toronto: J. M. DENT AND SONS, Ltd. Tokyo: THE MARUZEN-KABUSHIKI-KAISHA All rights reserved SCIENTIFIC PAPERS BY SIR GEORGE HOWARD DARWIN K.C.B., F.R.S. -
The Completion of John Bradfield Court and New Studentships: with Grateful Thanks to Darwinians Worldwide
WINTER 2019/20 DarwinianTHE The completion of John Bradfield Court and new studentships: with grateful thanks to Darwinians worldwide A New Portrait John Bradfield Court Nobel Laureate Eric Maskin is interviewed by Andrew Prentice NewS FOR THE DArwin COLLEGE COMMUNITY A Message from Mary Fowler Master Above: even wonderful years ago I followed someone who makes the world better. A wonderful The College’s new portrait Willy Brown as Master of Darwin. As you man, Willy is deeply missed not just here in Darwin, of Mary Fowler at its unveiling, with that of her may know, he died very unexpectedly in in Cambridge and in the UK, but around the world. predecessor Willy Brown August. Much-loved as Master, Willy was He gave his skills and knowledge freely. Fortunate behind. distinguished in labour economics and were those who worked with him, or were taught or industrial relations and a founder of the tutored by him, who experienced his generosity and Low Pay Commission. His work, which friendship. A full tribute to him is on page 10. was characterised by the use of statistics, and careful research, centred around the concept of Now I’m myself in my last year as Master (but S“fairness”. That reflected his own nature, modest, fair, certainly not my last year in Cambridge). September generous, kind, a man of integrity. He was a mediator, saw a ritual – the unveiling of my portrait. Darwin DarwinianTHE 2 members and friends gathered in the Dining Hall where the portrait was waiting, covered. Portraits “A wonderful man, Willy Brown is can be a controversial matter. -
Raverat's River Interactive
The River Cam According to Gwen Raverat Introduction Gwen Raverat, the granddaughter of naturalist Charles Darwin, was born and brought up in Cambridge and pursued an artistic path, including study at The Slade School of Fine Art, London. Her practice was, to a great extent, a diary of her life as a woman in the early and mid 1900’s, depicting scenes from her home city, of her husband, painter Jacques Raverat, as well as imagery from a short period living in the south of France. Substantial collections of her work rest in two Cambridge institutions, Murray Edwards College (Raverat’s work is part of the New Hall Art Collection) and The Fitzwilliam Museum. Working in paint and relief printmaking (usually woodcuts or wood engravings), Gwen Raverat paid great attention to detail and drew on her surroundings for her subject matter. The river Cam appears regularly in her works, as part of the landscape or as the central character of the works, taking the viewer’s eye under bridges and along the buildings of Cambridge. This publication sets out and maps a selection of Raverat’s work, pinpointing the location where she captured her chosen subjects. In the course of the research, discoveries and connections that have been found are noted alongside each work, together with relevant other material such as geographical and access information. Created as part of a project capturing contemporary visual responses to Raverat’s rivers, the publication forms a component of a wider enquiry entitled To The River. To The River is a public art commission to celebrate the story of the river Cam in Cambridge. -
(2021) (R)Evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf
McCracken, Saskia (2021) (R)evolutionary animal tropes in the works of Charles Darwin and Virginia Woolf. PhD thesis. https://theses.gla.ac.uk/82313/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] (R)evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf Saskia McCracken BA (Hons) MLitt Submitted in fulfilment of the requirements for the Degree of PhD School of Critical Studies College of Arts University of Glasgow July 2021 © Saskia McCracken 2021 1 Abstract This thesis is the first full-length study of Woolf’s preoccupation, across her writing, with Darwin’s works. I will draw on the recent animal turn in literary criticism to provide original insight into the politics of Darwin’s animal tropes, and Woolf’s Darwinian animal tropes. My central research questions are how, to what extent, and with what effect, did Woolf engage with Darwin’s works, particularly his animal tropes? I will make two key claims in this thesis. First, I will argue that Woolf’s engagement with Darwin’s works – particularly the critically overlooked Descent of Man (1871) – was more sustained, extensive, and subversive than previously recognised. -
Portrait of Emma Darwin by Charles Fairfax Murray
Matthew Turner Portrait of Emma Darwin by Charles Fairfax Murray Nineteenth-Century Art Worldwide 15, no. 1 (Spring 2016) Citation: Matthew Turner, “Portrait of Emma Darwin by Charles Fairfax Murray,” Nineteenth- Century Art Worldwide 15, no. 1 (Spring 2016), http://www.19thc-artworldwide.org/spring16/ new-discoveries-portrait-of-emma-darwin-by-fairfax-murray. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Turner: Portrait of Emma Darwin by Charles Fairfax Murray Nineteenth-Century Art Worldwide 15, no. 1 (Spring 2016) Portrait of Emma Darwin by Charles Fairfax Murray by Matthew Turner Though the Portrait of Emma Darwin (fig. 1), on loan to Darwin College, University of Cambridge, is not, strictly speaking, a “new discovery,” recent research of this little-known work has uncovered extensive evidence suggesting that it was painted by the artist Charles Fairfax Murray in 1887.[1] The portrait has long been owned by the Darwin Heirloom Trust, which identified it as “nineteenth-century English School”; recently, however, it has been attributed to Walter William Ouless.[2] This article aims at refuting that attribution by showing that the portrait was done by Murray instead. Fig. 1, Charles Fairfax Murray, Portrait of Emma Darwin, 1887. Oil on canvas. Darwin Heirloom Trust, on loan to Darwin College, University of Cambridge, Cambridge, UK. Photograph reproduced with the kind permission of Darwin College and the Darwin Heirloom Trust. [larger image] To begin, the initials “CFM,” frequently used by Murray to sign his paintings, are visible on the top-left of the canvas (fig. -
A Cambridge Atlas Beechnuts at Darwin B.A.Zanditon
1886 - 1574 Grange Newnham around land the of history A Chestnuts in Huntingdon Rd A Cambridge Atlas Beechnuts at Darwin B.A.Zanditon Much of the information in this atlas comes from Period Piece, A Cambridge Childhood by Gwen Raverat and inspired by A House by the River by Margaret Keynes (MK), Raverat’s sister who wrote a history of Newnham Grange Period Piece: A Cambridge Childhood, Endpiece for Darwin College. I have been helped by the librarians in the Cambridgeshire History section of the Cambridge Central Library and have had helpful conversations at the Folk Museum and with Alan by Gwen Raverat If you are looking at this atlas, you may be a reader of Brigham who gives guided tours of Cambridge – Town not Gown. My thanks to the gentlemen at Raverat’s book and wondered, as did I, about the final Trinity who facilitated my viewing of Monte Cobbeo in the Fellow’s Garden, and to a lovely illustration: someone in a broad brimmed hat being pushed Porter at St Catherine’s who talked with me about the Bull Hotel. down the road in a wheel chair with the dog, Sancho, trotting at Woodcuts their side. I’d assumed it represented an elderly relation until I I would most especially like to thank Kate, Danielle, Sophia and Denise at Darwin read Keynes’s book. She explains about her sister’s stroke College who were kind enough to talk with me and allow me generous access to the The chestnut (frontispiece) came from a tree growing on the which occurred as she was finishing her illustrations for the building and grounds. -
Darwin 2001/2 – Growth and Diversity
Newsletter of Darwin College Spring 2002 Darwin 2001/2 – Growth and Diversity Darwin College has received an all colleges (often due to candidates’ of China and Japan each have 13 unprecedented number of failure to raise the necessary funding). students and 27 countries have only a applications for this academic year. Unlike the airlines, colleges cannot offer single representative. Of the current This is in spite of looming concerns a night in a hotel or an upgrade to membership 41% are women, 40% about how changes in university business class if students will come study arts and 16% are married. All of funding mechanisms may hit back next year! So space has been these figures are the same as last Cambridge colleges – especially the found for all that do succeed in raising year. graduate colleges. There were 563 their funding – and the college thrives. The new Gates Scholarship applicants for the Michaelmas Term – Here are some statistics for the year Scheme may have contributed to the a 38% rise. The proportion actually 2001/2: 60% of the new students are record interest in Darwin and taking up their offers was also high from overseas (17% from the EU). Cambridge – Darwin has welcomed 7 which has created the largest Students come from 71 different Gates Scholars this year. However, this graduate membership ever. countries compared to 64 last year. Top is only a partial explanation for the The art of judging how many of the league table (numerically speaking) large number and high calibre of places to offer is akin to the problems are UK 227, USA 37, Germany 34, entrants. -
A Darwin Tribute
AUTUMN 2016 DarwinianTHE Professor Sir David MacKay FRS: A Darwin Tribute The Old Granary Entry under arms but over a badge, Darwin and Rayne Leo Howe retires News for the Darwin College Community A Message from Mary Fowler Master The Master with alumni in Canada few months ago, hiking in the Alps on a smile, enthusiasm and infectious ability to do-the- • Dr Tanya Hutter, Henslow Research Fellow, has The 2016 Darwin Lectures were on Games, covering wonderful clear sunny day, we came to math on any stray piece of paper whenever a bright been awarded a prestigious L’Oréal-UNESCO everything from politics (Baroness Warsi) to crime a lovely spot with an ominous name: the new idea surfaced. “The brightest mind in Cambridge” Fellowship for her work in developing a real-time and punishment (Nicky Padfield), to philosophy (A.C. End of the World. And yes, for those who was a comment often heard. His book Sustainable online sensor to measure molecular changes in Grayling), to war (Frank Ledwidge), to games for the are familiar with that oddest example of Energy Without the Hot Air is free online: there’s no the brains of acute head injury patients. brain (Barbara Sahakian), to games animals play (Nick ACambridge humour, the Hitchhiker’s Guide to the excuse not to read it! His knighthood in the New • Professor Russell Cowburn was awarded the Davies), to economics (Nobel prize-winner Thomas Galaxy, we did indeed visit the Restaurant Ende Year’s Honours, 2016 was a delight to the entire Royal Society’s Clifford Paterson Medal and Schelling). -
A Guide to Accommodation for Students in Darwin College
A Guide to Accommodation for Students in Darwin College 10 1 Contents 1. Accommodation at Darwin College 3 1.1 Application and Allocation 3 1.2 Pricing (single rooms) 3 1.3 Couples and Families 4 1.4 Definitions 5 1.5 Security 5 1.6 Fire Safety 6 1.7 IT network access and Wi-Fi 6 1.8 Medical rooms, disabled accessible rooms, ESA 7 1.9 Property inspections (Rooms and Flats) 7 1.10 Payment schedules 7 2. On-Site Accommodation 8 2.1 The Rayne Building 8 2.2 Newnham Grange 9 2.3 The Old Granary 10 2.4 Newnham Terraces 10 3. Off-Site Accommodation 13 3.1 Gwen Raverat House 14 3.2 The Malting House 14 3.3 45a 49a & 51 Newnham Road 15 3.4 5 Wordsworth Grove 16 3.5 2 Summerfield 16 3.6 Frank Young House 17 3.7 10 Barton Road 17 3.8 Hardwick House 17 3.9 Mount Pleasant Halls 18 4. Family Flats 18 4.1 One Bedroom Flats 19 4.2 Two Bedroom Flats 21 4.3 Two Bedroom Flats (with bunk beds) 22 5. Rules 23 Rent Bands and Charges 25 Appendix A: Sample Accommodation Licence (single rooms) 30 Appendix B: Sample Common Law Tenancy (flats) 34 10 2 Accommodation at Darwin College There are 314 single occupation rooms, 12 studios (single or couples) at Darwin for students, and 24 self-contained flats consisting of 15 one-bed flats and 9 couples/family flats. This Guide tells you more about this accommodation in order to enable you to make an informed choice when applying for accommodation. -
The Scientific Papers of Sir George Darwin Supplementary Volume
The Scientific Papers of Sir George Darwin Supplementary Volume Volume 5 George Howard Darwin Edited by F.J.M. Stratton and J. Jackson Downloaded from https://www.cambridge.org/core. National University of Singapore (NUS), on 08 Jul 2019 at 11:40:44, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9780511703515 CAMBRIDGE UNIVERSITY PRESS Cambridge New York Melbourne Madrid Cape Town Singapore São Paolo Delhi Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9781108004480 © in this compilation Cambridge University Press 2009 This edition first published 1916 This digitally printed version 2009 ISBN 978-1-108-00448-0 This book reproduces the text of the original edition. The content and language reflect the beliefs, practices and terminology of their time, and have not been updated. Downloaded from https://www.cambridge.org/core. National University of Singapore (NUS), on 08 Jul 2019 at 11:40:44, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9780511703515 SCIENTIFIC PAPERS Downloaded from https://www.cambridge.org/core. National University of Singapore (NUS), on 08 Jul 2019 at 11:40:44, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9780511703515 CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER Ionium: FETTER LANE, E.C. ioo PRINCES STREET £eto gorfe: G. P. PUTNAM'S SONS Bombag, Calcutta anti JEatom: MACMILLAN AND CO., LTD. -
Why a Sherlock Holmes Story?
Why a Sherlock Holmes story? My ‘February’ story was inspired by a wonderful photo of Frederick Leach (David Parr’s employer) and his assembled workers taken in 1882 on a day out to Clayhithe. The men are arranged in rows, like a college photo. (Clayhithe is a hamlet which sits next to the banks of the river Cam, approximately five miles North-North-East from the centre of Cambridge. Its pub, the aptly named ‘The Bridge’, has long attracted boatmen and rowers from the city and the university.) What makes the photo so appealing is the array of hats worn by the men. One man stands out from all the others because of his physique and his hat. The man is tall, has a Holmesian quality, and, most importantly, is the only one wearing a deerstalker. The wearer is none other than David Parr. What more inspiration does a writer need? Research revealed that both men were born in 1854. What were the chances! David Parr was born on 19th July 1854 and in Sir Arthur Conan Doyle’s ‘His Last Bow’, set in 1914, Sherlock Holmes is described as sixty years of age. His birthday is 6th January. What’s more, Sir Arthur Conan Doyle never specified where Holmes studied. There are references to "…the university…" in ‘The Gloria Scott’, ‘The Musgrave Ritual’, and the ‘The Adventure of the Three Students’, although the question of which one Holmes attended is open to debate. According to William S. Baring-Gould, in his ‘Sherlock Holmes of Baker Street’ (published in 1962), Holmes attended both based on textual evidence.