Blue Plaque Commemorates Gwen Raverat
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Charles Darwin: a Companion
CHARLES DARWIN: A COMPANION Charles Darwin aged 59. Reproduction of a photograph by Julia Margaret Cameron, original 13 x 10 inches, taken at Dumbola Lodge, Freshwater, Isle of Wight in July 1869. The original print is signed and authenticated by Mrs Cameron and also signed by Darwin. It bears Colnaghi's blind embossed registration. [page 3] CHARLES DARWIN A Companion by R. B. FREEMAN Department of Zoology University College London DAWSON [page 4] First published in 1978 © R. B. Freeman 1978 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher: Wm Dawson & Sons Ltd, Cannon House Folkestone, Kent, England Archon Books, The Shoe String Press, Inc 995 Sherman Avenue, Hamden, Connecticut 06514 USA British Library Cataloguing in Publication Data Freeman, Richard Broke. Charles Darwin. 1. Darwin, Charles – Dictionaries, indexes, etc. 575′. 0092′4 QH31. D2 ISBN 0–7129–0901–X Archon ISBN 0–208–01739–9 LC 78–40928 Filmset in 11/12 pt Bembo Printed and bound in Great Britain by W & J Mackay Limited, Chatham [page 5] CONTENTS List of Illustrations 6 Introduction 7 Acknowledgements 10 Abbreviations 11 Text 17–309 [page 6] LIST OF ILLUSTRATIONS Charles Darwin aged 59 Frontispiece From a photograph by Julia Margaret Cameron Skeleton Pedigree of Charles Robert Darwin 66 Pedigree to show Charles Robert Darwin's Relationship to his Wife Emma 67 Wedgwood Pedigree of Robert Darwin's Children and Grandchildren 68 Arms and Crest of Robert Waring Darwin 69 Research Notes on Insectivorous Plants 1860 90 Charles Darwin's Full Signature 91 [page 7] INTRODUCTION THIS Companion is about Charles Darwin the man: it is not about evolution by natural selection, nor is it about any other of his theoretical or experimental work. -
The Project Gutenberg Ebook #35588: <TITLE>
The Project Gutenberg EBook of Scientific Papers by Sir George Howard Darwin, by George Darwin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Scientific Papers by Sir George Howard Darwin Volume V. Supplementary Volume Author: George Darwin Commentator: Francis Darwin E. W. Brown Editor: F. J. M. Stratton J. Jackson Release Date: March 16, 2011 [EBook #35588] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SCIENTIFIC PAPERS *** Produced by Andrew D. Hwang, Laura Wisewell, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (The original copy of this book was generously made available for scanning by the Department of Mathematics at the University of Glasgow.) transcriber's note The original copy of this book was generously made available for scanning by the Department of Mathematics at the University of Glasgow. Minor typographical corrections and presentational changes have been made without comment. This PDF file is optimized for screen viewing, but may easily be recompiled for printing. Please see the preamble of the LATEX source file for instructions. SCIENTIFIC PAPERS CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, Manager Lon˘n: FETTER LANE, E.C. Edinburgh: 100 PRINCES STREET New York: G. P. PUTNAM'S SONS Bom`y, Calcutta and Madras: MACMILLAN AND CO., Ltd. Toronto: J. M. DENT AND SONS, Ltd. Tokyo: THE MARUZEN-KABUSHIKI-KAISHA All rights reserved SCIENTIFIC PAPERS BY SIR GEORGE HOWARD DARWIN K.C.B., F.R.S. -
Issues 1 – 71 Spring 2004 – Autumn 2021 NB the Number in Square Brackets Indicates the Andrews, Michael: the Life That Lives on Bailey, E
An Index to issues 1 – 71 spring 2004 – autumn 2021 NB The number in square brackets indicates the Andrews, Michael: The Life that Lives on Bailey, E. McDonald: If It’s Speed You’re After, Baum, L. Frank: The Wonderful Wizard of Oz, issue number of Slightly Foxed. Man, [14] 11 [62] 79 [39] 71 Angus, James Stout: A Glossary of the Shetland Bainbridge, Beryl: the novels of, [43] 26 Baynes, Jenny: article by, [1] 46 Dialect, [49] 36 Baker, J. A.: The Peregrine, [45] 31 Baynes, Pauline: illustrations of, [41] 44 Animals in fiction: Justin Cartwright on, Baker, Nicholson: The Everlasting Story of BB: see Watkins-Pitchford, Denys [1] 38 Nory, [35] 80; The Mezzanine, [69] 87 Beanland, David: article by, [53] 68 A Annan, Noel: Our Age, [63] 44 Bakewell, Sarah: article by, [49] 46 Beasant, Pamela: article by, [53] 76 Abbey, Edward: Desert Solitaire, [30] 82 Annesley, Horace: article by, [56] 75 Balchin, Nigel: The Small Back Room, Beauman, Nicola: The Other Elizabeth Taylor, Achebe, Chinua: Things Fall Apart, [22] 37 Anon.: Sir Gawain and the Green Knight, [24] 60; Mine Own Executioner [51] 58 [58] 46 Acknowledgements: Oliver Pritchett on, [60] 34 Baldwin, James: Giovanni’s Room, [6] 42 Becoming a writer: Tim Mackintosh-Smith [28] 90 Ardizzone, Edward: The Young Ardizzone, Banffy, Miklos: The Writing on the Wall: The on, [63] 89 Adam, Ruth: A House in the Country, [57] 46 [28] 14, [41] 6; & Gorham, Maurice: The Transylvanian Trilogy, [5] 54 Bede, Cuthbert: The Adventures of Mr Verdant Adams, Matthew: articles by, [44] 33; [47] 39; Local; Back to the Local, [28] 32 Bankes, Ariane: articles by, [3] 7; [5] 26; Green, [55] 7 [49] 51 Arlen, Michael: The Green Hat, [7] 27 [12] 62; [15] 36; [20] 18; [28] 64; [33] 77; Bedford, Sybille: A Legacy, [38] 45; A Visit to Adams, Richard: Watership Down, [54] 30 Arseniev, V. -
The Completion of John Bradfield Court and New Studentships: with Grateful Thanks to Darwinians Worldwide
WINTER 2019/20 DarwinianTHE The completion of John Bradfield Court and new studentships: with grateful thanks to Darwinians worldwide A New Portrait John Bradfield Court Nobel Laureate Eric Maskin is interviewed by Andrew Prentice NewS FOR THE DArwin COLLEGE COMMUNITY A Message from Mary Fowler Master Above: even wonderful years ago I followed someone who makes the world better. A wonderful The College’s new portrait Willy Brown as Master of Darwin. As you man, Willy is deeply missed not just here in Darwin, of Mary Fowler at its unveiling, with that of her may know, he died very unexpectedly in in Cambridge and in the UK, but around the world. predecessor Willy Brown August. Much-loved as Master, Willy was He gave his skills and knowledge freely. Fortunate behind. distinguished in labour economics and were those who worked with him, or were taught or industrial relations and a founder of the tutored by him, who experienced his generosity and Low Pay Commission. His work, which friendship. A full tribute to him is on page 10. was characterised by the use of statistics, and careful research, centred around the concept of Now I’m myself in my last year as Master (but S“fairness”. That reflected his own nature, modest, fair, certainly not my last year in Cambridge). September generous, kind, a man of integrity. He was a mediator, saw a ritual – the unveiling of my portrait. Darwin DarwinianTHE 2 members and friends gathered in the Dining Hall where the portrait was waiting, covered. Portraits “A wonderful man, Willy Brown is can be a controversial matter. -
Gwen and Jacques Raverat. Paintings and Wood-Engravings, De L.M
LM. Newman and D.A. Steel, Gwen and Jacques Raverat. Paintings and Wood-Engravings. University of Lancaster Library, [G.-B.], 1989, 70 p., 6 ±:1. par Michael TILBY En juin, 1989 quelques amateurs de l'oeuvre des Raverat, dont notre ami David Steel, ont eu l'heureuse idée de monter, dans le cadre du vingt cinquième anniversaire de l'Université de Lancaster, une importante exposition consacrée à la vie artistique de ces deux amis de Gide. Pour ceux qui n'ont pu s'offrir le plaisir de voir de leurs propres yeux les quelque 180 tableaux et gravures que les organisateurs ont réussi à rassembler pour le profit de leurs visiteurs, gidiens et autres, il reste toujours ce catalogue, guère moins précieux. Orné d'une sélection de gravures sur bois de Gwen Raverat fort intéressante (dont une de 1930 qui a pour sujet l'abbaye de Pontigny), le catalogue proprement dit est précédé d'une élégante et très riche introduction (due à D. Steel) et suivi d'une bibliographie qui, sans prétendre être exhaustive, sera désormais le point de départ essentiel pour quiconque aura en vue une étude biographique de ces deux conjoints dont les dons artistiques et intellectuels, pour être essentiellement complémentaires, furent loin d'être négligeables. Que Mme Newman et l'imprimerie de l'Université de Lancaster trouvent ici d'ailleurs l'expression de notre admiration devant la qualité de la production matérielle de cette belle brochure de 70 pages. On ne saurait guère reprocher aux docteurs Newman et Steel le fait de n'avoir réuni en tout que cinq tableaux de Jacques Raverat, d'autant plus que ceux-ci étaient en provenance tous les cinq de collections privées, donc très peu connus. -
Raverat's River Interactive
The River Cam According to Gwen Raverat Introduction Gwen Raverat, the granddaughter of naturalist Charles Darwin, was born and brought up in Cambridge and pursued an artistic path, including study at The Slade School of Fine Art, London. Her practice was, to a great extent, a diary of her life as a woman in the early and mid 1900’s, depicting scenes from her home city, of her husband, painter Jacques Raverat, as well as imagery from a short period living in the south of France. Substantial collections of her work rest in two Cambridge institutions, Murray Edwards College (Raverat’s work is part of the New Hall Art Collection) and The Fitzwilliam Museum. Working in paint and relief printmaking (usually woodcuts or wood engravings), Gwen Raverat paid great attention to detail and drew on her surroundings for her subject matter. The river Cam appears regularly in her works, as part of the landscape or as the central character of the works, taking the viewer’s eye under bridges and along the buildings of Cambridge. This publication sets out and maps a selection of Raverat’s work, pinpointing the location where she captured her chosen subjects. In the course of the research, discoveries and connections that have been found are noted alongside each work, together with relevant other material such as geographical and access information. Created as part of a project capturing contemporary visual responses to Raverat’s rivers, the publication forms a component of a wider enquiry entitled To The River. To The River is a public art commission to celebrate the story of the river Cam in Cambridge. -
The Auchincloss Collection of Fine Printing & Press Books
The Auchincloss Collection of Fine Printing & Press Books Catalogue o ne: a–D SoPhie SChneidemAn RARe BookS item 5 THE KENNETH AUCHINCLOSS COLLECTION OF FINE PRINTING & PRESS BOOKS catalogue one: a–d Including works from the allen, arion, ashendene, Barbarian, Bird & Bull, Bremer, Chamberlain, Colt, Cresset, Curwen & Doves Presses, as well as books illustrated and designed by thomas Bewick and W. a. Dwiggins SOPHIE SCHNEIDEMAN RARE BOOKS london If you are interested in buying or selling rare books, need a valuation or just hon- est advice please contact me at: SCHNEIDEMAN GALLERY open by appointment 7 days a week or by chance – usually Mon–Fri 11–2.30 331 Portobello Road, london W10 5Sa 020 8354 7365 07909 963836 [email protected] www.ssrbooks.com we are proud to be a member of the aba, pbfa & ilab and are pleased to follow their codes of conduct Prices are in sterling and payment to Sophie Schneideman Rare Books by bank transfer, cheque or credit card is due upon receipt. all books are sent on approval and can be returned within 10 days by secure means if they have been wrongly or inadequately described. Postage is charged at cost. eu members, please quote your vat/tva number when ordering. the goods shall legally remain the property of Sophie Schneideman Rare Books until the price has been discharged in full. Images of all the books are available on request and will be on the website 2 weeks after the catalogue has arrived. Set in emerson [designed by Joseph Blumenthal] and Sistina [designed by Hermann Zapf ] types. -
(2021) (R)Evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf
McCracken, Saskia (2021) (R)evolutionary animal tropes in the works of Charles Darwin and Virginia Woolf. PhD thesis. https://theses.gla.ac.uk/82313/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] (R)evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf Saskia McCracken BA (Hons) MLitt Submitted in fulfilment of the requirements for the Degree of PhD School of Critical Studies College of Arts University of Glasgow July 2021 © Saskia McCracken 2021 1 Abstract This thesis is the first full-length study of Woolf’s preoccupation, across her writing, with Darwin’s works. I will draw on the recent animal turn in literary criticism to provide original insight into the politics of Darwin’s animal tropes, and Woolf’s Darwinian animal tropes. My central research questions are how, to what extent, and with what effect, did Woolf engage with Darwin’s works, particularly his animal tropes? I will make two key claims in this thesis. First, I will argue that Woolf’s engagement with Darwin’s works – particularly the critically overlooked Descent of Man (1871) – was more sustained, extensive, and subversive than previously recognised. -
PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ
Blackwell Rare Books Blackwell rare books PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
EDITOR's CHOICE the Control of Nature Wallace, Darwin, and The
COMMENT BOOKS & ARTS ILLUSTRATIONS BY SEÑOR SALME BY ILLUSTRATIONS The Control of Wallace, Darwin, Nature and the Origin of John McPhee Species Farrar, Straus & Giroux: 1989. James T. Costa Icelandic lava, Mississippi Harvard Univ. Press: 2014. floodwater, San Gabriel Moun- tain mud studded with car-sized Did Charles Darwin and Alfred boulders, in Biblical quantities, Russel Wallace really come up gushing intermittently but with the idea of natural selec- inexorably, without surcease. tion simultaneously and inde- McPhee, a master of structure, pendently? Was it the same leaves his thesis unstated but idea? How did Darwin and his unmistakable: each of these ele- colleagues manage the delicate mental currents hurtles towards negotiation of co-presenting this a crushing central focus, a black concept to the public — without hole. The Control of Nature is Wallace’s knowledge? ironically titled, an allegorical, James Costa takes on these pitch-perfect triptych of futil- questions, and delves into the ity. In each locale — live vol- intellectual influences of the canoes in Iceland and Hawaii, two luminaries. (This book fol- the sliding mountains above lows two others by Costa for the Los Angeles, California, the Harvard University Press: The Atchafalaya swamp in Louisi- Annotated Origin (2011), a defin- ana — disaster is immanent. itive collection of facsimiles of The human inhabitants are in the first edition of Darwin’s 1859 denial, living where they should On the Origin of Species, and not. They dam, divert, sandbag, On the Organic Law of Change bulldoze, firehose and blockade, (2013), a facsimile of Wal- trying to stem the deadly flow. -
Read the Introduction
INTRODUCTION his photograph was taken in October 1949 at the National TBook League Gallery (NBL) in Albemarle Street, London, during the opening of the exhibition ‘Wood Engraving in Modern English Books’. It shows almost all the significant engravers of a generation. The bearded Robert Gibbings dominates the group at the front. To the left of him is the show’s bespectacled organiser, Tom Balston. Slightly further back at the left, another figure stands out just as much – because of his height, which means he is strongly caught by the light, and because of the thrust of his jaw and the angle of his head: Clifford Webb. Leon Underwood and Gwen Raverat (in her French gran’mere’s dress) are just in front of him. Lynton Lamb, a prominent illustrator, is just behind Balston’s shoulder, with George Mackley and Geoffrey Wales beyond him. Blair Hughes-Stanton is seen behind Gibbings, with, to the right, Dorothea Braby, Gertrude Hermes, Reynolds Stone and Noel Rooke. Why is Webb so little known compared to many of the others? In the 1930s, after the First World War, Webb’s reputation was as high as any up-and-coming artist could wish for. In 1949, the year of the NBL exhibition, Christopher Sandford, ever keen to sell his Golden Cockerel Press books, painted a romantic picture of the 54-year-old engraver, describing him as ‘tall, ruddy, grizzled and hail-fellow-well-met’. ‘I press him to stay the night,’ he goes Border Farm, aka Chesterholme, 1943–4 on, ‘but the wild calls to him … he drives away to pitch his tent 8 x 10 in | 123 x 110 mm on a wooded hill above the river’. -
DOUGLAS CLEVERDON 1903 - 1987 Email: [email protected]
MAGGS BROS LTD Catalogue 1446 2 MAGGS BROS LTD MAGGS BROS LTD, 50 Berkeley Square, London W1J 5BA Books from the library of Tel: 020 7493 7160 Fax: 020 7499 2007 DOUGLAS CLEVERDON 1903 - 1987 email: [email protected] Catalogue 1446 Bank Account: Allied Irish (GB), 10 Berkeley Square, London W1J5BA Sort code: 23-82-97 Account Number: 47777070 IBAN: GB94AIBK23839747777070 BIC: AIBKGB2L VAT number: GB239381347 Access/Mastercard and Visa: Please quote card number, expiry date, name and invoice number by mail, fax or telephone. EU members: please quote your VAT/TVA number when ordering. The goods shall legally remain the property of the seller until the price has been discharged in full. Items with an * are subject to VAT. Maggs Bros Ltd 2010 Front cover: See item 149 Back cover: See item 7 Contents: Part 1. Books page - As publisher and bookseller........................................................ 1 - As writer and broadcaster........................................................... 10 - Books from Cleverdon’s library - Eric Gill, David Jones, Desmond Chute and the S. Dominic’s Press............................ 12 - Other books from Cleverdon’s library..................................... 17 - Ephemera......................................................................................... 23 Part 2. Gill graphics.................................................................................... 24 Part 3. Jones graphics................................................................................. 49 Part 4. Other Prints & Engravings........................................................... 70 MAGGS BROS LTD 1 DOUGLAS CLEVERDON 1903 - 1987 ENGRAVINGS BY ERIC GILL 3 Pencil Design by Eric Gill for the cartouche of The Engravings of Eric Gill 1929. Part 1. Books. Signed with Gill’s monogram and date (18/6/'29). 61 x 86 mm. 1929. Note: most items have Cleverdon’s attractive small booklabel. £1200 Drawn directly by the artist on the letterpress colophon, to be later engraved and over-printed on the sheet.