Opinion Channeling Your Inner Olivia Pope What to Do When the Scandal Involves Your Company Or Your Client by Cari K
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JUDY SMITH Judy A. Smith Is the Founder and President of Smith
JUDY SMITH Judy A. Smith is the founder and President of Smith & Company, a leading strategic advisory firm with offices in Washington D.C., Los Angeles and New York. Over the last 25 years, Ms. Smith has brought her unique combination of communication skills, media savvy, legal and political acumen to clients facing a wide array of issues and challenges throughout the United States and abroad. Ms. Smith honed her skills through her experiences with some of the most historic and sensational events of our time, including the Iran Contra investigation, the prosecution of former Washington D.C. Mayor Marion Barry, the 1991 Gulf War, the Los Angeles riots, the President Clinton scandal involving Monica Lewinsky, the congressional inquiry of Enron, the General Petraeus CIA scandal, the Sony Corporation hacking crisis. Perhaps best known in media circles for her expertise as a crisis management advisor, Ms. Smith has served as a consultant for a host of high profile, celebrity and entertainment clients over the course of her career including, but not limited to, Monica Lewinsky, Senator Craig from Idaho, Congressman Jesse Jackson Jr., actor Wesley Snipes, NFL quarterback Michael Vick, celebrity chef Paula Deen and the family of Chandra Levy. In addition to her work as a communications advisor during high profile engagements, Ms. Smith also serves as a counselor to Fortune 500 corporations and has provided strategic advice on a variety of corporate communications issues such as mergers and acquisitions, product recalls, intellectual property litigation, corporate positioning, diversity and other challenges. She has assisted leading companies such as BellSouth, Union Pacific, Nextel, United Healthcare, Americhoice, Wal-Mart, Radio-One Inc., Waste Management Corporation, and American International Group, Inc. -
Cinematography for a Single-Camera Series (Half-Hour)
2018 Primetime Emmy® Awards Ballot Outstanding Cinematography For A Multi-Camera Series Alexa & Katie Ungroundable March 23, 2018 Alexa goes out of her way to prove she can't be punished. Jennifer surprises Jack with a backyard campout, but has a hard time getting him to unplug. Christian La Fountaine, ASC, Director of Photography The Big Bang Theory The Explosion Implosion October 16, 2017 Howard and Sheldon bond when they drive to the desert to shoot off a model rocket; When Leonard’s Mom finds a new best friend in Penny, it rubs Leonard the wrong way. Steven V. Silver, ASC, Director of Photography The Carmichael Show Support The Troops June 01, 2017 Jerrod gets into a fight with a soldier in front of Joe and Bobby. Joe tries to make it up to the soldier, but complications result. George Mooradian, ASC, Director of Photography Disjointed 4/20 Fantasy January 12, 2018 While the gang celebrates 4/20, Ruth helps Olivia with a contract, Pete loses confidence in his growing abilities, and Jenny and Carter share a secret. Peter Smokler, Director of Photography Fuller House My Best Friend's Japanese Wedding December 22, 2017 In Japan, Steve and CJ's wedding dishes up one disaster after another - from a maid of honor who's MIA to a talking toilet with an alarming appetite. Gregg Heschong, Director of Photography K.C. Undercover Coopers On The Run, Parts 1 & 2 July 15, 2017 - July 15, 2017 K.C. and the Cooper family of spies, along with K.C.'s Best Friend for Life, Marisa, are on the run from their arch enemy Zane in Rio de Janeiro, when they must take on - the fierce and slightly bizarre enemy agent Sheena, after capturing Passaro Grande, an exotic bird smuggler. -
Media Presentation of Women Power Strategy in Scandal Tv Series Season 7
MEDIA PRESENTATION OF WOMEN POWER STRATEGY IN SCANDAL TV SERIES SEASON 7 THESIS BY: KARUNIA MAULIDIA PERMATA SUGIARTO REG. NUMBER: A73216114 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES UIN SUNAN AMPEL SURABAYA 2020 ii iii iv v ABSTRACT Sugiarto, K.M.P., 2020. Media Presentation of Women Power Strategy in Scandal TV Series Season 7. English Department, UIN Sunan Ampel Surabaya. Advisor: Prof. Dr. Zuliati Rohmah, M.Pd. Keywords: gender equality, power strategy, women in leadership, women power, media presentation. This study aims to analyze the power strategy of women characters in Scandal TV Series Season 7. This television series mostly tells about the powerful women politicians who work and handle the scandalous cases. At season 7, there will be the four strong female characters that took the main role in this Scandal serial which are Olivia Pope, Mellie Grant, Quinn Perkins, and Abby Wheelan. The place setting mostly was taken on White House and the law firm called OPA (Olivia Pope & Asosiaciation), which is renamed to QPA (Quinn Perkins & Association). The author aims to analyze the power strategies of those four female characters in the Scandal TV Series Season 7. There are five types of power strategies of Thimm, C., Koch, SC, and Schey, S. (2003), which are order, direct request, threat, hierarchy, and demonstrating competence. This study uses a qualitative approach concerning the use of clear and systematic descriptions of the research being studied. Descriptive studies in the textual analysis were applied in this study to analyze conversations of female characters through the results of the transcript from the manuscript. -
Framing Female Leadership in a Television Drama Shanoiya S
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 2019 Framing Female Leadership in a Television Drama Shanoiya S. Clark University of North Florida Suggested Citation Clark, Shanoiya S., "Framing Female Leadership in a Television Drama" (2019). UNF Graduate Theses and Dissertations. 868. https://digitalcommons.unf.edu/etd/868 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2019 All Rights Reserved Framing Female Leadership in a Television Drama FRAMING FEMALE LEADERSHIP IN A TELEVISION DRAMA by Shanoiya S. Clark A thesis submitted to the School of Communication in partial fulfillment of the requirements for the degree of Masters in Communication Management UNIVERSITY OF NORTH FLORIDA COLLEGE OF ARTS AND SCIENCES April, 2019 Framing Female Leadership in a Television Drama ii Unpublished work © Shanoiya S. Clark Certificate of Approval The thesis titled “Framing Female Leadership in a Television Drama” is approved: (Date) __________________________ _______________ Dr. Margaret Stewart __________________________ _______________ Dr. Berrin Beasley Accepted for the Department of Communication: __________________________ _______________ Dr. John Parmelee Chair Accepted for the College of Arts and Sciences: __________________________ _______________ Dr. George Rainbolt -
A Historical/Critical Analysis of the Tv Series the Fugitive
A HISTORICAL/CRITICAL ANALYSIS OF THE TV SERIES THE FUGITIVE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David P. Pierson, B.S. Denton, Texas May, 1993 Pierson, David P., A Historical/Critical Analysis Of The TV Series The Fugitive. Master of Science (Radio/TV/Film), May 1993, 168 pp., bibliography, 70 titles. In many respects, the popular 1960's television series, The Fugitive perfectly captured the swelling disillusionment with authority, alienation, and discontent that soon encompassed American society. This historical/critical study provides a broad overview of the economic, social, and political climate that surrounded the creation of The Fugitive. The primary focus of this study is the analysis of five discursive topics (individualism, marriage, justice & authority, professionalism, science and technology) within selected episodes and to show how they relate to broader cultural debates which occurred at that time. Finally, this study argues that The Fui1gitive is a part of a television adventure subgenre which we may classify as the contemporary "wanderer-hero" narrative and traces its evolution through selected television series from the last three decades. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 The Sixties The Emergence of a Television Culture The Fugitive Notes on Methodology II. THE TV INDUSTRY AND THE FUGITIVE . 26 The Great Shift ABC-TV Network and the Creation of The Fugitive 60's Programming Trends and The Fugitive III. THE DISCURSIVE FUGITIVE . 70 Individualism Marriage Justice and Authority Professionalism Science and Technology Conclusion IV. -
In This Issue Features 2 WBA to Honor Judy Smith As Woman Lawyer of the Year Memories of Suzanne Richards Brand Yourself: Step 2—Why by Anne E
January/February 2014 In This Issue Features 2 WBA to Honor Judy Smith as Woman Lawyer of the Year Memories of Suzanne Richards Brand Yourself: Step 2—Why By Anne E. Collier, MPP, JD, PCC, Principal, Arudia Embracing Technology to Effectively Use eDiscovery By Kyle Albert, Managing Partner, Foxhound Information Management President’s Column 10 By Jessica E. Adler, WBA President WBA Foundation 11 WBA Foundation President’s Letter By Amy L. Bess, WBAF President WBA Foundation Donors Committee & Forum Highlights 13 Women’s History Month: A Conversation with the Honorable Gladys Kessler WBA Business Hour: Strategic Communication to Create Win-Win Results and Engage Clients and Colleagues through Coaching One-on-One Mentoring Program Update By Jennifer Mullins, Maria Mendoza & Svetlana Gans, Co-chairs, Mentoring Committee Communications Law Forum Hosts Another Successful Holiday Tea By Laura Mow, The Law Offices of Laura C. Mow; Co-chair, Communications Law Forum Member Spotlight: Diane Brenneman 18 Compiled by Mavis Gragg, Attorney, BuckleySandler LLP Member News 20 Horowitz Announces Launch of Attorney Talent Strategy Group Reifman now Senior Counsel Welcome New Members Upcoming Events 21 Raising the Bar Editorial Board Beth Davidson Gail Alivia Pierce Cynthia Hemphill Tiffany Wynn Staff Liaison: Steptoe & Johnson LLP Public Company Trow & Rahal, P.C. Crowell & Moring LLP Carol Montoya, CAE [email protected] Accounting Oversight Board [email protected] [email protected] [email protected] [email protected] Raising the Bar Newsletter January/February 2014 Features WBA to Honor Judy Smith as Woman Lawyer of the Year The Women’s Bar Association of and technical expertise on crisis the District of Columbia (WBA) management issues. -
Day 2 | Go Big Picture
DAY 2 | GO BIG PICTURE Welcome to Your Year of Impact and Day 2 of 31 days of living with impact. Olivia Pope is the hugely powerful White House ‘fixer’ in the hit TV series Scandal. Her team are unswervingly loyal, willing to go ‘over a cliff’ for her. When they don’t fully understand the reason behind what she’s asking them to do, they do it anyway. Why? Because they know she is one of the ‘good guys,’ bringing ‘light into the dark’. They are motivated by her vision. Their ‘over a cliff’ loyalty could not be bought with a bonus or pay rise. They have bought into Olivia’s vision. Her vision is their vision. Olivia Pope may be a TV character, but she is playing out a profound truth. If you are to have impact in the world, you must inspire others with your vision. You have to be beyond personal ambition. You have to be about more than ‘me.’ Your motivation must be about more than money. People will not ‘go over a cliff’ to make you more money. They will not follow you to make you more successful. They will follow you when your vision inspires them: when your vision becomes their vision. People will follow you over a cliff because you are leading the way for them to fulfill their vision. Your vision is also theirs. You are here with me because you share my vision. My vision is a world where good people play their part and make their contribution because right now the world needs good people to play their part. -
Dallas (1978 TV Series)
Dallas (1978 TV series) From Wikipedia, the free encyclopedia This article is about the original 1978–1991 television series. For the sequel, see Dallas (2012 TV series). Dallas is a long-running American prime time television soap opera that aired from April 2, 1978, to May 3, 1991, on CBS. The series revolves around a wealthy and feuding Texan family, the Ewings, who own the independent oil company Ewing Oil and the cattle-ranching land of Southfork. The series originally focused on the marriage of Bobby Ewing and Pamela Barnes, whose families were sworn enemies with each other. As the series progressed, oil tycoon J.R. Ewing grew to be the show's main character, whose schemes and dirty business became the show's trademark.[1] When the show ended in May 1991, J.R. was the only character to have appeared in every episode. The show was famous for its cliffhangers, including the Who shot J.R.? mystery. The 1980 episode Who Done It remains the second highest rated prime-time telecast ever.[2] The show also featured a "Dream Season", in which the entirety of the ninth season was revealed to have been a dream of Pam Ewing's. After 14 seasons, the series finale "Conundrum" aired in 1991. The show had a relatively ensemble cast. Larry Hagman stars as greedy, scheming oil tycoon J.R. Ewing, stage/screen actressBarbara Bel Geddes as family matriarch Miss Ellie and movie Western actor Jim Davis as Ewing patriarch Jock, his last role before his death in 1981. The series won four Emmy Awards, including a 1980 Outstanding Lead Actress in a Drama Series win for Bel Geddes. -
Thomas Nast's Crusading Legal Cartoons
GW Law Faculty Publications & Other Works Faculty Scholarship 2011 Thomas Nast's Crusading Legal Cartoons Renée Lettow Lerner George Washington University Law School, [email protected] Follow this and additional works at: https://scholarship.law.gwu.edu/faculty_publications Part of the Law Commons Recommended Citation Renée Lettow Lerner, Thomas Nast's Crusading Legal Cartoons, in 2011 Green Bag Almanac 59-78. This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in GW Law Faculty Publications & Other Works by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Under the Thumb Harper’s Weekly, Aug. 19, 1871 William Tweed’s thumb crushes New York City while New Jersey, in the foreground, prospers with industry, trade, homes, and a flourishing public school. ________________________________________________ THOMAS NAST’S CRUSADING LEGAL CARTOONS Renee Lettow Lerner† The cartoonist Thomas Nast (1840-1902) was in his heyday a political in- stitution, with each of his pictures helping to form public opinion. His influence reached its height with his relentless caricatures of Boss Tweed and the Tammany Hall Ring in New York City. In 1871, the Nation, edited by E.L. Godkin, proclaimed: “Mr. Nast has carried political illustrations during the last six months to a pitch of excellence never before attained in this country, and has secured for them an influence on opinion such as they never came near having in any country.”1 Nast contributed to American political and cultural iconography in many ways. -
Black Women and Scandal: Representation and Recognition in Crooked Spaces
BLACK WOMEN AND SCANDAL: REPRESENTATION AND RECOGNITION IN CROOKED SPACES By Leigh-Anne Kathryn Goins A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Sociology—Doctor of Philosophy 2015 ABSTRACT BLACK WOMEN AND SCANDAL: REPRESENTATION AND RECOGNITION IN CROOKED SPACES By Leigh-Anne Kathryn Goins Discourses surrounding Black femininity and Black women’s bodies often rely on racist and sexist narratives that define Black women as angry, emasculating, inhumanly strong jezebels. In 2012, a new series and possible disruption to the structure of structural and social exclusion in media emerged. Scandal, under the helm of Shonda Rhimes –head writer and executive producer of Grey’s Anatomy and Private Practice starred Kerry Washington as Olivia Pope, a political relations crisis manager for the Washington, DC elite. Pope, based on public relations crisis manager Judy Smith (former press aide to President George H. W. Bush) “handles” situations with her “gladiators in suits.” Conversations surrounding the prominence of Scandal pointed to Pope’s commanding presence, her beauty, and the dramatic and well-written script. Some noted the show and Pope’s representation as a high-powered Black woman –the first of her kind and the first Black female lead in 40 years– could change negative representations of Black women. Others argued her messy life and continued affair with the White Republican President constrained representations and positive recognition, and limited value associated with Black women. Through a Black feminist lens influenced by institutional ethnography and social citizenship, this dissertation focuses on digitally mediated (Internet) conversations that (fail to) positively recognize the image of Olivia Pope and place them in conversation with Black women’s narratives in order to understand the relationship between representation and positive value and recognition (social citizenship). -
The Conspiratorial Mode in American Television: Politics, Public Relations, and Journalism in House of Cards and Scandal
The Conspiratorial Mode in American Television: Politics, Public Relations, and Journalism in House of Cards and Scandal Patrick Jones, Gretchen Soderlund American Quarterly, Volume 69, Number 4, December 2017, pp. 833-856 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/680488 Access provided by University of Hawaii @ Manoa (21 Dec 2017 15:45 GMT) The Conspiratorial Mode in American Television | 833 The Conspiratorial Mode in American Television: Politics, Public Relations, and Journalism in House of Cards and Scandal Patrick Jones and Gretchen Soderlund irty little secrets always come out.” So says Olivia Pope, the beleaguered protagonist of ABC’s Scandal, and so says a 2015 “Dposter from the conservative student group Turning Point USA, which made news after the 2016 election for its “Professor Watchlist” of left-leaning, activist professors.1 In this poster, a close-up of Pope hovers above Turning Point USA’s signature slogan, “Big Government Sucks,” while smaller print references the Obama administration’s Fast and Furious and NSA scandals. Another Turning Point USA poster displays Netflix’sHouse of Cards protagonist, Frank Underwood, saying “the road to power is paved with hypocrisy and casualties.” From Scandal and House of Cards to Game of Thrones and The Hunger Games, Turning Point USA’s leaflets and posters take advantage of popular culture’s recent fascination with tyrannical leaders to drive home its libertarian message: big government cannot be trusted. The conservative group hopes there is slippage among audiences’ understanding of fictionalized dramas and the way we think about American government. -
Television Academy Awards
2018 Primetime Emmy® Awards Ballot Outstanding Single-Camera Picture Editing For A Drama Series Altered Carbon Force Of Evil February 02, 2018 Tortured by his captor, Kovacs taps into his Envoy training to survive. Ortega springs a surprise on her family for Día de los Muertos. Amy Fleming, Editor The Americans Dead Hand March 28, 2018 In the season 6 premiere of The Americans: it’s autumn, 1987, and as a major arms control summit looms, Elizabeth is pushed to her limits as never before. Philip, meanwhile, has settled into running the newly expanded travel agency – until an unexpected visitor makes a disquieting request. Amanda Pollack, Editor The Americans Start May 30, 2018 In the series finale, the Jennings face a choice that will change their lives forever. Dan Valverde, Editor Being Mary Jane Feeling Seen September 12, 2017 Mary Jane uncovers information about Justin's past that spins their love into a entirely new phase. Kara and Justin go head to head for the executive producer slot; Mary Jane learns that she has to become the deciding vote of choosing between Kara and Justin. Nena Erb, ACE, Editor Berlin Station Right Of Way November 05, 2017 The Station’s sting operation to catch the Far Right in an arms deal goes horribly awry, with Otto Ganz (Thomas Kretschmann) escaping. Meanwhile, Robert (Leland Orser) and Frost (Richard Jenkins) make plans to investigate the money trail behind the PfD’s nefarious dealings. David Ray, Editor Billions Redemption May 27, 2018 Axe explores an unappealing investment at a desperate moment. Taylor makes a personal compromise for business.