DOCSLIB.ORG

Comparing Scandal's Main Female Characters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Comparing Scandal's Main Female Characters Christelle Martine Abes FIRST LADIES: COMPARING SCANDAL’S MAIN FEMALE CHARACTERS Dissertação submetida ao Programa de Pós- Graduação em Letras Inglês e Literatura Correspondente da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestra em Letras. Orientadora: Profa. Dra. Cláudia Junqueira de Lima Costa Florianópolis 2017 Christelle Martine Abes FIRST LADIES: COMPARING SCANDAL’S MAIN FEMALE CHARACTERS Esta dissertação foi submetida ao processo de avaliação pela Banca Examinadora para a obtenção do título de Mestra em Letras e aprovada, em sua forma final, em 02 de Agosto de 2017, atendendo às normas da legislação vigente do Programa de Pós-Graduação em Letras Inglês e Literatura Correspondente da Universidade Federal de Santa Catarina. Florianopolis, 02 de agosto de 2017. _______________________________________________________ Pro. Dr. Celso Henrique Soufen Tumolo Coordenador do curso Banca Examinadora: _______________________________________________________ Profa. Dra. Cláudia Junqueira de Lima Costa Orientadora Universidade Federal de Santa Catarina _______________________________________________________ Prof. Dr. Raphael Albuquerque de Boer Universidade Federal do Rio Grande _______________________________________________________ Profa. Dra. Maria Rita Drumond Viana Universidade Federal de Santa Catarina ACKNOWLEDGMENTS Professor Claudia, my supervising professor, thank you for your guidance and feedback throughout this process. Professor Raphael, thank you for all your support, encouragement, and valuable feedback. Your help was fundamental to the accomplishment of this research. Professors Susana Funck, Viviane Heberle, and Anelise Corseuil, thank you for giving me the opportunity to finalize my research and believing in me. All the professors at PPGI, thank you for your classes and shared knowledge. My dear Masters colleagues, it was an honor to share this journey with you. May our friendship continue to grow beyond the walls of the university. My dear Querid@s, Duda, Pri, Leo, Nara, Rai, Dani, Yhan, Rapha, thank you for your constant support. Thank you for being the best friends a girl could have. To all my friends and people who have supported me throughout this journey, I sincerely thank you. Litiane, thank you is never enough. You are my rock and soul sister. Without you by my side, none of this would have come to light. My loving family, thank you for always being by my side, believing in me, and cheering me on. My love for you all is unconditional and I am the luckiest to have you in my life. Merci. ABSTRACT Since its arrival in the 1920s, television has been an important medium of communication. It gradually gained power and influence, and by the 1980s it was a common item of the household. Television series, a popular culture product, have been available since the 1940s. Due to their increasing importance, they have been a source of analyses of the representation of women and therefore a window into the many changes which have been occurring and the recurrence of some representations in society. Thus the objective of this research is to investigate the portrayal of the two main female characters in the United Statesian series Scandal: Olivia Pope and Mellie Grant. The specific objectives are to verify the characters progression, through their representation, in order to investigate whether Olivia becomes less empowered than Mellie as they evolve in the series. For this purpose, scenes from season one and five are used in the analysis which is carried out through the lens of intersectionality. Hence, I look at how empowered the characters are as well as if the black female character is less empowered than the white female one. Keywords: Television Series. Representation. Intersectionality. RESUMO Desde a sua chegada na década de 1920, a televisão tem sido um importante meio de comunicação. Foi gradualmente ganhando poder e influência, e na década de 1980 era um item comum nas casas. Séries de televisão, um produto da cultura popular, estão disponíveis desde a década de 1940. Devido à sua crescente importância, elas têm sido uma fonte de análise da representação das mulheres e, portanto, uma janela para as muitas mudanças que ocorreram e a recorrência de algumas representações na sociedade. Assim, o objetivo desta pesquisa é investigar o retrato das duas principais personagens femininas na série estadunidense Scandal: Olivia Pope e Mellie Grant. Os objetivos específicos são verificar a progressão dos personagens, através de sua representação, a fim de investigar se a Olivia se torna menos empoderada do que a Mellie à medida que evoluem na série. Para este fim, cenas das temporadas um e cinco são usadas na análise que é realizada através da perspectiva de interseccionalidade. Por isso, vejo o quanto as personagens estão empoderadas, e se a personagem feminina negra é menos empoderada do que o feminino branco. Palavras-chave: Séries de televisao. Representação. Interseccionalidade. LIST OF FIGURES Figure 1.1 (00:01) and Figure 1.2 (00:02) ________________________________ 48 Figure 1.3 (00:02) and Figure 1.4 (00:04) ________________________________ 48 Figure 2.1 (02:18) and Figure 2.2 (02:21) ________________________________ 54 Figure 2.3 (02:22) and Figure 2.4 (02:28) ________________________________ 55 Figure 2.5 (02:35) and Figure 2.6 (02:40) ________________________________ 56 Figure 2.7 (02:50) and Figure2.8 (02:57) ________________________________ 57 Figure 2.9 (03:04) and Figure 2.10 (03:15) _______________________________ 57 Figure 2.11 (03:34) and Figure 2.12 (03:48) ______________________________ 58 Figure 2.13 (18:08) and Figure 2.14 (18:16) ______________________________ 60 Figure 2.15 (18:21) and Figure 2.16 (18:24) ______________________________ 61 Figure 2.17 (18:26) and Figure 2.18 (18:30) ______________________________ 61 Figure 2.19 (18:35) and Figure 2.20 (18:40) ______________________________ 62 Figure 2.21 (30:23) and Figure 2.22 (30:35) ______________________________ 64 Figure 2.23 (30:39) and Figure 2.24 (30: 49) _____________________________ 65 Figure 2.25 (30:59) and Figure 2.26 (31:04) ______________________________ 66 Figure 2.27 (31:13) and Figure 2.28 (31:14) ______________________________ 66 Figure 2.29 (31:27) and Figure 2.30 (31:29) ______________________________ 67 Figure 2.31 (31:43) and Figure 2.32 (31:51) ______________________________ 68 Figure 2.33 (31:55) and Figure 2.34 (32:06) ______________________________ 69 Figure 3.1 (00:38) and Figure 3.2 (01:08) ________________________________ 77 Figure 3.3 (01:36) and Figure 3.4 (01:40) ________________________________ 78 Figure 3.5 (02:08) and Figure 3.6 (02:15) ________________________________ 79 Figure 3.7 (02: 30) and Figure 3.8 (02:50) _______________________________ 80 Figure 3.9 (02:52) and Figure 3.10 (02:56) _______________________________ 81 Figure 3.11 (03:02) and Figure 3.12 (03:13) ______________________________ 81 Figure 3.13 (03:30) and Figure 3.14 (03:43) ______________________________ 82 Figure 3.15 (04:12) and Figure 3.16 (04:25) ______________________________ 83 Figure 3.19 (04:51) and Figure 3.20 (04:58) ______________________________ 84 Figure 3.21 (15:06) and Figure 3.22 (15:08) ______________________________ 85 Figure 3.23 (15:27) and Figure 3.24 (15:28) ______________________________ 86 Figure 3.25 (15:46) and Figure 3.26 (16:12) ______________________________ 86 Figure 3.27 (16:21) and Figure 3.28 (16:24) ______________________________ 87 Figure 3.29 (01:13) and Figure 3.30 (03:12) ______________________________ 89 Figure 3.31 (12:46) and Figure 3.32 (12:51) ______________________________ 90 Figure 3.33 (21:30) and Figure 3.34 (21:43) ______________________________ 92 Figure 3.35 (22:39) and Figure 3.36 (22:40) ______________________________ 93 Figure 3.37 (23:11) and Figure 3.38 (23:29) ______________________________ 94 Figure 3.39 (23:49) and Figure 3.40 (23:58) ______________________________ 95 Figure 3.41 (24:35) and Figure 3.42 (24: 38) _____________________________ 96 Figure 3.43 (25:17) and Figure 3.44 (25:33) ______________________________ 97 Figure 3.45 (28:07) and Figure 3.46 (28:42) ______________________________ 97 Figure 3.47 (29:35) and Figure 3.48 (30:00) ______________________________ 98 Figure 3.49 (30:17) and Figure 3.50 (30:27) ______________________________ 99 TABLE OF CONTENT 1. CHAPTER I 17 INTRODUCTION 17 1.1. THE CONTEXT OF INVESTIGATION 18 1.2. THE SERIES 19 1.3. THE INVESTIGATION 21 1.4. THE SIGNIFICANCE 22 1.5. THE LITERATURE 23 1.5.1. Television Studies 23 1.5.2. Women on U.S. television series and Representation 27 1.5.3. Feminism and Intersectionality 32 1.5.4. Scandal 40 1.5.5. Film Analysis 46 1.6. THE PROCEDURES 49 1.7. THE STRUCTURE 49 2. CHAPTER II 51 SEASON ONE - “WE WERE ON THE SAME TEAM” 51 2.1. THE WORLD OF SCANDAL: FIRST ENCOUNTER 51 2.2. INTRODUCING OLIVIA AND MELLIE 54 2.3. “WE WERE ON THE SAME TEAM”: PORTRAYAL OF EMPOWERMENT 63 3. CHAPTER III 73 SEASON FIVE –”I LEFT FOR THE SAME REASON YOU STAYED” 73 3.1. THE WORLD OF SCANDAL: IN-BETWEEN SEASONS 73 3.2. REINTRODUCING OLIVIA AND MELLIE 76 3.3. “I LEFT FOR THE SAME REASON YOU STAYED”: PORTRAYAL OF EMPOWERMENT 91 4. CHAPTER IV 103 FINAL REMARKS 103 4.1. FIRST LADIES 105 4.2. FURTHER RESEARCH 108 WORKS CITED 111 17 1. CHAPTER I INTRODUCTION Television series first appeared in the late 1940s. Their presence in someone’s life will vary, however, most people have heard about it and most of them have seen at least one episode of a series. For me, television series have been in my life since my youngest years, starting with series like Hélène et les garçons (1992 – 1994), Premier baiser (1991 – 1995), Full House (1987 – 1995), Who’s the boss (1984 – 1992) or even Starsky and Hutch (1975 – 1979), and Chips (1977 – 1983).
Load more

Recommended publications
  • International 2016-2017
    COLLEGE OF CENTRAL FLORIDA PRESENTS INTERNATIONAL 2016-2017 All films will be shownFILM Tuesdays at 2 p.m. at the Appleton Museum ofSERIES Art, 4333 E. Silver Springs Blvd.,Ocala, and at 7 p.m. at the College of Central Florida, 3001 S.W. College Road, Building 8, Room 110. Films at the Ocala Campus are free and open to the public. Films at the Appleton are free to all museum and film series members; nonmembers pay museum admission. Films may contain mature content. September 13 November 15 “The Rocket” “Eye in the Sky” (NR, Laos/Poland, 2013, 96 min) (R, UK, 2014, 102 min) Ahlo, a 10-year-old boy, is blamed for a string of Helen Mirren stars as Colonel Katherine Powell, disasters. When his family loses their home in a UK-based military officer in command of a top Laos, they are forced to travel across the battle- secret drone operation to capture terrorists in Kenya. scarred country in search of a new home. In a Through remote surveillance and on-the-ground intel, last plea to try and prove he’s not cursed, Ahlo Powell discovers the targets are planning a suicide builds a giant explosive rocket to enter the most bombing and the mission escalates from capture lucrative but dangerous competition of the year the to kill. But as an American pilot is about to engage, Rocket Festival. As the most bombed country in a 9-year-old girl enters the kill zone, triggering an the world shoots back at the sky, Ahlo reaches to international dispute reaching the highest levels of the heavens for forgiveness.
    [Show full text]
  • Nature Writing in Romania During the Post-War and Post-Communist Period
    Emanuel Modoc Faculty of Letters, Babeș-Bolyai University Cluj-Napoca, Romania [email protected] NATURE WRITING IN ROMANIA DURING THE POST-WAR AND POST-COMMUNIST PERIOD Recommended Citation: Modoc, Emanuel. “Nature Writing in Romania During the Post-War and Post- Communist Period”. Metacritic Journal for Comparative Studies and Theory 3.2 (2017): https://doi.org/10.24193/mjcst.2017.4.04 Abstract: My proposal aims to investigate the changes in the Romanian literary discourse on nature and the effects of industrialization following the 1989 revolution in comparison to the ideological discourse of the post-war era. If Romanian post-war literary discourse is firmly tied to the underlying ideology of Communism, then any attempt to investigate the discourse on nature in this period must be made alongside a reading of the Communist discourse on nature. In this respect, the situation of Romanian post-1989 prose that contains aspects of the influence of Communist industrialization on nature provides an interesting case study on the effects of the post-industrial era on literature itself. Thus, my proposal will focus on a number of novels written after 1989 in an ecocritical mode of reading. Keywords: ecocriticism, nature, ideology, Romanian post-war literature, 1989 Revolution Seeing as Romanian post-war literary discourse is invariably subordinated to the Communist ideology, analysing nature writing, or any discourse on nature of this period for that matter, from an ecocritical perspective could be seen as both a productive and a fruitless endeavour. As paradoxical as it may seem, to talk about nature in Romanian Communism, and then to talk about the Communist discourse on nature implies a careful, exhaustive, and therefore productive analysis of its ideology.
    [Show full text]
  • Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
    Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
    [Show full text]
  • Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
    Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19
    [Show full text]
  • Police Misconduct As a Cause of Wrongful Convictions
    POLICE MISCONDUCT AS A CAUSE OF WRONGFUL CONVICTIONS RUSSELL COVEY ABSTRACT This study gathers data from two mass exonerations resulting from major police scandals, one involving the Rampart division of the L.A.P.D., and the other occurring in Tulia, Texas. To date, these cases have received little systematic attention by wrongful convictions scholars. Study of these cases, however, reveals important differences among subgroups of wrongful convictions. Whereas eyewitness misidentification, faulty forensic evidence, jailhouse informants, and false confessions have been identified as the main contributing factors leading to many wrongful convictions, the Rampart and Tulia exonerees were wrongfully convicted almost exclusively as a result of police perjury. In addition, unlike other exonerated persons, actually innocent individuals charged as a result of police wrongdoing in Rampart or Tulia only rarely contested their guilt at trial. As is the case in the justice system generally, the great majority pleaded guilty. Accordingly, these cases stand in sharp contrast to the conventional wrongful conviction story. Study of these groups of wrongful convictions sheds new light on the mechanisms that lead to the conviction of actually innocent individuals. I. INTRODUCTION Police misconduct causes wrongful convictions. Although that fact has long been known, little else occupies this corner of the wrongful convictions universe. When is police misconduct most likely to result in wrongful convictions? How do victims of police misconduct respond to false allegations of wrongdoing or to police lies about the circumstances surrounding an arrest or seizure? How often do victims of police misconduct contest false charges at trial? How often do they resolve charges through plea bargaining? While definitive answers to these questions must await further research, this study seeks to begin the Professor of Law, Georgia State University College of Law.
    [Show full text]
  • Bradley Whitford and Rob Lowe [Intro Music]
    The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach.
    [Show full text]
  • King, Michael Patrick (B
    King, Michael Patrick (b. 1954) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2014 glbtq, Inc. Reprinted from http://www.glbtq.com Writer, director, and producer Michael Patrick King has been creatively involved in such television series as the ground-breaking, gay-themed Will & Grace, and the glbtq- friendly shows Sex and the City and The Comeback, among others. Michael Patrick King. He was born on September 14, 1954, the only son among four children of a working- Video capture from a class, Irish-American family in Scranton, Pennsylvania. Among various other jobs, his YouTube video. father delivered coal, and his mother ran a Krispy Kreme donut shop. In a 2011 interview, King noted that he knew from an early age that he was "going to go into show business." Toward that goal, after graduating from a Scranton public high school, he applied to New York City's Juilliard School, one of the premier performing arts conservatories in the country. Unfortunately, his family could not afford Juilliard's high tuition, and King instead attended the more affordable Mercyhurst University, a Catholic liberal arts college in Erie, Pennsylvania. Mercyhurst had a small theater program at the time, which King later learned to appreciate, explaining that he received invaluable personal attention from the faculty and was allowed to explore and grow his talent at his own pace. However, he left college after three years without graduating, driven, he said, by a desire to move to New York and "make it as an actor." In New York, King worked multiple jobs, such as waiting on tables and unloading buses at night, while studying acting during the day at the famed Lee Strasberg Theatre Institute.
    [Show full text]
  • Toni Basil Concerts/Tours/Events
    Toni Basil Concerts/Tours/Events: Tina Turner Live 2008/2009 Associate Dir./Choreographer Tour Tina Turner "What's Love Got Choreographer To Do With It" Tour Bette Midler "Divine Co-Director/Choreographer Intervention" Bette Midler "The Showgirl Choreographer Caesars Palace, Las Vegas Must Go On" Bette Midler / Grand Opening Choreographer Harrah's Casino / Hammond, of Harrah's Casino Indiana Bette Midler "Kiss My Brass" Choreographer Tour Bette Midler "Miss Millennium" Dance Dir./Choreographer Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" '93-'94 Tour Bette Midler "Detour" Co-Director/Choreographer Bette Midler "Tour For New Co-Director/Choreographer Depression" Valora at the Troubadour 2010 Choreographer Lee Ann Womack 2002 Tour Director/Choreographer Erv Woolsey Company Enrique Iglesias "Escape" Director/Choreographer Tour Matchbox 20 1998 World Tour Choreographer Menudo "Reencuentro" Tour Choreographer Mi Bondo Toca David Lee Roth 1995 Road Choreographer Show Tour The Manhattan Transfer 1995 Choreographer Multi-Media Interactive Concept Show Shockin' The House at LA Director/Choreographer Festival Frankie Valli Las Vegas Show Choreographer Bolshoi Circus Japanese Tour Director/Choreographer 1993 David Bowie "Glass Spider" Co-Director/Choreographer Tour David Bowie "Diamond Dogs" Co-Director/Choreographer Tour Toni Basil at The Kitchen "A Director/Choreographer Decade in Street Dance" Toni Basil at The Roxy (Dir./Chor./Prod.) Toni Basil at The Fox Venice (Dir./Chor./Prod.) The Lockers at Radio City Director/Choreographer Music Hall Manhattan Transfer 1991 Tour Director/Choreographer Pee-Wee Herman at J.C. Co-Director/Choreographer J.C. Penny Fashion Show Penny Fashion Show Film: House Bunny Choreographer Dir.
    [Show full text]
  • JUDY SMITH Judy A. Smith Is the Founder and President of Smith
    JUDY SMITH Judy A. Smith is the founder and President of Smith & Company, a leading strategic advisory firm with offices in Washington D.C., Los Angeles and New York. Over the last 25 years, Ms. Smith has brought her unique combination of communication skills, media savvy, legal and political acumen to clients facing a wide array of issues and challenges throughout the United States and abroad. Ms. Smith honed her skills through her experiences with some of the most historic and sensational events of our time, including the Iran Contra investigation, the prosecution of former Washington D.C. Mayor Marion Barry, the 1991 Gulf War, the Los Angeles riots, the President Clinton scandal involving Monica Lewinsky, the congressional inquiry of Enron, the General Petraeus CIA scandal, the Sony Corporation hacking crisis. Perhaps best known in media circles for her expertise as a crisis management advisor, Ms. Smith has served as a consultant for a host of high profile, celebrity and entertainment clients over the course of her career including, but not limited to, Monica Lewinsky, Senator Craig from Idaho, Congressman Jesse Jackson Jr., actor Wesley Snipes, NFL quarterback Michael Vick, celebrity chef Paula Deen and the family of Chandra Levy. In addition to her work as a communications advisor during high profile engagements, Ms. Smith also serves as a counselor to Fortune 500 corporations and has provided strategic advice on a variety of corporate communications issues such as mergers and acquisitions, product recalls, intellectual property litigation, corporate positioning, diversity and other challenges. She has assisted leading companies such as BellSouth, Union Pacific, Nextel, United Healthcare, Americhoice, Wal-Mart, Radio-One Inc., Waste Management Corporation, and American International Group, Inc.
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • Scandal 301 FINAL
    EXEC. PRODUCER: SHONDA RHIMES EP.#301 EXEC. PRODUCER: BETSY BEERS EXEC. PRODUCER: MARK WILDING CO-EXEC. PRODUCER: JUDY SMITH CO-EXEC. PRODUCER: MARK FISH CO-EXEC. PRODUCER: PETER NOWALK CO-EXEC. PRODUCER: TOM VERICA SCANDAL “It’s Handled” Written by Shonda Rhimes Directed by Tom Verica FINAL DRAFT October 3, 2013 Prep Dates: 7/11/13 – 7/19/13 Shoot Dates: 7/22/13 – 8/1/13 -NOTICE- © 2013, ABC Studios. All Rights Reserved. This material is the exclusive property of ABC Studios and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without written consent of ABC Studios is strictly prohibited. SCANDAL “It’s Handled” CHARACTER LIST ABBY WHELAN CYRUS BEENE DAVID ROSEN HARRISON WRIGHT HUCK JAKE BALLARD OLIVIA POPE PRESIDENT “FITZ” FITZGERALD GRANT MELLIE GRANT QUINN PERKINS Charlie Ethan Flight Attendant Hal Rimbeau James Novak Jeannine Locke Mara Jones Navy Servicewoman Rowan Sally Langston Smug Cable Newswoman Tanner Shaw Tom Vanessa Chandler SCANDAL “It’s Handled” SET LIST INTERIORS INTERIORS (CONT’D) OLIVIA POPE & ASSOCIATES UNDISCLOSED LOCATION CONFERENCE ROOM OLIVIA’S OFFICE QUINN’S OFFICE EXTERIORS HALLWAY GARAGE AIRPLANE HANGAR LIMO OLIVIA POPE & ASSOCIATES ALLEY WHITE HOUSE HALLWAY D.C. STREET OVAL OFFICE CYRUS’S OFFICE WHITE HOUSE/NORTH LAWN BRIEFING ROOM BOWELS TUNNELS CONFERENCE ROOM RESIDENCE BULLPEN SALLY’S OFFICE PRIVATE PLANE AIRPLANE HANGAR MALLOY’S BAR BUNKER B613 HEADQUARTERS HALLWAY THE HOLE ROOM CYRUS AND JAMES’S BEDROOM SCANDAL: "It's Handled" 10-3-13 FINAL 1. SCANDAL "It's Handled" ACT ONE FADE IN: 1 INT./EXT.
    [Show full text]
  • Experiences in the Leadership Advancement of African American Women
    EXPERIENCES IN THE LEADERSHIP ADVANCEMENT OF AFRICAN AMERICAN WOMEN Lisa E. Dubose A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION December 2017 Committee: Patrick Pauken, Advisor Dalton A. Jones, Graduate Faculty Representative Paul A. Johnson Angela R. Logan Paul Christian Willis © 2017 Lisa E. Dubose All Rights Reserved iii ABSTRACT Patrick Pauken, Advisor The purpose of this dissertation was to examine the experiences in leadership advancement of African American women. Over 10 million African American women are in the civilian labor force (United States Department of Labor statistics, 2015)). The population of African American women with degrees having significantly increased over thirty years, with 264% more Bachelor’s degrees and 353% more Master’s degrees being earned, however barriers to opportunities continue to exist (Nooks-Wallner, 2008). Although anti-discrimination laws have existed since 1964, covert discriminatory patterns continue and are often entrenched in workplace systems, which prevent advancement opportunities (Cook & Glass, 2013) Phenomenology was the qualitative research method utilized for this study. Phenomenology is a scholarly study method that provides meaning-making, to more effectively comprehend the perspective of an individual or group of individuals. Meaning is gained through attaining data about situations or events surrounding a specific phenomenon. The intention is to determine how and why it influences others as it goes beyond the surface to gain depth. This study gathered data through various methods, such as an advance questionnaire, semi-structured interview protocol, review of participant leadership samples, and resumes/curriculum vitaes.
    [Show full text]