Copy of Tom Salese Library DVD 01318(2).Xlsx

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Copy of Tom Salese Library DVD 01318(2).xlsx Cat Tricks Number Magician DVD Titles Year(s) The Complete Cups and Cups and Balls 1 Ammar, Michael Balls Vol 1 & 2 1998 explains pencil thru quarter, linking headbands,coins thru silk,card on 1A Ammar, Michael Live! at the Magic Castle 1990 ceiling,Hifzinzer spread,deck vanish,rubber bands,bootle production, coin in 1B Bilis,Bernard Stars of Magic Bilis Switch, Watch my Watch,Really wild, cut and restored card Bobo- The Greater color changing dice, chinese money,tenkai pennies, 2 Bobo Magic Library vol 23 1987 coin vanishes, traveling quarters John Carney- Up Close and Far Away Logical Bill, coin in bottle, ring on stick,card in balloon, Stevens Magic presents 1991, color changing knives, strike up the band and more 3 Carney, John John Carney 1985 Tony Clark- Unmasks Behind the Seams- inner dove magic and routines 4 Clark, Tony secrets of dive magic 1988 Magic Castle rope, twice torn bill,borrowed bill book test, 2 Daryl Lecture- Daryl 1988 breakthrough, prof nightmare, bounce no bounce, Introduction; Playing Card Terms; Trick Break; Think Stop; One Way Backs; One Way Faces; Special Cards (Gimmicked); Special Cards (Ungimmicked); Gimmicked Card Stickers; Jumbo Gimmicked Cards Technical Terms; A Block; Cutting the Deck; Center Cut; Scarne Cut; Multiple Cuts; Pivot Cut; Swivel Cut; Shuffling the Deck; Overhand Shuffle; Hindu Shuffle; Asian Shuffle; Strip Shuffle; Rifle Shuffle; In the Hands Rifle Shuffle; Squaring the Deck; Dealing; FD Reverses the Order; FU (Stud) Maintains the Order; Group Deal; Necktie Deal; A Set Up (Stack); The Break; The Step; The Jog; Spreading the Deck; To Dribble the Cards; Palming a Card; The Control; The Crimp; The Force; The Multiple Lift; The Switch; The Change; The Color Change The Glide; The Standard Glide; As a Change; As a Control; As a Force (2 methods) The Push Up Touch; The Side Glide (2 methods); As a Glimpse; As a Multiple Force The Break; Little Finger Break; Under the Top Card (2 methods); Above the Bottom Card (2 methods) Multiple Buckle; Pull Down (or Encyclopedia of Card Buckle) Force; A Break from a Spread; Above Selection (to top); Below 2A Daryl Sleights VOL 1A 1996 Selection (to bottom); The Riffle Touch; The Dingle Dent; The Cardini ; From a Step to a Break The Jog; Out Jog; In Jog; Side Jog; Out Jog Cull; Duplex Cull (Steranko); Break Above Jog; Break Below Jog; Injog Encyclopedia of Card Double Cut (Steranko); Injog Double Cut Glimpse (Sternako); Injog Riffle 2B Daryl Sleights VOL 1B 1996 Shuffle Control; Diagonal Push Through (Steranko); Injog Jerry Andrus The Jog (Continued from Vol 1)-Automatic Jog #2; Automatic Jog #3; The Natural Jog; The Dribble Control; The Simon Card Control; Daryl's First Card Control: The Automatic Jog Control (Paul LePaul); The Dribble Touch (Daryl) The Crimp; Bottom Card Crimp; Single Card Bridge; One Hand Bottom Crimp (Arthur Buckley); Acethetics Crimp (Daryl); The Regular Crimp; The Bridge Location; Several Methods for Creating the Bridge The Overhand Shuffle; Overhand Shuffle Technique; Running Cards; Milking the Deck; The Double Milk; Overhand Shuffle Controls; Overhand Shuffle with Injog; Trick Break; The Clock Trick; Top Stock Control; Bottom Stock Control; The Back & Forth Shuffle Trick Break; Magician Fooler; The Divided Deck Shuffles; The Ireland Shuffle; The Cyclic Order; The Greek Shuffle (the Weave); The Charlier Shuffle (cyclic Encyclopedia of Card control); False Overhand Shuffles; G.W. Hunter Shuffle; The Optical 2C Daryl Sleights Vol 2 1996 Shuffle; The Charlier Shuffle (full deck control) The Hindu Shuffle; Copy of Tom Salese Library DVD 01318(2).xlsx False Cuts; Slydini; Oops!; Slip Cut; 1, 2, 3 False Cut; Erdnase 3 Packet False Table Cut; Up the Ladder Cut; Versatile 3 Packet Up the Ladder Riffle Shuffle; In the Air; Waterfall/Cascade Finish; Jerry Andrus Spring Shuffle; Spring Riffle; Jack Merlin Shuffle; Shuffle Sides; Table Riffle Shuffle; Closed Riffle Shuffle; Open Riffle Shuffle; Controlling Cards with the Riffle Shuffle; Maintaining the Top & Bottom Card; In the Hand Riffle Shuffle Glimpse; Erdnase Touch; Maintain Divided Deck; Triumph Shuffle (Dai Vernon); Push Through Shuffle The Glimpse/Peek; Hindu Shuffle Glimpse; Bubble Peek; Thumb Count; Phantom Peek; During Table Riffle Enckyclopedia of Card Shuffle; Bottom Card Buckle Peek; X-Ray Vision (Arthur Buckley); A New 2D Daryl Sleights Vol 3 1996 Glimpse; Step Peek Trick Break; Whispering Queens; Fan Peek (Arthur Locator Cards; The Crimp; Oops! (3 variations); "Stranger" Locator Card; Pencil Dotted Card; Short Card; Narrow Card; Concave Short Card; Corner Short Card (2 variations); The Tuned Deck (Burling Hull); Broken Corner (Ted Annemann); Thick Card (5 variations); Coin Impression Card (2 variations); Different Shades (3 variations); Punched Card; Long Card; Old Card in New Deck (2 variations); Slick & Rough Cards; Different Finishes Forcing; The Double Count Force; The 10 to 20 Force; The Cross Cut Force (Max Holden); The Cut Deeper Force (Ed Balducci); Marlo Subtlety; The So Simple Force (Lin Searles); The Handkerchief Force (Jean Hugard); The Hindu Shuffle Force; Tour de Force (Alex Elmsley); The Trevor Lewis Force; The Goldin Force; Charlier Cut Force (Daryl's variation); LePaul Bluff Pass; The Backslip (3 variations); Riffle Encyclopedia of Card Force The Class Force Single Card Controls; The Kelly Bottom 2E Daryl Sleights Vol 4 1996 Placement; The Tilt (Illusion of Depth) (Dai Vernon); The Tilt Finesse; The Multiple Card Controls (cont'd from Vol 4); The Multiple Shift (Arthur Buckley); The Multiple Shift (Frank Zak); The Multiple Card Control (Dai Vernon); Multiple Hofzinser Card Control The Spectator Peek; Psychological Play (Cy Endfield); In the Hands Riffle Shuffle; The Multiple Peek Control (Dai Vernon); The Peek Force; The Multiple Peek Force (Eddie Fechter); The Glimpse After Spectator Peek; Step Glimpse 1-4; The Pressure Fan Peek (Ed Marlo); Step Glimpse 5 (The Spring); A Deceptive Crimp Location (Paul LePaul); Another Peeked Card Crimp Fancy Counts; The Flip Over Count (Steranko); The Flip Over Deal; A Flourish Count (Dai Vernon); Fancy Flourish Count (Arthur Buckley); A Flourish Count #2; A Flourish Count Between Thumbs; The Flip Over Count #2; The Long Distance Spinner (Audley Walsh); The Martin Lewis Spinner Secret Counts; The Bevel Count; The Pinky Count (Steranko); The Thumb Count; Spread and Injog; The Sight Count from the Bottom The Multiple Lift; The Multiple Lift Get Ready (Several Methods); Multiple Encyclopedia of Card Lift #1; Dai Vernon Double Lift; Expert Card Technique Method; Marlo 2F Daryl Sleights Vol 5 1996 Double Lift Get Ready; The Instantaneous Double Lift (Dr. Jacob Daley); Copy of Tom Salese Library DVD 01318(2).xlsx The Secret Reverse (cont'd from Vol 5); The Larreverse for Several Cards; The Action Reverse (Steranko); The Steranko Center Reverse; Flopping the Deck (The Roll) Vanishes (from the deck); The Vanish (plus variations); Vanished and Reversed Speller; The Rub-A-Dub-Dub Vanish Vanishes (from a Small Packet); Trick Break; The Volte Face Plus; Stanley Collins Ace Vanish; Buckle (or Pull Down) Vanish; Fred Kaps Touch; To Vanish Any Card in a Five Card Packet; The Ascanio Spread; Daryl's High Priced Spread Trick Break; The Biddle Move To Vanish a Single Card; The Buckley Vanish Palming (Positions); The Magician's Palm (Full Palm); The Gambler's Flat Palm; The Rear Palm; The Tenkai Palm; The Longitudinal Palm Palming Single Cards; The Leipzig Bottom Palm; The Hugard Top Palm; The Right Hand Top Palm (Paul LePaul); The One Hand Top Palm Palming Multiple Cards; The Erdnase Bottom Palm; The Riffle Shuffle Palm; The Pivot Palm; The Riffle Shuffle Palm II (Dr. Jacob Daley); The Larry Jennings' Multiple Top Palm; The Diagonal Encyclopedia of Card Left Hand Palm (Paul LePaul); The Side Steal Miscellaneous Palming 2G Daryl Sleights Vol 6 1996 FalseTechniques; Displays A Useful(cont'd Aquitmentfrom Vol 6); (Paul The LePaul); Olram Subtlety Methods (Ed to Marlo)Help Conceal and variations; Eight-Card Brainwave; The Elmsley Count (Alex Elmsley) and variations; The Jordan Count (Charles Jordan) and variations; The Hamman Count (Brother John Hamman) and variations; The Gemini Count (Brother John Hamman) and variations; The Last Trick of Dr. Jacob Daley; the D.M. Count (Daryl, Hamman); The Combo Count (Daryl) False Dealing; The Strike Second and variations; The Double Push Off and variations; The LePaul Second Deal and variations; The One-Handed Turnover Second Deal and variations; The Second Deal (Dai Vernon); The One Hand Turnover Bottom Deal; One-Hand Method (dealing the card face down); The Open Double Deal (Ed Marlo) Color Changes; The Bottom Palm Color Change and variations; The Impossible Color Change; The Malini Color Change; The Erdnase Two- Handed Transformation; Daryl's Multiple Erdnase Two-Hand Transformation; The Fan Cover Color Change (Daryl) and variations; The Encyclopedia of Card Spooner Change (Bill Spooner) 2H Daryl Sleights Vol 7 1996 Switches & ChangesChanges; (cont'd The Mexican from Vol Turnover; 7); The FlickerThe Mexican Change Turnover (John Top; Cornelius) and variations; The One-Handed Bottom Deal Change (Daryl); The Eidetic Change (Marlo/Cornelius) The Top Change; The Mechanics and Several Tips; Several Methods for Misdirection; A Different Grip for the Top Change Packet Switches; The Bottom Drop Off Switch (Brother John Hamman); Stiff to Snapper (Blackjack Change); The Braue Add-On (Fred Braue); and variations; Ace Assembly; Ambitious Aces and variations; Rising
Recommended publications
  • Dal Sanders President of the S.A.M

    Dal Sanders President of the S.A.M

    JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner
  • The Magic Collection of David Baldwin

    The Magic Collection of David Baldwin

    Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B.
  • William Zavis Papers Finding

    William Zavis Papers Finding

    The William Zavis Papers prepared by Lenge Hong and Kat Masback fpliia 1 w\ 1JTJWHW nPf "'"Jf'' 'fl Conjuring Arts Research Center New York City : 2007 William Zavis finding aid.doc -1 Title: William Zavis Papers Span Dates: 1970-1993 Bulk Dates: 1973-1979 Accession No.: 2000.18 Creator: Kalush, William Extent: 2 linear feet. Language: English Repository: Conjuring Arts Research Center Finding Aid Prepared By: Lenge Hong and Katrina Masback Finding Aid Prepared Date: 7/12/2007 Provenance / Processing History: Related Material: Ask Alexander Status: Collection is not available via Ask Alexander. Copyright Status / Restrictions on Use: Please consult the librarian for further details. Preferred Citation: Researchers wishing to cite this collection should include the following information: container number, William Zavis Papers, Conjuring Arts Research Center, New York City. Scope and Content: Collection consists mainly of Zavis' correspondence with other magicians, societies, and magic supply houses, many based in the United Kingdom and Europe. Collection also includes instruction sheets for effects designed by Zavis, and assorted memorabilia. Search Terms: Zavis, William. Magicians. United States. 20th century. Magic tricks. Series List / Series Descriptions: The collection contains only one series. William Zavis finding aid.doc - 2 Container List box series folder description 1 1 William Zavis correspondence 1 James Alfredson (2); Anthony (1); Jack Avis (5); Roy Baker (5); Donald Bevan (30); Joe Berg (1); J. Birnman (1); George Blake (4); Bill Boley (1); John Braun (5); Martin Breese (3); Ken Brooke (7); TimBryson(l); Terry/Norma Burgess (1); Jeff Busby (8) 2 William Zavis correspondence 2 Carboni/Carbonita (2); Al Cohen (5); Leslie Cole (5); Alan Cracknell (1); Father Cyprian (1); L.
  • LISA MENNA a Superstition by Chloe Olewitz PHOTO by JACQUE

    LISA MENNA a Superstition by Chloe Olewitz PHOTO by JACQUE

    LISA MENNA a Superstition By Chloe Olewitz PHOTO BY JACQUE MENNA Lisa, age 17, performing for Muhammad Ali at the 1982 Desert Magic Seminar Lisa Menna was one of the last to compete at the Las Vegas Desert Magic Seminar’s open close- up session in 1982, when she was 17 years old. It was a long day, and she remembers how the checked-out audience had perked up at the sight of a young woman in a white, form-fitting, knit dress. Waiting in the wings before her set, Menna noticed a celebrity sitting in the front row that no one had called on yet. She decided to go for it, and walked straight toward him to ask, “Could you please come help me?” Whatever attention she had gotten for being a gender anomaly in the 20- person close-up competition was dwarfed by the fact that the girl had just picked Muhammad Ali. When he joined her on stage, Menna doubled down on her carefree clown character. “Hi! My name’s Lisa! What’s your name?” She had no idea that her feigned innocence would get such a big reaction. “My name’s Joe,” Ali responded. “Joe Frazier.” More laughter. “Gosh Joe, you sure have big hands,” Menna said. The room erupted. Menna was born in Connecticut in 1964. When she was four years old, her family relocated to St. Louis, where she encountered magical clown Steve “Ickle Pickle” Bender at her older brother’s birthday party. When she was seven, Menna received her first magic set as a gift from her mother, who during her own youth had mailed in 57 Popsicle wrappers collected over the course of a single summer in exchange for a set of multiplying billiard balls.
  • MAGIC-Artikel.Pdf

    MAGIC-Artikel.Pdf

    JANUARY 2012 U.S. $6 PIT H A R T L I N G THE MOST SUCCESSFUL GERMAN MAGICIAN IN HIS WEIGHT CLASS! BY RICHARD HATCH The Giersch Museum, on the south bank of the Main River in the heart of Frankfurt’s museum district, is a renovated three-story neo- classical villa built in 1910. Its primary mission, since opening as an art museum in September 2000, has been to showcase artists with a con- nection to the region but whose importance transcends the region’s boundaries. To carry out its mission, it generally stages two major exhibi- tions annually. The current exhibit focuses on the Italianate landscapes of Carl Morgenstern (1811–1893), one of the city’s most success- ful and renowned 19th-century painters. But recently the museum hosted the first of a planned series of performances showcasing another kind of artist: Frankfurt-based magi- cian Pit Hartling. The son of a hospital’s head doctor and the executive secretary to the CEO in charge of licensing of Disney products in Germany, Pit was born on January 25, 1976, in the village of Nieder-Erlenbach, now a section of Frankfurt. PIT Eight years later, Pit discovered an old magic set in his maternal great-aunt Emma’s basement. “There was no one particularly interested in magic in the family,” Pit recalls. “Why she had H A R T L I N G that old magic set is somewhat of a mystery.” The wooden props made fascinating playthings. This discovery was the start of an increasingly obsessive interest in conjuring.
  • Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación

    Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación

    Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad
  • Attention and Awareness in Stage Magic: Turning Tricks Into Research

    Attention and Awareness in Stage Magic: Turning Tricks Into Research

    PERSPECTIVES involve higher-level cognitive functions, SCIENCE AND SOCIETY such as attention and causal inference (most coin and card tricks used by magicians fall Attention and awareness in stage into this category). The application of all these devices by magic: turning tricks into research the expert magician gives the impression of a ‘magical’ event that is impossible in the physical realm (see TABLE 1 for a classifica- Stephen L. Macknik, Mac King, James Randi, Apollo Robbins, Teller, tion of the main types of magic effects and John Thompson and Susana Martinez-Conde their underlying methods). This Perspective addresses how cognitive and visual illusions Abstract | Just as vision scientists study visual art and illusions to elucidate the are applied in magic, and their underlying workings of the visual system, so too can cognitive scientists study cognitive neural mechanisms. We also discuss some of illusions to elucidate the underpinnings of cognition. Magic shows are a the principles that have been developed by manifestation of accomplished magic performers’ deep intuition for and magicians and pickpockets throughout the understanding of human attention and awareness. By studying magicians and their centuries to manipulate awareness and atten- tion, as well as their potential applications techniques, neuroscientists can learn powerful methods to manipulate attention to research, especially in the study of the and awareness in the laboratory. Such methods could be exploited to directly study brain mechanisms that underlie attention the behavioural and neural basis of consciousness itself, for instance through the and awareness. This Perspective therefore use of brain imaging and other neural recording techniques. seeks to inform the cognitive neuroscientist that the techniques used by magicians can be powerful and robust tools to take to the Magic is one of the oldest and most wide- powers.
  • Here Are Many Heroes of the Skeptical Movement, Past and Present

    Here Are Many Heroes of the Skeptical Movement, Past and Present

    THE COMMITTEE FOR THE SCIENTIFIC INVESTIGATION OF CLAIMS OF THE PARANORMAL AT THE CENTER FOR INQUIRY-INTERNATIONA! (ADJACENT TO THE STATE UNIVERSITY OF NEW YORK AT BUFFALO) • AN INTERNATIONAL ORGANIZATION Paul Kurtz, Chairman; professor emeritus of philosophy. State University of New York at Buffalo Barry Karr, Executive Director Joe Nickell, Senior Research Fellow Lee Nisbet, Special Projects Director FELLOWS James E. Alcock,* psychologist. York Univ., Thomas Gilovich, psychologist, Cornell Univ. Dorothy Nelkin, sociologist, New York Univ. Toronto Henry Gordon, magician, columnist, Joe Nickell,* senior research fellow, CSICOP Steve Allen, comedian, author, composer, Toronto Lee Nisbet* philosopher, Medaille College pianist Stephen Jay Gould, Museum of Bill Nye, science educator and television Jerry Andrus, magician and inventor, Comparative Zoology, Harvard Univ. host, Nye Labs Albany, Oregon Susan Haack, Cooper Senior Scholar in Arts James E. Oberg, science writer Robert A. Baker, psychologist, Univ. of and Sciences, prof, of philosophy, Loren Pankratz, psychologist Oregon Kentucky University of Miami Stephen Barrett, M.D., psychiatrist, author, C. E. M. Hansel, psychologist Univ. of Wales Health Sciences Univ. consumer advocate, Allentown, Pa. Al Hibbs, scientist. Jet Propulsion Laboratory John Paulos, mathematician. Temple Univ. Barry Beyerstein, * biopsychologist, Simon Douglas Hofstadter, professor of human W. V. Quine, philosopher, Harvard Univ. Fraser Univ., Vancouver, B.C., Canada understanding and cognitive science, Milton Rosenberg, psychologist. Univ. of Irving Biederman, psychologist, Univ. of Indiana Univ. Chicago Southern California Gerald Holton, Mallinckrodt Professor of Wallace Sampson, M.D., clinical professor Susan Blackmore, psychologist, Univ. of the Physics and professor of history of science, of medicine, Stanford Univ. West of England, Bristol Harvard Univ.
  • January 2020!! Oakland Magic Circle Newsletter Official Website: Bjornson Hall, 2258 Macarthur Blvd., Oakland, CA 94602

    January 2020!! Oakland Magic Circle Newsletter Official Website: Bjornson Hall, 2258 Macarthur Blvd., Oakland, CA 94602

    January 2020!! Oakland Magic Circle Newsletter Official Website: www.OaklandMagicCircle.com Bjornson Hall, 2258 MacArthur Blvd., Oakland, CA 94602 . $20 non-members Brad Henderson is perhaps best known for his analytical approach to creating magic and an explanation of this approach will be the foundation and framework of his lecture.Using tricks as needed for illustrative purposes, he will discuss JANUARY MEETING-Tuesday, January 7, valuable ways of approaching magic, share 2020 theories and strategies that are essential to the 6:00pm- Doors Open- Come early to share creation of magic that reaches the level of an art ​ ​ form. Brad’s goal will be to provide you with ideas, effects and news informally. Free back knowledge that should allow you as a magician to issues of Linking Ring magazine. ​ ​ progress, improve and ultimately realize your own Complimentary cookies, coffee and tea. creative visions. 7:00- Business meeting, and Good of the ​ ​ Order News and Announcements 7:30ish: Break "If you've ever encountered Brad Henderson in an ​ on-line discussion, you'll know that he has very 8:00- BRAD HENDERSON LECTURE ​ strong opinions, and is not afraid to express them Free for 2020 paid OMC Members emphatically. If you see him perform, you'll realize Oakland Magic Circle January 2020 Newsletter that he backs up everything he says: Brad walks background he brings to his powerful lecture. the walk, to the benefit of his audiences."- Max ​ Maven Brad’s LIVE ACT on Penguin Magic has generated ​ ​ ​ responses like these: "Brad Henderson has shown me, time and time again, how much he truly cares about magic.
  • David Copperfield PAGE 36

    David Copperfield PAGE 36

    JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25
  • The Underground Sessions Page 36

    The Underground Sessions Page 36

    MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From
  • Genii Speaks Richard Kaufman Contact Us by Calling 301-652-5800, E-Mailing Genii@Geniimagazine.Com Or Surfing Our Website At

    Genii Speaks Richard Kaufman Contact Us by Calling 301-652-5800, E-Mailing [email protected] Or Surfing Our Website At

    Genii Speaks Richard Kaufman Contact us by calling 301-652-5800, e-mailing [email protected] or surfing our website at www.geniimagazine.com OUR COVER THIS MONTH features returning trick critic Danny Orleans, Joe M. Turner, and one of the most creative young magicians I’ve the ever-eloquent Eric Mead. seen in decades: Arthur Trace. His stage act, which has won the I.B.M. Gold Medal, is origi- On the Road: The weather is fairly cool here in Las Vegas in nal, ingenious, and refreshing. It centers around late February, but the World Magic Seminar has kept me an abstract painting, involves the manipulation inside the Orleans hotel pretty much from the moment I of cards and balls, and has a pretty funky jazz arrived and so the chilly nights have gone unnoticed. I did soundtrack in the background. John Lovick tells manage to sneak out and, with Walter Graham, went to us all about Artie, then David Acer describes see Penn & Teller’s show at the Rio the other night. It was seven of Artie’s clever routines using ropes, cups and balls, a lot of fun and except for two or three pieces, complete- a paintbrush, and some very fine card magic. Arthur has ly different than the show I saw several years ago when placed video demonstrations of the tricks that appear in they came through Washington, D.C. Teller performed a Genii on his website at www.the-doppler-effect.com. • Ice remarkable version of “The Miser’s Dream” where he McDonald has been a fearsome force in the world of stage scooped small handfuls of water from a large clear aquari- magic and we’ve all seen the cool image he presents um and the water turned into coins, first one at a time and onstage—Paul Critelli takes us behind the performance then handful by handful.